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Carrozzeria Ghia had developed a Pick-up version built on a Fiat Nuova 500 Giardiniera base. It was first shown on the 'Salone dell' Automobile di Torino' in November 1961. It was a prototype, and it did not came into production.
But a few years later Moretti and Giannini took over this design and started to take in production almost identical Pick-ups.
Ghia is a main coachwork company in Italy. It did a lot of commissioned work for Ford, Volkswagen and Fiat. But it developed also own production cars.
One of the most successful cars on a Fiat 500/600 based cars was the Jolly, a funny beach cabriolet with wicker seats.
The firm is since 1974 part of Ford Motor Company.
499,5 cc 2 cylinder air-cooled Boxer engine.
Max. speed: 95 km/h.
Production Fiat Nuova 500: July 1957-1975.
Production Ghia-Fiat 500 Ziba: 1961.
Image is taken from the book 'De Fiat 500 & 600', Jan de Lange, Uitgeverij Elmar, Rijswijk, 1997.
Original photographer, place and date unknown.
Halfweg, Aug. 17, 2022.
© 2022 Sander Toonen Halfweg | All Rights Reserved
These 315s were developed as a response to the second 'oil crisis' in the late 70s, and as such were the least powerful and least specced E21 models to be produced. Italy, renowned for it's heavy taxation of bigger engines, proved to be one of the best markets for these cars. Not the only one I saw on this trip either, and not the only 'small engine special' either.
Nice and run down looking also.
in Japan kyoto
攝於日本京都祇園
Gion is a district of Kyoto, Japan, originally developed in the Middle Ages, in front of Yasaka Shrine. The district was built to accommodate the needs of travelers and visitors to the shrine. It eventually evolved to become one of the most exclusive and well-known geisha districts in all of Japan.
Shirakawa Canal in the Gion district, showing the rear of some ochaya
The geisha in the Gion district (and Kyoto generally) does not refer to themselves as geisha; instead, Gion geisha use the local term geiko. While the term geisha means "artist" or "person of the arts", the more direct term geiko means essentially "a child of the arts" or "a woman of art".
This neighborhood in Kyoto has two hanamachi (geiko communities): Gion Kōbu (祇園甲部) and Gion Higashi (祇園東), which split many years ago; Kōbu is larger, occupying most of the district, while Higashi is smaller and occupies the northeast corner, centered around its rehearsal hall. Despite the considerable decline in the number of geisha in Gion in the last one hundred years, it is still famous for the preservation of forms of traditional architecture and entertainment.
A typical kaiseki restaurant in Gion
Part of this district has been declared a national historical preservation district. Recently, the City of Kyoto completed a project to restore the streets of Gion, which included such plans as moving all overhead utilities underground as part of the ongoing effort to preserve the original beauty of Gion.
祇園（ぎおん）は京都市東山区にある、京都の代表的な繁華街及び歓楽街。
八坂神社（江戸時代までは祇園社）の門前町として鴨川から東大路通・八坂神社までの四条通の南北に発展した。京都有数の花街（舞妓がいることでも有名）であり、地区内には南座（歌舞伎劇場）、祇園甲部歌舞練場、祇園会館などがある。現在は茶屋、料亭のほかにバーも多く、昔のおもかげは薄らいだが、格子戸の続く家並みには往時の風雅と格調がしのばれる。北部の新橋通から白川沿いの地区は国の重要伝統的建造物群保存地区として選定、南部の花見小路を挟む一帯は京都市の歴史的景観保全修景地区に指定され、伝統ある町並みの保護と活用が進んでいる。
また、四条通と東大路の交差点は「祇園」交差点である（しばしば「祇園石段下」とも言う）。交差点付近に京都市営バス・京阪バスの祇園バス停留所がある。
祇園，位於京都府京都市東山區，是京都市區內代表性的鬧區與風化區。
作為八坂神社的門前町，從鴨川到東大路通、八坂神社的四條通沿線發展而成。京都有數的花街（以舞妓聞名），有許多茶屋、料亭、酒吧，也有歌舞伎劇場的南座。北部的新橋通到白川沿岸的地區被選定為國之重要傳統的建造物群保存地區，南部的花見小路一帶被指定為京都市的歷史的景觀保全修景地區。
© Rory O’Bryen, 2018.
Leica MP + Summilux-M 35mm Kodak Tri-X ISO 400. Stand developed in Rodinal www.roryobryen.com
With a thunderstorm developing in 45c heat, 842,869,871 depart Murdinga for Lock after shunting off grain wagons for loading on 4-1-1999
I can hear the bull frog callin' me.
Wonder if my rope's still hangin' to the tree.
Love to kick my feet way down the shallow water,
Shoe fly, dragon fly, get back t your mother.
Pick up a flat rock, skip it across Green River.
Green River - Creedence Clearwater Revival - 1969
A result from attempt #3 of developing E6 film, Lomography X-Pro 200, in B&W then C41 chemistry. This time, I developed in Rodinal 1:25 at 38C/102F for 30 minutes, fogged the film for 3.5 minutes on each side, then developed in Unicolor/Argentix developer at 38C/102F for 25 minutes, followed by 6.5 minutes in blix.
E6 chemistry is not the easiest for me to get, plus its shelf-life is short, and I don't shoot too much E6, so those are the reasons for me for trying this method. I only have another 2 rolls of E6 film; two other Lomography X-Pro 200 rolls. I may try this method, with some alterations again, or cross process them. Don't think Rodinal and Lomography X-Pro 200 are the most ideal, but just experimenting with what I have available at the moment; it produces a lot of grain and an orange tint, which needs to be colour corrected. I read that Provia 100 and HC-110 is a good combo.
Pentax K1000
Lomography X-Pro 200
Rodinal/Blazinal --> Unicolor/Argentix
Epson V550
I developed my own film for the first time today(!!!) as you can see by my mass flickr upload. It was really really easy and fun
Mirit Ben-Nun develops a style where he tries to demonstrate the manifestation of movement, rhythmic repetition and the speed of objects on the canvas.In the process the artist often asks difficult questions or causes reflection without giving easy answers. Her curiosity, your open mind and a commitment to dialogue are her best tools to address your artworks.
These works often challenge our ideas about how art should look or how it should behave. Her art is not based on what was said before and does not depend on the academies of art, breaks traditions, and does not imitate the real world, it is an art that transmits through its works the inner world of the artist. Through imprecise and significant characters, it radiates different ideas about the reality of the world of human dreams.Mirit gives us a clear idea that art is not separated from life and from the real world in which we live, reflects thoughts with style and unique focus.
Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements.
The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer.
Dora Woda
Maliu Mai Resort beach in Tafuna, American Samoa.
Photographed with a Minolta Freedom Zoom 115 Date camera using Kodak Gold 200 film expired 10/2003.
Nikon FM
Nikon 50mm 1.8
Ilford XP2 super 400 @ 200
Developed in Caffenol C-H
10 1/2 minutes @ 20 degrees C
Epson V 850 scanned
Developed using darktable 3.6.0. A light texture overlay was also added to the background in GIMP 2.10.24.
Well, hello everyone :-)
Just had a mad hectic week in Townville & Mackay for work.
This was my first time to Townsville & fortunately for me a flickr friend arranged to met up with me & we went for a short drive to The Strand & spent an hour or so together with tripods & cameras inhand
This shot was taken just on dark.
Cheryl, I loved meeting you, & I really appreciated your precious time.
Thank you
I didn't get to see a whole lot, but you live in a beautiful city
Cheryl's posted shot for the day
www.flickr.com/photos/26323552@N04/4537679424/
I will post my sunset shot later
Explored #291 April 24th - thanks all for comments & favs - much appreciated
A little experiment, developing expired color negative film in black and white chemistry.
Shot with a Pentax LX fitted with an SMC Pentax-M 50mm f/1.4 lens, loaded with Etos Kleurenfilm 100/24, developed in Adonal and scanned with a Nikon LS-8000ED.
I did a small write up of my experiences here.
Excerpt from artgalleryofguelph.ca:
In 1983, the Art Gallery of Guelph (AGG) grounds were developed into the Donald Forster Sculpture Park to be used for permanently sited sculptures, temporary installations of large-scale pieces, and an outdoor activity space for events like children’s art classes. The outdoor sculpture collection is enhanced with landscaping elements such as paved areas, lighting, berms, and plantings appropriate to the design of the park and siting of individual works. The objective is to acquire sculptures that represent the best work being produced in Canada while including some examples of historical and international works. The Sculpture Park is a unique tourist attraction for the city and region and an important educational resource for area educational institutions. Six commissions have been funded with the generous support of du Maurier Arts Ltd. The AGG Volunteer Association has also contributed to the development of the Sculpture Park by raising art acquisition funds through the annual Gardenscapes garden tour. This outstanding venue for permanent sculpture by Canadian artists ranks among the best and most diverse sculpture parks in Canada.
The Donald Forster Sculpture Park, located on two-and-a-half acres adjacent to the building, is a major curatorial project that contributes significantly to AGG’s overall programming objective to present exhibitions, research, and a dynamic collection of contemporary Canadian Art. It is the largest sculpture park at a public gallery in Canada, featuring 39 works by prominent Canadian and international artists. The Sculpture Park is open daily from dawn to dusk.
Before Flight by Janet Morton (born 1963, lives and works in Guelph, ON) was created to explore the idea of home through materiality and time. The sculpture is composed of two parts: a bronze-cast bird’s nest measuring approximately 6-feet-across perched on top of a 20-foot-tall limestone Doric column. Morton used the Doric column as a Classical motif that references Greek architecture as well as the columned porch at the entrance to the gallery. Columns are the foundation for modern architecture and symbolize stability, power, authority, and quality. In Before Flight, Morton is interested in the dichotomies of permanence and impermanence, stability and transition, the domesticated and the feral. The sculpture also combines two conceptual themes that have persisted in Morton’s work for almost twenty years: the monumental and the idea of home. This seemingly simple juxtaposition posits the tensions between natural and constructed worlds: one is a temporal structure, the other is an architectural form intended to stand the test of time.
The Harvester by Florence Wyle (1881-1968) depicts a standing male figure drinking deeply from a water jug. This representational sculpture emphasizes the physicality of the figure, particularly the dynamic upper torso. An agricultural labourer, his posture communicates strength and his gesture replenishment. He is a noble and dignified figure. Throughout her practice Wyle honoured the working class, both male and female. Wyle and her partner Frances Loring together were known as “The Girls.” They lived in the American Midwest before moving to Toronto. Both prolific artists, they were well known for their war memorials and sculptures of workers in the munitions industry. Wyle originally studied medicine; however, after taking mandatory drawing, painting, and sculpting courses, she chose to be a professional artist.
Canadiana/Begging Bear by Carl Skelton (born 1961, lives and works in Toronto, ON) references Canada’s rich and varied wildlife traditions and is inspired by the stylized art forms of Canada’s Inuit. Skelton’s sculpture stands at the bus stop located on Gordon Street in front of the Art Gallery of Guelph. Canadiana/Begging Bear is arguably the most beloved sculpture in the park and is often costumed by clandestine members of the Guelph community, who use the bear’s popularity and street presence to promote community based events or to make public announcements. Although it wasn’t the artist’s original intent for the sculpture to perform as a public forum, Skelton welcomes this kind of community interaction with his art. Canadiana/Begging Bear stands at 7.5 feet tall and weighs over 300 pounds. Posed with one paw outstretched in a pleading gesture, the sculpture is an artistic metaphor for Canada’s native animals who have been displaced by cities built on their natural territories.
Visit beautiful Hokkaido !
Pentax MZ-M, Pentax-M 50mm F1.7, Kodak Microfilm Imagelink HQ, exposed as ISO 40, developed as described before, scanned with Plustek OpticFilm 120, edited with GIMP. Bigger sizes: www.flickr.com/photos/threepinner/49326354562/sizes/ up to 10000 × 6675pixels compatible. Learn DIY development and upgrade to film !
Members of the Junior hockey team scoring some community service credits at the Rutland Scarecrow Festival
Portland developed a reputation early on in its history as a hard-edged and gritty port town. Some historians have described the city's early establishment as being a "scion of New England; an ends-of-the-earth home for the exiled spawn of the eastern established elite." In 1889, The Oregonian called Portland "the most filthy city in the Northern States," due to the unsanitary sewers and gutters, and, at the turn of the 20th century, it was considered one of the most dangerous port cities in the world.
This is my parent's dog Tasha, who has developed a finely tuned skill at barking at nothing in particular. I caught her in a quiet moment.
View towards Addingham, Addingham High Moor.
19/6/17
Taken with Yashica Mat with yellow filter.
Ilford HP5+ 120 format film.
Developed myself in Rodinal 1 + 50 11 Mins at 20C.
Ilfostop.
Fomafix P.
Scanned with Epson V550.
Adjusted in Lightroom.
062004.
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Kodak Gold 200
Converted to B&W using LR5 & Nik Software
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
Developed on the basis of experience gathered internationally with the other 2A8 variants, the 2A8+ cE features the latest upgrade package for the central European Forces.
patrickjoust | flickr | tumblr | IG | prints for sale
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Konica Hexar RF and Voigtlander Color-Skopar 21mm f/4
Kentmere 400 developed in Xtol (1:2)