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Yeshiva of the Telshe, Riverdale, Bronx, New York City
Anthony Campagna (1884-1969) was one of Manhattan's most prominent developers of apartment houses during the 1910s and 19206.
Born in Castelmezzano, Italy, Campagna took a law degree in Naples and then immigrated to the United States. After working in Chicago, first in journalism and then as a lawyer, he moved to New York in 1909 to work for the construction firm of Paterno Brothers, apartment house builders. After marrying Marie Paterno, Campagna formed his own company, the Campagna Construction Corporation, and continued successfully in the same line for several decades.
Campagna's most active period as a builder coincided with the enormous boom in apartment house construction that followed World War I, as large apartment houses sprang up in many areas of Manhattan, particularly along Fifth and Park avenues on the East Side and along West End Avenue and Riverside Drive on the West Side.
Campagna became involved in the acquisition and redevelopment of major sites in both areas. His company built a number of large prominent buildings on Fifth and Park avenues, including 960 Fifth (Rosario Candela and Warren & Wetmore, 1929), a "luxury" building with apartments so large they were comparable in size to private houses;2 and 173-175 Riverside Drive (J.E.R.
Carpenter, 1926), occupying the entire blockfront between 89th and 90th streets.
As he became successful and wealthy, Campagna turned to philanthropy. Most of his efforts were directed to institutions in Italy or to those in New York with Italian connections. He helped raise funds for the restoration of Virgil's tomb in Naples, and for a Roman tower in Minturno. He made contributions to the Italian Historical Society in Rome, and for the excavations of Roman ruins at Herculaneum. In New York City, besides serving as a director without pay of a city school construction program, he donated a site at Fifth Avenue and -106th Street in 1929 to the Italian Hospital (never built because of the Depression) and played a major role in the creation of the Casa Italiana at Columbia University (the structure was built by his firm).
His work on behalf of Italian institutions earned him the title of Count of Castelmezzano, bestowed by King Victor Emmanuel ill of Italy in 1930.
Given Campagna's devotion to the culture and history of his native country, it is not surprising that when he decided to build himself a new home in the Riverdale section of the Bronx in 1928, he would choose the Italian villa as a model and select a highly successful architect who specialized in historical styles.
The Campagna estate is axially organized leading to the two-story house and formal landscape elements. The main axis of the composition begins at the stone and iron entrance gates on West 249th Street. A drive of stone pavers set between the alley of trees leads to a walled forecourt with a fountain in the center.
The house, as seen from the forecourt side, is asymmetrical with a two-story stair tower to the left of the entrance balanced by a low wing on the right. The one-story entrance portico in the center is rusticated limestone and consists of an arched doorway, flanked by narrow arched windows.
This central portion is surmounted by a balustrade fronting the recessed central portion of the second story. The tower contains a tall arched window opening shielded by a balustrade. The wall surfaces on the forecourt side are faced with stucco with stone quoins and molded stone windows surrounds. The low hipped roof is covered with tile.
The garden side of the house, set on a terrace, is dominated by the triple-arched loggia in the center of the first story, balanced on either side by stone enframed window openings set in wide stuccoed wall spaces. Large stone quoins mark the corners. A band course above the loggia divides the elevation horizontally. The second story window openings have stone surrounds; those at the end are shielded by iron balconies. Set back from the main section are wings with arched openings surmounted by balustrades fronting the recessed second story. The wide overhang of the tiled roof is particularly noticeable on this side of the house.
The axial composition of the site continues on the garden side from the loggia. down a divided semi-circular stairway into a sunken garden area 'and along a large reflecting pool to a hemicycle with fountains. The pool garden area is flanked on either side by raised terraces; one is balustraded and looks towards the river, and other is fronted by an arcade which once enclosed an orangery.
Campagna lived in the house until 1941, when he and his family left it to move into the former garage and chauffeur's quarters .- possibly as a result of the Depression-era construction slump.
In 1943, Campagna leased the house to New York University, for use as a dormitory for women "taking a special course in connection with war activities." In 1946, the house was sold to th~ Monitor Equipment Corporation, for use as executive offices and a corporate institute.
Monitor continued in the house into the 196Os, when the company went bankrupt; in settlement of money owed him, Monitor's president, George M. Gibson, accepted ownership of the house. He in turn sold it in 1982 to Eugene and Arlene Kule.
The house was purchased in June, 1993 by the current owner, the Yeshiva of Telshe Alumni.
- From the 1993 NYCLPC Landmark Designation Report
So, my C41 chemicals were exhausted, haha.
