View allAll Photos Tagged developer

FP4, Tanol Speed,

HPR Silica pre-coated,

Athenatype,

Sodium citrate 10% developer 4 mins,

ATS acidic fixer 1+10 4 mins.

TD: Ilford HP5 35mm film, developer ID-11 13' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.

Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.

Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.

FP4 in Pyro48,

Kallitype, Hahnemühle Platinum Rag,

Potassium citrate developer

FP4 in Pyro48 (cropped 35mm),

COT320, Vandyke/Kallitype 1+3 mix, Potassium citrate developer, MT3 Vario: bleach 1+100 1:30 mins, toner setting A.

It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.

Fuji X-Pro1.

Zenza Bronica ETRS

Ilford SFX (zu entwickeln bis 01.2009)

Moersch ECO developer

 

Delta 100 4x5 in MZB,

Kallitype on HPR, Ferric oxalate no.4 toner test, Sodium acetate developer.

MT3 Vario toner: bleach 1+50 30 secs, toner setting A50+40+900ml 30 secs.

Zwischendurch mal etwas zum Aufwärmen.

Linhof Technika Tmax 100 in Tanol,

Kallitype onto HPR,

developer Rochelle salt and Sodium tungstate mixture.

Olympus OM2, red filter, Kodak High-Speed Infra-Red film developed in Kodak D76, negative scanned, digital processing in Lightroom.

 

The geotag is accurate to a few hundred metres only.

Minolta XR, 58mm f1.4

Kodak double X, ND76

 

I developed the film in a room of over 35 degrees. I first let the developer below 20 degrees, but would rise over 24 degrees while developing. That might affect the result.

暑い部屋で現像したので,現像中に現像液の温度が上がってしまい,ざらついた結果になったのか?

Eno River State Park

 

Playing with my new lens

 

590nm IR-converted Pentax K-5

Lensbaby Sol 45/3.5

Iridient Developer

Steep forested wall of the Cullasaja Gorge, Nantahala National Forest.

 

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

Warwoman Dell

Chattahoochee National Forest

 

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

Live Oaks (Quercus virginiana), Spring Island, South Carolina

 

590nm IR-converted Pentax K-5

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Brumley Preserve, Orange County NC

 

Pentax K-1

SMC Pentax 1:3.5 35mm

Iridient Developer

© 2024 Daniel Novak Photo | Blog | Instagram

 

© All rights reserved!

 

I don't often get an opportunity to spend a day walking and it allowed me to see more of Toronto and of course take more pictures. So here ... #etbtsy

 

Continued on my blog:

Toronto Film Shooters (TFS): ​​​​​​​After the May 2024 Midtown Photo Walk, Heading Downtown

 

Photographed with a 35mm Nikon FE2 camera on Kodak Double-X 5222 Black & White Negative Film, developed in D-23 developer.

Eno River State Park

 

590nm IR-converted Pentax K-5

Lensbaby Sol 45/3.5

Iridient Developer

Highlands-Cashiers Land Trust

 

Pentax K-1

SMC Pentax-A 1:2.8 24mm

Iridient Developer

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Kallitype

Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

Brumley Preserve, Orange County NC

 

Pentax K-1

Pixel-shift super-resolution mode

SMC Pentax 1:1.8 85mm

Iridient Developer

* Kodak Retina IIa (type 016) - with the Rodenstock Heligon lens

* Yellow filter

* Ilford FP4 plus film

* Kodak D-76 (1+1) developer

 

I used this camera: flic.kr/p/2kSjreR

Illustrations/code-names for the development team here at work.

 

If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

500cm - Planar2.8-80

BerggerPancro400

 

D-76 1:1 @20°C for 17 minutes

 

first time i used D-76 and the Bergger Pancro400

 

i already love this film or the developer makes the difference.

No matter! how do you like the results?

