Ilford ID-11
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Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Holga 120N, Efke IR820, efd,
Platinum/Palladium 20x20cm on Arches Platine, warm tone developer oxalate/phosphate 1:1 at 45°C
Excerpt from www.cambridge.ca/en/learn-about/resources/Dickson-Hill-HC...:
Dickson Hill is one of the most unique communities in the City of Cambridge. Dickson Hill is named for the Honourable William Dickson, a prominent Galt settler who arrived to the area in 1816. Dickson is credited with founding the Village of Galt due to his considerable land holdings and was responsible for much of the commercial development on the west bank of the Grand River.
His son, William Dickson Jr., acquired most of the lands that currently make up the residential area of Dickson Hill. His own residence, located at 16 Byng Avenue was constructed in 1832. The development of the residential component occurred over several decades and by a series of developers. Florence Dickson, niece to William Dickson Jr., and his heir, controlled the development of this area until the 1890’s.
Dickson Hill features an extremely high concentration of significant buildings of various types: residential, institutional, commercial and manufacturing. In addition to the buildings, key elements that define the character of Dickson Hill are:
• Tree-lined streets;
• Distinctive globe street lights; and
• Prominent urban public spaces and landscape features.
Minolta XR, 58mm f1.4
Kodak double X, ND76
I developed the film in a room of over 35 degrees. I first let the developer below 20 degrees, but would rise over 24 degrees while developing. That might affect the result.
暑い部屋で現像したので，現像中に現像液の温度が上がってしまい，ざらついた結果になったのか？
Autumn comes to the salt marsh, Bald Head Island, North Carolina
Minimal post-processing, thanks to the use of a 2-stop GND filter (and a polarizer)
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
© 2024 Daniel Novak Photo | Blog | Instagram
© All rights reserved!
I don't often get an opportunity to spend a day walking and it allowed me to see more of Toronto and of course take more pictures. So here ... #etbtsy
Continued on my blog:
Toronto Film Shooters (TFS): After the May 2024 Midtown Photo Walk, Heading Downtown
Photographed with a 35mm Nikon FE2 camera on Kodak Double-X 5222 Black & White Negative Film, developed in D-23 developer.
American Beech (Fagus grandifolia) in late winter garb.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Soon forgotten because I spoke with the guy that owns the land who pulled up to me on his ATV to find out what I was doing. A nice guy with his wife who saw i wasn't trying to break in or dump trash and after a fairly nice conversation, he explained he had sold the land to a developer, and they would be tearing down the house in a couple of weeks.
Where to end this nostalgic search for lost time? Perhaps by saying goodbye to my parents. My last photo of my father (with C) in Mallorca in 2001. I was on a whirlwind tour: Colombia, UK, Ghana, Nigeria, UK, Spain, UK, Colombia, the US and back to Cali, Colombia, where I was working at the time. Jack died a couple of days after Christmas, one month after my third child was born, who was named after his grandfather. www.theguardian.com/news/2002/jan/19/guardianobituaries.b...
Zeiss Ikon Super Ikonta A 530 4,5 x 6 cm, 1937
Fomapan 100@100 ISO
Yellow filter
Moersch Eco Developer
DSLR scan
Detail of a wooden hull.
Hasselblad Planar, TMY in Tanol,
Kallitype on Hahnemühle Platinum Rag,
Oxalate/Acetate developer, ATS alkaline fixer,
MT3 Vario toner: bleach 1+50 30secs, toner setting e
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
(Mamiya RB67; Sekor 4.5/250; Ilford FP4+ developed in Moersch Eco Film Developer; digitized with DSLR+hugin; edited with GIMP
Pentax 6x7 MLU + 55mm Lens
Kentmere Pan 400 Film + ADOX Developer.
Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
Irvine Sellar, The Shard’s developer and joint owner, had an ambitious vision to create an architecturally striking vertical city incorporating retail, offices, hotel, apartments, restaurants and a public viewing gallery. His idea was to build a diverse vibrant community, and provide multiple areas within which the public could experience the building and its magnificent views. And all of this astride one of London’s major transport hubs.
The Shard, also referred to as the Shard of Glass, Shard London Bridge and formerly London Bridge Tower, is a 95-storey skyscraper in Southwark, London, that forms part of the London Bridge Quarter development. Standing 309.6 metres (1,016 ft) high, the Shard is the tallest building in London and is currently the 87th tallest building in the world, the tallest building in the European Union and the fourth tallest building in Europe. It is also the second-tallest free-standing structure in the United Kingdom, after the concrete tower at the Emley Moor transmitting station.
