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With nice aesthetic design (such as the organic insect-like interface in Starcraft for that Zerg race), non-deigetic connects don't always ruin immersion, or result in the player feel like away from the game developer.

 

Diegetic Connects

 

Creating visualizations for non-diegetic connects is simpler, because the visualizations only need to become construed through the player. Diegetic connects, however, are connects which exist within the game world. They are connects that has to seem sensible for both the figures on the planet and also the player from the game.

 

Diegetic connects help to make a game title more immersive. If your health bar and ammunition count are displayed inside a non-diegetic way, stuck at the very top or bottom from the screen, it may be distracting. Anything throws the gamer is generally a bad factor particularly when you’re exploring an abandoned spaceship and shooting space zombies. Deadspace is really a game where almost all interface components and visualizations are diegetic.

 

vasir5

 

Within this screenshot of Deadspace, you will find a minimum of three apparent bits of data being visualized - plus they all exist both hanging around world but for the player.

 

First, the bar. In Deadspace, your character’s health is symbolized as cyan colored bars on the rear of the in-game developer character (close to the bottom left from the screen). Health is really a status usually shown by a bar chart in Deadspace it’s still basically a bar chart but it’s really around the character in game.

 

Second, your weapon’s ammunition count. Your gun includes a kind of heads-up display considering the variety of ammunition left. It appears static within the screenshot, however that display really is available hanging around world, and moves around using the character. You and the smoothness begin to see the ammunition displayed.Third, the targeting lines. In games like Counterstrike or Cod, a crosshair is generally accustomed to indicate where your bullet goes. A crosshair is really a non-diegetic interface component - the gamer on the planet cannot begin to see the crosshair solve these questions .. In Deadspace, there's no crosshair. Rather, the thing is a laser showing where your bullets will fly. You and the smoothness see these laser lines.

 

Visualizations and Immersion

 

Visualizations in games do not need to feel “tacked on.” They may be subtle. When playing Deadspace, my “health bar” doesn't seem like an explicit data visualization. The diegetic visualization of the health bar makes me feel like it’s giving me information without getting to check out it. game developer produces much more of a psychological reaction than an intellectual one.

My laptop whilst I'm developing this image has not been edited at all. Only resized slightly

nrhp # 66000731- Beale Street Historic District- Beale Street was created in 1841 by entrepreneur and developer Robertson Topp (1807–1876), who named it for a forgotten military hero. The original name was Beale Avenue. Its western end primarily housed shops of trade merchants, who traded goods with ships along the Mississippi River, while the eastern part developed as an affluent suburb.[5] In the 1860s, many black traveling musicians began performing on Beale. The first of these to call Beale Street home were the Young Men's Brass Band,[5] who were formed by Sam Thomas in 1867.

In the 1870s, the population of Memphis was rocked by a series of yellow fever epidemics, leading the city to forfeit its charter in 1879.[5] During this time, Robert Church purchased land around Beale Street that would eventually lead to his becoming the first black millionaire from the south.[5] In 1890, Beale Street underwent renovation with the addition of the Grand Opera House, later known as the Orpheum. In 1899, Church paid the city to create Church Park at the corner of 4th and Beale. It became a recreational and cultural center, where blues musicians could gather. A major attraction of the park was an auditorium that could seat 2,000 people.[7] Some of the famous speakers in the Church Park Auditorium were Woodrow Wilson, Booker T. Washington, and Franklin D. Roosevelt.[5]

In the early 1900s, Beale Street was filled with many clubs, restaurants and shops, many of them owned by African-Americans. In 1889, NAACP co-founder Ida B. Wells was a co-owner and editor of an anti-segregationist paper called Free Speech based on Beale. Beale Street Baptist Church, Tennessee's oldest surviving African American Church edifice built in 1864, was also important in the early civil rights movement in Memphis.