 

www.mikesphotographyandmore.de/home

developer: gearbox software

This is a bulk gas carrier and guess what. That is a gas power station in the backround

Shot from Portishead Quay as the BRO Developer approaches Avonmouth.

Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.

 

Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?

 

Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.

 

Note: I chose this as my "photo of the day" for Nov 21, 2015

 

************************

 

In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.

 

I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…

Zenza Bronica ETRS

AGFA APX 100

Moersch ECO developer

I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.

 

The comprehensive review can be found on my blog here:

 

amazingsky.net/2023/01/01/testing-raw-developer-software-...

Calf Gully Creek, Bill Smith Park.

 

Pentax K-1

SMC Pentax 1:1.8 55mm

Iridient Developer

Manly ferry crossing Sydney heads, spring 2018. Leica IIIf rangefinder Cosina-Voigtlander 35mm f/2.5 Color-Skopar LTM, Ilford FP4+ in Kodak XTOL developer. V700 scan.

 

Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2018 Lynn Burdekin. All Rights Reserved.

Dune Evening Primrose (Oenothera deltoides), Anza-Borrego Desert State Park.

 

Pentax K-1

SMC Pentax 1:1.8 55mm

Iridient Developer

A couple of frames to illustrate the point of the Divided D76H, highlight preservation. The Courtyard has lovely shiny tiles so reflects the light beautifully and it was kind when I walked past. The stairs were a sunny sixteen challenge as well. There the lamp isn't blown out yet there is great shadow detail.

The developer is actually a variant on the Vestal divided D76. He couldn't remember on mixing if the sulphite went in A or B bath so split between them. The H is added as this formula looses the Hydroquinone but boosts the metol and borax, I ran 5mins in both baths with continuous gentle agitation.

For developer detaiols ee The Film Developing Cookbook Pg 85

 

Film is the ORWO N74 movie film in IXMOO home loaded with yellow filter on the f2 ZM Biogon 35mm.

 

Rollei 35S - Carl Zeiss 40mm f2.8 Lens

Ilford HP5 + ILFOSOL 3 Developer.

 

Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.

 

www.paulgreeves.co.uk

 

www.instagram.com/paulgreeves810/

Mamiya 645 Super, 80/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200

Olympus OM-1

Zuiko 28mm f2.8

Kodak Vision3 500T color film

CineStill CS41 developer kit

Epson Perfection V800

Silverfast Ai Studio

Okay last batch of the backlog of UN54+ this roll took me through the old Brantwood Survey north of the Old Town and a long the swanky Trafalgar Road Historic District.

 

Canon EOS Elan 7 - Canon Zoom Lens EF 28-105mm 1:3.5-4.5 USM - ORWO UN54+ @ ASA-100

Flic Film B/W Cine Film Developer (Stock) 6:00 @ 20C

Scanner: Epson V700 + Silverfast 9 SE

Editor: Adobe Photoshop CC

Almere stad centrum Nederland Provincie Flevoland. The Netherlands.

 

Leica-M6 TTL 0.72 Elmarit-M 1:2.8/21 mm ASPH.

Ilford Delta 100 asa.

Developer Ilford ID 11 1+1 20º 11 min.

Nikon Super Coolscan 5000 ED. Film Scanner.

 

🔴Leica my point of view.

Wetzlar, Deutschland.

 

Leica-CL 1974 Rangefinder

 

Leica-M 6 TTL 0.72 1998 Rangefinder

 

Leica-M6 TTL 0.85 2001 Rangefinder

 

Thank you everyone for your visit, favorites and comments.

 

Ilford Sportsman 'Vario' (aka Dacora 'Dignette'), Ilford FP3 developed in Microdol X 1+3, negative scan, digital development in Lightroom.

 

Motor Sport Meeting, Ouston, Northumberland, 1962.06.24. For details see charterhall.weebly.com/1962.html

- and scroll about one third of the way down, where you will find the programme of the day.

developer: Kodak T-Max 1+7 (20c) 8'30"

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