Painting with Developer
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HP5 in Finol,
Kallitype on HPR,
Sodium acetate developer,
MT7 Iron toner 4+4+8+4+800 2 mins,
followed by Lead acetate 1% 15 secs.
Kallitype 19x19cm.
modified mixture again (added one drop Na2 5% to two ml sensitiser), with the aim of largely maintaining the cool tone after acetate developer, which normally disappears during clearing.
After some attempts on HPR this time on COT-320.
Leica MP
Leica 35mm F2.0
Fuji RDP III 100
CineStill D9 First Developer Bath 1+1 9mins 30 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
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In order to be able to use "normal" selenium toners (which contain Ammonium salts and/or Thiosulfate) for Lobotypes and Kallitypes without the usual fading and yellowing of tones, the print should be bleached (potassium ferricyanide and bromide) and redeveloped in any developer for gelatine silver prints.
The toning target was a split tone with subtle reddish shadows and bluish highlights.
Lobotype on COT-320. Due to the bleach and redevelopment 25% overexposed.
Left bleached 1+40 2 mins and redeveloped in SE2 Warm 1+10 1 min.
Middle MT1 Selenium 1+10 2 mins with the typical, initially invisible result of not completely toned highlights and midtones.
Right MT7 Iron Blue Toner (4+4+12+4+500ml) 50 secs followed by Lead acetate toner 2,5% 50 secs.
A little inconvenient, but I think the diversions is worth it.
Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
In Berlin, close to Mercedes Benz Arena, I found these fountains on a very hot day. Seems like people get crazy.
One guy posing for a foto, lifting his bicycle and kids playing with the water :-)
Captured with my analog Leica M3, loaded with a Kodak T-Max 400 Development details on FilmDev
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Late afternoon light on the marsh, Bald Head Island.
590nm IR-converted Pentax K-5
Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
Late afternoon light on the marsh, Bald Head Island.
590nm IR-converted Pentax K-5
Rokinon 1:3.5 24mm ED AS UMC Tilt/Shift
3-shot shift panorama
Iridient Developer
Affinity Photo
Leica M5
50 mm summilux
Adox Silvermax 100
Adox Silvermax 1+29
Paper: Ilford MG RC V glossy
Ilford Multigrade developer
Steep forested wall of the Cullasaja Gorge, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Kallitype on HPR.
The print negative was made from a lith print, of a directly enlarged rose branch.
Sodium acetate developer, clearing bath Citric acid, ATS acidic fixer.
After wash bleached and redeveloped with SE6 Blue, to achieve a deeper black for the following toning process
Alkalien copper toner followed by MT3 Vario toner 50+10+900ml.
Live Oak and Palmetto, Sleeping Turtles Preserve North, Venice, Florida
590nm IR-converted Pentax K-5
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
Isolette, Delta 400 at ISO 640 in Finol.
Untoned Kallitype on Hahnemühle Platinum Rag,
Sodium citrate developer, Citric acid, ATS acidic fixer.
Zenza Bronica S2, Nikkor-P 1:2.8 f=7.5cm, f/9.5, 1/250
Ilford HP5 Plus film/Adox FX-39 II 1+9 developer
Chatsworth Park, Derbyshire, England
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Contact print on Fomabrom variant 111, developer Kodak DEKTOL 1+2, ILFORD FP4 Plus developer Kodak D-76 1+3.
From a comparison of the self-adapted Biometar with a couple of adapted 135mm lenses
Zenza Bronica EC, Carl Zeiss Jena Biometar 2.8/120, f/4, 1/30
Ilford Delta 100 film/Adox FX-39 II 1+14 developer
Camera: Rolleiflex 3.5F (1964)
Lens: Planar 3.5/75mm
Film: Fomapan 200
Developer: Jobo Alpha 1:1:18, 6.5min 22 degree Celsius, Rotary development
Motorcycle: Adler M2011 (1954)
Exploring some developers that made items in the NX-Nardcotix size. Check my blog for the deets: billybeaverhausen.com/2019/10/20/the-nx-nardcotix-size/
Rolleiflex T Tri-X in Pyro48.
Kallitype onto Hahnemühle Platinum Rag,
Rochelle salt developer, Palladium toner, ATS acidic fixer.
Olympus OM4, Olympus OM Zuiko fisheye 16mm f/3.5, built-in orange filter, Kodak High Speed Infra-red Film developed in Kodak D76, negative scanned, digital processing in Lightroom.
Many of the Fells described in Wainwright's Volume Six are imaged in this shot. Pages High Stile 11-14 of that volume have helped in the labelling of the photo.
en.wikipedia.org/wiki/Alfred_Wainwright
en.wikipedia.org/wiki/List_of_Wainwrights
Hasselblad 501CM Planar 100, FP4 in Tanol.
Kallitype onto Hahnemühle Platinum Rag,
developer Potassium sodium tartrate/Sodium tungstate mixture.
Minolta Autocord, Kentmere 400 @ISO400, yellow filter, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix.
Tabachtint, Assif Melloul valley, central High Atlas mountains
Pentax MX, smc Pentax-M 1:4 200mm (most likely), Ilford FP4 film/ID-11 1+3 developer
Negative copied using Pentax K-1 with Schneider-Kreuznach Xenon-Zirconia 2.8/89-0001
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Minolta Maxxum 7000
Minolta AF 28-85/3.5-4.5
Kodak Tri-X
Rodinal Developer 7min@20C
DsLr DiGiTiZeD
PS ( two exposures ala dynamic range type, masked off only revealing some detail on the pot!!!
500cm - Planar2.8-80
BerggerPancro400
D-76 1:1 @20°C for 17 minutes
first time i used D-76 and the Bergger Pancro400
i already love this film or the developer makes the difference.
No matter! how do you like the results?
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Snow was commissioned by the Eaton Centre's developers, Cadillac Fairview, and architect Eberhard Zeidler to provide a permanent art work to hang in a skylit galleria, which would be visible from several levels and balconies as well as from a ground-level corridor spanning Dundas and Queen Streets. Snow's original intent was to depict a flight of geese breaking formation as if to land in the mall.
In 1982, Snow sued the corporate owner of the Toronto Eaton Centre for violating his moral rights by altering Flight Stop. In the landmark case Snow v Eaton Centre Ltd, the Ontario High Court of Justice affirmed the artist's right to the integrity of their work. The operator of the Toronto Eaton Centre was found liable for violating Snow's moral rights.
During the Christmas season of 1981, the Eaton Centre placed red ribbons around the necks of the geese. Snow brought an action against the Centre to get an injunction to have the ribbons removed. He had argued that the ribbons were a "distortion and mutilation" of his work, and that it "ultimately affected his artistic reputation". The judgement in Snow's favour held that the sculpture's integrity was "distorted, mutilated or otherwise modified" which was "to the prejudice of the honour or reputation of the author"
(Thank you Wikipedia!)
Eno River State Park, October 30 2019
Pentax K-1
SMC Pentax 1:1.8 85mm
Panorama crop
Iridient Developer
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Lens tilt used, Kodak T-Max 100 Professional TMX6052, Developer Ilfosol S 1+9, negative photographed on a light pad, digital processing in Lightroom.
The lens tilt used enables a plane of focus which is not parallel to the film plane, but tilted along the top of the wall, stretching from a metre or so to infinity. Notice that the grass in the foreground is not in focus, even though it is the same distance from the camera as a part of the the wall which is sharp.
de.wikipedia.org/wiki/Scheimpflugsche_Regel