T-Max Developer
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FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
Hasselblad 501CM 80mm, Efke IR820 in Finol,
Kallitype, COT-320,
Ammonium citrate developer, MT10 Gold toner prior to fixing.
Chair and drying octopus, Parikia, Paros
July 1975
photo by Mary Lou
2400 dpi scan of a 6x6 cm Kodak VP120 negative
Mamiya C220 TLR, 80 mm lens
Affinity Photo
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Looking back down the path, with Gibson Knott at the end of the ridge, and Helm Crag beyond it. Seat Sandal's summit is lost in the clouds and so is Fairfield behind it.
Processed in SilkyPix
FP4 35mm in eco film developer,
Kallitype onto Hahnemühle Platinum Rag,
Potassium citrate developer,
MT7 Iron/Lead toner. Iron 4+4+9+4+500 1:15 mins followed by Lead acetate 3% 2 mins
Horton Grove Nature Preserve
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
16:9 panorama crop
Iridient Developer
Event: The Autoextravaganza!
Location: Heakley Hall Farm, Norton Green, Stoke-on-Trent
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7 + ND4 Filter
Film: Ilford Pan F 50
Shot ISO: 50
Light Meter: Camera
Exposure: Mostly f/2.8
Lighting: Sunny
Mounting: Hand-held
Firing: Shutter Button
Developer: Ilford DD-X(1+4) for 8 minutes
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Only just taller than a tree ...
El Capitan in afternoon light (and forced perspective).
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Konica Auto-Reflex 60's SLR camera
Hexanon lens 57mm 1:1.4
Ilford Fp4+ Film
f 5.6 at 1/250
Home Developed by www.flickr.com/photos/ukke_photo/
Rodinal Developer 1+25
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Mushrooms in Bothell, Washinton.
Camera: Ricoh Diacord L
Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II
Film: Fujifilm Neopan Acros II
Developer: Beerenol (Rainier beer)
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Egret (heron) in flight in coastal wetlands, Sydney, May 2020. Moments before I had encountered this egret on a walking track in the wetlands. As I edged closer it took off, flying right past me towards the setting sun.
Olympus OM4-Ti OM Zuiko 28mm f/3.5 Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
© copyright 2020 Lynn Burdekin. All Rights Reserved.
Dune Evening Primrose (Oenothera deltoides), Anza-Borrego Desert State Park.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
An American Hornbeam (Carpinus caroliniana) in early spring green leans out between two Sycamores (Planatus occidentalis), Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
A couple of frames to illustrate the point of the Divided D76H, highlight preservation. The Courtyard has lovely shiny tiles so reflects the light beautifully and it was kind when I walked past. The stairs were a sunny sixteen challenge as well. There the lamp isn't blown out yet there is great shadow detail.
The developer is actually a variant on the Vestal divided D76. He couldn't remember on mixing if the sulphite went in A or B bath so split between them. The H is added as this formula looses the Hydroquinone but boosts the metol and borax, I ran 5mins in both baths with continuous gentle agitation.
For developer detaiols ee The Film Developing Cookbook Pg 85
Film is the ORWO N74 movie film in IXMOO home loaded with yellow filter on the f2 ZM Biogon 35mm.
Taken on Mamiya 645 Pro and HP5+ film on 28 December 2024. The sun was very low, just a few degrees above the horizon. The film was developed in the new SPUR Omega developer (1+15, 14min. 30 sec.) and printed on Ilford MGRC deLuxe in Moersch SE4 developer.
Minolta Dynax 505si Super
Carl Zeiss Jena Flektogon 35mm/f2.4
Ilford HP5+ @1600
Foma Fomadon Excel (stock, 20C for 13min)
girl and her cat, 2014. Nikon F80 SLR with AF Nikkor 50mm f/1.8D, Ilford HP5+ in XTOL 1+1 developer. V700 scan.
one of our adult female Ragdolls posing languidly for the camera :)
Yashica Mat 124G TLR with Rolleinar 3 close up lens attachment. Kodak TMAX400 in TMAX developer. V700 scan.
I would've preferred a bit more dof but still happy with this portrait. She's a very loving, gentle cat aged 17yrs.
The ingredients required for making enough Caffenol-C for the development of ten 120 films
The developer mixture described below seems to work with both black and white films (gives, obviously, black and white negs) and for colour films films that normally require a C-41 process (which results in a copper-toned negative. Note that Caffenol-C does not work for old colour films that require a C-22 process...
© Dirk HR Spennemann 2009, All Rights Reserved
========================================
CAFFENOL-C
Standard receipe, taken from various sources on the net.
INGREDIENTS:
Instant Coffee (not decaf)
Washing Soda (Sodium carbonate, Na2CO3)
Ascorbic Acid Powder (Vitamin C)
Dishwashing liquid
FORMULA
12oz water
3 1/2 teaspoons washing soda (Sodium carbonate, Na2CO3)
1/2 teaspoon ascorbic acid
PREMIXED INGREDIENTS
Premix solutions can be set up. But do not premix the whole developer as it (reputedly) has a short shelf-life. For ease, create premix solutions of required strength for each of three developer ingredients so that in the end all that needs to be done is to mix equal amounts of each of the three premixes
Strength for premixes:
Instant Coffee: 10 teaspoons / 12 oz
Washing Soda: 7 teaspoons / 12 oz
Ascorbic acid:1 teaspoons / 12 oz
when ready to develop, mix required quantity in three even parts.
Small Patterson Tank
120mm roll film requires 550 ml (20 oz)--ie 3 x 7 oz for the development of a roll of 120 film (which gives 21 oz, but makes life easier).
SET UP for 120 roll:
Premix 21 oz developer (see above)
Premix 20 oz fixer
Premix 20 oz final wash (with one drop of dishwashing liquid)
DEVELOPING
Developing 16 mins (initially worked with 12 min, whch proved to short, then moved to 16 minutes)
Continuous agitation first minute
thereafter agitate 3 x / minute
Rising
3 rinse baths @ 6 x agitation each (first bath can contain some vinegar to act as stop bath)
Fixing
5 mins @ 3 agitation /minute
Final Rinse
Fill, agitate 3x
Refill, agitate 6x
Refill, agitate 12x
Refill with soapy water, agitate slowly 24x
Dry