T-Max Developer
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FP4 N+1 Tanol,
Kallitype onto Arches Platine,
Sodium acetate developer,
MT3 Vario toner: bleach 1+75 45 secs, toner setting c
FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
Toned Kallitype,
Arches Platine, Sodium acetate developer, short (20 secs) Palladium pre-toning and after fixing alkaline Copper toner 1:30 mins.
White Sunday in Hürth
Rolleiflex T, Delta 400 @ ISO 800 in Finol,
Kallitype on HPR, Rochelle salt developer, MT10 Gold toner 4 minutes prior to fixing.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Gibson Bottoms, Mainspring Conservation Trust, Macon County NC
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Affinity Photo
FP4 N+1 eco film developer.
Kallitype onto HPR.
On the left, Ockre developer (rochelle salt/tungstate mixture) untoned.
On the right, short gold toning with the aim of achieving a cool highlight colour while retaining reddish shadows. The desired highlight colour is achieved after just one and a half minutes in the MT10 gold toner; the shadows are not yet completely toned, but are already significantly cooler.
Holga 120N, Efke IR820, efd,
Platinum/Palladium 20x20cm on Arches Platine, warm tone developer oxalate/phosphate 1:1 at 45°C
Mountain Laurel (Kalmia latifolia) in bloom along the Bartram Trail, Scaly Mountain, Nantahala National Forest
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Late afternoon light on the marsh, Bald Head Island.
590nm IR-converted Pentax K-5
Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
Although the development time was longer here, the image appears flawless (no snowballs, no marble structures). Snowballs tend to occur in homogeneous areas. With negatives that have a structured background, such as here, the above-mentioned faults do not occur, or only after a much longer development time.
Fomatone 132 (brandnew batch 080348-01)
Lith A+B+D+water 30+30+20+1000 ml 7 minutes, followed by a Siena mix (for more colour) one minute.
Delta 100 4x5 in MZB,
Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.
MT3 Vario toner: bleach 1+50 30 secs, toner setting A50+40+900ml 30 secs.
Holga 120N, HP5 in Tanol,
Kallitype on HPR,
Sodium acetate developer,
MT3 Vario Toner: bleach 1+100 1:20 mins, toner setting C.
Excerpt from www.cambridge.ca/en/learn-about/resources/Dickson-Hill-HC...:
Dickson Hill is one of the most unique communities in the City of Cambridge. Dickson Hill is named for the Honourable William Dickson, a prominent Galt settler who arrived to the area in 1816. Dickson is credited with founding the Village of Galt due to his considerable land holdings and was responsible for much of the commercial development on the west bank of the Grand River.
His son, William Dickson Jr., acquired most of the lands that currently make up the residential area of Dickson Hill. His own residence, located at 16 Byng Avenue was constructed in 1832. The development of the residential component occurred over several decades and by a series of developers. Florence Dickson, niece to William Dickson Jr., and his heir, controlled the development of this area until the 1890’s.
Dickson Hill features an extremely high concentration of significant buildings of various types: residential, institutional, commercial and manufacturing. In addition to the buildings, key elements that define the character of Dickson Hill are:
• Tree-lined streets;
• Distinctive globe street lights; and
• Prominent urban public spaces and landscape features.
Hasselblad 501CM, Planar100 with extension tube, Rollei ATP 120 in flaTTec developer.
Kallitype onto HPR,
potassium sodium tartrate/sodium tungstate developer,
MT7 Iron blue toner
Explored June 11, 2022
(Image taken with an Analog film camera).
A long term project will guide you and help you grow.
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: ACR / Silver Efex Pro 2 / ACDSee Photo Editor 11
(Location: Hillsborough River State Park, Thonotosassa, Florida).
Thanks for your comments, faves and views, really appreciated!
Slightly recomposed and slightly different lighting, in color this time. Appalachian cove forest along the Bartram Trail, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
Camera: Rolleiflex 3003
Lens: Carl Zeiss F-Distagon 2.8/16 mm
Film: Ilford FP4
Developer: Perceptol 1:1 15 Min
Digitized with a Panasonic GH4, Lumix G Macro 2.8/30mm
Digitally "developed" with Pixelmator Pro on an iMac pro.
Ausstellung der Künstlergruppe Broke.Tody im ehemaligen Maschinenhaus des Krankenhauses München Schwabing an 5./6. März 2022
broke.today
Exibition of the Artists of the Group "Broke.Today" March 5th and 6th 2022 in the former engine house of the Munich Schwabing Hospital.
# Camera: Balda CA35
# Film: Ilford XP2
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Edited with Iridient Developer
holga shot then an experiment with film developer: TMY-2 film souped in 510 Pyro 6.5 minutes, 1:100, 68 deg F, color negative scan on Canon 8800F with only minor PS level adjustment
Event: Tatton Park Classic Car Show
Location: Tatton Park, Knutsford, Cheshire
Camera: Canon EOS IX7 (APS)
Lens(s): EF Converted Canon EF-S 18-55mm f/3.5-5.6 IS STM
Film: Jessops Diamond Everyday - expired 2006
Shot ISO: 50
Light Meter: Camera
Lighting: Mixed Weather
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Cypress, fern, bromeliads, Grassy Waters Preserve, Palm Beach County, Florida
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Morning, salt marsh, Bald Head Island
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Affinity Photo
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Minolta Autocord, Kentmere 400 @ISO400, yellow filter, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix.
Camera: Agfa Isolette III (1956)
Lens: Solinar 3.5/75mm
Film: Foma Retropan 320
Developer: Rodinal 1:50
Location: Benediktbeuern, Bavaria
Mehr über dieses Latergram/ More about this latergram (in german language): zeitmaschinen.org/momente-aus-der-zeitreuse-ein-ungeplant...
en.wikipedia.org/wiki/Pow%C4%85zki_Cemetery
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
First attempt at Pinhole photography. I messed up in the developing tank. I didn't have enough developer so the bottom has that white area. DIY camera, 6x9 film. 0.3mm Pinhole. Lens is about about 1-1/2 inch (4 cm) from film. If I figure out a way to move the lens a little further away from the film, I can get rid of that vignetting ring. But that ring looks kinda cool.
Camera: Nikon F6
Lens: Zeiss Makro-Planar T* 100mm F/2
Film: Kodak Ultramax 400
Developer: Lab
Scanner: Lab
Software: Camera Raw
Pentax 6x7 MLU + 55mm Lens
Kentmere Pan 100 Film + ADOX Developer.
Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.