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Trinity College Exhibition Highlights Contribution of Migrant Networks Leaders

28-5-09

'Leaders' , a photographic exhibition which showcases the contribution made by migrant networks in Ireland, opened yesterday at the Buttery Cafe in Trinity College Dublin.The exhibition highlights how these migrant networks facilitate social, cultural, and political integration in Ireland.The exhibition, which runs throughout June, is organised by the Trinity Immigration Initiative Migrant Networks project supported by An Post.

Picture shows from left Reginald Okoflex, Nigeria Association Network Ireland; and Juliet Amamure, Diaspora Women's Initiative viewing part of the 'Leaders' photography exhibition which will be in the Buttery Cafe in Trinity College Dublin throughout June and is sponsored by An Post.Pic:Maxwells-no fee

Gives a brief history of the Chinatown library and its contributions.

Interviews with longtime library employees and users.

Sing Tao Daily, March 25, 2007

My contribution to the London Photo 24 Event held between 20-21 June 2015. On the longest day and the shortest night, 200+ photographers set out to document London. It was my second day in London, ever. And it was a lot of fun.

Gives a brief history of the Chinatown library and its contributions.

Interviews with longtime library employees and users.

Sing Tao Daily, March 25, 2007

[Beijing+30: Day-03] UN Women Team behind the screnes

 

[21 Nov 2024 PM]

 

Some of those who worked tirelessly behind the scenes throughout the conference. A ton of thanks for your contributions.

 

Photos: UN Women/Ploy Phutpheng and Pathumporn Thongking

H.E. Mr François Alabrune, Permanent Representative of the French Republic, and Ambassador Fernando Arias, OPCW Director-General, during a ceremony to formalise France’s contributions of €200,000 for the OPCW Trust Fund for Syria Missions and €391,000 for the Trust Fund for the Implementation of Article X and the Trust Fund for Training. The ceremony took place at OPCW Headquarters in The Hague, the Netherlands, on 15 April 2025.

Contribution to Free Art Friday. Acrylic on Canvas 10cm x 10cm.

part of my little contribution to Softies for Mirabel, blogged here:

pencilsandpins.blogspot.com/2010/12/my-creative-space.html

I wish Morgan was here to help keep me sane. I might go nuts next semester!!

 

Maybe I'll have a brick like this after graduation.

Contributions de photos d'archives graffitis pour la ville de Toulouse — de sources variées, reçues et publiées en 2021.

 

Images destinées à la publication sur illegalpainting.com

 

contact@illegalpainting.com

Lee and Jackson are the houses we belong to in school. I am from Lee!!

The friezes were designed by George Unger, in collaboration with Walter Ahlschlager, and carved by Leon Hermant.

South exterior wall of the InterContinental Chicago Magnificent Mile

1929

Chicago, IL

 

www.waymarking.com/waymarks/WM8T8A_Intercontinental_Hotel...

Three time French Open winner Gustovo Kuerten, of Brazil, shows a trophy for his contribution tennis after being defeated by France's Paul-Henri Mathieu during their first round match of the French Open tennis tournament, Sunday May 25, 2008 at the Roland Garros stadium in Paris. Kuerten bids farewell to tennis at the site of his biggest triumphs. (AP Photo/David Vincent)

contribution by Luna Maurer

Contibution photo pour le site illegalpainting.com

 

Photo anonyme et protégée, 2007

Contribution of prepaid water systems in the delivery of inclusive and safe water services in rural Tanzania

Contributions de photos d'archives graffitis pour la ville de Toulouse — de sources variées, reçues et publiées en 2021.

 

Images destinées à la publication sur illegalpainting.com

 

contact@illegalpainting.com

NSA contribution to strategic agenda setting - Beyond ECOWAP @ 10 - November, 2015, Dakar, Senegal.

Gives a brief history of the Chinatown library and its contributions.

Interviews with longtime library employees and users.

Sing Tao Daily, March 25, 2007

NSA contribution to strategic agenda setting - Beyond ECOWAP @ 10 - November, 2015, Dakar, Senegal.

In July 2006 the City of Melbourne’s Community Cultural Development Program initiated a major community arts and cultural development project based at the Carlton Public Housing Estate. The implementation of the project was inspired by the State Governments’ announcement in the same year that the entire precinct would be redeveloped using a Private-Public Partnership (PPP) model at a projected cost of $500 million spanning more than a decade. It is the largest public housing redevelopment ever undertaken by the state involving the demolition of around 190 flats and the relocation of hundreds of tenants.

 

As producer the City of Melbourne established a formal partnership with the Victoria State Government Office of Housing (OoH), Carlton Local Agencies Network (CLAN), Carlton Housing Estate Resident Services (CHERS), North Yarra Community Health (NYCH), and tenants in the delivery of the project.

