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For quite some time I've entertained the idea of trying to process my own BW film at home....and finally I've decided to give it a go with this being one of the first images - taken at the Rongotea Car Show on Sunday, raising funds for the local hospice.
A lovely 1958 Triumph TR3 that could obviously see into the future with its AI number plate!
Minolta A9
Minolta 24-105 AF
Ilford HP5 Plus 400
Cinestill DF96 / 6 mins @ 27deg C
Camera Scanned
Sony A7M3 / SEL90M28 Macro
Essential Film Holder
Kaiser Copy Stand
Converted in Negative Lab Pro
© Dominic Scott 2024
We had heavy morning fog for 2 days, then on the 3rd we got this magical sunrise. It was worth the wait.
Developed in Great Britain by Hawker Siddeley (later part of British Aerospace) the Harrier is one of only two vertical/short takeoff and landing jets to go into full production. First placed in service by the Royal Air Force and Royal Navy the Harrier first saw combat in the 1982 Falklands War between Britain and Argentina. The United States Marine Corps first ordered the Harrier in 1969 with the first deliveries in 1971.
Camera: Contax Tix
Lense: Carl Zeiss Sonnar 28/2.8 T*
Film: Fuji APS NEXIA 100
Develop & Scan: Bang Bang Geng, Publika, Kuala Lumpur
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Processed using LR5 & Nik Software.
This obviously has nothing to do with my normal genre of street photography but I had my camera in my pocket and I just snapped the scene to see what would come out in the end. I actually forgot I took this shot.
Thanks for taking the time to view my image. Your comments, faves and constructive criticism are greatly appreciated.
Minolta XD, MC Rokkor-PG 58/1.2 (probably), Ilford Delta 400 Pro @1600.
Film: expired in 2014, shot in 2016 or before, forgotten in fridge, and just developed (2022.11). When, where and why, did I take these images?
Mikasa, Hokkaido.
Canon T-50, NFD 50mm F1.8. Orwo UN54 exposed as ISO 100, developed with Finedol at 23 Deg.C. for 13 minutes, scanned with Plustek OpticFilm8100 + Vuescan at 7200DPI, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/52477900169/sizes/ the original: 10128 × 6761 pixels compatible. Learn DIY development and upgrade to film !
Dating from 1299, this medieval castle and royal residence developed into a fortress in 1592 after which it was rebuilt into a renaissance castle 1637-1648. Oslo, Norway
Abandoned Shack in Navajo, New Mexico.
Photographed with an Olympus XA rangefinder camera. The film is Kodak Tri-X 400 developed in Rodinal 1:50.
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Converted to B&W using LR5 & Nik Software
As you may already have gathered I am a great fan of the back streets and alleyways of Glasgow. I can just imagine people and maybe a small car or two having to go through here before the city was modernised. I love all the various building materials which have been used throughout the years and the external drain pipes which were definitely made to last.
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
The saxophone was developed in 1846 by Adolphe Sax, a Belgian instrument maker, flautist, and clarinetist. Born in Dinant and originally based in Brussels, he moved to Paris in 1842 to establish his musical instrument business. Prior to his work on the saxophone, he had made several improvements to the bass clarinet by improving its keywork and acoustics and extending its lower range. Sax was also a maker of the then-popular ophicleide, a large conical brass instrument in the bass register with keys similar to a woodwind instrument. His experience with these two instruments allowed him to develop the skills and technologies needed to make the first saxophones. As an outgrowth of his work improving the bass clarinet, Sax began developing an instrument with the projection of a brass instrument and the agility of a woodwind. He wanted it to overblow at the octave, unlike the clarinet, which rises in pitch by a twelfth when overblown. An instrument that overblows at the octave has identical fingering for both registers.
From thedailylumenbox.com Adox CMS 20 II, shot at ISO 12 with Voigtlander 15mm Super Wide Heliar on Leica Ic. Developed in Adotech IV for 10 minutes at 74°F.
Hasselblad 500cm
Zeiss Distagon 50mm f4 FLE
Kodak Tmax 100 asa
Canoscan 9000f
Developed by me in caffenol cm.