In 1903, Mayor Thornton was looking for a music teacher for his Knights of Pythias Band and called Tuskegee Institute to talk to his friend, Booker T. Washington, who recommended a trumpet player in Clarksdale, Mississippi named W. C. Handy. Mayor Thornton contacted Handy, and Memphis became the home of the famous musician who created the "Blues on Beale Street." Mayor Thornton and his three sons also played in Handy's band.[8]

In 1909, W. C. Handy wrote "Mr. Crump" as a campaign song for political machine leader E. H. Crump. The song was later renamed "The Memphis Blues." Handy also wrote a song called "Beale Street Blues" in 1916 which influenced the change of the street's name from Beale Avenue to Beale Street. From the 1920s to the 1940s, Louis Armstrong, Muddy Waters, Albert King, Memphis Minnie, B. B. King, Rufus Thomas, Rosco Gordon and other blues and jazz legends played on Beale Street and helped develop the style known as Memphis Blues. As a young man, B. B. King was billed as "the Beale Street Blues Boy." One of Handy's proteges on Beale Street was the young Walter Furry Lewis, who later became a well known blues musician. In his later years Lewis lived near Fourth and Beale, and in 1969 was recorded there in his apartment by Memphis music producer Terry Manning.

In 1934, local community leader George Washington Lee authored Beale Street: Where the Blues Began; the first book by a black author to be advertised in the Book-of-the-Month Club News.[9]

In 1938, Lewis O. Swingler, editor of the Memphis World Newspaper, a Negro newspaper, in an effort to increase circulation, conceived the idea of a "Mayor of Beale St.," having readers vote for the person of their choice. Matthew Thornton, Sr., a well-known community leader, active in political, civic and social affairs and one of the charter members of the Memphis Branch of the NAACP, won the contest against nine opponents and received 12,000 of the 33,000 votes cast. Mr. Thornton was the original "Mayor of Beale St." an honorary position that he retained until he died in 1963 at the age of 90.

By the 1960s, Beale had fallen on hard times and many businesses closed, even though the section of the street from Main to 4th was declared a National Historic Landmark on May 23, 1966.[1][3] On December 15, 1977, Beale Street was officially declared the "Home of the Blues" by an act of Congress. Despite national recognition of its historic significance, Beale was a virtual ghost town after a disastrous urban renewal program that razed blocks of buildings in the surrounding neighborhood, as well as a number of buildings on Beale Street.

In 1973, the Beale Street Development Corporation (BSDC) was formed by George B. Miller and others as a racially diverse, cooperative effort for the redevelopment of Beale Street. The corporation was selected by the City of Memphis to participate in the redevelopment of the blocks on Beale between Second and Fourth streets in August, 1978. The corporation dedicated its efforts to the success of the Beale Street project for the preservation of the street's rich history, and to its cultural as well as physical development. The BSDC secured 5.2 million dollars in grants for the renovation of Beale Street.

In 1982, the City of Memphis recommended that the BSDC hire a management company led by John A. Elkington to assist in the development of the street by securing new tenants, collecting rents and handling certain maintenance and security issues. Each new lease had to be agreed upon by BSDC, the City of Memphis and the management company, Performa.

The day-to-day management of Beale Street was turned over to the City of Memphis in an October, 2012 court decision after a long legal dispute involving the city, BSDC and Performa.[10]

During the first weekend of May (sometimes including late April), the Beale Street Music Festival brings major music acts from a variety of musical genres to Tom Lee Park at the end of Beale Street on the Mississippi River. The festival is the kickoff event of a month of festivities citywide known as Memphis in May

 

from Wikipedia

Alberto Gutierrez, de Google Developer Group y graduate de BEEVA habla de Android Wear.

