Ilford ID-11
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HP5 in Finol,
Kallitype, Sodium acetate developer,
1st MT12 Cobalt toner 12+9+7+4+450ml 1:30 mins
2nd MT7 Iron Blue 4+2+4+3+400ml 2 mins
3rd Lead acetate 3% 1 min.
One of my favourite toner combinations for silver gelatine prints is thiourea (MT3 Vario) followed by selenium (MT1). With the new MT17 selenium toner, similar results are now possible with Kallitypes.
From left to right: Sodium acetate developer, MT3 Vario toner (bleach 1+75 30 secs and toner setting A) over-toned with MT17 1+7 2 mins.
Leica MP
Leica 35mm F2.0
Fuji RDP III 100
CineStill D9 First Developer Bath 1+1 9mins 30 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
© All Rights Reserved
Rollei Superpan in Finol,
Kallitype onto Hahnemühle Platinum Rag,
Sodium acetate developer,
MT6 Nelson Gold toner
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: Adobe Camera Raw & Silver Efex Pro 2
(Location: Lake Louisa State Park, Clermont, Florida).
Thanks for your comments, faves and views, really appreciated!
Eno River State Park
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
4-shot stitch
Iridient Developer
Affinity Photo
Abandoned railroad bridge over the Eno River, Butner-Falls of Neuse Game Land
590nm IR-converted Pentax K-5
Lensbaby Sol 45
Iridient Developer
Holga 120N, Delta 400 @640 ASA, yellow filter, Finol.
Kallitype onto Hahnemühle Platinum Rag,
developer Rochelle salt/Sodium tungstate mixture.
Vor 250 Jahren begann man hier in Hürth damit Braunkohle abzubauen. Anfangs wurde diese Kohle ausschließlich zum Heizen benutzt. Man mischte die zerkleinerte Kohle mit Wasser zu einem Brei, preßte diesen in eine Form und ließ ihn trocknen. Die Geburtsstunde des Briketts, oder wie man in dieser Gegend sagt, des Klüttens. Das erste Klüttenwerk (von 1884) lag in unmittelbarer Nähe der Grube in Alt-Hürth. Als diese Grube ausgekohlt war, wurde die Kohle aus anderen Ortsteilen mittels einer Seilbahn hierher transportiert. Der Straßennahme „Klüttenweg“ erinnert an diese Seilbahn. Der rekultivierte Bereich der ersten Grube ist heute das Landschaftsschutzgebiet Hürtherberg, das ca. 300 Meter vor meiner Haustür liegt.
Lignite mining began here in Hürth 250 years ago. Initially, this coal was used exclusively for heating. The crushed coal was mixed with water to make a pulp, pressed into a mould and left to dry. This was the birth of the briquette, or as we say in these parts, ‘Klütten’. The first briquette plant (from 1884) was located in the immediate neighbourhood of the mine in Alt-Hürth. When this mine was exhausted, the coal was transported here from other parts of the town by cable car. The street name ‘Klüttenweg’ is a reminder of this cable railway. The recultivated area of the first mine is now the Hürtherberg nature reserve, which is about 300 metres from my front door.
Another bird shot from my trusty balcony. It was a very warm day and these Pigeons were busy.
Hope everyone has a great weekend.
Thanks for all the comments and support :)
Live Oaks (Quercus virginiana), Spring Island, South Carolina
590nm IR-converted Pentax K-5
SMC Pentax-A 1:2.8 24mm
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Chinquapin Mountain, Nantahala National Forest
590nm IR-converted Pentax K-5
Lensbaby Velvet 28/2.5
Iridient Developer
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
One of the developers close by was clearing some land to start the building of a new house, and I asked if they would save me some of the trees he was taking down. He assumed that I wanted them for firewood, but when I told him I wanted them for a project in my forest he was intrigued.
I explained I was going to make a path out of slices of trees through my forest and as part of my landscaping plan. He thought this was such a cool idea that he pulled and stacked them on my property free of charge (and it was probably easier than hauling them away).
I call that a win-win!
Theme: Devoid of Color
Year Sixteen Of My 365 Project
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Photo information:
ISO: 320
Film type: 120
Film name: Kentmere Pan 400
Developer: Kodak D-76
Process: 20°C.
Developer dilution: Stock
Developing time: 8'45"
Camera: Pentax 645n
Lens: SMC Pentax-FA 645 1:2.8 45mm
Filter(s) used: no
Aperture: 2.8
Exposure time: 1/60
Focal length: 45
Scanner manufacturer: Epson Perfection V550 Photo.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
I wanted to get down onto this beach and shoot the arched rock formations further along, which resemble the interior of a cathedral (hence the name). Unfortunately you have to book in advance - I didn't know this...
Camera: Olympus XA
Film: Ilford Delta 100
Developer: Spur Acurol-N 1+70
Mamiya RZ67 Pro IID | Mamiya Sekor 65 mm | Ilford Delta 100/ 6x4,5 FILM HOLDER. Developer Kodak HC 110-H 1:63 - 19°C - 11:00 min. Digitized with Negative Lab Pro v2.1.0/ Nikon COOLSCAN 8000 ED (Vuescan RAW DNG) fotoplenka.in.ua/p591191737-fotoplenka-ilford-delta.html
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
Holga/Efke
Wephota FO5 21x21cm by reversal development
paper: Kozo
developer: Ammonium oxalate/Potassium oxalate with 10 drops Sodium bichromate 50% per litre
clearing bath: EDTA4Na/Sodium sulfite
altprocess stuff - five other examples for paper comparison
perhaps just interesting for alternative printers
Palladiotype on a new batch of Arches Platine
Kallitypes on
Yet another lovely day, for my purposes -- cloudy, with intermittent rain and light winds -- at Eno River State Park. Not certain but I think the trees showing color here are Green Ash.
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer
Queenscliff beach. Sydney, winter 2020. Voigtlander Bessa II folding medium format 6x9 rangefinder camera with Color-Skopar 105mm f/3.5, Kodak TMAX400 in Ilfotec HC developer dilution 1+4. V700 scan.
© copyright 2020 Lynn Burdekin. All Rights Reserved.