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Koni Rapid Omega M + 180mm f4.5 Hexanon Lens + B&W 3.0 ND filter.
Ilford FP4 + Perceptol Developer.
Fluid scanned with Silverfast Studio 8.
Myakka River, Sleeping Turtles Preserve
3-shot shift panorama
Pentax K-1
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
Affinity Photo
Taken during one of my many wanders around town...
Taken with Hasselblad 501cm and 80mm Planar f2.8 *t CB lens, on Ilford Delta 100 Pro and developed in Adox Rodinal 1+25 for 9 minutes at 20°c. Digitised with Epson v550 and SilverFast®8 (SE) software at 3200ppi.
Kodak-Tri X 400asa Developer T-Max 1+9 10min 24º.
Nikon Film Coolscan 5000 ED.
Canon F-1, Canon Lens FD 1:3.5/135mm,
Thank you everyone for your visit, favorites and comments
Merci à tous pour votre visite, favoris et commentaires
Because of the amazing feedback to my Thunderjaw I really wanted to make something for the fans and the developers of "Horizon Zero Dawn".
So I designed a Mini-Version of the Thunderjaw that you can build yourself!
Many thanks to Wayne de Beer for helping me improve the build and making these awesome instructions:
You find the needed parts here (the flex tube for the magazines is not included in the part list):
Happy building!
Mumbai - Canon Ftb, FD lens 135mm f3.5, Kodak Tmax400 film - Ornano Gradual ST20 developer, diluted-one shot- 1+9, Ilford Hypam fixer
Event: Smallwood Vintage Show
Location: Love Lane, Sandbach, Cheshire
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor-C 90mm f/3.8
Film: Kodak Portra 160
Shot ISO: 125
Light Meter: Weston Master II
Lighting: Mixed weather
Mounting: Manfrotto Tripod
Firing: Cable Release
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
My plans around Watford rapidly changed when I visited Cassiobury Park and discovered they were in the process of moving a few dinosaurs around. You know how it goes.
This was a grab shot through the car window before I parked up properly and shows a Triceratops, or at least a Homo sapiens interpretation of it, being transported in the park.
I now know that it forms part of 'Jurassic Encounters' which consists of around 50 automated dinosaurs that move their jaw and limbs and growl - it lasts from 2nd to 18th April 2022.
Despite the event name, the Triceratops did not roam the planet in the Jurassic era, coming much later in the Late Cretaceous period, and only existed about two million years prior to the Mass Extinction.
Cassiobury Park, Watford, Hertfordshire
28th March 2022
20220328 IMG_7817
Surf Life Saving competitors at Manly beach, Sydney, summer 2016. Manly beach is one of Sydney's most popular beaches with both tourists and locals. Volunteer lifesavers perform an invaluable community service keeping beaches safe in the swimming season. Surf Life Saving Clubs are a community hub and regular competitions between clubs keep lifesavers' skills current and are an important social event in the surf life saving community.
Camera: Leica IIIc
Lens: Cosina-Voigtlander 35mm f/2.5 Color-Skopar LTM
Film: Kodak TMAX P3200 @ISO1600
Developer: Kodak TMAX developer
Scan: Epson V700
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2016 Lynn Burdekin. All Rights Reserved.
Camera: Frozen Photon Camera Co. Sixty7PH
Lens: Laser-Drilled .15mm Pinhole
Film: Fujifilm Neopan Acros 100
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.
Camera: Canon A-1, 50mm f1-4.
Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.
Canon EOS 50E, Tamron 28-75/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200
1970s Yashica Electro 35 GSN with Color-Yashinon 1.7/45mm on ADOX Silvermax 100 at EI200 in my 2B-1 two bath developer experiment @ 20C.
We're in lockdown here in Ireland, as are many other people around the world. This parking lot houses construction and works gear, but the school behind it is closed for the lockdown, probably for at least another month.
On the happier side of things, my two bath developer appears to give at least one full stop speed boost to ADOX Silvermax. I shot a bunch of stuff at EI200 by accident and it looks really good to me!
I have been using the Electro 35 GSN as my testing camera because it provides a reliable exposure for film speed testing. It is also easy to open up and cut a partial roll out while testing. Not so much my Leica M2 with its bottom loader design (which I generally like except for this). My Zorki or Kiev would be good options, too...
These arrived today and I'm excited!
Found a new "local" place for film goodies; it's on Vancouver Island, but one-day delivery to Metro Vancouver. I ordered some Blazinal, my go to developer for B&W; a new B&W developer called Black/White & Green; and some iso 100 Lomography in 120 format.
Blazinal is used exactly the same as Rodinal. I don't know if it's the same formula, just re-packaged, but it's very easy to use and reliable, and the bottle I'm still using was opened June 6, 2021, so it has good shelf life.
