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Display of amateur cine equipment in the 'People at Play' section of the Festival of Britain Land Travelling Exhibition, 1951.
I was commisioned along with other designers/illustrators of South Africa to do a range for Steri Stumpie "Whats your flavourite?". My Flavour was Toffie Caramel.
For more information/an interview with me check out:
Cut out and made up my TP for the Thought Processor show at Munky King on Melrose on the 3rd. Looking pretty slick. Just gotta do the 2d piece now.
If you're in LA around the time of the show you should come down.
My design [beta 2 build 3]
approaching come through.
An ipod will take the place of mobile.
Facing some hardcore coding, Flash was not designed for human beings :(
Trabalho realizado no 1º ano de Design na Universidade São Judas Tadeu.
Prosposta: Utilizando os estudos obtidos em sala sobre Pop Art e Tipografia criar um Cartaz contendo uma imagem e a palavra Design
The design chosen was a "bathtub" type, commonly called ponton. While this was considered futuristic during the war and the concept was taken further with the 1949 Nash, and survived for decades in the Saab 92–96 in Europe, the 1948–1950 Packard styling was polarizing. To some, it was sleek and blended classic with modern.
The Eight and Deluxe Eight lines had 288 cubic inch engines throughout the three year production, rated at 130 hp in 1948 and 135 hp thereafter. These cars rode a 120-inch wheelbase as used on the prewar and postwar Clipper cars which preceded them. The Super Eight line had 327 cubic inch engines throughout the same period, rated at 145 hp for 1948 and 150 hp thereafter. These cars utilized a 120-inch wheelbase for 1948 and 127 inches from 1949 on. A long-body seven-passenger sedan and limousine was offered on 141-inch wheelbase.
I finally found some time last week to mock up a few concepts for the Nine Four website. I've decided against anything too ambitious for the moment. Baby steps should mean that I might actually get something online. After that it will evolve no doubt.
As you can see, the layout bears a striking resembelance to that which I've used for the coACT website. It's intentional, re-use and re-cycle... :)
This image is the 2 outer layers of a 4 layer PCB I recently designed. This PCB is for my Logic Analyzer project - which if you're interested you can follow along at github.com/sgstair/logicanalyzer
29/05 & 30/05/2010
The first “Marché des Créateurs” in the frame of Design City Luxembourg - Edition 0 by Mudam offers the opportunity to meet numerous manufacturers of contemporary objects in Luxembourg and the Greater Region. It also the starting point for an annual meeting enabling the public to check what's going in contemporary object design around us.
Original products, limited editions, know-how and the diverseness in creativity, all to an accessible price, are the themes of this market set in the - for such an event - unusual environment of a museum.
Creators: Anatoli, Broleskine, Camille Claude & Philippe Thibault, Dirty Cream, Martin Dieterle, Steffy Fisch, Gjentagelsen, Jan Glas / Jailbird, Michael Guérisse O’Leary, Marion Jestin, Valérie Laroche, Le monde de Julie, Les M, Stéphanie Specht / Stipontwerpt, Kim Stemper, Dorothée Van Biesen
Free entrance.
Photo : Mudam Luxembourg, 2010
Example of Interface Design.
To see even more pictures of the table and our team, check out our Flickr page:
Many times when I am shooting or composing, I am mostly thinking of a poster design or other type of print output.
Publid Domain Book: Design and representation.
Published 1910 by State in [Albany, N.Y.] .
Written in English.
openlibrary.org/books/OL23294034M/Design_and_representation.
Curated by: www.elusivemu.se
Visual Identity, Graphic Design: fertig design
Architektur: Mathias Lücking
Foto: re:publica (CC BY 2.0)