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When the first Congress met in 1800 in newly established Washington, D.C., a region carved out of land from Maryland and Virginia, approximately 4,027 African Americans resided in the area. Some 3,244 were enslaved while the remaining 783 were free. In the process of constructing the new capital, the federal government opened several service jobs to freed African Americans who made major contributions as craftsmen and laborers. For freed African Americans working in the building trade, the Treasury Building provided access to an abundance of jobs during the four decades of its construction.
A Superlative Palette: Contemporary Black Women Artists
January 26, 2024 - August 25, 2024
Curated by Dexter Wimberly, A Superlative Palette brings together the work of twelve generation-defining, contemporary Black women artists from around the world. In the realm of contemporary art, the contributions of Black women artists have been transformative, challenging traditional narratives, and enriching the cultural landscape. Their powerful and thought-provoking work has not only redefined artistic expression, but has also played a significant role in advocating for social justice, equality, and empowerment. Black women artists have historically faced marginalization and underrepresentation within the art world. Despite these obstacles, they have persevered and crafted an artistry that encompasses a diverse range of themes, mediums, and styles.
Artists in the exhibition include, Nina Chanel Abney, ruby onyinyechi amanze, Lauren Halsey, Rachel Jones, Toyin Ojih Odutola, Jennifer Packer, Calida Rawles, Deborah Roberts, Tschabalala Self, Amy Sherald, Mickalene Thomas, and Lynette Yiadom-Boakye.
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Located in the heart of Uptown Charlotte at Levine Center for the Arts, the Gantt is the epicenter for the best in visual, performing and literary arts reflecting the African diaspora.
www.ganttcenter.org/visit-the-gantt/
Sometimes standing up for what’s right means having the courage to blaze your own trail.
Harvey Bernard Gantt grew up in the 1940s and 50s in then-segregated Charleston, South Carolina. As the oldest child of Wilhelmina and Christopher Gantt, he often attended NAACP meetings with his father. It was there, and at the family dinner table with his four sisters, that he began to appreciate the importance of advocacy and the injustice of racial discrimination.
After graduating second in his class from Burke High School in 1960, Gantt left home to study architecture at Iowa State University. In January 1963, after a legal battle that escalated to the U.S. 4th Circuit Court of Appeals, Gantt became the first African-American student accepted at Clemson University. In September 1963, Lucinda Brawley became the first African-American woman to be admitted to Clemson and in October 1964 married Harvey. Harvey Gantt graduated with honors from Clemson in 1965, earning a Bachelor’s degree in Architecture and later a Master of City Planning from Massachusetts Institute of Technology (MIT).
He moved to Charlotte after graduating from MIT, and, in 1971, co-founded Gantt Huberman Architects. A pioneer in blending urban planning with the practice of architecture, Gantt Huberman employed a diverse group of professionals who were charged with designing buildings that encourage community. As a result, the firm has developed some of the city’s most iconic landmarks, including the Charlotte Transportation Center, TransAmerica Square, ImaginOn, Friendship Missionary Baptist Church, and the Johnson C. Smith University Science Center.
While significant, Gantt’s impact on the city extends beyond improving the built environment. He joined Charlotte City Council in 1974 and again broke barriers when he was elected Charlotte’s first African-American mayor in 1983. Remaining in office for two terms, Gantt stood shoulder-to-shoulder with other Charlotte leaders committed to establishing a New South City.
SouthBound Extra: A Preview Of Harvey Gantt Interview
Gantt continues to advocate for equity and equal rights and is often tapped to serve on civic, cultural, and business boards, and to lead philanthropic efforts and community initiatives. In 2009, the former Afro-American Cultural Center opened its doors to a new, award-winning facility and was renamed the Harvey B. Gantt Center for African-American Arts + Culture in honor of Harvey B. Gantt, an American trailblazer.
Naming The Center
When it was first proposed that this building be named after me, I hesitated. Being a man of tradition, I always felt it was more appropriate to name a building or street for someone after their passing, as a way to honor their work. Admittedly, it took some convincing by Board Chair Earl Leake and others. After much processing and discussion with my wife, Cindy, the prevailing factor that led me to say "yes" was that it was for the sake of posterity. I envisioned walking into the building with my grandchildren and had thoughts of others doing the same with future generations. I saw them talking about the sacrifices of many who made Charlotte great, and the enormous history and accomplishments of the African American community. And I remembered my parents and others who served as inspirations to me. I am forever grateful to them for being the driving force and motivation in my life.
I thought about the enormous history of the residents of the historic Second Ward community of "Brooklyn," where the Gantt Center now stands. I hope that those who have already "crossed over" can smile and feel proud knowing that we have not forgotten their sacrifices; how they nurtured, pushed and prodded young minds to strive for excellence. We are forever grateful to them. Brooklyn residents often referred to the old Myers School as the "Jacob's Ladder School." Its skyward stairway was a visible reminder of the importance of aspiring to greater things and a good education. Not just teachers, but an entire community rallied behind the youth, molding bright minds.
That's why I agreed to the naming of the building, and that's why I want you to join me in celebrating our history and the dawning of a new day for all of us. Charlotte is a great community and the Carolinas are a great region. I call this home because the city and community represent all that is symbolic to steadfastness and a "can do" attitude. While our nation and world still struggle with acknowledging and appreciating our differences, the Gantt Center can serve as a vehicle for people to come celebrate African American art, history and culture. Residents and visiting friends alike will have numerous opportunities to enjoy all aspects of Levine Center for the Arts. The Gantt Center will serve as one of the entry points to experience the arts, sporting events and many other amenities that Charlotte has to offer. Thank you for your interest in and support of the Harvey B. Gantt Center for African American Arts + Culture. May this edifice always stand as a symbol that this community and nation are places where we all "belong".