I'm very interested to use this Black/White & Green developer. It's made in Canada by Flic Film, and described as having long shelf-life and to give sharp negatives with fine grain. Apparently, it's not as sharp as Rodinal and it gives a less contrasty negative. For me however, the only downside, from what I've read, is that it takes longer to work its magic; Ilford HP5+ for example, takes 15.25 minutes at the 1:49 instructed dilution at 20°C. In Blazinal (Rodinal), it takes 6 minutes in 1:25 dilution at 20°C. I'll try B/W&G this weekend and see!
This picture was developed with E6 chemistry that had been sitting out at room temperature since February. Quite the vintage look even though this is fresh Provia 100F slide film.
Música (abrir en nueva pestaña) / Music (Open link in new tab): Mike Oldfield- The Voyager.
Vöigtlander Bessa 1936 /Anastigmat Skopar 10,5cm f/4,5
1/25 f/22 con autodisparador/ with selftimer.
Película / film: Ilford FP4 Plus. Revelador/ Developer: Kodak D76 1+3 (17min.). Escáner / Scan: Canon 9000f
Paisaje a las orillas del pantano de la Fuensanta, en Yeste (Albacete), en plena Sierra del Segura, en los aledaños del Puente de la Vicaría, zona de separación entre la Sierra de Los Molares y La Sierra de Juan Quílez, cuya primera altura montañosa, el "Puntal de la Alameda", puede verse en el centro de la imagen con un juego de luz y sombra que me resultó muy atractivo.
La fotografía fue tomada en película, "a la vieja usanza", con mi veterana cámara de fuelle de formato medio Voigtländer Bessa, fabricada en 1936.
-English:
A view of "La Fuensanta" resevoir area, at Yeste (Albacete, Spain), in the heart of the "Sierra del Segura" region, next to "La Vicaría" bridge, an area between "la Sierra de Los Molares" and "la Sierra de Juan Quilez" mountain ranges; in the center of the image can be seen the "Puntal de la Alameda", the first mountain of the "Sierra de Juan Quílez" mountain range, showing on it a nice play of light and shadows that I found very attractive. This picture was taken in film " in the old fashion way", with my veteran Voigtländer Bessa medium format folding camera, manufactured in 1936.
Imagen protegida por Plaghunter / Image protected by Plaghunter
© Francisco García Ríos 2016- All Rights Reserved / Reservados todos los derechos.
El contenido de estas imágenes no puede ser copiado, distribuido ni publicado por ningún medio, bien sea electrónico o de cualquier otra naturaleza.
Su utilización en otras páginas web sin el consentimiento expreso del autor está PROHIBIDO y es sancionable por ley.
Cualquiera que quiera usar mis fotografías debe ponerse en contacto conmigo primero para acordar los términos de uso; así pues, para informarse acerca de copias, licencias, utlilización en blogs o cualquier otro uso, por favor, envíe un mensaje o correo electrónico (recesvintus(at)yahoo.es).
Gracias.
The content of these images cannot be copied,distributed or published for any media, electronic or otherwise.
The utilization in other web pages without the express written consent of the author is PROHIBITED and punishable by law.
Anyone wanting to use my photographs should contact me first to discuss the terms; so to enquire about prints, licensing, blogging and so on, please send an e-mail or message (recesvintus(at)yahoo.es).
Finniss Vale- Second Valley.
Colonel Light named this place as Finniss Vale after Boyle Finniss who had lived there and at Rapid Bay till the end of January 1837. But later it became known as Second Valley as it was the second valley that Light had landed on after Rapid Bay- the first. The township never progressed much until the arrival of BHP in the 1940s.However, land was taken up in 1840 and the first crops were potatoes and wheat. Because of the rich soils a flour mill was soon established outside the town which is now known as Leonard’s Mill. Two Irish millers John and James Leonard built the mill in 1849 and it operated until 1890. It has been known as “their” mill ever since, despite other uses. Flour from the mill was shipped to Port Adelaide as Second Valley was never an international port. The stone work of the Second Valley breakwater which links to the jetty (1910) dates from 1855. The first pub here was known as the Finniss Vale Hotel in the 1850s. It burnt down in 1928. The Wesleyan Methodists built the first church in the town in 1857. Prominent land developer William Randall (College Park and Burnside) is credited with layout part of Second Valley in the 1850s. He called his “town” Randalsea. He left Second Valley in 1868 and moved to Port Pirie.
