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From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
Mechanical Puppet developed by Tatyana Mustakos during her post-baccalaureate artist residency, Summer 2020.
Shoes are made out of leather, heat molded and wet molded to fit the feet precisely.
Legs have a pulley system that runs from knee to thigh through hips into torso and out the back, when pulled they create a slight kicking motion.
Arms have a pulley system that runs from hand to forearm to upper arm to shoulder blades, When pulled raises the hands, when not pulled, gravity causes them to lower
Mouth: a pulley through the head allows the mouth to open when pulled; when not actively pulled the elasticity of the silicone face pulls it closed.
Eyes: rotation system closes eyes when pulled up - this mimics the design of antique bisque dolls with a weight on the eyes that closes them when doll is horizontal and opens when vertical.
Clothes: Shirt has hole in the back to allow for easier access to pulleys.
Internal channels stop everything from tangling as aside from pulleys the body is strung together with elastic, but an open back allows for everything to be managed and checked/observed/altered.
First time self developing. Not sure where I went wrong. Too much grain and streaks where the sprocket holes are. Possibly too little agitation? Flipped it four times every minute, but it is possible I missed one. Will missing one agitation do this? It's not light leaks as I took some pictures with this camera and it was processed by the lab perfectly.
I used lightroom to help push contrast because the negatives looked really grey and lacked contrast.
Developed with Ifosol 3 for 6 minutes at 24 degrees.
Where did I go wrong?
Developed from the Wellesley, the Wellington prototype first flew at Brooklands in 1936. Its fabric-covered geodetic structure was able to absorb heavy damage, and it was the only British bomber to be used throughout World War Two, serving with Bomber, Coastal, Transport and Training Commands. Altogether 11,461 Wellingtons were produced, 2,515 of these at Brooklands.
N2980 is the only known surviving Brooklands-built Wellington. First flown on 16/11/1939 by Vickers’ Chief Test Pilot ‘Mutt’ Summers, N2980 was first issued to 149 Squadron at RAF Mildenhall and allocated the squadron code letter ‘R’ for ‘Robert’. It took part in the infamous Heligoland Bight raid of 18/12/1939, during which over half of the force of twenty-two Wellingtons were shot down by German fighters. The same aeroplane later served with 37 Squadron at RAF Feltwell, taking part in fourteen operations including day and night raids.
On 31/12/1940, while on a training flight over Scotland with 20 Operational Training Unit at RAF Lossiemouth, N2980 developed engine trouble and ditched in Loch Ness. All eight men on board escaped, but the rear gunner unfortunately died when his parachute failed to deploy.
In 1976 the Wellington was located in the Loch by a team of American Loch Ness Monster hunters and was successfully salvaged on 21/9/85 by the Loch Ness Wellington Association assisted by the National Heritage Memorial Fund. Despite nearly forty-five years underwater, the aeroplane was remarkably well preserved. The tail lights still worked when connected to a modern battery and many of the crew’s personal effects remained in the fuselage.
Delivered to Brooklands Museum by British Aerospace on 27/9/85, N2980 is now one of only two surviving Wellingtons but is the only one which saw action as a bomber in operational service.
Students and young professionals share the results of their DEVELOP Project, Tuesday, August 5, 2025, at the Mary W. Jackson NASA Headquarters building in Washington. Every summer early career researchers from NASA’s DEVELOP National Program come to NASA Headquarters and present their research projects. DEVELOP is a training and development program where early career researchers work on Earth science projects, mentored by science advisors from NASA and partner agencies, and provide research results to local communities. Photo Credit: (NASA/Aubrey Gemignani)
It had long been our ambition to convert the basement of the Rotunda back to its condition in 1910. Ickworth Lives, a project funded by the Heritage Lottery Fund and your donations, is doing just that. Opened on 2nd March 2012, we invite you to discover the real lives of those who lived and worked in this party house in the 1930s.