An old folk tale says that when you are about to enter woods, you should knock and announce your presence. For me, it's a good habit.
IN ENGLISH BELOW THE LINE
Fotografia presa amb una càmera Rolleiflex Automat (RF 111A), fabricada el 1938; Ilford HP5+ 400 revelat amb HC110. Aquesta càmera és contemporanea amb Auschwitz-Birkenau.
Una de les zones més vistes i terribles de Birkenau és la plataforma de les vies, la "Judenrampe", on els SS decidien qui vivia i qui moria entre els desgraciats acabats d'arribar en tren al camp. Les conegudes "seleccions". Tots els infants, ancians, malalts, ferits etc andaven directament cap al final de les vies, cap a les càmeres de gas. Els "supervivents" (destinats a treballar fins a morir, sovint en setmanes), eren enviats a la "Centralsauna", l'edifici d'arribades del camp. Poca gent sap que els trens només entraren dins Birkenau a partir de maig de 1944. Anteriorment la via no hi arribava, i els descarregaven uns 2 km enfora, a la "Alte Judenrampe".
Auschwitz. Què més puc dir més enllà d’aquest toponim en alemany d’una vila polonesa. Tots ja sabeu què fou, de 1940 a 1945. Aquí es creà un camp de concentració per la explotació salvatge i mortal dels enemics del III Reich. Però sobretot a partir de 1943 i a la seva extensió (i futur camp independent) de Birkenau: l’extermini dels jueus europeus a nivell industrial.
Birkenau, o Auschwitz II, fou la expansió massiva del camp original (després conegut com Auschwitz I) a partir de 1942, inicialment amb el proposit d'explotar l'influx massiu de presoners de guerra sovietics, però que aviat va canviar cap a camp d'extermini per als jueus europeus, francesos, holandesos, grecs i sobretot, polonesos i hongaresos. Les cambres de gas de Birkenau començaren a funcionar el març de 1942 i no pararen fins octubre de 1944. Finalment, el camp fou alliberat el 21 de gener de 1945. Els nazis hi assassinaren més de 1.300.000 persones, la gran majoria just baixar dels trens, i la gran majoria, jueus...
en.wikipedia.org/wiki/Auschwitz_concentration_camp#Auschw...
www.auschwitz.org/en/history/kl-auschwitz-birkenau/
70.auschwitz.org/index.php?option=com_content&view=ar...
auschwitz.camp/en/traces/judenrampe/
=====================================
Picture taken with a Rolleiflex Automat camera (RF 111A), manufactured in 1938; Ilford HP5+ 400 film developed in HC110. This camera is of the same era than Auschwitz-Birkenau itself.
One of the most visible and terrible areas of Birkenau is the platform between the tracks, the "Judenrampe", where the SS decided who lived and who died among the unfortunates who had just arrived by train in the camp. The well-known "selections". All the children, the elderly, the sick, the wounded, etc. went straight to the end of the tracks, to the gas chambers. The "survivors" (destined to work until death, often within weeks), were sent to the "Centralsauna", the camp's arrivals building. Note that the trains only entered the camp from May 1944 till October, more or less. Before that, there was to track, and since 1942 the trains stoped a couple of km outside, on the "Alte Judenrampe".
Auschwitz. What else can I say beyond this toponym in German of a Polish town. You all know what it was, from 1940 to 1945. Here a concentration camp was created for the savage and deadly exploitation of the enemies of the Third Reich. But especially from 1943 and in its extension (and future independent camp) of Auschwitz II - Birkenau. The extermination of European Jews at an industrial level.
Birkenau, or Auschwitz II, was the massive expansion of the original camp (later known as Auschwitz I) from 1942, initially with the purpose of exploiting the massive influx of Soviet prisoners of war, but which soon changed to a camp of extermination for the European Jews, French, Dutch, Greek and above all, Polish and Hungarian. The Birkenau gas chambers began operating in March 1942 and did not stop until October 1944. Finally, the camp was liberated on January 21, 1945. The Nazis murdered more than 1,300,000 people there, the vast majority just of the trains, and the great majority, Jews...
en.wikipedia.org/wiki/Auschwitz_concentration_camp#Auschw...
www.auschwitz.org/en/history/kl-auschwitz-birkenau/
IN ENGLISH BELOW THE LINE
Fotografia feta amb la Hasselblad 500 C/M, fabricada el 1979; objectiu Carl Zeiss Planar f2.8/80mm; pel·licula Ilford FP4+ revelada en Rodinal 1+25.