“The longer it requires you to definitely release and also the more waste you incur consequently, the greater the price.Inches

 

Insufficient In-House Experience/Talent Gaps

 

mindthegap

 

Many organizations (incorrectly) assume that IPhone developer use existing development and QA teams for mobile projects. In some instances, that may be true. But generally, you will find talent gaps, specially when workers are not trained as mobile developers. There also is commonly a belief that in-house teams can discover the mobile technology rapidly enough to satisfy their mobile development needs. These assumptions could be dangerous because creating a mobile application is definitely an entirely different discipline, and like every other discipline, experience is vital.

 

How To Approach It

 

In most cases, there's two options: hire talent or source a specialized application development partner. When hiring new staff to fill talent gaps is simply too difficult operationally or isn’t the best choice according to needs, sourcing a specialized partner may be the logical move. However, you have to make sure the vendor you partner with can fill individuals talent gaps. Aside from project experience, you should also take a look at aspects which include:

 

Capability to integrate together with your team

 

The entire process of understanding transfer and retention

 

Knowledge about similar engagements

 

Change management processes

 

Overall development process

 

These factors will help you to take into account concerns which include the opportunity to deliver on product needs the opportunity to manage and take into account change and also the decrease in risk (time, budget, personnel, etc.).

 

“Developing a mobile IPhone developer is definitely an entirely different discipline, and like every other discipline, experience is vital.Inches

 

Many Stakeholders With Differing Priorities

 

Altering priorities

 

Image by Juan J. Martinez

 

Many of the difficult to cope with as altering priorities can mess up timelines, affect scope, and kill budgets. For those who have a rigid application development procedure that doesn’t cope well with change, this concern might have devastating effects.

 

How To Approach It

 

Effectively coping with differing priorities and altering needs comes lower to being flexible and adaptable inside your process. Particularly, following practices like moving wave planning which assume and take into account change enables you to definitely adapt quickly without losing project velocity. Consequently, when priorities or needs shift because the product evolves or stakeholders re-evaluate, your team has got the versatility to pivot without putting things off or sources.

 

While there's not a way to ensure you do not encounter these common IPhone developer development challenges, the solutions discussed above will help considerably prevent them occurring. Remaining aware to the fact that issues really are a reality of product - and making plans to take into account this inside your process and otherwise - can help you steer clear of the greatest blockers to product success.

My place is the top model, which can be seen in my Dining room shots.

Do I read "Drupal" here?

One street in the tract had backyards that backed up to the Knollwood golf course. The grounds were still rather spare back then, but now the pines tower over the fairways.

A happy iPhone Developer - looks like she did a successful build.

Portrait of a software developer.

Experimenting further to see what I can use for developer when using an inkjet printer with developer on photo paper. This will also finally allow to print a photo on photo paper without a dark room.

 

Here I brush on Foma 312 paper the retro320 developer. It gives enough time to make some creative decisions. Toning with Ferro Blend (red) and FAC plus Kferro (Blue)

Decide When to Update Your Content

 

To create the illusion of movement in an animation you need to make changes to your content several times per second. That requires you to know when to perform those changes. Ideally, IOS developer want to perform the changes whenever there is a change to be performed but not more often than that. Adding more changes than you need will only spend extra processing time on something that won’t have an effect.

 

The simplest way to perform the changes is to use a CADisplayLink. The display link sends a message whenever the screen is going to refresh, which allows you to perform changes to your content exactly once per frame. When the animation is finished you can either pause the display link or disable it.

 

Using a continuous gesture recognizer, like a pan, pinch, or rotation recognizer, is another way to identify when you should perform changes to your content. The gesture recognizer forces IOS developer to accept that you won’t be trying to perform those changes when the user hasn’t moved their finger, and when there aren’t any changes to perform. A more advanced way is to use the scrollViewDidScroll: delegate method of a UIScrollView. We cover how you can tap into gesture recognizers and the UIScrollView behavior later in this article.

 

Define the Progress of Your Animation

 

In addition to knowing when to update your content, you need to establish what about your content will actually change and how it will do so over time. The progress of the animation is usually stored as a floating point value in the [0,1] range, where 0 is the initial state and 1 the final state. To determine the progress of your animation you need to establish the following items.The beginning and end of your animation. IOS developer a good idea to normalize the progress of your animation to the [0,1] range. This makes it easier to interpolate properties and more obvious where the animation progress currently is.

