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FIU Hollo School of Real Estate Developer’s Luncheon
Miami, FL | March 11, 2016
Learn more at: realestate.fiu.edu
Taken on my Olympus OM-2n with Foma Retropan 320 film.
Developed in Retro Special Developer for 4:30 minutes.
Zuiko 75-150mm f/4
6 grams- Vitamin C pills crushed/22g Arm&Hammer washing soda/16g Folgers Instant Coffee/400 ml Distilled water from my Zero Water water filter pitcher/ Kodak 160NC c-41 film.
Myrna Loy was born Myrna Adele Williams in Helena, Montana to Adelle Mae (née Johnson) and rancher David Franklin Williams, and raised in nearby Radersburg.
Her father was also a banker and real estate developer and the youngest man ever elected to the Montana state legislature. Her mother studied music at the American Conservatory of Music in Chicago.
During the winter of 1912, Loy's mother nearly died from pneumonia, and her father sent his wife and daughter to La Jolla, California. Loy's mother saw great potential in Southern California, and during one of her husband's visits she encouraged him to purchase real estate there.
Among the properties he bought was land he later sold at a considerable profit to Charlie Chaplin so the film maker could construct his studio there. Although Loy's mother tried to persuade her husband to move to California permanently, he preferred ranch life and the three eventually returned to Montana. Soon afterwards, Loy's mother needed a hysterectomy and insisted Los Angeles was a safer place to have it done, so she, Loy, and Loy's brother David moved to Ocean Park, where Loy began to take dancing lessons.
After the family returned to Montana, Loy continued her dancing lessons, and at the age of 12, Myrna Williams made her stage début performing a dance she had choreographed based on The Blue Bird from the Rose Dream Operetta at Helena's Marlow Theatre.
Later on her family moved to Helena where she spent her youth. At the age of 13, Myrna's father died of influenza and the rest of the family moved to Los Angeles. She was educated in L.A. and the Westlake School for Girls where she caught the acting bug. She started at the age of 15 when she appeared in local stage productions.
Loy left school at the age of 18 to help with the family's finances. She obtained work at Grauman's Egyptian Theatre, where she performed in elaborate musical sequences that were related to and served as prologues for the feature film. During this period she saw Eleonora Duse in the play Thy Will Be Done, and the simple acting techniques she employed made such an impact on Loy that she tried to emulate them throughout her career Some of the stage plays were held in the now famous Grauman's Theatre in Hollywood.
Mrs. Rudolph Valentino happened to be in the audience one night who managed to pull some strings to get Myrna some parts in the motion picture industry. Her first film was a small part in the production of 'What Price Beauty?' (1925). Rudolph Valentino was looking for a leading lady in his new movie 'Pretty Ladies' (1925). Myrna tested for the role, which went to Gertrude Olmstead instead, but soon after she was hired as an extra for 'Pretty Ladies' , in which she and fellow newcomer Joan Crawford were among a bevy of chorus girls dangling from an elaborate chandelier In the silent film, Myrna would appear as an exotic femme fatale. She frequently portrayed characters of Asian or Eurasian background.
It took years for her to overcome this stereotype, and as late as 1932 she was cast as a villainous Eurasian in 'Thirteen Women' (1932). She also played a sadistic Chinese princess in 'The Mask of Fu Manchu' (1932), opposite Boris Karloff.
She was one of the few stars that would start in the silent movies and make a successful transition into the sound era
Later in the sound era, she would become a refined, wholesome character. Unable to land a contract with MGM, she continued to appear in small, bit roles, nothing that one could really call acting. In 1926, Myrna appeared in the Warner Brothers film called 'Satan in Sables' (1925) which, at long last, landed her a contract. Her first appearance as a contract player was 'The Caveman' (1926) where she played a maid. Although she was typecast over and over again as a vamp, Myrna continued to stay busy with small parts. Finally, in 1927, she received star billing in 'Bitter Apples' (1927).
Prior to that, she appeared in small roles in 'The Jazz Singer 'and a number of early lavish Technicolor musicals, including 'The Show of Shows', 'The Bride of the Regiment', and 'Under a Texas Moon'. As a result, she became associated with musical roles, and when they began to lose favour with the public, her career went into a slump.
In 1934, Loy appeared in 'Manhattan Melodrama' with Clark Gable and William Powell. When gangster John Dillinger was shot to death after leaving a screening of the film at the Biograph Theatre in Chicago, the film received widespread publicity, with some newspapers reporting that Loy had been Dillinger's favourite actress?
After appearing with Ramón Novarro in 'The Barbarian' (1933), Loy was cast as Nora Charles in the 1934 film 'The Thin Man'. Director W. S. Van Dyke chose Loy after he detected a wit and sense of humour that her previous films had not revealed.
At a Hollywood party, he pushed her into a swimming pool to test her reaction, and felt that her aplomb in handling the situation was exactly what he envisioned for Nora. Louis B. Mayer at first refused to allow Loy to play the part because he felt she was a dramatic actress, but Van Dyke insisted. Mayer finally relented on the condition that filming be completed within three weeks, as Loy was committed to start filming 'Stamboul Quest'.
'The Thin Man' became one of the year's biggest hits, and was nominated for the Academy Award for Best Film. Loy received excellent reviews and was acclaimed for her comedic skills. She and her co-star William Powell proved to be a popular screen couple and appeared in 14 films together, one of the most prolific pairings in Hollywood history.
Her successes in 'Manhattan Melodrama' and 'The Thin Man' marked a turning point in her career and she was cast in more important pictures. Such films as 'Wife vs. Secretary' (1936) with Clark Gable and Jean Harlow, and 'Petticoat Fever' (1936) with Robert Montgomery gave her opportunity to develop comedic skills.
She made four films in close succession with William Powell: 'Libelled Lady' (1936), which also starred Jean Harlow and Spencer Tracy, 'The Great Ziegfeld' (1936), in which she played Billie Burke opposite Powell's Florenz Ziegfeld, the second Thin Man film, 'After the Thin Man' with Powell and James Stewart, and the romantic comedy 'Double Wedding' (1937).
With the outbreak of World War II, Loy all but abandoned her acting career to focus on the war effort and work closely with the Red Cross. She was so fiercely outspoken against Adolf Hitler that her name appeared on his blacklist. She helped run a Naval Auxiliary Canteen and toured frequently to raise funds.
She returned to films with 'The Thin Man Goes Home' (1945). In 1946 she played the wife of returning serviceman Fredric March in 'The Best Years of Our Lives' (1946). In later years, she considered this her proudest acting achievement. She appeared again with Grant in 'Mr. Blandings Builds His Dream House' (1948), and with Clifton Webb in 'Cheaper by the Dozen' (1950).
After 1950, Loy's film career continued sporadically. In 1952 she starred in the Cheaper by the Dozen sequel, ' Belles on Their Toes'. She played opposite Montgomery Clift and Robert Ryan in' Lonely hearts' (1958).
In 1974, she was a supporting actress in 'Airport 1975'. Loy played Mrs. Devane, a heavy drinking woman, imbibing in Jim Beam & Olympia Beer mixed together. She played a foil to Sid Caesar. Alongside the film starred fellow silent film star Gloria Swanson.
She received a Lifetime Achievement Award from the Kennedy Centre in 1988.
Although Loy was never nominated for an Academy Award for any single performance, after an extensive letter writing campaign and years of lobbying by screenwriter and then-Writers Guild of America, West board member Michael Russnow, who enlisted the support of Loy's former screen colleagues and friends such as Roddy McDowall, Sidney Sheldon, Harold Russell and many others, she received a 1991 Academy Honorary Award "for her career achievement". She accepted via camera from her New York home, simply stating, "You've made me very happy. Thank you very much." It was her last public appearance in any medium.
Myrna Loy died on December 14, 1993, in New York City at age 88.
Developers' Exhibition at the Hallmark Hotel showing proposed redevelopment of the Wessex Hotel (subsequently approved).
My first experiments with a low-contrast, home-made push developer.
The formula comes from a patent by Anneman that probably was a precursor to the now unobtainable Perfection XR-1 developer. Perfection XR-1 seems to have been based on POTA and was capable of pushing ultra-fine grain and microfilms by two stops while keeping grain small and contrast acceptable. In a discussion of the patent, Gainer suggested a variant that is a concentrate and that replaces the hydroquinone and sulphite in the original by ascorbic acid.
It is that concentrate that I have tried to recreate and test. My recipe was:
Dissolve in 100ml of hot triethanolamine
Phenidone 3.8g
Metol 0.6g
Ascorbic Acid 2.3g
Borax 1.9g
and allow to cool. The concentrate is a pale straw colour.
I convinced myself that a good starting point for a film like Bluefire Police film would be a dilution of 1+200 for 60 minutes at 20C stand developed. That's what I have done for the four images posted here.
This first image shows a scene as it came out of the scanner and, for comparison, the same after the contrast had been slightly reduced in Photoshop.
As a first attempt with the developer I'm pleased with it. Points worth noting I think are:
- minimal or no base fog, despite the 60 min stand
- a working temp of 20C, as opposed to Perfection XR-1 that typically had to be used at 30C or higher
- minimal grain: I can't see it at the scanning resolution I used (4800dpi on an Epson Perfection V700)
- stand processing, rather than frequent agitation
- about 2 stops push over the box speed, which for Bluefire must be about EI 20 or possibly less.
I also got a more moderate contrast using this Anneman-Gainer developer than I did using Bluefire's own, so I count that as a success. The results came out looking like Rollei Retro 80S when I develop it in Rodinal, but if anything finer-grained and with slightly less contrast.
This is obviously not the optimal dilution/timing/method for this developer, but I think it shows promise and it is very, very easy and cheap to make. It would be great if I could encourage anyone else to play with it.
I hope to expose some Rollei ATP 1.1 tomorrow, weather permitting, and try the same time and dilution on that.
Feel free to link to this post if you know any other discussion groups or websites where it might be of interest.
Zorki 1 with Jupiter-12
Bluefire Police film @ 80
Stand dev in Anneman-Gainer developer 1+200 for 60 mins, 30s initial inversions + 1 inversion @ 30mins.
ADDED: The ATP 1.1 needs something stronger that 1+200 / 60 mins. When I get some more I'll try 1+100 for the same time.
The three original developers Lee Hindin, Reza Fakhrieh and Shelly Kamins of DuVal Development opened the condo-hotel Dakota Mountain Lodge, a Waldorf Astoria branded hotel, in August, 2009. Major financing was provided by Goldman Sachs. The first released condo units in 2006 were around $600/square foot and later some pre-sales were reported to be in the 1000/square foot range. Condo-Hotel residences ranged in price from $400,000 to $2 million.
Located on a hillside just off the main entry to The Canyons Resort the lodge exterior is a rustic stone and rough-sawn timber. The hotel's interior and 175 rooms were designed by Stephen Brady. The use of dark stained hardwood was his way of connecting the Dakota Mountain Lodge to the Waldorf Astoria in New York City. The lobby is accentuated by a sweeping spiral staircase to the second floor, a 400-pound Czech crystal chandelier hanging above the open area in its curve. The lobby furniture is all reupholstered antique. Hindin was confident the Dakota Mountain Lodge would appeal to the millions of members in the frequent guest program of Hilton Hotels, parent of The Waldorf Astoria Collection. The opening General Manager was Jim Miller who transferred from the Grand Wailea Resort in Maui for Waldorf Astoria. The opening Executive Chef was Mark Sullivan. The hotel's restaurant was Spruce, the sister restaurant of San Francisco’s Spruce, with Sullivan spending time at both locations. Spruce was later named Slopes by Talisker and today is known as Powder.
DuVal Development Partnership led by Lee Hindin relinquished ownership of the new Dakota Mountain Lodge to the primary lender Goldman Sachs, just months after its opening. Court documents revealed Hindin and his wife to be in financial distress.
In March 2010 Talisker Corp. purchased The Dakota Mountain Lodge at The Canyons from The Archon Group, a subsidiary of Goldman Sachs. It renamed it The Waldorf-Astoria, Park City. Many of the hotel's rooms are individually owned. Talisker bought the unsold rooms, common assets, a restaurant, spa and rights to develop a golf course.
TCFC (Talisker Canyons Finance Co) is the master developer and primary property owner at Canyons Resort. Talisker Corp. acquired Canyons from American Skiing Co. in July 2008. In addition to the ongoing management of the Waldorf Astoria Park City, TCFC was instrumental in completing the Canyons Resort Golf course in the fall of 2014 and long term planning of the real estate development future of Canyons Resort. TCFC's holdings include over 4 million square feet of entitled density in and around the Canyons Resort area. Vail Resorts has a long-term lease to operate Canyons Resort ski area in Park City.
Kerry Hing has been the General Manager of the Waldorf Astoria Park City since 2011. He was previously at the Ranch at Rock Creek in Montana. Hing succeeded Steven Linburg.
This is a poster I did to advertise a job opening for web developers at dffrnt. I will be putting this up at various teaching centres in my city to attract some young talent. Also, the dffrnt logo has a new style. All dffrnt artwork will have this new style from now on. (Photo taken with iPhone.)
Visit us and drop a comment at our site: www.dffrnt.com
developer: Fuji Microfine 7' (20C)
not at home now, so just uploaded and run.
visiting and replying latter, sorry!!
Film scanner for first time in months ... years.
Minolta 800si AF camera with 50/1.7 Tri-X/Sprint
Both film and developer well past "sell by date"
For this one I tossed a roll of Tri-X into the Adox Silvermax developer. It seems to have quite an compensating effect. Grain is much less pronounced than with Rodinal. If this is a good thing is up to you. Definately a usable combo.
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Tobias Ellinghaus hands... but once he saw me, he start taking pics :P
Day 2 at Vienna
02 May 2012
Artist....The King of Chalices card suggests that my power today lies in emotional availability. I inspire, protect and nurture with reliable compassion, respect, and affection. I am a master in the art and am secure enough in my role to connect to, express and pursue my hearts desire while defending the greater good of those who rely on me. I am empowered by consistency and patience while trust is my gift or Holy Grail.
I don't remember who took this shot of us. David, maybe? (Sanjay, Chao Mei, David K, Chee Wai, Barry, Michael, Klaus, Rob; Peter, John, Kirby, Jim, Tim; Dave, Jordi, Markus)
The Khronos held their fall Face to Face in San Antonio this year. The F2F is a Khonos member event that happens 3 times a year. It gives all members a chance to meet and discuss the future roadmap, bugs and development of Khronos technology. Oh, and to have a little fun as well!
React Js is now considered as one of the best open-source JavaScript libraries to build single page web applications. Agriya, As one of the leading Reactjs Web Development Company, provides high-quality web development services at an attractive price.