 

Over the last two years photographer Angela Bailey and writer Helen Spyrou have been engaged in a residency at the estate. Working with current and relocated tenants they have been documenting the redevelopment acknowledging the contribution made by the diverse communities living on the estate to Carlton and wider Melbourne.

 

Photograph by Angela Bailey

Afternoon Working Group on Carbon Contributions during Solve at MIT on May 9, 2017. (Photo Credit: Adam Schultz)

Portraying St. Lawrence honors the lives and contributions of three St. Lawrence community members, Margaret Kent Bass, Ernest M. Benedict, and Rev. Kathleen Buckley. The interactive exhibition is the culmination of an arts-based project focused on documenting who is represented in official portraiture and expanding representations of women and people of color in campus portraiture and other forms of public commemoration.

 

Honorees were selected based on nominations in a process designed to engage the campus community. Artists were chosen in collaboration with the nominees or their families. The exhibition features work by acclaimed Akwesasne Mohawk artist Dave Kanietakeron Fadden and two recent SLU graduates, Nadirah Croft and Mikayla Quinn.

 

Portraying St. Lawrence draws attention to who is commemorated in official campus portraiture, how portraits act as a form of public memory for an institution or community, and how we can expand both whom we remember and how we remember those important to our community through culturally responsive commemoration. The exhibition was made possible by a grant from St. Lawrence University’s Arts Collaborative.

Allison L. Rowland, Ph.D.

Jessica Sierk, Ph.D.

Angela Sweigart-Gallagher, Ph.D.

 

Dr. Margaret Kent Bass

Dr. Margaret Kent Bass was St. Lawrence University’s Director of Multicultural Affairs in 1993 and joined the English department in 2000. Bass was appointed Associate Dean for Faculty in 2004 and Interim VP and Dean of Students in 2005-06. Nominees shared that she was “a force of nature with a huge heart” who “brought insight and truth to every aspect of her work,” which included “work[ing] untiringly and unflinchingly on DEI issues.” One nominator compared her to “the ice-breaker ship that plows through sea ice so that other ships have a channel to sail through.” Among her many accolades are the Owen D. Young Outstanding Faculty Member of the Year Award and the Emily Eaton Hepburn Award for Creative Leadership. She currently resides in Vermont with her spouse Mary Hussman and plans to attend the dedication ceremony. Nadirah Croft, a recent SLU Higher Educational Opportunity Program graduate, drew Margaret Kent Bass’s portrait.

 

Ernest M. Kaientaronkwen Benedict, 1918-2011

In 1941, Ernest Benedict from the Akwesasne Mohawk Nation was the first Indigenous student to graduate from St. Lawrence University. In the years following, he went on to become a venerated chief of the Akwesasne Mohawk Council. He was a renowned activist and educator, having started one of the first Mohawk newspapers, Akwesasne Notes, and leading it to become one of the largest and most influential native newspapers in the world. He worked tirelessly against Indigenous oppression. The Benedict and Fadden family connections go back generations. As a teenager, Benedict came into contact with the great teacher Ray Tehanetorens Fadden, and as partners they sought to change the course of history by reviving the national identity of the Mohawk Nation. Dave Kanietakeron Fadden, who was commissioned to paint Benedict’s portrait, is Ray’s grandson. More about Benedict’s legacy can be found at indianz.com.

 

Reverend Kathleen Buckley, 1953-2020

Rev. Buckley served as chaplain of St. Lawrence University from 2001 until her death in 2020. As a long-standing member of the St. Lawrence University Diversity Committee, she was deeply involved in intergroup dialogue, restorative justice trainings, fostering interfaith dialogue and space, and various diversity working groups throughout her time here. She is remembered by many as a spiritual advisor, compassionate presence, and fierce advocate for LGBTQIA+ justice on campus. As her partner Rev. Dr. Shawn Whitehead said of her: “When Kathleen said all are welcome, she meant it.” The Sullivan Center’s Reverend Kathleen Buckley Conference Room for Diversity & Inclusion, named in her memory, is a meeting space open to all students whose work aligns with Buckley’s inspired vision for the Laurentian community. Her portrait, painted by Mikayla Quinn, will be installed in Gunnison Chapel.

 

Contributions de photos d'archives graffitis pour la ville de Toulouse — de sources variées, reçues et publiées en 2021.

 

Images destinées à la publication sur illegalpainting.com

 

contact@illegalpainting.com

Contributions de photos d'archives par Apashe.

 

Images destinées à la publication sur illegalpainting.com

 

contact@illegalpainting.com

Wake up Pete....

"popcorn ceiling" patch used to paint on the word "underneath"

Owenshire What Is Your Contribution? "Medicine Ball" song artwork. Photo by R. Muhlbock.

Science Fair @ Anne Wien Elementary School

Participation was mandatory for grades 4-6

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