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© Rory O’Bryen, 2017. Rolleiflex TLR 3,5. Kodak Tri-X @ ISO400 Developed in Rodinal. www.roryobryen.com
patrickjoust | flickr | tumblr | IG | prints for sale
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Konica Hexar RF and Voigtlander Color-Skopar 21mm f/4
Kentmere 400 developed in Xtol (1:1)
"Daily Report: Streaming Video Is Developing Into Distinct Genre" by JOSEPH PLAMBECK via NYT t.co/2iUl7a0ERT (via Twitter twitter.com/felipemassone/status/677864464893407232)
san francisco, ca
taken 9 september 2024
rolleiflex 3.5f
zeiss planar 75mm/ 3.5
kodak portra 800
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Developed in the Institute of Horticulture, Dobele, Latvia. An Autumn variety, the fruits are small, about 20 g., red, very sweet (Brix 19%), aromatic. The flowers are red and the leaves in the first half of the season are dark red too.
Yes, much to my chagrin, that's my boot. Funnily though, it seemed to tie together the composition.
* Rolleiflex 3,5F Planar *
* Kodak Ektar 100 *
* Lab developed *
* Epson V500 scanner *
* Photoshop CS3 *
Summer storm clouds cross the Las Olas Marina - in 18 months this area will be a hive of activity with new slips, restaurants and boating amenities.. 2 shot pano.
Shot on a Nikon F90X using Ilford HP5 pushed 1 stop. I then developed the film at home in Hydrofen and then scanned them using a Plustek 8200i scanner.
Developed by Incom Corp to familiarise pilots with flight systems used in other Incom products, such as the T-65. In many cases T-32s were rushed into battle with inexperienced pilots against faster TIE interceptors with battle-hardened Imperial pilots, with predictable results.
In a Star Wars mood at the moment. Nnenn's version is really clean: I wanted to bust it up a bit. Tried longer prongs and a wider body initially but it started looking like a Clone Turbo tank so they were shortened.
In questo periodo, subito dopo il primo freddo d'autunno, per merito del Sommaco ampie zone del Carso si tingono di colori che variano dal giallo oro al rosso brillante al porpora, e che paiono talvolta vere e proprie fiammate nel paesaggio della landa carsica.
Immagini suggestive, che hanno nel tempo evocato tristi figure retoriche: "il Carso, che si tinge di rosso per il sangue dei soldati caduti"...
Il merito, si diceva, è del Sommaco o Sommacco, un caratteristico arbusto il cui nome scientifico è Cotinus coggygria Scop. o Rhus cotinus L., ma che è anche noto come Scotano o con il suggestivo nome di "albero di nebbia" (nome dovuto alle infruttescenze, vistosamente piumate, e che paiono quasi sbuffi di fumo). fonte sito " Il Carso segreto"
Cotinus coggygria, syn. Rhus cotinus (Eurasian smoketree, smoke tree, or smoke bush) is a species of flowering plant in the family Anacardiaceae, native to a large area from southern Europe, east across central Asia and the Himalayas to northern China.
It is a multiple-branching shrub growing to 5–7 m (16–23 ft) tall with an open, spreading, irregular habit, only rarely forming a small tree. The leaves are 3-8 cm long rounded ovals, green with a waxy glaucous sheen. The autumn colour can be strikingly varied, from peach and yellow to scarlet. The flowers are numerous, produced in large inflorescences 15–30 cm (5.9–11.8 in) long; each flower 5-10 mm diameter, with five pale yellow petals. Most of the flowers in each inflorescence abort, elongating into yellowish-pink to pinkish-purple feathery plumes (when viewed en masse these have a wispy 'smoke-like' appearance, hence the common name) which surround the small (2-3 mm) drupaceous fruit that do develop.
wikipedia.
Taken with a Contax IIa and Carl Zeiss Biogon 35/2.8 lens on Kentmere 400. Developed with Ilfosol 3 at a 1+14 dilution at 24 °C for 12 minutes.
Tram ride, Manchester
Leica M3, 35mm f2 Summicron, and Rollei Retro 400S stand developed for 1 hour in Rodinal 1 + 100.
Started watching this curl develop in the morning, then we had a mass of cloud until around 5pm, when technically I wouldn't normally bother looking and/or imaging. But having had the setup out all day just in case, I decided a peek was worth it. Seeing wasn't great with odd thin cloud and unexpected moderate gusts of wind interspersed with total calm.
Taken on an Altair Lightwave 72 ED-R, Quark Chromosphere and Orion SSAG Planetary webcam.
Having quite a lot of problems with the SSAG at the moment including some nasty dust motes on the CMOS that have appeared.
Mirit Ben-Nun develops a style where he tries to demonstrate the manifestation of movement, rhythmic repetition and the speed of objects on the canvas.In the process the artist often asks difficult questions or causes reflection without giving easy answers. Her curiosity, your open mind and a commitment to dialogue are her best tools to address your artworks.
These works often challenge our ideas about how art should look or how it should behave. Her art is not based on what was said before and does not depend on the academies of art, breaks traditions, and does not imitate the real world, it is an art that transmits through its works the inner world of the artist. Through imprecise and significant characters, it radiates different ideas about the reality of the world of human dreams.Mirit gives us a clear idea that art is not separated from life and from the real world in which we live, reflects thoughts with style and unique focus.
Dora Woda
IN ENGLISH BELOW THE LINE
El conjunt dels objectius tipus Petzval, tots de bronze. De moment només he pogut fer servir el Derogy, però espero aviat poder emprar el Voigtlander, el Lerebours i el Dallmeyer, tant per plaques de 13x18 com de 18x24.