Mamiya C330
Seiko 80mm f/2.8
Kodak Ektar 100
Jobo C41 Press Kit
FIU Hollo School Developers Luncheon
Miami, Florida | November 18, 2016
Tibor and Sheila Hollo School of Real Estate: business.fiu.edu/academic-departments/real-estate/
Master of Science in International Real Estate: msire.fiu.edu/
To learn more about the Hollo School Developers Luncheon please visit: biznews.fiu.edu/2016/11/visionary-real-estate-project-tak...
Budapest pack Hipstamatic. Threatened by suburban MacMansion developer Toll Brothers. Of course Wall Street funded so nothing matters but max return. Who cares about a historic district. Maximize return is the GOD they live by. Nothing else matters.
latest: hiddencityphila.org/2016/10/kenney-signals-a-potential-br...
A form to fill in the contact details and sample team combination for development projects.
We can give examples of team combinations for an end-to-end development
For Example :
A Web & Mobile Application development
Application Development Team (6 - 7 Member Team)
Business Analyst cum Project Manager
UX Designer
UI Developer
Backend Developer
Mobile Developer (Cross Platform) or Android & iOS Developer for Native
Quality Analyst
2017-11-26
Nikon FE2
Nikon Ai 50mm f/1.4 lens
Ilford Delta 3200 35mm film
Kodak Xtol (1+1) developer
20ºC - 20min
Whereas by the 1930s the idea of official guides and handbooks for individual local authorities, such as urban districts and county boroughs, were well established less common arr County guides; these only really come into prominence in post-WW2 years. However, some do turn up including this c.1936 Handbook for the County of Middlesex, the county to the north and west of London that has now vanished into Greater London. Issued by that doyen of guides and handbooks, E.J. Burrow, it was a consideration of the "industrial, commercial, holiday and sporting aspects of the County". At the time Middlesex, until the early Twentieth Century still a largely rural county, was rapidly vanishing under London's suburban growth. Driven by railway, and later road, expansion this was truly the county of "Metroland", suburban expansion that saw the rapid growth of once small country towns and villages into new suburbs, in this case aided by the Metropolitan Railway that became part of the new London Transport in 1933. In fact, London Transport's predecessors, the old 'Electric Tube' Group had also been busy extending lines into the county both north, to areas such as Southgate and Arnos Grove, as well as west towards Uxbridge, Ruislip and Ealing. This can be seen on the small scale map included in the handbook.
The handbook looks at the usual amenities, residential and commercial, that were provided by the various local authorities and the County Council and by whose "approval" the Handbook was issued. It also details industrial development and it is worth recalling that the County was in many ways quite industrialised; not just a dormatory county for London. Many were the new 'light' industries, such as electrical, and that grew rapidly in the '20s onwards in 'newer' areas rather than older industrial areas. The Handbook contains chapters on various topics, on the local towns and authorities. It also has a great many adverts for house builders and estate developers, each arguing the benefits of their construction and locations. Many give prices and are an indication of the wave of construction, suburbanisation and commuting that Middlesex saw at the time.
This advert for "Trustworthy" houses shows a more modern take on the home than the 'mock Tudor' often fancied by developers and homebuyers at the time; 'Crittall' style steel windows and cleaner lines advertise "London's best planned houses" as constructed in Southgate, opposite Oakwood Park, by G. Turner, builder, of Northgate, Prince George Avenue, N.14.
Designers and Developers: Why Can't We All Just Get Along? Room 8. Tuesday, March 17th, 2009. 11:30 a.m. - 12:30 p.m.
developer was simply "splattered" onto photo after being exposed, as apose to being dunked into bucket, in order to give messy effect
Adelaide Hills Winery
Camera : Nikon FE2
Film: Ilford FP4+125
ASA EI: 125
Developer: Caffenol C-L 60min @ 20c
Scanner: Plustek 7400
Photograph from Mobile Developer Summit 2012 held in Bangalore, India, 9-10 October 2012, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
CAMERA: Canon NEW F1
LENS: Canon fd lens 55mm f/1,2 S.S.C.
FILM: Kodak color ISO 400 36 exp. [soaked in gasoline film]
FILM DEVELOPMENT: author's manual film development
Tetenal colortec c41 [8min 00sec 30 °C]
FILM SCANNED: OpticFilm Plustek 7400 with SilverFast Software
SHOOTING DATE: 12/2015
DEVELOPER DATE:01/2016
TECHNIQUE: Multiple Exposure unedited.
NUMBER OF EXPOSURES: 2
NO POST-PROCESSING
OBJECT: Shopping center "Sphere"
PLACE: Moscow, Russia 2015
Copyright Aurora Rogers. All Rights Reserved. Graphics are displayed for review purposes only. Reproductions of these works in any manner are prohibited.
