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Camera: Honeywell Pentax Spotmatic F
Lens: Asahi Super-Takumar 1.4/50
Filter: None
Film: FP4 @125
Developer: Rodinal 1+200 (2+400)
120 Min. @ 70°
Stand Development - Agitation first minute only.
Scanned from caffenol print on Ilford WTRC
Microtek ScanMaker 6100
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/6899396719/in/photolis...
Kiev 6C, Biometar 80/2.8, 6×6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200
This is a scan of a 120 film negative that was shot with a Mamiya C220 on Kodak Tr-X 400. I was developed with Rodinal R09 OneShot developer and Film Photography Project Fixer in a Paterson Tank. Scanned on a Epson V600 scanner with a custom made masks to include the film edges.
Olympus 35RC
Ilford HP5+ 400 @800
Developed 13:30 @16C in a homemade ascorbic developer.
2 grams ascorbic acid
5 grams sodium carbonate
0.2 grams metol
1L water.
We have finally released the Developer Kit for our mesh heads!
Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/
Hasselblad 500C/M | Planar 80mm f/2.8 | Arista EDU Ultra 100 | Weston Master II | Beutler
Dev.: Beutler (1+1+10) | 21° C | 10'
Stop: Water + Acetic Acid | 3'
Fix: Kodak (Recycled) | 20'
Scan: B&W |16-bit Greyscale@ 1200 dpi |
Rome, wooden toys shop near the Pantheon.
April 2017.
Shot with a Minolta TC-1 35mm film camera, Kodak Tri-X 400 in Diafine, exposed here at ISO 1250.
Developed 5min+5min with 10 sec. agitation every minute, to reduce bromide drag.
Scanned at an equivalent 8000 dpi with a stitching/macro setup and resized to 16 Mpxls.
This was my first test roll with this legendary film/developer combo, I shot this scene straight into the light to test the dynamic range and compensating effect of the two bath developer.
Highlight control is superb but shadows are very thin as expected for such an high ISO setting.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
Berlin-Weißensee, Jewish Cemetary
There are three Jewish Cemeteries in Berlin, all of them in the former Eastern half (Well, geographically they are still in the East;-) ). All of them survived the Nazi regime, and the last war.
While the smallest and most centrally located one is (from a photographer's point of view) rather unspectacular, the other two in Prenzlauer Berg and Weißensee are enchanted spots of morbid beauty. The larger of the two is the Weißensee one, hosting a good part the burial sites of the German elite before the 1930s.
Untouched for nearly a century and overgrown in many parts there is a special sense of transcendence and dignity to this place.
Voigtländer Bergheil 9x12, Foma Retropan 320 in Foma Retro Secial Developer
Rollei 35 Sonnar 2,8 - 40mm
Fomapan100@100 ISO
Moersch Eco Developer
Semi-stand developing 50 min.
DSLR digitized.
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
Photograph Details:
Camera: Chamonix 8x20
Lens: Schneider 305mm G-Claron
Film: Kodak TXT 320 (2003)
Developer: Pyrocat-HD
Development Type: Brush
Print: Contact
Paper: Adox Lupex
Paper Developer: PF130
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
Camera: diy 13x18cm
Lens: Fujinon 160mm SW
Fomapan100 sheet13x18cm
Developer: Adonal 1:50
Scanner: Epson V500
Leica M4-2 with Summarit 35 2.5 and RPX Maco 400 in hcB.
Lith 8x10 print, AGFA Brovira paper in Lith Arista AB Premium liquid developer.
2016. Moscow.
Leica MP
Leica Elmarit 28mm f/2.8 III
Adox Silvermax
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
For Processing BW Film - Not For Drinking!
The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.
filmphotographystore.com/products/darkroom-supplies-caffe...
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FPP D96 BW Developer (Powder to make 1 Gallon)
filmphotographystore.com/collections/darkroom-supplies/pr...
The Film Photography Project brings you FPP D96 BW negative developer powder in handy packages that makes 1 Gallon of developer when mixed with water.
Long considered the go-to BW developer for the motion picture industry, D96 is a highly adaptable lower contrast film developer that enables you to increase the contrast by increasing your developing time or agitation. We’ve tested this developer with cinema films like FPP X2 (Eastman Double-X), FPP Blue Sensitive BW, ORWO Cinema Film and FPP LOW ISO BW and standard BW photography films like Kodak Tri-X, T-Max, Ilford FP4 and HP5 films to stunning results.
Powder Makes 1 Gallon of Developer
Long Shelf Life
Develop up to 50+ rolls
Average development time 7-8.5 minutes
This developer has a very long life, when you mix the gallon, you can store it on a one gallon jug OR store it in 4 one quart bottles. If you store in 4 separate 1 quart bottles, as you use it and the contrast begins to lower, start a second fresh bottle, and save the first one for extremely contrasty lighting or films. We recommend using it as a stock developer, use it without diluting and pour it back into your quart container for re-use.
What about diluting and using as “one-shot”?
You can also dilute it 1:1, but make sure you use fresh, unused stock for this and do not reuse this combination, it is one-shot. This developer will begin to lose contrast with use rather than completely exhaust.
The package makes 1 gallon of developer, which is about a 50% savings over buying it by the litre and if you store it in 4 one quart bottles it’s like getting 3 developers in 1, stock for re-use, stock for dilution for one-shot and a lower contrast bottle of used stock for hard lighting and high contrast films!
We are testing with many films but have found a lot to fall within 7 to 8.5 minutes. Massive Developing chart has a D96 developer option as well. Many report getting at least 50+ rolls from this quantity.
Here are starting times for some of our favorite films.
FILM ISO TEMP TIME
100Tmax 100 68F 7 minutes & 30 seconds
400Tmax 400 68F 8 minutes
TMZ3200 3200 68F 12.5 minutes
FPP Low ISO BW 6 68F 7 minutes
FPP SONIC BW 25 68F 8 minutes
Ferrania P30 80 68F 9 minutes
X2 (Double-X) 200 68F 7 minutes & 30 seconds
400 TX 400 68F 8 minutes
Orwo UN54 100 68F 5 minutes & 30 seconds
Orca B/W Lomo 100 68F 6 minutes
FP4 125 68F 8 minutes
HP5 400 68F 9 minutes
FPP Blue Sensitive 6 68F 7 minutes & 30 seconds
Polypan F 50 68F 9 minutes
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
too many days of grey and gloomy skies. Toronto downtown
self developed, kodak t-max 400
t-max developer 1+4, 6:45 minutes at 23C
An old experiment in the photography developing process. The darker marks are where the developer has been spraying or brushed on to the photopaper. The white lines are from the actual photograph.
Visit my website at www.markchadwick.co.uk to see more of my work. Thanks for viewing!