An old 5-liter package of the Agfa Atomal-FF film developer, a super-fine grain developer. It was the first developer I did use. The plastic bag contained 2 smaller bags with the parts A and B to mix accordingly the instructions printed on the back.

 

I used it mainly with medium and slow films like Agfapan 100 and 25, Ilford Pan-F and FP4, Kodak Plus-X, and some other old Agfa negatives in the 70s.

 

A problem at the time was the lack of information on the developing times for films by other companies than Agfa. The Massive Developing Chart Database didn't exist at the time!

 

It wasn't easy to start by such a powder developer. I had to increase the time for each new film with not always good result. Now, I always advice novices to take some one shot liquid developer, at least for their first steps in the darkroom.

Hasselblad 500c

Fuji acros 100

Coffe developer Na2CO3

It only makes sense to start a CineFilm review with a CineFilm Developer, in this case a clone of Kodak D96. And you know, it works amazing. The results shine with amazing contrast, excellent grain, and sharpness.

 

You can read the full review online:

www.alexluyckx.com/blog/2025/03/04/film-review-blog-no-10...

 

Canon EOS Elan 7 - Canon Zoom Lens EF 28-105mm 1:3.5-4.5 USM - ORWO UN54+ @ ASA-100

Flic Film B/W Cine Film Developer (Stock) 6:00 @ 20C

Scanner: Epson V700 + Silverfast 9 SE

Editor: Adobe Photoshop CC

That was created using analogue methods only, such as film, developer and other chemicals.

This was the tract developer's LA Times insert brochure from phase one of this neighborhood, circa 1961. The original estates around the fairways were quite nice, but this housing tract was planned as a step down in size while maintaining "close-in" adjacency to the club.

nikon f3

DIY Lubikon lens

trix 400

developed in LE X-omat x-ray developer

epson v700

No one became successful overnight in their career. Practice is the key point to success. Apart from that a few tips always help you to achieve your goal. If you have some doubts, then you could join a professional institute to become a successful freelance web developer in Mumbai. To know more visit www.tumblr.com/blog/view/freelancesantoshyadav/6856512150...

Existential Spawn shot. Or something. Sunday, March 16, 2008 - developer.ribbit.com

Equipo 2, desarrolla app para el seguimiento deportivo.

www.conducthq.com/services/mobile/ipad-developer

 

These are the results after one month SEO work by localwebsitemarketing.com.au for client ConductHq.com for the keyword term ipad developer

The result of accidentally using exhausted RA4 developer, put online as a reminder to myself to be more careful.

 

Ilford XP2 shot on a Leica M6

 

113-10-18-003

Developers Paradise Squadron of HUD Inc. | Seoul, S.Korea

Business reviews, have in a single form or any other, existed because the first business. Gradually older, slower, and much more manual review processes happen to be converted online, and you will find now whole sites for business reviews, as well as whole PHP developer for particular types of companies (AngiesList, Houzz, TripAdvisor, etc.). Before jumping into the significance of reviews, let’s move back…

 

Bearing in mind user behavior like a context and Google more particularly - users have flocked to Google in mass - since it is perhaps “the best internet search engine.” This concept, and just how Google has achieved, maintained and grown this concept (and share of the market) has, we feel, come lower to numerous things, most significantly, consumer experience. Since first day Google attempted to “organize the world’s information” which has changed with time. This really is most clearly evidenced by it’s advertising platform - AdWords. As Rand Fishkin, the mind of search tool giant Moz, eloquently place it at MozCon 2015 - the very best online services possess a practice of embracing (or at best searching at) the following big factor which will kill their business - and purchasing individuals things, even if it takes away from their very own revenue model. Which factor for Google? Absolutely Consumer Experience.