Es tracta d'un ambrotip en vidre fosc, format 4x5 polzades, realitzat amb una Graflex Speed Graphic, fabricada entorn 1950; objectiu Kodak Anastigmat f4.5; col·lodió Mamuth Liliana, revelat amb Mamuth MD8. He de dir que no estic gens content amb aquest col·lodió, m'ha donat força problemes.
Les plaques de col·lodió es realitzen al moment, cobrint una placa de vidre o planxa metal·lica negra amb col·lodió i sals de cadmi i/o potassi, sensibilitzat amb nitrat de plata. Aleshores s'ha de fer la fotografia i revelar-la en uns 5 minuts, abans no s'assequi la emulsió. És un dels processos fotogràfics més antics del món, inventat el 1851, i que dominà fins el 1880. Però ara ha resorgit, ja que les imatges, molt treballades, que dona són úniques, màgiques i i irrepetibles.
ca.wikipedia.org/wiki/Col%C2%B7lodi%C3%B3_humit
Aquí en teniu una demostració de com es fan:
www.youtube.com/watch?v=P1ZH4RTaM60
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Those are my brass oldies, all petzvals. By now I could only use the smaller Derogy, but I'm preparing lens boards et al. to use at least the Voigtländer, Lerebours and Dallmeyer.
Ambrotype in 4x5 format, made with a Graflex Pacemaker Speed Graphic; Kodak Anastigmat f4.5 lens; Mamuth Liliana collodion, developed with Mamuth MD8. I'm not happy at all with this Liliana collodion, has given a lot of problems, like cloudly lines & peeling, even with the developer!
The collodion plates are made covering a glass plate or black metal plate with collodion and salts of cadmium and / or potassium, sensitized with silver nitrate. Then you have to take the photo and reveal it in about 5 minutes, before the emulsion dries. It is one of the oldest photographic processes in the World, invented in 1851, and which dominated photography until 1880. But now it has resurfaced, as the images, very elaborate to create, that it gives are unique, razor sharp, magical and unrepeatable.
en.wikipedia.org/wiki/Collodion_process
intrepidcamera.co.uk/blog/rikard-osterlund-guide-to-wet-p...
Here's a nice video of the wet plate collodion process:
The SAI Shahak (שחק/Sky) was a tactical bomber developed at the end of the 1940s, that entered service in 1950. After two prototypes crashed due to buffeting and stability issues, a redesigned aerofoil was used that solved the problems. Power comes from two engines in the wings, and top speed is 923 km/h /580 mph, and range is 1900 km/1180 mi. Crew consists of three, two of which are housed in a spacious bubble canopy, allowing for great all-round visibility and comfort. The bomb aimer lies in the front. The pilots like flying their Shahaks, due to their reasonable agility and comfort. However, the engines are a bit underwhelming, and top speed is only reached on the long stretch or during a steep dive.
A payload of 4,700 kg/ 10,362 lbs can be carried, but never in combat.
A typical full bomb load consists of eighteen 227 kg/500 lb GP bombs, 12 in the bomb bay, and six on wing-mounted pylons. This can be switched for three 1,050 kg/2,315 lb laser-guided bombs, a jamming pod and a targeting pod, or a rotary launcher, limiting the bombs carried internally to 8. Other combinations can also be carried. Two 231 kg/ 508 lb torpedoes can be carried by the B-model.
After nine prototypes, the A-model was accepted into service. This is the basic bomber model, virtually identical to the last prototypes. The A* is an updated model, with provisions for a jamming pod and a Gomorra missile for self-defence. The engines produce more thrust, but the added weight means the performance is identical to the previous model.
The Shahak B is the version for coastal defence, and is basically an A* with equipment that allows for navigation over the ocean and provisions for two torpedoes and specialized equipment for anti-ship and -submarine warfare.
The Shahak D is a ground-attacker/ medium- to low-altitude bomber. The bombardier was replaced with an armour plate, and the pilot was given a fancy sight to aim the four 20mm cannons in the wings, each holding 230 rounds.
Quick summary:
Tactical Bomber
5,000 kg Bomb load: +0
Mediocre agility: +1
Subsonic: +0
2000km Range: -2
Comfy: +1
Good visibility: +1
Underpowered: -1
Cost: 30₪
For D&C VI
Loosely based on the English Electric Canberra
he's nostalgic right now.. looking at the window of our new apartment.
This was shot with 779 (exp 2009), nd filter over pack, and exposure turned all the way to darken.
Developed in the fridge for a cooler balance. Which actually made it just neutral. It almost doesn't look expired.
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Mamiya C330 S and Sekor 80mm f/2.8
Kodak Verichrome Pan 100 (expired 1984) developed in Xtol (1:1)
An image I took on Father's Day during a family walk up to Captain Cook's Monument, North Yorks. I'm still test driving my Reality So Subtle 6x12 so this iPhone pic will serve as a record until I develop the roll of film.
I love the mountain biker heading from the monument. If I recall correctly I managed to capture a couple map reading nearing the tree between the posts whilst the pinhole was making an exposure ;-)
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Ian Burton Photography
All images are copyright © Ian Burton 2016
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NB - I had uploaded this image previously but never felt truly satisfied with the reproduction, and knew I could do better. I therefore deleted that version. This is from a new HDR stitch and re-edit, and matches the appearence of the original much more closely than the previous effort.
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I discovered this little urban copse of trees hidden away yet displaying some wonderful autumnal colours, and had time to set up during excellent late afternoon light. I also shot this on the new Ektrachrome E100, but although the results were very good the Velvia version's dramatic colours are closer to how I remember the scene.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
29.5mm front rise
15° upward tilt of camera rail
f25
1/4th second
Fuji Velvia 50
Heliopan Slim High Transmission SH-PMC CPL
Gitzo GT3532LS
Arca-Swiss Z1
Lab developed
Digitised with DSLR using 27-shot HDR stitch
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
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