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Fall 2015 FIU Real Estate Developers Luncheon featuring Moss & Associates
September 24, 2015 | Rusty Pelican Restaurant | Miami, FL
Learn more at: realestate.fiu.edu
The iPhone apps developer is in a comfortable state – how long he stays that way is debatable. With competition breathing down the neck, it’s no time for complacency. As they say, Apple should “pull up their socks” and strive to maintain, if not, better their product portfolio. For the developers, they should be prepared to work with and for evolving platforms.
ref.: www.allvoices.com/contributed-news/14258716-if-you-are-an...
Mobile android developer ideas really are a curious commodity. Some appear destined for glory before they’re even performed. Others make time to mature and want refinement the entire way with the development process.
The minds themselves may come from numerous places. For many developers, ideas fall in the sky like apples shedding from the tree. For other people, it requires experience to determine solutions where others see only problems.
What should you can’t watch for gravity to start working? Have you got the abilities and time but deficiencies in direction? Take a look at these pointers for picking out original mobile application ideas within a few minutes.
1. Solution-Based Application Ideas
Among the best ways to generate mobile android developer ideas is to produce a solution for any problem people face within their everyday lives.
First, you have to identify an issue that you simply experience regularly. Are you able to consider a strategy to get this to problem less prominent? If you're able to, you very well may be at the bottom of the new application idea. Can this solution be performed by having an application? If the reply is yes, then there’s a high probability you’re onto something. The final factor you need to think about is do others have a similar problem too? If the solution to this is yes, then you've a good idea for any new application.
mobile_application_ideas_5
This can be a common method for creating newly discovered apps and companies generally. It really works mainly because android developer encourages you to check out things basically. It’s much simpler to repair a fundamental problem than to generate an intricate and brand-new idea. And when you realize the issue yourself, then you’re inside a good position to repair it.Canvsly is a superb illustration of this method. The application was produced by Amit Murumkar.
My first experiments with a low-contrast, home-made push developer.
The formula comes from a patent by Anneman that probably was a precursor to the now unobtainable Perfection XR-1 developer. Perfection XR-1 seems to have been based on POTA and was capable of pushing ultra-fine grain and microfilms by two stops while keeping grain small and contrast acceptable. In a discussion of the patent, Gainer suggested a variant that is a concentrate and that replaces the hydroquinone and sulphite in the original by ascorbic acid.
It is that concentrate that I have tried to recreate and test. My recipe was:
Dissolve in 100ml of hot triethanolamine
Phenidone 3.8g
Metol 0.6g
Ascorbic Acid 2.3g
Borax 1.9g
and allow to cool. The concentrate is a pale straw colour.
I convinced myself that a good starting point for a film like Bluefire Police film would be a dilution of 1+200 for 60 minutes at 20C stand developed. That's what I have done for the four images posted here.
This first image shows a scene as it came out of the scanner and, for comparison, the same after the contrast had been slightly reduced in Photoshop.
As a first attempt with the developer I'm pleased with it. Points worth noting I think are:
- minimal or no base fog, despite the 60 min stand
- a working temp of 20C, as opposed to Perfection XR-1 that typically had to be used at 30C or higher
- minimal grain: I can't see it at the scanning resolution I used (4800dpi on an Epson Perfection V700)
- stand processing, rather than frequent agitation
- about 2 stops push over the box speed, which for Bluefire must be about EI 20 or possibly less.
I also got a more moderate contrast using this Anneman-Gainer developer than I did using Bluefire's own, so I count that as a success. The results came out looking like Rollei Retro 80S when I develop it in Rodinal, but if anything finer-grained and with slightly less contrast.
This is obviously not the optimal dilution/timing/method for this developer, but I think it shows promise and it is very, very easy and cheap to make. It would be great if I could encourage anyone else to play with it.
I hope to expose some Rollei ATP 1.1 tomorrow, weather permitting, and try the same time and dilution on that.
Feel free to link to this post if you know any other discussion groups or websites where it might be of interest.
Zorki 1 with Jupiter-12
Bluefire Police film @ 80
Stand dev in Anneman-Gainer developer 1+200 for 60 mins, 30s initial inversions + 1 inversion @ 30mins.
