T-Max Developer
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HP5 in Finol,
Kallitype, Sodium acetate developer,
1st MT12 Cobalt toner 12+9+7+4+450ml 1:30 mins
2nd MT7 Iron Blue 4+2+4+3+400ml 2 mins
3rd Lead acetate 3% 1 min.
TD: Kodak Tri-X 35mm film, developer D76 1+1 8'20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
Photo information:
Film type: 135.
Film name: Fomapan 100@200.
Exposure program: Aperture Priority
Light source: Daylight
Developer: Kodak D-76.
Developer dilution: 1+3.
Developing time: 18'30".
Filter(s) used: no.
Scanner manufacturer: Epson.
Scanner model: Perfection V550 Photo.
Photo information:
Film type: 120.
Film manufacturer: Ilford.
Film name: FP4+ 125@200.
Developer: D-76.
Process: 20°C.
Developer dilution: 1+3.
Developing time: 20'.
Filter(s) used: no.
Scanner manufacturer: Epson Perfection V550 Photo.
Eno River State Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
4-shot stitch
Iridient Developer
Affinity Photo
Candy tin pinhole camera.
Exposure: 2 min.
Ilford RC paper.
Old Ilford paper developer
Scanner: Epson V370
Live Oaks (Quercus virginiana), Spring Island, South Carolina
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Hasselblad 501CM, Planar100 with extension tube, Rollei ATP 120 in flaTTec developer.
Kallitype onto HPR,
potassium sodium tartrate/sodium tungstate developer,
MT7 Iron blue toner
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Kentmere 400 @ISO 400
Camera: Olympus OM-1n (1979), Zuiko OM 35-105mm f3.5-4.5
Light Meter: built-in camera.
Developer: Xtol 1:1 @75°f for 12 minutes,
Scan: on Plustek 8100 @3,600dpi. with SilverFast 8.
Edit contrast on free Silver Efex Pro 2.
Shooting Data recorded with Film Shots by Leaf500,
Exif input: with AnalogExif).
(Location: Winter Park, Florida).
Only just taller than a tree ...
El Capitan in afternoon light (and forced perspective).
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Cataloochee, Great Smoky Mountains National Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
The road to Wayah Bald
Nantahala National Forest
IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Trees Snow and Clouds on Seventh Heaven at Stevens Pass in the Cascades of Washington State.
Camera: Nikon N60
Lens: Nikkor 28-80mm zoom
Film: Fujifilm Acros 100 II Neopan, Expired 10/2021
Developer: Beerenol (Rainier Beer)
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Camera: Shen Hao 5 x 7
Lens: Fujinon 210 mm f 5.6
Film: Ilford FP4
Developer: Pyrocat-MC
Print Type: Contact
Print Paper: Adox Lupex
Paper Developer: PF130
storm waves breaking on the Sydney coast, winter 2021. Strong winds sculpt the spray. The dark object in the air is probably a piece of seaweed thrown up by the wave.
Camera: Nikonos III
Lens: Nikkor 35mm f/2.5
Film: Ilford HP5+ @ISO800
Filtration: None
Developer: Ilfotec HC dilution 1+31
Scan: Epson V700
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2021 Lynn Burdekin. All Rights Reserved.
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
Egret (heron) in flight in coastal wetlands, Sydney, May 2020. Moments before I had encountered this egret on a walking track in the wetlands. As I edged closer it took off, flying right past me towards the setting sun.
Olympus OM4-Ti OM Zuiko 28mm f/3.5 Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
© copyright 2020 Lynn Burdekin. All Rights Reserved.
Leica Vario-Elmar-R 1:3.5/35-70 E67 (S/N: 3662380)
Agfa APX 400 400 @400ISO
Fomadon Excel 1+1 for 12 min. (20C)
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Rollei Supergrain Developer (1+12)
7 min 30 sec 20°C
Scan from negative film
Reloaded from my old stream.
Not HDR. ;)
One of my more successful efforts with Silkypix Developer Studio, IMHO.
_DSC7773_26mm_f16_1-160[b]
V Historic Bike Ride Moscow (16 September 2017)
V Исторический Велопробег (16 Сентября 2017)