The exterior of the Earl-Bishop’s Rotunda was virtually finished when he died in 1803, but the interior was still an empty shell, and the curving corridors and wings only a few feet above ground. It was left to the Earl-Bishop’s son, the future 1st Marquess of Bristol, to make what use he could of his father’s extraordinary plan. Having no need for massive galleries, in 1821 he instructed his architect, John Field, to redesign the East Wing as family living-quarters.
Field fitted out the ground floor of the Rotunda as state rooms in an austere Regency style. The West Wing was added purely for symmetry and so was left empty. The Trust is pleased to announce the go-ahead of a package for a project to develop the West Wing to provide new facilities for visitor reception, information, education, shop, restaurant, functions, conferences and events.
As the family lived mostly in the East Wing, the rooms that visitors see in the Rotunda spent much of the year under dust sheets, coming into their own mainly for parties and other special occasions. But as a result, their superb furnishings and decoration have survived in excellent condition and little changed since the heyday of the house in the Edwardian era.
The house, with much of its collections of family portraits, Huguenot silver, Regency furniture and china, and part of the ancient deer-park, passed to the National Trust in 1956.
The East Wing has been transformed into a four star hotel by the hotel company Luxury Family Hotels who lease the East Wing. Until 1997 the East Wing was home to the late 7th Marquis of Bristol who had leased the property from the National Trust.
The hotel has 35 luxury rooms - 11 in the Dower House a separate property situated on the north-west of the estate (opened in autumn 2002) - the hotel complex has three restaurants, a 50ft indoor pool, horse riding facilities and a tennis court.
Ickworth’s 18th-century parkland and gardens include some of the most stunning countryside to be found in East Anglia.
The Park
The extensive 1,800 acres of wooded parkland, created in part by 'Capability' Brown, is a living landscape rich in plant, animal, and bird life. Some parts cultivated and grazed yet much can be explored and enjoyed. Some waymarked field margins may also be walked. Access has been made possible through funding by the Forestry Commission’s Countryside Access scheme.
The Gardens
The gardens surrounding the house were created in the first half of the 19th century by the First Marquess of Bristol. Those in the formal Italian style to the south of the house feature the Gold and Silver Gardens, a Victorian Stumpery and the Temple Rose Garden. A raised terrace walk separates the south garden from the park.
Beyond the church are the remnants of an 18th-century garden created by the First Earl. His summerhouse (circa.1703) and ornamental canal still survive. The kitchen garden, protected by high brick walls, is now a vineyard producing Ickworth wines (available in the National Trust shop).
For this project I created a kinetic tool made out of plastic tubes and wrapped wire, and developed a technique to create certain marks by using graphite transfer paper on white paper. This was an experiment of authorship of designs, even if we aren't then who executes them. It was important for me to have very clear rules on how to approach the project, and I allowed for a variable in pressure, and the speed at which the kinetic tool is pressed down. Although my rules were very strict, there is enormous difference in the technique that different users used to work with the kinetic tool.
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
Philips has developed what is said to be the world’s most efficient and cost effective solar powered LED street lighting solution per km of road.
Originally developed along the waterfront, Rainbow Row is a set of Georgian-style buildings that once housed businesses on the ground floors and residences above. Built between 1748 and 1792, the buildings are the longest remaining set of Georgian row houses in the United States, and were part of a vibrant commercial and residential district when built. By the 1920s, the area had fallen into steep decline, and the buildings were dilapidated, and home to low-end housing. Susan Pringle Frost, founder of the Society for the Preservation of Old Dwellings, which later became the Preservation Society of Charleston, bought six buildings that now comprise part of Rainbow Row, but, lacking the funds to restore them, the houses languished. In 1931, Dorothy Haskell Porcher Legge bought the house at 99-101 East Bay Street, and restored the structure, painting it bright pink, kicking off a trend of painting the buildings in colorful paint scheme. By 1945, most of the buildings had been restored and painted in bright colors, leading to the present name and appearance of Rainbow Row. Today, Rainbow Row is one of the most well-known places in Charleston, and a popular tourist attraction.
