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As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Fair in Alcalá, Spain.
October 2017.
Shot with a Minolta TC-1 35mm film camera, Kodak Tri-X 400 exposed ISO 200, double development:
- Rollei Low Speed (GC 512) 1+4, 13 min. at 24°C then
- Diafine 3min+3min st 24°C
I love the way this film/developers combo copes with extreme exposure latitude while preserving brilliance and luminance.
Scanned at an equivalent 8000 dpi with a stitching/macro setup and resized to about 30 Mpxls, then cropped.
No sharpening or noise reduction applied.
File available in original size.
Leica-M6 TTL 0.72. Rangefinder.
Elmarit-M 1:2.8/21mm ASPH.
Kodak T-Max 100asa. Developer Kodak T-Max 1+4 20º 7 1/2 min.
Nikon Super Coolscan 5000 ED
Thank you everyone for your visit, favorites and comments
Merci à tous pour votre visite, favoris et commentaires
Marseille van 1 mei T/M 8 mei.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder,Serial Number 1395533
Leica-M 6 TTL 0.72 1998 Rangefinder Serial Number 2466527
Leica-M6 TTL 0.85 2001 Rangefinder Serial Number 2755204
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
I shoot whole roll of Fomapan 400 (at 1600) in Świnoujście... but surprisingly NOTHING came out. Film was completely blank... and I have no idea what I've done wrong.
Also, this frame is somewhat scratched - I had huge problem with putting this Rollei Retro roll to developer tank.
Minolta Dynax 4
Maxxum AF 50mm 1.7 lens + PZO Warszawa OG4 (yellow/orange) filter
Rollei Retro *)S + Rodinal 1:50 for ~14min (~20 celcius)... and I think it's a bit overdeveloped.
Look for our FPP Newsletter tomorrow February 5th. Our latest developer (D96) is in-the-house!
Photo courtesy of Mark O'Brien.
For Processing BW Film - Not For Drinking!
The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.
filmphotographystore.com/products/darkroom-supplies-caffe...
All the news that fits...
FPP D96 BW Developer (Powder to make 1 Gallon)
filmphotographystore.com/collections/darkroom-supplies/pr...
The Film Photography Project brings you FPP D96 BW negative developer powder in handy packages that makes 1 Gallon of developer when mixed with water.
Long considered the go-to BW developer for the motion picture industry, D96 is a highly adaptable lower contrast film developer that enables you to increase the contrast by increasing your developing time or agitation. We’ve tested this developer with cinema films like FPP X2 (Eastman Double-X), FPP Blue Sensitive BW, ORWO Cinema Film and FPP LOW ISO BW and standard BW photography films like Kodak Tri-X, T-Max, Ilford FP4 and HP5 films to stunning results.
Powder Makes 1 Gallon of Developer
Long Shelf Life
Develop up to 50+ rolls
Average development time 7-8.5 minutes
This developer has a very long life, when you mix the gallon, you can store it on a one gallon jug OR store it in 4 one quart bottles. If you store in 4 separate 1 quart bottles, as you use it and the contrast begins to lower, start a second fresh bottle, and save the first one for extremely contrasty lighting or films. We recommend using it as a stock developer, use it without diluting and pour it back into your quart container for re-use.
What about diluting and using as “one-shot”?
You can also dilute it 1:1, but make sure you use fresh, unused stock for this and do not reuse this combination, it is one-shot. This developer will begin to lose contrast with use rather than completely exhaust.
The package makes 1 gallon of developer, which is about a 50% savings over buying it by the litre and if you store it in 4 one quart bottles it’s like getting 3 developers in 1, stock for re-use, stock for dilution for one-shot and a lower contrast bottle of used stock for hard lighting and high contrast films!
We are testing with many films but have found a lot to fall within 7 to 8.5 minutes. Massive Developing chart has a D96 developer option as well. Many report getting at least 50+ rolls from this quantity.
Here are starting times for some of our favorite films.
FILM ISO TEMP TIME
100Tmax 100 68F 7 minutes & 30 seconds
400Tmax 400 68F 8 minutes
TMZ3200 3200 68F 12.5 minutes
FPP Low ISO BW 6 68F 7 minutes
FPP SONIC BW 25 68F 8 minutes
Ferrania P30 80 68F 9 minutes
X2 (Double-X) 200 68F 7 minutes & 30 seconds
400 TX 400 68F 8 minutes
Orwo UN54 100 68F 5 minutes & 30 seconds
Orca B/W Lomo 100 68F 6 minutes
FP4 125 68F 8 minutes
HP5 400 68F 9 minutes
FPP Blue Sensitive 6 68F 7 minutes & 30 seconds
Polypan F 50 68F 9 minutes
A remarkable volume consisting of a series of photographs of completed and proposed schemes developed by the Arndale Property Trust Ltd of Bradford, West Yorkshire, but whose influence was nationwide and indeed, in the case of their Australian develoments, worldwide. It is not dated but, given the schemes shown and their status I would say c1965.