Professional web site design, web page design, landing pages, banner ads, animated web banner advertising, web development, logo design, graphic design
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Web design, logo identity brand design for green technology companies, sustainable construction, IT firms, Information Technology companies, Software companies, small business, church, churches, non profit organizations, education, universities, real estate agents, realtors, travel agents, administrative assistants, virtual assistants, financial advisors, banks, community organizations, events
English & Spanish
Bilingual Designer
Aurora Rogers: Image Consultant & Designer
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TradeShowMall.com Trade Show Displays & Exhibits Shop Online Web Store
The Spawn Stylings of Ribbit's own Charles Freedman, Director of Development Platform. Sunday, March 16, 2008 - developer.ribbit.com
The Current State of Muslim Representation in Video Games
Imad Khan | Journalist, The Daily Dot
Farah Khalaf | Game Artist, NZGDA
Rami Ismail | Developer, Vlambeer
Romana Ramzan | Game Design Lecturer, Glasgow Caledonian University
Location: Room 3005, West Hall
Date: Thursday, March 17
Time: 4:00pm - 5:00pm
© RESPECT the copyright.Leica M6 TTL 0,72 Elmarit-M 1:2,8/21 mm ASPH.Nicon coolscan 5000ed. Kodak T-Max 100asa.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
Photos are of the Developer's version of Smart Doll Eiji Seiun. Minor alterations to the body are expected before final release.
Film d'essai (test film) of the Pentacon lens "electric" 2.8/135mm fitted to my Praktica VLC3.
For the test, I chose here a 36-exposure Rollei 400S Retro (i.e. Agfa Aviphot 400) that was exposed for 400 ISO following the readings of the Praktica camera or a Minolta Autometer III fitted with a 10° finder privileging the shadow zones. The Agfa Aviphot is a super-panchromatic film coated on a thin polyester base with a water-soluble black anti-halation coat on the back that should be removed by two or three presoaking bathes before developing. The film sensitivity is extended to the near infrared 780 nm. The film is known to gives excellent results to reduce the atmospheric blur and offer a spectacular resolution and contrasts that could help with a tele lens. The view were made the camera hand held with the eye-level pentaprism finder including the fFresnel micro prisms focusing screen,, at 1/500s at aperture ranging from f/11 to the full aperture at f/2.8.
Place Colbert, October 29, 2022
69001 Lyon
France
After exposure the film was developed for 10 min 30s using Adox Adonal (same as the Agfa Rodinal) developer at dilution 1+25 and 20°C. The film was then digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
About the lens:
The Pentacon electric 1:2.8 f=135mm is the former German Meyer-Optik Görlitz Orestor 2.8/135mm lens, conceived in the sixties on the basis of a Sonnar optical formula. The company and the lenses incorporated the VEB Pentacon Dresden, Germany, in the seventies. This sample was also modified to include the electric transmission of the aperture coupling. The Orestor has also a less common 100mm companion. The 135 mm was massively produced and most of the Praktica enthusiasts had the 2.8/135mm in their kit as a compact telephoto lens not too heavy to be transported anywhere.
About the camera:
The Praktica VLC is of the 3rd generation (VLC3, 1978-1981) and was manufactured by "VEB Pentacon" (formally Zeiss-Ikon) in Dresden, Germany. It came with orignal Pentacon accessories including, a shade hood for its normal lens Pentacon "electric Multi-coated" 1:1,8 f=50mm, a waist finder, a straight magnification finder, and the regular pentaprism. There are also 6 different focusing screens, the Pentacon hot shoe for a flash, lens and body caps, and a Praktica ever-ready case.
The camera has a CdS photometric circuitry powered by an unusual 4.5V battery that I replaced by a set of 3 LR44 alkaline batteries in series. As the ASAHI PENTAX Spomatic SP, the bridge circuit is insensitive to the voltage difference. To be independent of the finders, the cell is functioning behind the mirror as in the Topcon Super D or the Miranda Auto Sensorex EE.
This Praktica operates at full aperture using an electrical transmission of the aperture using 3 contacts on the M42 lens mount. It could however operates any non electric M42 lenses at real aperture too by acting on the rotary switch at the top left. As for the other Praktica of the L series the shutter is made of vertical steel curtains making the X-flash synchro at about 1/125 s.
Overall Pentacon produced 85 000 Praktica VLC between 1974 and 1981 among about 3 millions of Praktica "L" (LLC MTL TL L etc).
Artist....The King of Chalices card suggests that my power today lies in emotional availability. I inspire, protect and nurture with reliable compassion, respect, and affection. I am a master in the art and am secure enough in my role to connect to, express and pursue my hearts desire while defending the greater good of those who rely on me. I am empowered by consistency and patience while trust is my gift or Holy Grail.