Hammock Inc. develops content for Simplex Healthcare's Diabtes Care Club, an online community for those with diabetes.
Develop Don't Destroy Brooklyn
Atlantic Yards Junkyard Bonds Protest
December 14, 2009
Standard & Poor's
55 Water Street
New York
The General Dynamics (now Lockheed Martin) F-16 Fighting Falcon is a single-engine multirole fighter aircraft originally developed by General Dynamics for the United States Air Force(USAF). Designed as an air superiority day fighter, it evolved into a successful all-weather multirole aircraft. Over 4,500 aircraft have been built since production was approved in 1976. Although no longer being purchased by the U.S. Air Force, improved versions are still being built for export customers. In 1993, General Dynamics sold its aircraft manufacturing business to the Lockheed Corporation, which in turn became part of Lockheed Martin after a 1995 merger with Martin Marietta.
The Fighting Falcon has key features including a frameless bubble canopy for better visibility, side-mounted control stick to ease control while maneuvering, a seat reclined 30 degrees to reduce the effect of g-forces on the pilot, and the first use of a relaxed static stability/fly-by-wire flight control system helps to make it a nimble aircraft. The F-16 has an internal M61 Vulcancannon and 11 locations for mounting weapons and other mission equipment. The F-16's official name is "Fighting Falcon", but "Viper" is commonly used by its pilots, due to a perceived resemblance to a viper snake as well as the Battlestar Galactica Colonial Viper starfighter.
In addition to active duty U.S. Air Force, Air Force Reserve Command, and Air National Guard units, the aircraft is also used by the USAF aerial demonstration team, the U.S. Air Force Thunderbirds, and as an adversary/aggressor aircraft by the United States Navy. The F-16 has also been procured to serve in the air forces of 25 other nations.
4 Testing Ilford Delta 3200 Minolta Dynax 5, Sigma 28-70mm F3.5-4.5 Minolta Program 3200i Flash Ilford Delta 3200 Developed In Ilford Ilfotec DD-X (1+4) January 2023
Participants / The Dream Rocket Project Project
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★What IS THE INTERNATIONAL FIBER COLLABORATIVE?
As the leading voice for collaborative public art projects around the world, the International Fiber Collaborative is dedicated to promoting understanding and appreciation of contemporary art & craft through educational experiences. We are committed to developing vital education programs that elevate, expand, modernize and enhance the image of collaboration and education today.
★WHAT IS THE DREAM ROCKET PROJECT?
The Dream Rocket Team is collecting nearly 8,000 artworks from participants around the globe. The artwork will be assembled together to create a massive cover in which will wrap a 37 story Saturn V Moon Rocket at the U.S. Space & Rocket Center in Huntsville, Alabama. We will also be displaying submitted artwork in dozens of national venues prior to the wrapping of the Saturn V. Additionally, we are posting images of submitted artwork & their stories on our Website, Flickr, and Facebook.The Dream Rocket project uses the Saturn V Moon Rocket as a symbolism of universal values of the human spirit. Optimism, hope,
caring for our natural resources, scientific exploration, and harnessing technological advancements for a better quality of life while safeguarding our communities, are all common desires across national and international boundaries. Participants are able to express and learn about these values through this creative collaboration. With the completion of each artwork, participants are asked to write an essay explaining their artwork, and the dream theme in which they chose.
★How can I Participate & Have my Artwork Displayed?
The Dream Rocket project would like to challenge you to ‘Dare to Dream’. To dream about your future and the future of our world through dream themes such as health, community, conservation, science, technology, space, peace, and so on. We would like you to use your selected Dream Theme to express, explore, and create your vision on your section of the wrap. We hope that you are able to express and learn through this creative collaboration. With the completion of each artwork, you are asked to write a brief essay explaining your artwork, and the dream theme in which you chose.