ADDED: The ATP 1.1 needs something stronger that 1+200 / 60 mins. When I get some more I'll try 1+100 for the same time.
Place North West reports that developers have until 14 June 2019 to put themselves forward to partner with Salford City Council and the University of Salford to deliver the area’s ambitious 240-acre Crescent masterplan.
After trailing the masterplan last year and launching it at the MIPIM property conference in Cannes this March, the university and council have formally launched the tender process to find a development partner or a consortium to help build out the site.
This covers much of the University of Salford’s existing campus, areas around the Crescent, Peel Park, and Frederic Road North.
Overall, the University’s estate extends north and south of The Crescent, taking in the listed elements of the Musuem & Art Gallery, to Salford Crescent station and includes green spaces at the Meadows, Peel Park and the David Lewis Sports Ground.
Under the timeline set out by the council, university, and its advisor CBRE, expressions of interest will conclude on 14 June; following this, “a select number of bidders” will be invited to talk with the council and university between July and October, with a preferred bidder to be named by the end of the year.
Architect 5plus has worked with the council and the University of Salford on the masterplan, which is split into five areas. These are:
Adelphi: Low to medium density housing including new family housing with gardens, a new apartment building and the potential conversion of Adelphi House to residential. This area could also be the location for a primary school.
The Crescent: A new residential district supported by local neighbourhood stores and independent cafes and restaurants. Around 1,200 homes are already on site or are consented in the area.
The Crescent is to include the gateway, using the listed assets The Old Fire Station, Salford Museum and Art Gallery, Peel Hall, Joule House and the Working Class Movement Library, along with a new conferencing and events centre at Maxwell Hall.
Peel Park: New development would be concentrated on the Frederick Road and Peel Park campus with three new buildings for The School of the Built Environment; The Salford Business School and a new Digital Learning Commons. There is the potential for further expansion on a plot behind the Peel Building and proposals for 700 more student bed-spaces.
Health Village: The opportunity for a health village set within landscaped realm providing health, science and technology related teaching and research clustered around the existing University provision in Health, Midwifery and Nursing. GP practices and existing services would be developed.
There is also the potential for a new transport interchange at Salford Crescent Station with a new concourse and bridge to the Peel Park Campus.
Innovation District: The main employment area within the masterplan, offering incubation and enterprise space to start-ups and SMEs. Current low-quality business units would be demolished to make way for flexible buildings that could respond to the needs of technology and industry and help drive innovation and collaboration.
The masterplan is also being supported by a council bid for Homes England Housing Infrastructure Fund backing in the region of £20m.
Mayor of Salford Paul Dennett said: “This masterplan is not just about development, it is about cultural development, placemaking and economic growth in the creation of a place where people will want to live, work, visit and study.
“With established and extensive parkland and soulful heritage assets, there is an unprecedented scale and depth of place-making and cultural ambition in Salford that defines this area.
“We are looking for a private sector partner who understands the unique social and economic impact that this development will have and who recognises the city’s ambition for inclusive growth and development which benefits the people of Salford.
“We will want to know they recognise and understand the unique social value opportunities afforded by these developments, local jobs and training as well as the supply chain and explain how they can best be delivered through inventive processes and partnership working.
“The district aspires to be a beacon of planning and design, incorporating modern infrastructure and R&D. If it is done right, we have an opportunity to drive the kind of development and approach to place-making here that could be a model cross the world.
“The future in Salford is exciting and this ambitious masterplan will bring new jobs, homes and opportunities for now and future generations.”
San Francisco, California.
Yahsica 124G camera, Ilford HP5 film shot and developed at rated speed in Kodak HC-110 at 1+30 concentration for 5 minutes.
This is a poster I did to advertise a job opening for web developers at dffrnt. I will be putting this up at various teaching centres in my city to attract some young talent. Also, the dffrnt logo has a new style. All dffrnt artwork will have this new style from now on. (Photo taken with iPhone.)
Visit us and drop a comment at our site: www.dffrnt.com
The developers' project website is at: 15dalkeithroad.consultationonline.co.uk/
Feedback via this site required by Friday 22nd July 2022.
Twentieth Century Society critique: c20society.org.uk/news/development-threat-for-category-a-...