By Harvey B. Gantt
I volunteered at the community garden today. I pulled about three wheel barrows full of weeds. I have blisters on my hands and am covered in dirt.
Just the way I like to be.
Contribution of prepaid water systems in the delivery of inclusive and safe water services in rural Tanzania
My contribution to Lyddle End 2050, the brainchild of Russell Davies.
Contribution of prepaid water systems in the delivery of inclusive and safe water services in rural Tanzania
Contributions de photos d'archives graffitis pour la ville de Toulouse — de sources variées, reçues et publiées en 2021.
Images destinées à la publication sur illegalpainting.com
contact@illegalpainting.com
My contribution to the London Photo 24 Event held between 20-21 June 2015. On the longest day and the shortest night, 200+ photographers set out to document London. It was my second day in London, ever. And it was a lot of fun.
My contribution to the London Photo 24 Event held between 20-21 June 2015. On the longest day and the shortest night, 200+ photographers set out to document London. It was my second day in London, ever. And it was a lot of fun.
2024-05-28: Beth Dunford, Vice President for Agriculture, Human and Social Development at African Development Bank signing papers at the AM2024: USAID Contribution Agreement to TAAT & AEFPF.
After the January 2010 earthquake, three young girls took an initiative to raise money in a way they could manage: Make and sell items (beautiful little decorated sculptures in folded paper). The result? NOK 218,– transferred to ‘Save the Children’ (Redd Barna).
On a dare, I constructed a wire garment for inclusion in a local fashion show. Made of bronze wire, with beaded accents. Katherine Walters, The Purple Raven Boutique, 2017.
Norman Borlaug's contributions to world agriculture have saved a billion live
Photo (CIMMYT)
Rice Today Vol.3 No.3 page 14 World Food Reprise.
Part of the image collection of the International Rice Research Institute (IRRI).
Contributions de photos d'archives graffitis pour la ville de Toulouse — de sources variées, reçues et publiées en 2021.
Images destinées à la publication sur illegalpainting.com
contact@illegalpainting.com
On Thursday 5 December 2024, The Royal Regiment of Canada hosted its Soldiers' Appreciation Dinner at Fort York Armoury in appreciation of the contributions of the members to the unit.
During the Dinner, the King Charles III's Coronation Medal was awarded to Capt A. Leonardelli, MCpl J. Ngo, Cpl B. De Silva, Cpl B. Hurren, and Cpl C. Mauleon.
Capt (Ret'd) R. Towey was awarded the Commanding Officer's Commendation for their work with the Regimental Museum. Cpl B. Rieger was awarded the Commanding Officer's Commendation for their role as an acting-Section Commander, and their various volunteer roles within the unit.
Sgt K. Kwan was awarded the 32 Canadian Brigade Group Non-Commissioned Officer of the Year Award.
Sgt. R. Hatoum was awarded the Regimental Sergeant Major Mentor Award for their mentorship to junior members (received by Sgt J. Baldeo on their behalf).
Lt N. Lishchynsky was promoted to captain, 2Lt J. Song was promoted to lieutenant, OCdt J. Dowdall was promoted to second lieutenant, and Pte(B) W. Chechuevskiy was promoted to private (trained).
Cpl T. Lucas was badged in as a member of The Royal Regiment of Canada, after transferring from 1st Battalion, The Royal Canadian Regiment.
Would you like to know more?
linktr.ee/royalregimentofcanada
Justin Dreimanis
Le jeudi 5 décembre 2024, le Régiment royal du Canada a organisé son dîner d'appréciation des soldats au manège militaire de Fort York en reconnaissance des contributions des membres à l'unité.
Au cours du dîner, la Médaille du couronnement du roi Charles III a été remise au Capt A. Leonardelli, au Cplc J. Ngo, au Cpl B. De Silva, au Cpl B. Hurren et au Cpl C. Mauleon.
Le Capt (à la retraite) R. Towey a reçu la Mention élogieuse du commandant pour son travail au Musée régimentaire. Le Cpl B. Rieger a reçu la Mention élogieuse du commandant pour son rôle de commandant de section par intérim et ses divers rôles bénévoles au sein de l'unité.
Le Sgt K. Kwan a reçu le prix du sous-officier de l'année du 32e Groupe-brigade du Canada.
Le sergent. R. Hatoum a reçu le prix de mentorat du sergent-major régimentaire pour son mentorat auprès des membres juniors (reçu par le Sgt J. Baldeo en leur nom).
Le Lt N. Lishchynsky a été promu capitaine, le 2Lt J. Song a été promu lieutenant, l'Élof J. Dowdall a été promu sous-lieutenant et le Sdt (B) W. Chechuevskiy a été promu soldat (formé).
Le Cpl T. Lucas a obtenu le badge de membre du Royal Regiment of Canada, après avoir été transféré du 1er Bataillon du Royal Canadian Regiment.
Souhaitez-vous en savoir plus ?
linktr.ee/royalregimentofcanada
#CanadianArmy #CanadianForces #CAF #soldier #IchDien #ReadyAyeReady #StrongProudReady #FortFierPrêt
Outstanding Contribution to Jewish Genealogy via the Internet, Print or Electronic Product to Phyllis Kramer. This award is given in recognition of her valuable work as JewishGen Vice President, Education, for her role with the JewishGen Learning Center.