The Shard's construction began in March 2009; it was topped out on 30 March 2012 and inaugurated on 6 July 2012. Practical completion was achieved in November 2012. The tower's privately operated observation deck, the View from the Shard, was opened to the public on 1 February 2013. The glass-clad pyramidal tower has 72 habitable floors, with a viewing gallery and open-air observation deck on the 72nd floor, at a height of 244.3 metres (802 ft). It was designed by the Italian architect Renzo Piano and replaced Southwark Towers, a 24-storey office block built on the site in 1975. The Shard was developed by Sellar Property Group on behalf of LBQ Ltd, and is jointly owned by Sellar Property and the State of Qatar.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Rollei SL66SE, Carl Zeiss Planar 80mm f/2.8, Lens tilt used. Kodak Technical Pan developed in Technidol, 60mm negative digitised by photographing on a light pad, digital processing in Lightroom.
The geotag is approximate.
Experimenting further to see what I can use for developer when using an inkjet printer with developer on photo paper. This will also finally allow to print a photo on photo paper without a dark room.
Here I brush on Foma Variant 312 paper the retro320 developer. It gives enough time to make some creative decisions. Toning with Ferro Blend (red) and FAC plus Kferro (Blue)
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Event: Smallwood Vintage Show
Location: Love Lane, Sandbach, Cheshire
Camera: Pentax auto 110
Lens(s): Pentax 24mm f/2.8
Film: Lomography Turquoise
Shot ISO: What the camera decided!
Light Meter: Camera
Lighting: Overcast
Mounting: Hand-held
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Camera: Chamonix 8x20
Lens: Schneider 355mm G-Claron
Film: Kodak TXT (2003)
Developer: Pyrocat-MC
Development: Brush
Contact Print: Ilford Galerie G3
Print Developer: PF130
Toner: Selenium
Photo technical info:
- Camera: Nikon FE2, Lens: Nikkor 35-105 zoom, f8, 1/250 s
- Film: Ilford FP4, Developer: Spur Acurol-N
Si disgrega lo sguardo
in abissi soffusi
The gaze unravels
into hushed abysses.
Olympus om2
Film: Fomapan 400
Developer: Bellini Hydrofen
Paper: ILFORD MULTIGRADE FB Matt 6x9
Developer: Bellini Eco
Fixer: Bellini Eco
DURST M601
Beach volleyball on Manly beach, Sydney, spring 2018. The heavy grain was quite a surprise - I expected grain but not this much. Reminded me of Seurat and Pointillism.
Camera: Olympus XA4
Lens: Zuiko 28mm f/3.5 macro Film: Kodak TMAX P3200 (old version)
Developer: Kodak TMAX.
Scan: Epson V700 @4800dpi
Postprocessing: Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2022 Lynn Burdekin. All Rights Reserved.
- Camera: 1940's Japanese half plate with 4x5 adapters
- Lens: 1890's Hermagis Aplanastigmat 1:7 f=310 mm
- Negative: Arista EDU Ultra VC RC Paper
- Set at ISO 6
- Developer: Caffenol C-M.
- Location: Public garden in Bordeaux, France
© 2016 Daniel Novak Photo | FB | Blog | timelessbuffalo | Instagram
© All rights reserved!
A wonderful cloudy evening on the shore of Lake Erie like created for some moody black and white pinhole photography. I headed to a previously photographed location where I really liked the rock layers positioned perfectly to interact with the incoming lake waves. In many ways, photography there is just like along a rocky ocean coastline. I really liked how the horizon line was blending in with the sky even in color, in blue tones. I did not really know how the scene would turn out in black and white and and in a pinhole photograph on top. And unlike digital, I did not know how it turned out even after clicking the shutter ... #etbtsy
Lake Erie Lakeshore on Pinhole
Shot on Fuji Neopan Acros 100 black and white film, developed in Kodak XTOL Developer, Ilford Ilfostop, Kodak Fixer, Ilford Ilfotol. Scanned with Plustek OpticFilm 8200i SE. No post-processing, just resizing.
timelessbuffalo: black and white film photography from Buffalo, NY
Tags: #filmphotography #blackandwhite #pinholephotography