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Developed as a light-weight alternative to the original Carnifex HMG, the Light version is better suited to the average soldier, as a hydraulic combat rig is not required to properly use the weapon.
On a side note, all of the contents of my PC,s hardrive have been erased by a virus, so I've lost all the saved pasties for my guns :(
Looks like I'm starting over...
Shot with a 1979 Yashica FX-3 SLR with 50mm f2 ML lens on @kodak ColorPlus 200. Taken on 18/01/25. Developed ＆ scanned by @takeiteasylab
IN ENGLISH BELOW THE LINE
Foto presa amb una Rolleiflex 3.5F fabricada entre 1969 i 1971; Carl Zeiss Planar f3.5 / 75mm; Kodak Ektar 100, revelat amb el kit C41 de Bellini.
Probablement el millor mirador sobre el Principat de Mónaco (i n'hi ha uns quants) és el del cim conegut com Tête de Chien o Testa de Can. Elevant-se 550 m. per sobre el mar, domina perfectament la ferradura que forma el Port Hercule entre Montecarlo, la Condamine i Mónaco vell. Hi ha una base militar francesa, però es pot pujar a peu des d'un parquing proper fins just al costat.
Des d'aquí es pot veure tot l'estat principesc de Monaco, des de Fontveille al oest fins a Larvotto al est. Crec que és l'unic lloc del món on pots contemplar la totalitat d'un estat des d'allà estant.
en.wikipedia.org/wiki/T%C3%AAte_de_Chien
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Picture taken with a Rolleiflex 3.5F, made c.1969-1971; Carl Zeiss Planar f3.5 / 75mm lens; Kodak Ektar 100, developed with the Bellini C41 kit.
Probably the best vantage point over the Principality of Monaco (and there are quite a few) is the one on the peak known as Tête de Chien or Testa de Can. Rising 550 m. above the sea, it perfectly dominates the horseshoe that forms Port Hercule between Monte Carlo, La Condamine and old Monaco. There is a French military base, but you can walk up from a nearby parking lot right next to it.
From up here you can see all the Principality of Monaco under you. From Fontveille to the west to Larvotto to the east. It's probably the only place on Earth where you can see a whole country from one point in the ground.
Rolleiflex T 50's TLR camera
CineStill 800T film
f 3.5 at 1/2
Home Developed by www.flickr.com/photos/ukke_photo/
Bellini C-41 chemistry
Developed in Great Britain by Hawker Siddeley (later part of British Aerospace) the Harrier is one of only two vertical/short takeoff and landing jets to go into full production. First placed in service by the Royal Air Force and Royal Navy the Harrier first saw combat in the 1982 Falklands War between Britain and Argentina. The United States Marine Corps first ordered the Harrier in 1969 with the first deliveries in 1971.
Dead juniper tree on the Zuni-Acoma Trail in El Malpais National Monument, New Mexico.
Photographed with a Zeiss Ikon ICA Trona 9X12 plate camera with a Zeiss Tessar 135mm f/4.5 lens. The film is Fomapan 100 developed in Kodak HC-110 dilution B.
patrickjoust | flickr | tumblr | IG | prints for sale
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Mamiya C330 S and Sekor 80mm f/2.8
Kodak Verichrome Pan 100 (expired 197X) developed in Rodinal (1:50)
When I take a walk in the neighborhood in the morning. with parat.
camera: agfa optima parat,
lens: solinar 30 2.8
film: kodak vision3 250d developed by c-41 self. (Good boy don't imitate. Develop by ECN-2. Otherwise…)
scan: dp3 merrill + kenko close up lens no.5 *2
nega convert: lightroom 5
The colors have been adjusted too much, so they are far from the original colors of the negative. (I managed to convert it just by color adjustment. To be honest, I'd like to use a brush to paint in natural colors, but if I use a brush, it won't make sense as an example of camera and film. The color of the image is incomplete because it is still in trial and error, please overlook. ( ﾉД`)…)
Kodak Portra 400, C41 at home in a lazy way. VueScan, Epson V600.
RSS 6x17 pinhole camera.
Lillån river, Gävleborg, Sweden
The water i brownish due to the iron and manganese.
Developed during World War II for the U.S. Navy, the Douglas AD Skyraider almost disappeared before having the chance to excel during the Vietnam War, where the aircraft proved well suited for close air support (CAS) to ground forces.
Nevertheless support of search and rescue (SAR) missions had been the Skyraider’s crowning achievement during the conflict. In fact it became dramatically apparent early in the war that lone helicopters were too vulnerable to conduct combat search and rescue (CSAR) missions. For this reason in 1965 a SAR task force decided that rescue helicopters would work in pairs, and that Skyraiders would provide rescue escort.
The callsign “Sandy” was founded in late 1965 by Capt. J.W. “Doc” George during an A-1 replacement flight to one of the several A-1 groups that rotated through Udorn. Actually it was George’s Bine Hoa departure callsign. After having landed at Udorn he was asked what call sign he would like to use while there. George answer was “Sandy.” Not only the callsign was retained by George’s replacement, but also became the callsign of any Skyraider assigned the SAR mission.
This Skyraider was built in California in 1951 with the c/n 7802 and after the US Navy serial number 127002.