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
Aberystwyth, Wales
Hasselblad 500 C/M, Carl Zeiss Distagon 4.0/50 on ORWO NP 20 - expired in 1993 - and developed in Adonal 1+50 20C for 12min.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
Photo technical info:
- Camera: Nikon, Lens: Nikkor f2.8 28mm, f-, 1/250 s
- Film: Ilford Delta 100, Developer: Spur Acurol-N
Location: Hung Hom, Kowloon, Hong Kong
Pentax 67 II
Pentax 67 300mm f/4 ED (IF)
Rollei Retro 100
Kodak HC-110 (B)
7 min @ 20˚C
Took advantage of the beautiful weather and headed out to the Gorge yesterday to photograph Latourell Falls with my 8x10 camera using enlarger paper as a negative.
The falls were mostly in shade while the trees and foliage in the foreground were in bright sunlight. I metered for the falls which resulted in the foreground being way over-exposed. Total exposure time was 8 seconds at f/22. Fail or Cool?
Technical details: VDS 8x10 camera, Schneider K 240mm convertible lens, Hoya Y2 filter, Ilford MGRC Pearl paper as a negative, Liquidol developer, Epson 4990 scan.
Saída analógica Queimando Filme na Rua #3, São Paulo. Sumaré subway station. Third analog photowalk "Queimando Filme na Rua", Sao Paulo, Brazil.
Fuji Neopan 400
Kodak XTOL (1+1) 9:45 min at 20C
Mamiya C330
Sekor 80/2.8
Film: Fomapan 100
Developer: D76 1+1
Digitized with Sony A7+Macro Elmarit-R 60/2.8
Nantahala National Forest
Flows here in the North Carolina mountains are still on the high side. Three-shot shift panorama, stitched in Affinity Photo. While I sometimes prefer to assemble these "by hand", it is certainly easier to let the software do it.
Pentax K-1
Rokinon (Samyang) 24/3.5 tilt/shift
Iridient Developer
Affinity Photo
All the news that fits...
FPP D96 BW Developer (Powder to make 1 Gallon)
filmphotographystore.com/collections/darkroom-supplies/pr...
The Film Photography Project brings you FPP D96 BW negative developer powder in handy packages that makes 1 Gallon of developer when mixed with water.
Long considered the go-to BW developer for the motion picture industry, D96 is a highly adaptable lower contrast film developer that enables you to increase the contrast by increasing your developing time or agitation. We’ve tested this developer with cinema films like FPP X2 (Eastman Double-X), FPP Blue Sensitive BW, ORWO Cinema Film and FPP LOW ISO BW and standard BW photography films like Kodak Tri-X, T-Max, Ilford FP4 and HP5 films to stunning results.
Powder Makes 1 Gallon of Developer
Long Shelf Life
Develop up to 50+ rolls
Average development time 7-8.5 minutes
This developer has a very long life, when you mix the gallon, you can store it on a one gallon jug OR store it in 4 one quart bottles. If you store in 4 separate 1 quart bottles, as you use it and the contrast begins to lower, start a second fresh bottle, and save the first one for extremely contrasty lighting or films. We recommend using it as a stock developer, use it without diluting and pour it back into your quart container for re-use.
What about diluting and using as “one-shot”?
You can also dilute it 1:1, but make sure you use fresh, unused stock for this and do not reuse this combination, it is one-shot. This developer will begin to lose contrast with use rather than completely exhaust.
The package makes 1 gallon of developer, which is about a 50% savings over buying it by the litre and if you store it in 4 one quart bottles it’s like getting 3 developers in 1, stock for re-use, stock for dilution for one-shot and a lower contrast bottle of used stock for hard lighting and high contrast films!
We are testing with many films but have found a lot to fall within 7 to 8.5 minutes. Massive Developing chart has a D96 developer option as well. Many report getting at least 50+ rolls from this quantity.
Here are starting times for some of our favorite films.
FILM ISO TEMP TIME
100Tmax 100 68F 7 minutes & 30 seconds
400Tmax 400 68F 8 minutes
TMZ3200 3200 68F 12.5 minutes
FPP Low ISO BW 6 68F 7 minutes
FPP SONIC BW 25 68F 8 minutes
Ferrania P30 80 68F 9 minutes
X2 (Double-X) 200 68F 7 minutes & 30 seconds
400 TX 400 68F 8 minutes
Orwo UN54 100 68F 5 minutes & 30 seconds
Orca B/W Lomo 100 68F 6 minutes
FP4 125 68F 8 minutes
HP5 400 68F 9 minutes
FPP Blue Sensitive 6 68F 7 minutes & 30 seconds
Polypan F 50 68F 9 minutes
Event: Trentham Gardens Classic & Retro Show
Location: Trentham, Staffordshire
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor-C 90mm f/3.8
Film: Harman Phoenix 200
Shot ISO: 200
Light Meter: Weston Master II
Lighting: Overcast & Heavy Rain
Mounting: Hand Held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.