Ilford ID-11
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(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon Macro EF 100mm f2.8 USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: ACR / Silver Efex Pro 2 / ACDSee Photo Editor 11
Thanks for your comments, faves and views, really appreciated!
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
FP4 N+1 eco film developer.
Kallitype onto HPR.
On the left, Ockre developer (rochelle salt/tungstate mixture) untoned.
On the right, short gold toning with the aim of achieving a cool highlight colour while retaining reddish shadows. The desired highlight colour is achieved after just one and a half minutes in the MT10 gold toner; the shadows are not yet completely toned, but are already significantly cooler.
Eno River State Park
Playing with my new lens
590nm IR-converted Pentax K-5
Lensbaby Sol 45/3.5
Iridient Developer
I'm trying to work out a way to use Fomapan 400 as a Kallitype negative, but it's proving difficult to get it to work as I want with Pyro developers. With Pyrocat HD it produces lots of density but higher values are all mashed together into a flat mess. I think I will give up and stick with FP4 for making Kallitype negs.
This is the second of two identically exposed sheets of Fomapan 400, this one developed in home made Mytol, an Xtol ascorbate clone.
Deardorff 8x10 with the Kodak f4.5 Ektar lens, at f8. A six second exposure.
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Morning light on the Sydney coast, November 2020.
In Flickr Explore March 10, 2021.
Camera: Leica CL
Lens: Cosina-Voigtlander Ultron 35mm f/2 Vintage Line
Film: Ilford FP4+ @ISO400
Developer: Microphen 1+1
Scan: Epson V700
Postprocessing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2020 Lynn Burdekin. All Rights Reserved.
Fiordland National Park
Revisiting some unusued photos from 2013/2014
Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Fountains Abbey, North Yorkshire, England.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Eno River State Park, October 30 2019
Pentax K-1
SMC Pentax 1:1.8 85mm
Panorama crop
Iridient Developer
Requiescat in pace, DLBS, 1933—2021
Dutchman's Breeches (Dicentra cucullaria)
Butner / Falls of Neuse Game Land
Generally rare in this part of the state, the plant flourishes in this spot thanks to a diabase outcrop and the resulting soil chemistry.
Pentax K-1
Vivitar Series I Macro 1:2.5 90mm
ZereneStacker (3-shot stack)
Iridient Developer
Affinity Photo
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Yet another lovely day, for my purposes -- cloudy, with intermittent rain and light winds -- at Eno River State Park. Not certain but I think the trees showing color here are Green Ash.
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Camera: Chamonix 8x20
Lens: Schneider 355mm G-Claron
Film: Kodak TXT (2003)
Developer: Pyrocat-MC
Development: Brush
Contact Print: Ilford Galerie G3
Print Developer: PF130
Toner: Selenium
Holga 120N, Efke IR820, Filter 715, eco film developer 2+1+40 20°C 11 mins
enlarged print negative 22x24 cm / 8,5x9,5 inch
on Wephota F05 by reversal development in SE6 Blue 1+20 and potassium dichromate bleach
Palladium print on Weston Diploma Parchment
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1, scanner Epson 3200
Testing Kodak Tri-X 400 film in Moersch Finol developer.
Love the way Tri-X 400 flares!
Shot with an Olympus 35 SP 35mm film camera.
Exposed EI 240.
Developed in Moersch Finol 1+75, 5.30 minutes at 28°C, first minute constant agitation then 2 inversions every 20 seconds.
Fixed in Moersch ATS alcaline fixer to preserve the stain, 6.30 minutes, first minute constant agitation then 10 seconds inversions at beginning of each minute
Washed in flowing tap water for 8 minutes.
Scanned to true optical 2900dpi with a custom macro setup, then resized.
No sharpening or noise reduction applied.
Original file available.
High developer temperature takes a toll on grain size here, but decent performance nevertheless.
Decent performance in Finol, but for Tri-X at EI 240 I definitely prefer CG 512 / Rollei RLS.
These arrived today and I'm excited!
Found a new "local" place for film goodies; it's on Vancouver Island, but one-day delivery to Metro Vancouver. I ordered some Blazinal, my go to developer for B&W; a new B&W developer called Black/White & Green; and some iso 100 Lomography in 120 format.
Blazinal is used exactly the same as Rodinal. I don't know if it's the same formula, just re-packaged, but it's very easy to use and reliable, and the bottle I'm still using was opened June 6, 2021, so it has good shelf life.
I'm very interested to use this Black/White & Green developer. It's made in Canada by Flic Film, and described as having long shelf-life and to give sharp negatives with fine grain. Apparently, it's not as sharp as Rodinal and it gives a less contrasty negative. For me however, the only downside, from what I've read, is that it takes longer to work its magic; Ilford HP5+ for example, takes 15.25 minutes at the 1:49 instructed dilution at 20°C. In Blazinal (Rodinal), it takes 6 minutes in 1:25 dilution at 20°C. I'll try B/W&G this weekend and see!
Canon EOS 50E, Tamron 28-75/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200
Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.
Camera: Canon A-1, 50mm f1-4.
Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.
Holga 120N, Efke IR820
printed on Ilfobrom Galerie grade 2
VGT two tray - cool setting with Finisher Blue
# Camera: Olympus OM2n
# Film: Ilford XP2
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Edited with Iridient Developer
Event: Potteries Branch Rally
Location: Foxfield Railway, Blythe Bridge, Stoke-on-Trent
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 40mm f/2.8
Film: Agfa Vista 200 - expired 2017
Shot ISO: 200
Light Meter: Camera
Lighting: Sunny
Mounting: Hand-held
Firing: Shutter button
Developer: Digibase C-41
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Leica-M6 TTL 0.72 Elmarit 1:2.8/21mm ASPH. Ilford FP 4 Plus 125asa
Developer Ilford ID 11 1+1 20º 11 min.
Nikon Super Coolscan 5000 ED. Film Scanner.
De Pyramide van Austerlitz is een 17 meter (81 treden van 20 cm + 1 m. opstap) hoge piramide van aarde, in 1804 gebouwd door napoleontische soldaten op de Botterstop, een van de hoogste punten van de Utrechtse Heuvelrug, in de gemeente Woudenberg. Boven op de piramide staat een stenen obelisk uit 1894. De top van de aarden heuvel ligt op 71,60 meter boven NAP.[1]
The Pyramid of Austerlitz is a 17 meter (81 steps of 20 cm + 1 m. Step) high pyramid of earth, built in 1804 by Napoleonic soldiers on the Botterstop, one of the highest points of the Utrechtse Heuvelrug, in the municipality of Woudenberg. On top of the pyramid is a stone obelisk from 1894. The top of the earthen mound is 71.60 meters above NAP. [1]
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
Thank you everyone for your visit, favorites and comments.