Al nord del Solsonès, en una de les zones amb menys habitants de Catalunya, podeu trobar aquesta barreja d'allotjament japonès dins d'una masia catalana. Es tracta del Mas Puigpinós, ara convertit en hotel japonès, el que vindria a ser un ryokan (petit allotjament rural al Japó). Els propietaris són una parella formada per una catalana i un japonès, pel que tot l'hotel reflecteix aquesta barreja. De fet, la masia mateixa és propietat familiar des de fa segles (obviament per la part catalana).
L'estructura principal és obviament una preciosa masia d'origen medieval, al terme de Lladurs, prop de l'església de Timoneda (a Lladurs no hi ha poble propiament dit, només masies aillades). La part japonesa la trobareu en la decoració, el mobiliari (algunes habitacions tenen futons i tatami) i el menjar, plenament japonès però amb aires del paisatge del Solsonès. Només faltaria, sobretot als mesos freds de l'any, que tinguessin un onsen, però potser d'aquí un temps...
hoteljaponespuigpinos.com/hotel/
==============================
Picture taken with a Hasselblad 500 C/M, made in 1979; Carl Zeiss Planar f2.8/80mm lens; Ilford FP4+ film developed in Rodinal 1+25.
At the feet of the Catalan Pyrenees, in the comarca of Solsonès, one of the least populated areas of Catalonia, you can find this mixture of Japanese accommodation inside a Catalan manor (masia). This is Mas Puigpinós, now converted into a Japanese hotel, what you can call it a ryokan (small rural accommodation in Japan). The owners are a couple made up of a Catalan woman and a Japanese man, so the whole hotel reflects this mix. In fact, the manor itself has been family property for centuries (obviously on the Catalan side). Puigpinós means "pine hill" in Catalan.
The main structure is obviously a beautiful masia of medieval origin, in the district of Lladurs, near the church of Timoneda (in Lladurs there is no village proper, only isolated churches and manors). You will find the Japanese part in the decoration, the furniture (some rooms have futons and tatami mats) and the food, fully Japanese but with elements of the Solsonès landscape. The only thing missing, especially in the cold months of the year, would be for them to have an onsen, but maybe in a while...
Develop your senses- especially learn how to see. Realize that everything connects to everything else.
The Corsa 505 program is focused on developing drivers into accomplished racers by competing in the deepest and most competitive fields in the nation.
To that end, the Spec Racer Ford is the most successful purpose built road racing car in the United States, with fields of over 30 cars at regional SCCA races and over 60 cars at the National Championship Runoffs. Additionally the Spec Racer Ford (SRF/SRF3) rules, stipulate that no performance enhancing modifications can be made to the car and thus the success of any racer in this class, is solely based on his or her own skill and nothing else. These attributes make the SRF3 Class the ideal platform for our Driver Development Program.
We are proud to have MBI Racing as our technical partner, providing full service 'arrive and drive' track support and driver coaching.
Located at Buttonwillow Raceway Park, MBI Racing is a full service race shop. The MBI team primarily races Spec Racer Fords (SRF/SRF3) but has considerable knowledge and experience in racing Formula Mazda, Formula Continental, and Formula F. To date, MBI has won thirteen Regional Championships and four National Championships.
Pentax 6x7 MUI | Pentax Pentax 67 105mm f2.8 | Ilford FP4+ 125
Scanned with Canon EOS 6D | lighttable | Valoi 360
Home developed in Adox FX39II 1/9 | 8,5 min / 20 deg C
Negative Lab Pro v3.1.1 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier
On Explore - September 22, 2025 - #225
Gobi Desert. Mongolia.
Bellini Foto C-41 - Home Developed
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Belmondo developed the vehicle called Volugrafo Bimbo 46, in November 1945 and produced from spring 1946. Production ended in 1948 after about 60 were made. The vehicle had a tubular frame and a narrow track of only 78 cm. The fully encased front wheels were guided on double wishbones of equal length and steering from the large steering wheel positioned slightly left of the centre was transmitted by a chain. The open, doorless body contained a bench on which two people could sit next to each other in an emergency. The vehicle was 2.4 meters long and 90 centimeters high. There was a thin fabric top without side panels as weather protection.
It was powered by an air-cooled single-cylinder 125cc engine of 5 HP (3.7 kW) driving the left rear wheel.
There was also a sports version equipped with a second drive set on the right rear wheel.
At least five vehicles have survived.
Casterbridge Motor Museum
Witrivier
Mpumalanga Province
South Africa
To develop the park began in 1976, the 200th anniversary year of American independence, to celebrate the relationship between the two freedom-loving countries, Israel and the US. The forest developed and extended an existing woodland planted in the region in the 1950s by new immigrants from the surrounding area and nearby Beit Shemesh, who had arrived soon after the founding of the State of Israel.
"The line_up is a paperwork series I developed in 2010 /11, the “liners” are made out of paper (Din A4) ,
oil paint and graphite, the theme is the hermetical laws of polarity and movement. There is no ending and no beginning in any direction, just an endless movement. You have the possibility to arrange the papers like you want and that makes it an endless playground for my photo-work and the eyes of the viewers."
Yanomano
Shadows brought up a lot in post in order to see any detail on the Orem House of the Lord itself. Quite a nice cloudy day. I find the flexibility of this film in the shadows to be quite nice.
NoColorStudio No. 25 Gamma
Rodinal 1+50
Nikon Coolscan 5000
Developed at home with the Digibase C-41 kit using the 37°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Ultramaxx 400
Converted to B&W in LR5
Thanks for taking the time to view my image. Your comments, faves & constructive criticism are greatly appreciated.
Camera: Yashica Mat 124 G
Lens:Yashinon 80/3.5
Film: Fomapan 100
Film Developing: Kodak X-tol
1+1,
Time: 20C° -5,45 min
scanned with Epson Photo V 500
Sometimes I wonder if we should go back to when a video game lobby had people standing in it. I love tech and the Internet is such a wonderful tool. I just wish we weren't trying harder than ever to make it terrible.
There's something to be said for walking into an arcade and just having fun. Leave your worries at the door and drop into a world where the tech is all fun and doesn't try to sell your soul to the highest bidder.
Zeiss Ikon Super Ikonta 532/16
Zeiss Tessar 8.0cm f/2.8
Kodak Portra 800
Unicolor C41 kit (from FPP)
Plustek Opticfilm 120 and Silverfast
es macht mich traurig, dass für mich bei flickr keine Möglichkeit mehr besteht, die Gruppen weiter zu pflegen.
Jedenfalls nicht in der aufwändigen Art wie vorher, z.B. mit den award Codes.
Liebe Grüße
Florette
Sorry, there is no way for me in flickr to continue maintaining the groups.
At least not in the ornate style as before, for example using the award codes.
Best wishes!
Florette
Florette
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Gold 200
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
Downtown Cornwall
Hasselblad 500C
Ilford Delta 400
Project Theme:
Black and white images in square format on medium format film using Ilford Delta 400 shot at box speed, developed in Kodak D-76 at 1:1 dilution.
Explored January 27, 2026 #131
Please press L to view.
Great Egrets usually pair for life. During breeding season males and females develop a delicate
cloak of long feathers on their backs, as seen in previous images. They nest in colonies together
in both freshwater wetlands, and salt water marshes; building nests in trees and reed beds.
Usually three eggs, bluish-green in color are laid. Both parents take turns to incubate the eggs
and feed the chicks. Strangely Great Egret parents allow their chick to squabble over food. Often
the strongest chick survives during this scrum. This chicks also have an unfortunate tendency of
climbing out of their nest, and often fall prey to predators. Great Egrets reach maturity in two years
and can live for twenty two years.
ISO 250
340mm
Nikkor 70-200mm f/2.8 lens
Nikon 1.7 tele convertor
+5ev
exposure 1/1000sec