“The Saturn V is the ideal icon to represent a big dream. This rocket was designed and built as a collaboration of nearly half-a-million people and allowed our human species to venture beyond our world and stand on ANOTHER - SURELY one of the biggest dreams of all time. ENABLING THE DREAMS of young people to touch this mighty rocket sends a powerful message in conjunction with creating an educational curriculum to engage students to embrace the power of learning through many important subjects”
-Neil deGrasse Tyson, Director of the Hayden Planetarium, New York
★I VALUE THE ARTS!!!!
The International Fiber Collaborative is able to share the power of a collaboration and art, thanks to the support of generous individual donors. We welcome any amount of donations and remember the International Fiber Collaborative is exempt under Section 501(c)(3) of the Internal Revenue Code, making this gift tax deductible.
Donate Today at: www.thedreamrocket.com/support-the-dream-rocket
See our Online Flickr Photo Album at: www.flickr.com/photos/thedreamrocket/
★★★SIGN UP AT WWW.THEDREAMROCKET.COM
The design was developed in the winter. I admit that I do not like this season of year. The coldness is not my worst enemy. Sure, I don't like when it is minus fifteen and under, but the most tires me continuous darkness. My greatest joy of winter, however, are oranges. This winter was mentally frustrating. We had information about refugees from Syria, freezing in improvised refugee camps. Winter veiled by smog and human tragedy. On the pattern I put oranges, and the Arabic word "orange" "burtukal" looping at green-blue leafy background. Arabic is difficult, I struggled with him in college, and the results were pathetic. However, writing in this way gives a lot of fun. These smooth, flexible lines, soft curves and complementary dots offer many possibilities.
this is officially my new go-to bread recipe. I didn't add as much honey or salt this time and might up them to the recipe levels next time, but it still has a great flavor, and the flax meal adds a bit of texture.
it is going to take some serious will-power to not eat an entire loaf today.
After kneading everything together, I let this rise in the fridge overnight. Let it sit out at room temperature for about 3 hours this morning, first in the bowl and then moving it to loaf pans once it had warmed up. The slow rise really develops the yeast flavor. it is delicious.
“Developing Inner Powers” @ Mahaan Institute, Shivaji Enclave,
New Delhi on 26th Feb 2020. Guest - Mr. Amrik Singh
From September 15th to 19th the second of the four JCOM Masterclasses, educational programmes aimed at an international audience and held by international experts takes place. For the 20 selected participants this interactive course represents a unique opportunity to discuss the state-of-the-art of science exhibition development with particular focus on the possible different design approaches, helping participants to reflect on the relationship between the different media, contents and visitors' experience.
While developing in my new jobo cpe2, I turned my back for 5 minutes and the top had come off while bleaching, half of the bleach had leaked out, so I increased bleach time with half a minute. Results are very yellow, but very atmospheric.
Roll #0009
My first self-developed color roll! Took a long walk to get through the roll (overcast, sunny, clear, stormy and snow are all the same afternoon!!) then hurried home to mix chem and develop.
I didn't have a water bath tub, and the CD41 lost more heat than I expected while I mixed up the blix (since I had the window open. because i was mixing up blix.) so I tried to add some more time to compensate.
Superia X-TRA 400, expired June 2019, box speed.
Nikon FE2
Loaded 2022/2/12, Unloaded 2022/2/19, Developed 2022/2/19
CineStill C-41 2-bath, ~5min @ ~98℉
Digitized 2022/2/19 (Nikon D7200, K-rings, Micro-NIKKOR-P AUTO 55mm, ES-1; 1", f/8+ @ ISO 100 over cheap USB lightbox)
Re-digitized 2022-03-29: K-M DiMAGE SE5400II, Vuescan 9.7.82, Lightroom Classic/NegativeLabPro
This is my first collor developing using Tetenal Colortec C41. I like this kit, easier to use than I expected.
Camera: Canon A1
Lens: Osawa 135 mm f2.8
Film: Kodak Portra 160 VC, expired
Developer: Tetenal Colortec C41, standard processing at 38 C
Scan: Epson Perfection V600 Phot