In 1961, he was first assigned to the 3/20 "Oranie" Fighter Squadron with the callsign 20-FP then to the 1/21 Support Aircraft Squadron with the callsign 21-LN and finally to EAA 2/21 “Oranie” with callsign 21-ZH.
Shot on Kentmere Pan 400, in a Canon EOS 3000v. Developed using an Ilford Simplicity starter kit in a Lab-Box.
Developed in 1914-1915 by Russian engineers, the ambitious project of immense (9 m wheel diameter, 12m width and 17m length) "armored wheeled vehicle" was personally approved by emperor Nicholas II.
However, the only machine ever built was found to be vulnerable to artillery fire and unable to navigate the rough terrain. Stuck in soft ground, it was abandoned and scrapped eight years after.
Kamera: Fujifilm Fotonex 10
Linse: Fujinon 23mm
Film: Fujifilm Nexia A200
Kjemi: C41 photo store developed
Wikipedia: Kolbeinn hrúga
8x10 pinhole camera, Fomapan 100.15 seconds at f250, developed in Ilford ID11 and scanned with an Epson V800.
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Converted to B&W using LR5 & Nik Software
As you may already have gathered I am a great fan of the back streets and alleyways of Glasgow. I can just imagine people and maybe a small car or two having to go through here before the city was modernised. I love all the various building materials which have been used throughout the years and the external drain pipes which were definitely made to last.
Thanks for taking the time to view my image. Your comments & faves are greatly appreciated.
"HAVE A GO AT OUR OPEN MONTHLY CHALLENGE"
The subjects for this month and details on how to take part can be found here.
Anyone, anywhere with any camera can take part.
Developed at home with the Tetenal Colortech C-41 kit using the 30°c method.
Olympus XA 2
D.Zuiko 35mm f/3.5
Lomography Colour 400
Processed using LR5 & Nik Software.
Thanks for taking the time to view my image. Your comments, faves and constructive criticism are greatly appreciated.
Develop your senses- especially learn how to see. Realize that everything connects to everything else.
Ichikishiri shrine, Mikasa, Hokkaido. Lights are set up for the prayers.
Fujica GF670, Fujinon 80mm F3.5, negative iso160, developed with reversal processing for experiment as described below, scanned at 3200 DPI with Epson V700 + Epson Software, edited with GIMP.
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1st Dev.A: Papitol + KSCN 3.0g/500ml 4min. at 43 deg.C.
1st Dev.B: Papitol + KSCN 0.3g/500ml 4min. at 43 deg.C.
Rinse.
Reexposure
2nd Dev: C41 about 37 Deg.C for about 7 minutes.
Rinse.
Bleach.
Rinse.
Fix.
Rinse and wash
Dry
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Excellent in night scene just like for 135, but not satisfactory in color saturation and sensitivity in daylight use.
View in bigger sizes www.flickr.com/photos/threepinner/24844828497/sizes/l up to 8656 x 6856 pixels.
IN ENGLISH BELOW THE LINE
Fotografia feta amb la Hasselblad 500 C/M, fabricada el 1979; objectiu Carl Zeiss Planar f2.8/80mm; pel·licula Ilford FP4+ revelada en Rodinal 1+25.
Al nord del Solsonès, en una de les zones amb menys habitants de Catalunya, podeu trobar aquesta barreja d'allotjament japonès dins d'una masia catalana. Es tracta del Mas Puigpinós, ara convertit en hotel japonès, el que vindria a ser un ryokan (petit allotjament rural al Japó). Els propietaris són una parella formada per una catalana i un japonès, pel que tot l'hotel reflecteix aquesta barreja. De fet, la masia mateixa és propietat familiar des de fa segles (obviament per la part catalana).
L'estructura principal és obviament una preciosa masia d'origen medieval, al terme de Lladurs, prop de l'església de Timoneda (a Lladurs no hi ha poble propiament dit, només masies aillades). La part japonesa la trobareu en la decoració, el mobiliari (algunes habitacions tenen futons i tatami) i el menjar, plenament japonès però amb aires del paisatge del Solsonès. Només faltaria, sobretot als mesos freds de l'any, que tinguessin un onsen, però potser d'aquí un temps...
hoteljaponespuigpinos.com/hotel/
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Picture taken with a Hasselblad 500 C/M, made in 1979; Carl Zeiss Planar f2.8/80mm lens; Ilford FP4+ film developed in Rodinal 1+25.
At the feet of the Catalan Pyrenees, in the comarca of Solsonès, one of the least populated areas of Catalonia, you can find this mixture of Japanese accommodation inside a Catalan manor (masia). This is Mas Puigpinós, now converted into a Japanese hotel, what you can call it a ryokan (small rural accommodation in Japan). The owners are a couple made up of a Catalan woman and a Japanese man, so the whole hotel reflects this mix. In fact, the manor itself has been family property for centuries (obviously on the Catalan side). Puigpinós means "pine hill" in Catalan.
The main structure is obviously a beautiful masia of medieval origin, in the district of Lladurs, near the church of Timoneda (in Lladurs there is no village proper, only isolated churches and manors). You will find the Japanese part in the decoration, the furniture (some rooms have futons and tatami mats) and the food, fully Japanese but with elements of the Solsonès landscape. The only thing missing, especially in the cold months of the year, would be for them to have an onsen, but maybe in a while...