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Took a day trip up to the High Sierra's (enough of this setting around the house BS), up on California State Route 108. Pinecrest lake along the route was a bust for any images, so headed up to Donnell Reservoir Vista and spent the rest of the day there. This was the only view (variations) of the day that needed to be in B&W. That was due to the drama that was going on just behind the ridge line and monotones in the land mass. Spent some time watching the clouds dancing around the ridge, and then developing into a classic t-storm anvil formation and the turmoil within.
Processed in Luminar 4.3 and Lightroom 5 for the basic setup. The crop was set at the end for a pano look.
Nikon D810, 100mm (24/120 f/4), 1/30 @ f/11, ISO 50. Manual mode, mirror up, remote release and a CPL on the lens. Captured on August 11, 2020 a little past 4:30PM.
Leica llla, Canon 50mm f1.8, yellow filter, Kodak t-max 100 developed in Super Prodol, Epson GT-X830. 1/30, f/4.
Die Brücke für Fußgänger und Radfahrer verbindet die Europacity mit dem östlichen Ufer des Berlin-Spandauer Schifffahrtskanals und führt in die Kieler Straße, an deren Ecke ein original erhaltener Grenzwachturm daran erinnert, dass der Kanal von 1961 bis 1990 die Grenze zwischen West und Ost bildete.
Das Gebiet der Europacity mit einer Größe von etwa 85.000 m² liegt im Bezirk Mitte. Der 40 Hektar umfassende Teil nördlich der Invalidenstraße war in den 2010er Jahren noch weitestgehend durch die frühere Bahnnutzung unter anderem als Containerbahnhof und Nutzung durch kleinteilige Logistikunternehmen geprägt. Auf dem Gebiet entsteht derzeit ein gemischtes Quartier mit den Nutzungsarten Wohnen, Büro, Einzelhandel und Kunst. Geplant sind Wohnungen für rund 2.000 Menschen und Büros für über 10.000 Arbeitsplätze. Davon ist der allergrößte Teil bereits fertiggestellt. An seiner Südgrenze, der Invalidenstraße, haben sich einige Nutzungen fest etabliert. So hat sich mit dem Museum für Gegenwart im Hamburger Bahnhof und der angrenzenden Rieckhalle ein Kulturstandort gebildet. Der Standort wurde als „Kunst-Campus“ konzipiert und im Jahr 2008 um die Halle am Wasser als Standort für sechs Kunstgalerien, eine Agentur für Kunstvermittlung sowie ein Ausstellungsbüro erweitert. Im Jahr 2009 erfolgte die Fertigstellung des Kunst-Campus durch neue Zugänge, Wegeführungen und die Gestaltung des zentralen Platzes. Das Areal südlich der Invalidenstraße wird inzwischen ebenfalls als ein Teilgebiet der Europacity verstanden. Östlich des Hauptbahnhofs sind am Ufer des Humboldthafens (der nicht mehr als Hafen genutzt wird) Wohngebäude entstanden. Westlich des Bahnhofs entsteht dort seit einigen Jahren ein schachbrettartiges Karree mit großenteils bereits fertiggestellten Büro- und Hotelgebäuden.
de.wikipedia.org/wiki/Europacity
The bridge for pedestrians and cyclists connects the new "Europacity" with the east bank of the Berlin-Spandau Shipping Canal and leads to Kieler Straße, on the corner of which an original border watchtower reminds us that the canal formed the border between West and East from 1961 to 1990.
The Europacity area of around 85,000 m² is located in the Mitte district. In the 2010s, the 40-hectare section north of Invalidenstrasse was still largely characterised by its former use as a container station and by small-scale logistics companies. A mixed neighbourhood with residential, office, retail and art uses is currently being developed on the site. Housing for around 2,000 people and offices for over 10,000 workplaces are planned. Most of this has already been completed. On its southern border, Invalidenstrasse, some uses have become firmly established. For example, the Museum für Gegenwart in the Hamburger Bahnhof and the neighbouring Rieckhalle have created a cultural location. The site was conceived as an ‘art campus’ and expanded in 2008 to include the Halle am Wasser as a location for six art galleries, an art education agency and an exhibition office. In 2009, the art campus was completed with new entrances, pathways and the design of the central square. The area south of Invalidenstrasse is now also seen as part of Europacity. To the east of the main railway station, residential buildings have been constructed on the banks of the Humboldthafen (which is no longer used as a harbour). To the west of the station, a chessboard-like square with office and hotel buildings, most of which have already been completed, has been under construction for several years.
Sprocket Rocket, Lomography. Kodak tMax100, 35. Developed for 8 minutes, r09 fomadon 1:40, fixed for 5 minutes, scanned on epson V600.
Oranienbaum Park is a most valuable example of garden and park art from the second half of the 18th to the mid-19th century. It covers an area of 162 hectares. Until the 1770s, the main artistic technique in the park's design was the formal layout, which was later replaced by the landscape style. The park consists of several historically developed sections, each formed during specific periods of the palace and park complex creation.
Upper Park: 18th - 20th centuries - formation of the general landscape, 1710 - 1720s - development of the water system, garden masters: L. Lamberti, D. Bush, L. Meinecke.
Developed from 1935 through 1940. The vehicle was comparable to the t-34/76 in terms of its characteristics. Among several presented prototypes, the project was eventually selected to be mass produced. The vehicle had individual torsion-bar suspension and an innovative gun-mounting scheme. A prototype was built by 1934 but lacked good mobility.,
total amount built, 1,966
Pros:
Thick armour all around with sloping and side skirts
stats:
Armour15–70 mm
gun ,1 73 mm AT mounted on the turret
turret traverse speed, 25,92 seconds
gun depression/elevation angles , -9/31
aiming time ( up to 400m ) 2,72 seconds (with expirienced crew 0
dispertion at 100 m , 0,56 seconds
reload speed, 3,57 seconds
opinion:
i think ive made it quite well...
it took 1 full week of designing to assembling and building, hope you guys like it . And i got a big heavy tank comming up next .
Over the long pandemic I developed an ability to capture close ups of blooms around my yard. The camera mounted on a tripod and the blooms protected from breezes allows sharper focus on the flame acanthus, Anisacanthus quadrifidus, and not worry much about the depth of field. My camera sensor with its macro lens is only about 25 centimeters from this flower so my depth of field I know will be small. I put the far-left anther in sharp focus in hopes that the others will be acceptable focus. The petals from the acanthus flower are mostly in focus. I dehazed the photo to accentuate the contrast. I toned down the brightness of the anthers on the left flower. The contrast between the red-orange and the mottled out of focus greens of the background pushes the flowers forward. The sunlight lightens the throat just enough to where the filaments can be seen emerging from it.
Sometimes, fireworks don't explode where you expect them... Thanks to photoshop, I develop my own technique to put them where I want them to be plus combining this with my DRI technique.
Parfois les feux d'artifices n'explosent pas toujours là où on voudrait... Grâce à photoshop, j'ai développé ma technique qui me permet de les mettre là où je les veux en la combinant à ma technique DRI.
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WEBSITE .......: www.jeansurprenant.com
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My GETTY IMAGES work
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Thanks for the visits, comments, awards, invitations and favorites. Please don't use my images on websites, blogs or others medias without my explicit permission.
Thanks!
© All rights reserved
My technique is alway the same:
Three exposures -2EV, 0, +2EV and then temperature adjustement using Lightroom and layering with luminosity mask using photoshop. Removal of distracting stuff with the stamp tool or patch tool. High pass filter to enhance details. Then saturation, contrast selectively control, dodge and burn where need...
DRI stand for Dynamic Range Increase. Three RAW files are used to achieve this. Rather than using a software like Photomatix for instance, I simply use mask to blend, my own way, the light, dark and normal shot with Photoshop and Lightroom.. To me, It looks more natural than the usual HDR treatment that I would normally applied.
Merci pour les visites, commentaires, récompenses, invitations et favoris. S.V.P. n'utilisez pas mes images sur des sites web, blogs ou autres médias sans ma permission.
Merci!
© Tous droits réservés
Ma technique est toujours la même:
Trois prises de vue -2EV, 0, +2EV. Ensuite ajustement de la température de couleur avec Lightroom et usage de calques et masques de luminosités avec Photoshop. Retrait d'éléments de distraction avec l'outil tampon. Filtre High pass pour le rehaussement des détails. Ensuite saturation et contraste ajustés de façon sélectives et locales. Dodge and burn là où requis...
DRI vient de l'anglais Dynmic Range Increase, qui pourrait se traduire par étendue dynamique améliorée. Les même 3 fichiers RAW entrent dans la composition d'un DRI. Plutôt que de se servir d'un logiciel comme Photomatix qui fait tout le travail, je me sers plutôt de masques pour filtrer l'éclairage dans photoshop et Lightroom. De mon point de vue, cette façon de faire donne une image plus naturel que le traitement HDR que j'employais auparavant.
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Follow me on FACEBOOK
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WEBSITE .......: www.jeansurprenant.com
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BUY or LICENCE IT HERE
.
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My GETTY IMAGES work
Rolleiflex T 50's TLR camera
CineStill 800T film
f 3.5 at 1/2
Home Developed by www.flickr.com/photos/ukke_photo/
Bellini C-41 chemistry
Took me almost a year to develop this roll of film. And happy I am that I finally finished up the roll and got it done. I love it because it reminds me of how I felt walking through this nature area that I never knew existed until that particular day. I wish I could print it instead of scanning right now BUT...I still love it. This was the first roll through my Spotmatic with Super Takumar 55mm 1.1:8 lens.
I developed my second roll of film today - Kodak T-Max this time. It's so different to the last film... less contrast, slightly more grain. I've had to tweak the levels in photoshop, something I wouldn't have been able to do in years gone past :).
I think this shot is the best on the roll. I spotted the light here, and the child was a bonus. I had to take it quite quickly so I'm amazed it turned out. Especially when so many other frames failed, haha!
BTW, the light leaking from the left is because I overexposed the shot before. Getting the exposure right was definitely trickier this time around.
Thanks for looking. I promise to catch up very soon!
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Camera: Cosina CT-10
Film: Kodak T-Max 400
Lens: Hanimex 135mm