 

For a long time AdWords advertisers have understood this idea, as they’ve been forced (or incentivized :)) to supply the very best experience to searchers. We’re rewarded when our ads match our keywords, when they’re well crafted - and today more progressively, rewarded once the PHP developer

we send these to is extremely enhanced, fast, etc.

 

Bing is pushing All things in a person-experience direction. Go ahead and take “mobile-geddon” situation we reported on in March… where Google announced it might promote websites that were mobile friendly and responsive, while (potentially/eventually) demote PHP developer that weren’t - ultimately while using info on each page because the true metric to balance everything out (how can you an incredibly enhanced website when the content sucks or doesn’t answer anyone’s questions?!).

YAHOO! MENGUMUMKAN PEMENANG KOMPETISI YAHOO MOBILE DEVELOPER AWARDS DI INDONESIA

 

•Pengembang aplikasi Indonesia menggunakan platform pengembangan mobile Yahoo! dalam menciptakan aplikasi mobile untuk merek terkemuka

 

•Kompetisi ini didukung oleh lima merek korporat terkemuka dan dengan total hadiah US$60.000 yang diberikan kepada lima tim pemenang

   

Jakarta, INDONESIA – 16 Mei 2009 – Yahoo! hari ini mengumumkan pemenang dari kompetisi Yahoo! Mobile Developer Awards (YMDA) – sebuah kompetisi untuk menemukan pengembang aplikasi mobile yang paling inovatif dan talenta tinggi di Indonesia

 

Kompetisi YMDA kali pertama diluncurkan di Singapura pada tahun 2008, melibatkan pelajar dan perusahaan sponsor terkemuka. Tahun ini, kompetisi YMDA di Indonesia melangkah lebih jauh dan membuka kompetisi ini untuk semua pengembang di seluruh Indonesia.

 

Dengan total 50 tiam pengembang dari seluruh penjuru Indonesia, para peserta kompetisi menciptakan aplikasi mobile terbaik untuk lima merek korporat terkemuka – PT. Yamaha Motor Kencana, PT. Bank Negara Indonesia, VIVA News, PT Excelcomindo Pratama Tbk (XL), and PT Code Jawa.

 

Para tim mengembangkan aplikasinya setelah acara kick-off yang diadakan bulan April, dimana mereka menerima arahan dan persyaratan kompetisi dari Yahoo! dan lima perusahaan pendukung.

 

Semua tim menerangkan dan menunjukkan aplikasi mobile mereka di hadapan jajaran juri yang terdiri dari ahli aplikasi dari Yahoo! dan wakil dari perusahaan sponsor. Aplikasi dinilai dalam aspek penggunaan, inovasi, penggunaan teknologi secara efektif, dan relevan dengan perusahaan sponsor dan berguna bagi pelanggannya.

 

Lima tim pengembang dipilih sebagai pemenang dan setiap tim pemenang menerima hadiah uang tunai sebesar US$10.000. Juga dipilih satu team sebagai pemenang “Best in Show”, yang juga mendapatkan tambahan hadiah tunai sebesar US$10.000.

 

“Kompetisi YMDA ini sejajar dengan strategy global Yahoo! yang memberikan pengembang pihak ketiga dan publisher dengan akses terbuka akan platform pengembangan mobile dan asset milik Yahoo!,” kata Turochas “T” Fuad, Head of Yahoo! Mobile, Southeast Asia. “Kami bangga dengan dukungan yang kami peroleh dari lima perusahaan sponsor di Indonesia – keikutsertaan mereka menjadikan event ini menjadi lebih menarik dan memberikan pengalaman yang berharga bagi pengembang lokal. Sebagai orang Indonesia, saya pribadi sangat senang melihat talenta-talenta yang kita miliki yang berpartisipasi pada kompetisi ini dan menciptakan aplikasi mobile yang sangat hebat,” tambah Fuad.