Most British residents of 'a certain age' will recall Arndale Centres - the most lasting legacy of this development company that grew out of post-WW2 land acquisition and redevelopment opportunities. The name is a portmanteau, adopted when the company was formed in 1950, from the names of the founders - Arnold Hagenbach and Sam Chippendale. Their primary function was the redevelopment of central areas of towns and cities - those planned on comprehensive lines 'as suggested by the Ministry of Housing & Local Government but also more 'local' schemes where Arndale worked 'in partnership' with the local authority. These latter schemes were possibly where they 'scored' as many local authorities lacked the capital to acquire properties for comprehensive redevelopment whereas Arndale's developers pockets were deeper and more flexible.
The early schemes were often redevelopments along existing street lines that re-instituted shops often with offices to lease above, but, as the Sixties appeared, and following on from UK 'New Town' precinct developments and examples from the US, Arndale started to develop larger schemes of enclosed shopping malls and centres. Their largest, and probably greatest triumph, was that of the Arndale Centre in Manchester - a huge centre that took a very large chunk out of the existing city centre and that eradicated entire streets and street pattern.
When opened, and for many years after, Arndale's were highly successful. They often insisted on having some larger stores and 'anchor' tenants - such as F W Woolworth or Boots - to make schemes both worthwhile and to attract other smaller businesses and trade. They were seen as beneficial - sweeping away the old when Victorian buildings were regarded as 'tired' and much war damaged property was still extant. Now, with the benefit if hindsight Arndale's - and their competitors by other similar property companies - are seen as having been the first step in the homoginisation of the High Street. The architectural and build qualities were often not that high and the structures aged badly quite quickly. Many are now, in turn, being re-developed themselves. But, they play an important role in Britain's post-war social and economic history and the name is still familiar over 70 years on.
Again this shows two earlier schemes where existing street lines were retained. That in Accrington, Lancashire, was anchored by two big High St pulls - Marks and Spencer and F W Woolworth. The parade still stands but both these names have gone - Woolworth's totally and M&S having pulled out of a seemingly small reatil centre in 2016. I think Arndale went on in later years to construct a more comprehensive shopping centre in the town.
The block in Lancaster, dominated by the low rise offices, included a redeveloped entrance to the town's retail market.
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
Interesting softness. Shot in broad daylight with pushed Kodak 2383. Extremely fine grain even though the development was contrasty. Kodak 2383 pushed to ISO 6 (2 Stops) shot with Nikon N90s and Sigma EX 17-35 AF Zoom. Taking advantage of 2383's tendency to go dark when pushed. This was actually shot in broad daylight in the afternoon sun in an open yard. Interesting effects. Developed in FUJI RA-4 paper developer 1 to 14 dilution plus 10ml of 30% hydrogen peroxide to bring the developer to pH 10.59 (ECP 2 levels). Dev for 3 minutes at 100 degrees. Acid stop for 40 seconds. Bleached for 1 minute in potassium ferricyanide bleach, 1 minute wash, 40 second fix in home made ammonium thiosulfate fixer. Difficult to scan because both the scanner and I wanted to make it "daylight" instead of a very dark image as the negative confirms. More to be done here....
Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture
Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.
Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):
English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)
German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)
A commercial version of the classic FX-37 developer. First invented by iconic British photographer Geoffrey Crawley as a way to maximise sharpness from T-Grain films.
The full review drops in June 2025!
Nikon D750 - AF Nikkor 50mm 1:1.4D
Editor: Adobe Lightroom CC
I got distracted and started to add blix instead of the developer for a half second before washing it out in a total panic.
Developer: Kodak T-Max 1+7 9'30" (20c)
I didn't know this place until now.
a very nice place for photographers.
This group of Sanderling seem to be symbolic of the battle against the relentless drive of the developers. So much of the Algarve has been destroyed under the turf of golf courses and the concrete of hotels. It is a unique area for wildlife which is rapidly being lost. AROCHA are working hard to protect these vital habitats against massive pressures.
Holyhead's econmmy is not strong after the closing of the aluminium smelter but this piece of property looks ripe for residential conversion.
Fujifilm X-T1, Iridient Developer & Aperture
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps