Rodinal Special / R09 Spezial
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HP5 in Finol,
Kallitype, Sodium acetate developer,
1st MT12 Cobalt toner 12+9+7+4+450ml 1:30 mins
2nd MT7 Iron Blue 4+2+4+3+400ml 2 mins
3rd Lead acetate 3% 1 min.
FP4, Tanol Speed,
HPR Silica pre-coated,
Athenatype,
Sodium citrate 10% developer 4 mins,
ATS acidic fixer 1+10 4 mins.
Nikon N90, Nikon 50mm 1.8, apx100, epson v600 - this is an archival shot and not sure which developer I have used, Foma powder, I presume
Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
FP4 N+1 Finol,
Hahnemühle Platinum Rag
Kallitype, Potassium citrate developer,
MT7 Iron Blue Toner 2+2+6+2+500 1:30 mins, Lead acetate 50 secs
White Sunday in Hürth
Rolleiflex T, Delta 400 @ ISO 800 in Finol,
Kallitype on HPR, Rochelle salt developer, MT10 Gold toner 4 minutes prior to fixing.
camera Yashica 230-AF, lens Yashica lens AF 35-70 mm Macro, film Fomapan 400@320 dev in Foma Retro Special developer for 4 min
Crag Fell on Sunday. The fell side overlooking Ennerdale Water is a wonderful landscape of crags, rock pinnacles and heather but the cloud didn't lift in time, so it's one to come back to and devote more time to later..
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Eno River State Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
4-shot stitch
Iridient Developer
Affinity Photo
FP4 N+1 eco film developer.
Kallitype onto HPR.
On the left, Ockre developer (rochelle salt/tungstate mixture) untoned.
On the right, short gold toning with the aim of achieving a cool highlight colour while retaining reddish shadows. The desired highlight colour is achieved after just one and a half minutes in the MT10 gold toner; the shadows are not yet completely toned, but are already significantly cooler.
I had thought that the light had ruined the shots from here, but by cranking up the contrast and adding a bit of clarity in SilkyPix this came out which I quite like. One of the last shots taken before heading straight down as a hailstorm was rapidly approaching from behind..
Steep forested wall of the Cullasaja Gorge, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
The Gruffy, Sanderstead is a small park with a pond and a few benches. It sits at the top of Sanderstead Hill, between the main Limpsfield road and All Saints church.
From www.croydon.gov.uk/libraries-leisure-and-culture/parks-an...:
The area around the pond and church once constituted Sanderstead Village, until in 1799 the squire added the village green to his park, a process of enclosure that went on in Sanderstead during the 17th, 18th and 19th centuries.
In 1958‐60 Sanderstead Archaeological Group excavated in the vicinity of the pond and found traces of a 17th century lodge‐house and further digging revealed the presence of man as far back as the Mesolithic Period, nearly 12000 years ago. Pottery fragments dated between 100 AD ‐ 1300 AD, a bronze belt‐end of saxon era was also found.
Panorama stitched from two jpegs then processed in SilkyPix to increase exposure mostly.
Holga 120N, HP5 in Tanol,
Kallitype on HPR,
Sodium acetate developer,
MT3 Vario Toner: bleach 1+100 1:20 mins, toner setting C.
Another bird shot from my trusty balcony. It was a very warm day and these Pigeons were busy.
Hope everyone has a great weekend.
Thanks for all the comments and support :)
King Abdulaziz Center for World Culture - Ithra
Architecture: Snøhetta
Developer: Saudi Aramco
Engineering Consultancy: Buro Happold
Contractor: Saudi Oger LTD.
Project Management: Saudi Aramco PMT
Interior Cladding: POHL Group
Lighting Design: Speirs Major
Acoustics: Arup
Architectural Style: Organic / Parmetric
Date Completed: 2018
Photography: Andrew Shenouda
Website | Instagram | 500px | Behance | LinkedIn | Pinterest | Facebook | X | Tumblr | Deviantart
Photo information:
ISO: 400
Film type: 120
Film name: Rollei Retro 400S
Developer: Kodak D-76
Process: 20°C.
Developer dilution: 1+1
Developing time: 16'
Scanner manufacturer: Epson Perfection V550 Photo.
Eno River State Park
A second shot with a slightly different perspective, processed in color.
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
I love daffodils, and I think that their texture is still beautiful when they dry out.
Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
Rolleiflex T Tri-X in Pyro48.
Kallitype onto Hahnemühle Platinum Rag,
Rochelle salt developer, Palladium toner, ATS acidic fixer.
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Shot on Kodak TX pushed to 1600 ASA with a Pentax LX & 30 / f 2,8. Developed in High Sensitive, a special developer manufactured by Swedish producer Stena Scanfors in the 80s & 90s.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
One of the developers close by was clearing some land to start the building of a new house, and I asked if they would save me some of the trees he was taking down. He assumed that I wanted them for firewood, but when I told him I wanted them for a project in my forest he was intrigued.
I explained I was going to make a path out of slices of trees through my forest and as part of my landscaping plan. He thought this was such a cool idea that he pulled and stacked them on my property free of charge (and it was probably easier than hauling them away).
I call that a win-win!
Theme: Devoid of Color
Year Sixteen Of My 365 Project
Rolleiflex 3.5F TLR Camera. Planar Lens.
Ilford FP4 Film + XTOL Developer.
Negative scanned using a Fuji GFX-50s + Kipon Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
"Historic linden alley between Rzucewo and Osłonino - Poland"
Kine Exakta II (1949) + aus Jena Flektogon 2.8/35 (1963) + Ilford XP2 super 400 b&w film + C41 developer
(Visible parasitic light inside the camera body)
I had always wanted to try this homemade developer but didn’t want to waste a roll of something from a trip. So, I took a tool of Kentmere (inexpensive B&W film), went and bought the three ingredients I didn’t have and set out some items to shoot. The ingredients are, Washing Soda Powder (Sodium Carbonate) I bought at Home Depot, Vitamin C Powder I bought at Whole Foods and Instant Caffeinated Coffee that I bought at Trader Joe’s, and the iodized salt I had. For a 1000ml solution use 40 grams of instant coffee, 16 grams of washing soda, 8 grams of vitamin C powder and 1 gram of iodized salt (optional and not needed if using distilled or filtered water). Mix the coffee in 800 grams of water, mix in the washing soda, mix in the vitamin c (there will be a slight reaction because of the washing soda, then add the salt if needed. Bring the temperature of the solution to 68 degrees F or 20 C. For developing time used the Stand Process. The photos lost much of the shadow details and I think this was because I agitated at the beginning and again at the halfway mark of 30 minutes. Next time I will only agitate for 1 minute initially and end the process at 45 minutes.
たいがいは、ひとコマだけ撮ったらさっさと歩き出します（通行人の目が気になるので^^
この時は国産かなーと思って引きでこのコマをカシュっといって、近づいてみたらハーレーだったのでエンジンに迫ってもうひとコマいきました。
36枚撮りしか買えなくなったら、しつこく何コマも撮るしかないすね。
Leica M4 Summicron 50mm F2.0 Fuji NEOPAN PRESTO 400
T-MAX Developer 22℃ 5'00 Super Fuji Fix 22℃ 6'00
camera Canon Sure Shot A1 underwater camera, film Fomapan 400, dev in Foma Retro Special Developer for 5½ min
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Lens tilt used, Kodak T-Max 100 Professional TMX6052, Developer Ilfosol S 1+9, negative photographed on a light pad, digital processing in Lightroom.
The lens tilt used enables a plane of focus which is not parallel to the film plane, but tilted along the top of the wall, stretching from a metre or so to infinity. Notice that the grass in the foreground is not in focus, even though it is the same distance from the camera as a part of the the wall which is sharp.
de.wikipedia.org/wiki/Scheimpflugsche_Regel
Passing time...
Wastwater long exposure (3mins)
Camera // Ebony SW45
Lens // Sinar 65mm f4.5 Sinaron W
Filters // Big Stopper / 3 stop hard grad
Horseman 6x12 Film Back
Film // Ilford Delta 100
Developer // Kodak HC-110 (B)
Scan // Epson V850
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
After developing my first roll of black & white film I was hooked on the hands-on mentality of analogue photography.
Although I have never been drawn to tabletop photography, all of a sudden I was drawn to exploring the world in a black & white vision.
"Tullip 1"
Camera: Bronica S2A (1969)
Lens: Nikkor 75 mm f/2,8
Film: Shanghai GP3
Process: Foma Universal Developer @5min