  

Pemenang aplikasi mobile untuk perusahaan sponsor

 

Pada acara penghargaan YMDA Indonesia hari ini, lima aplikasi pemenang diumumkan untuk setiap perusahaan sponsor.

 

Para pemenang pencipta aplikasi mobile YMDA Indonesia 2009 adalah:

 

Untuk Code Jawa

“Watanuki” menciptakan forum jejaring social yang digunakan pada mobile phone. Aplikasi ini memungkinkan pengguna membaca berita terkini, berpartisipasi pada forum diskusi, dan mengakses widget dan konten dari Code Jawa. Aplikasi ini juga mempunyai fitur yang biasanya dimiliki oleh jejaring social seperti menambah pengguna lain sebagai teman dan pesan pribadi.

 

Untuk Viva

“Vcool” menciptakan sebuah portal informasi untuk membantu penggemar Indonesian Soccer League dengan informasi terkini seperti skor, jadwal pertandingan, berita terkini, dan statistik. Aplikasi ini juga mempunyai fitur-fitur menarik lainnya seperti SMS untuk memberikan jadwal pertandingan dan video highlight.

 

Untuk Yamaha

“Satisale” mengembangkan aplikasi untuk membantu pengendara motor dengan informasi terkini mengenai produk dan pelayanan Yamaha, ramalan cuaca, dan informasi lalu lintas. Juga mempunyai fitur seperti forum diskusi, pesan pribadi, tips dalam berkendara dengan aman, dan permainan simulasi lomba motor.

 

Untuk BNI

 

“Flyer” menciptakan sebuah aplikasi yang membantu pelanggan dalam mencari cabang dan ATM BNI terdekat, mencatat transaksi, menghitung pinjaman, dan mengakses informasi produk bank dan hak khusus pemegang kartu kredit.

 

Untuk XL

 

“Blueroom” menciptakan aplikasi jejaring social yang memungkinkan pengguna berinteraksi dengan pengguna lainnya, terinformasi dengan promosi dan pelayanan XL terbaru, dan mengunduh ringtone, game, dan wallpaper untuk mobilenya.

  

Aplikasi Mobile “Best in Show”

 

Untuk lima aplikasi mobile yang berhasil memenangkan kompetisi, pemilihan pemenang keseluruhan “Best in Show” dilakukan oleh Yahoo! dan musisi Abdee Negara. Pemenang “Best in Show” tahun ini untuk Indonesia adalah “Vcool”

 

“Tim yang berkompetisi tahun ini mempunyai kemampuan yang tinggi. Pada akhirnya, tim “Vcool” yang menciptakan aplikasi mobile untuk VIVA News mewakili gabungan terbaik antara kemampuan teknis, kualitas desain, kreativitas, dan visi perusahaan yang aplikasinya mereka ciptakan,” kata Fuad.

    

Pernyataan Sponsor

 

“Banyak pelanggan kami yang sudah menggunakan internet untuk melakukan aktivitas perbankan mereka. Sekarang mereka mencari untuk mendapatkan informasi perbankan dan pelayanannya secepatnya melalui mobile handset,” kata Anggoro Eko Cahyo, Deputy General Manager, Corporate Communications, PT Bank Negara Indonesia (BNI). “Antar muka aplikasi mobile yang diciptakan sangatlah mudah dimengerti dan pengguna akan dengan mudah mengakses dan mendapatkan informasi melalui perangkat mobile mereka. Menggunakan aplikasi mobile merupakan bagian dari strategi BNI untuk menghadirkan akses yang mudah bagi pelanggan kami dari berbagai kanal.”

 

“Code Jawa adalah sebuah perusahaan yang percaya bahwa industri mobile mengubah dunia, Karena itulah kami langsung setuju untuk mengambil bagian dari Yahoo! Mobile Developer Awards,” kata Yusuf Kyber Hasnoputro, Managing Director, PT Code Jawa. “Ada beberapa aplikasi mobile yang sangat bagus dari hasil yang kita terima dan pada akhirnya, kami memilih aplikasi yang mempunyai kreativitas tinggi dan yang membawa konten menarik, interaktifitas, dan hiburan bagi pengguna mobile di Indonesia.”