Scottish Widows Fund and Life Assurance Society head office, Dalkeith Road, Edinburgh, by Basil Spence, Glover & Ferguson (1972) on the site of the publisher Nelson’s old printing works close to Holyrood Park. Landscape consultant Sylvia Crowe. Officially opened in 1976 and won a RIBA award in 1977.
Hexagonal structure said to echo the igneous rock structures of the nearby Salisbury Crags and Arthur’s Seat. It is worth looking at the aerial view of the 12 hexagons on Multimap www.multimap.com/s/i7NnHx08
The school building to the right in this shot is Preston Street Primary School (1897) by JA Carfrae and R Wilson for Edinburgh School Board.
In 2020 parent company Lloyds Banking Group reassigned 2,200 employees from these offices to other locations in Edinburgh with unused space.
www.edinburghnews.scotsman.com/news/people/scottish-widow...
In May 2022 Schroders Capital Real Estate announced they hope to open up the site to allow the development of a new, high quality residential quarter as well as offering a renovated 21st century 'green' office complex. Corran Properties stated the building's footprint would be reduced. Morgan Architects is developing a vision and proposing solutions to bring the building up to 21st century standards.
www.edinburghnews.scotsman.com/business/edinburgh-real-es...
The Scottish Widows Fund and Life Assurance Society head office, including landscaping, moat and boundary walls was Category A listed in 2006.
portal.historicenvironment.scot/designation/LB50213
Spence, Glover & Ferguson, 1972-76 (John Hardie Glover and John Legge, partners-in-charge charge; Norman Arthur, project architect; Dame Sylvia Crowe, landscape architect; structural engineers, Ove Arup & Partners).
2022 consultation: 15dalkeithroad.consultationonline.co.uk/
Hidden Door Festival event space 2023: www.scotsman.com/whats-on/arts-and-entertainment/edinburg...
St. John's Asylum was built in 1852 and closed in 1989, leaving the remaining walls home to over 130 years of history.
This place is a pretty famous site for urbex-ers, but as developers progress with their work to turn this huge site into housing, the floors have rotted away and the finer details are all disappearing.
Not long left until this all vanishes...
St. John's Asylum was built in 1852 and closed in 1989, leaving the remaining walls home to over 130 years of history.
This place is a pretty famous site for urbex-ers, but as developers progress with their work to turn this huge site into housing, the floors have rotted away and the finer details are all disappearing.
Not long left until this all vanishes...
St. John's Asylum was built in 1852 and closed in 1989, leaving the remaining walls home to over 130 years of history.
This place is a pretty famous site for urbex-ers, but as developers progress with their work to turn this huge site into housing, the floors have rotted away and the finer details are all disappearing.
Not long left until this all vanishes...
Developer:
500ml water
Instant Coffee 8 Tsp
Washing Soda 4 Tsp
Ascorbic Acid 2/3rd Tsp
6ish mins at room temp.
Fix:
Tetenal C-41 Blix solution
2ish mins, warmed.
Results: Bad! Rescued somewhat via Photoshop.
Film scanner for first time in months ... years.
Minolta 800si AF camera with 50/1.7 Tri-X/Sprint
Both film and developer well past "sell by date"
Floriade, Commonwealth Park, as seen from the ferris wheel.
Mamiya C220 TLR camera, Mamiya-Sekor 65mm f/3.5 lens, Fomapan 100 black-and-white negative film, Tiffen yellow 12 filter, Adox Adonal developer at 1:50 for 8 minutes.
self-made stickers.
tribute for the box art of Google Developer Day 2009.
some photos are at keropuni.blogspot.com/2011/03/developer-2009.html
( update : white eyes )
Blog | Twitter | TAP-Photography | Formspring
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Tobias Ellinghaus hands... but once he saw me, he start taking pics :P
Day 2 at Vienna
02 May 2012
Artist....The King of Chalices card suggests that my power today lies in emotional availability. I inspire, protect and nurture with reliable compassion, respect, and affection. I am a master in the art and am secure enough in my role to connect to, express and pursue my hearts desire while defending the greater good of those who rely on me. I am empowered by consistency and patience while trust is my gift or Holy Grail.