  

“VIVA Media Group dan VIVAnews sangat bangga berperan serta dalam kompetisi YMDA di Indonesia. Sebagai salah satu perusahaan media terkemuka, kami selalu mencari cara untuk meningkatkan standard bagaimana kami dapat menjangkau publik Indonesia, dan tidak hanya dari layar kaca TV tapi juga dari layar komputer dan mbile phone. Dalam hal ini kami ingin membawa konten yang bagus dari online untuk pengguna mobile,” kata Erik Meijer, CEO PT Viva News, Indonesia. “Kami sangat bangga dan juga senang melihat berbagai aplikasi menarik yang kami terima dalam kompetisi ini, membuktikan sekali lagi banyak kreativitas dan kemampuan di Indonesia dalam pengembangan aplikasi. Kami berharap dapat terus bekerja dengan erat baik dengan pengembang maupun Yahoo! untuk menghadirkan solusi mobile yang menarik bagi pelanggan di Indonesia.”

 

“PT Excelcomindo Pratama Tbk (XL) mendukung penuh Yahoo! Mobile Developer Awards di Indonesia. Kompetisi ini telah membawa konten mobile yang inovatif dan personalized dari pengembang aplikasi terkemuka di Negara ini untuk merek terkemuka seperti XL,” Nicanor V. Santiago III, Marketing Director, PT Excelcomindo Pratama Tbk. “Dengan menggunakan aplikasi mobile, XL akan dapat terus menghadirkan solusi mobile terdepan untuk konsumer di Indonesia.”

 

“Sebagai salah satu grup motor terdepan, tujuan korporat PT Yamaha Motor Kencana Indonesia selalu menghadirkan produk yang memberikan kemampuan kepada pelanggan kami dan membuat kehidupan mereka menjadi lebih baik. Partisipasi kami dalam Yahoo! Mobile Developer Awards pertama di Indonesia telah membantu mendorong pengembangan aplikasi mobile untuk keuntungan pelanggan kami,” kata Dyonisius Beti, Vice President, PT Yamaha Motor Kencana. “Aplikasi mobile Yamaha Motor yang kami pilih akan membantu pelanggan kami dengan pendekatan unik untuk mengakses aktifitas kami, informasi produk terkini, dan lain sebagainya melalu mobile phone mereka.”

 

Untuk informasi lebih lanjut mengenai Yahoo! dan Yahoo! Mobile Development Awards, silahkan kunjungi id.mobile.yahoo.com/ymda. Foto-foto dari acara peluncuran ini dapat anda lihat di www.flickr.com/photos/clasia_media.

     

About Yahoo!

Yahoo! Inc. is a leading global Internet brand and one of the most trafficked Internet destinations worldwide. Yahoo! is focused on powering its communities of users, advertisers, publishers, and developers by creating indispensable experiences built on trust. Yahoo! is headquartered in Sunnyvale, California.

 

For more information on Yahoo! Mobile please visit

id.mobile.yahoo.com/newsroom

   

Media contacts:

 

Priscilla Tan

Yahoo! Mobile APAC

E: pristan@yahoo-inc.com

DID: +65 62797317

 

S. Arief Rakhmadani

IndoPacific Edelman

E: syamsul.arief@indopacedelman.com

Ph: 72159000, 08176066016

 

Tin Type

Graflex Speed Graphic

Dallmeyer Pentac 8" f/2.9

1s exposure

Gold Street Studios - Woodend

The result of accidentally using exhausted RA4 developer, put online as a reminder to myself to be more careful.

 

Ilford XP2 shot on a Leica M6

 

113-10-18-009

 

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