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Contribution of prepaid water systems in the delivery of inclusive and safe water services in rural Tanzania
2019-05-15: Picture of delegates during Decentralization of Nationally Determined Contributions in Abidjan, Côte d'Ivoire.
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Title: Contributions from the E.M. Museum of Geology and Archaeology of Princeton College. Bulletin no. 3
Creator: College of New Jersey (Princeton, N.J.). E.M. Museum of Geology and Archaeology
Creator: Scott, William Berryman, 1858-1947
Creator: Osborn, Henry Fairfield, 1857-1935
Creator: Bruce, Adam Todd, 1860-1887
Creator: Royal College of Surgeons of England
Publisher: Princeton, N.J. : E.M. Museum of Geology and Archaeology
Sponsor: Jisc and Wellcome Library
Contributor: Royal College of Surgeons of England
Date: 1883
Language: eng
Description: The Royal College of Surgeons of England
Contents: I. On the skull of the Eocene rhinoceros, Orthocynodon, and the relation of this genus to other members of the group / by W.B. Scott, Henry F. Osborn - II. On Achaenodon, an Eocene Bunodont / by Henry F. Osborn - III. Observations upon the brain casts of Tertiary mammals / by Adam T. Bruce - IV. On Desmatotherium and Dilophodon, two new Eocene Lophiodonts / by W.B. Scott
This material has been provided by The Royal College of Surgeons of England. The original may be consulted at The Royal College of Surgeons of England
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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Contributions de photos d'archives graffitis pour la ville de Toulouse — de sources variées, reçues et publiées en 2021.
Images destinées à la publication sur illegalpainting.com
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Happy New Day! It's Sunday, 8:19 AM, 2022. Jam 9th. Waking up to this beautiful new day. Starting my morning routine. Surrounded by animals that just want love.. and some food.
Experiencing my son waking and crying throughout the night and this morning .. and yet I still feel rested. Remembering dreams from last night. Hearing the nature around me. Feeling the anticipation of soccer this morning. Being reminded to create more positive in today's world through today's positive contribution.. today's Daily Full Potential write.
My heart seeks to know how I could make a bigger positive impact on those reading this. How I can touch the soul and plant seeds that can alter the course of a life in a more positive direction. What is it that they (YOU) haven't already heard. Or need to hear again? What is it that can make all the difference in someone's life with the limited time they have in these few moments, where I was able to connect and their attention was on these words instead of anywhere else they could be?
How can we penetrate through the layers of programming, conditioning and story telling that goes on within a person's mind and actually assist them, enable them, empower them to empower themselves and do the things that maybe before were unthinkable? What new standards, what new routine, what new words may embed and become part of the psyche that weren't there before? That now, with these words , with this intention, with these moments ..
Contribution of prepaid water systems in the delivery of inclusive and safe water services in rural Tanzania
A slightly jazzed up green bean casserole... it seemed only appropriate to make and share, and it was quick and easy to do :)
Contribution of prepaid water systems in the delivery of inclusive and safe water services in rural Tanzania
Contributions de photos d'archives graffitis pour la ville de Toulouse — de sources variées, reçues et publiées en 2021.
Images destinées à la publication sur illegalpainting.com
contact@illegalpainting.com
Owenshire What Is Your Contribution? "Dogs Equals Dollarsigns" song artwork. Photo by R. Muhlbock. St. Joseph's Hospital, London Ontario.
First page of article from award winning producer known as "Mixerman" featured in first issue of Context Magazine issuu.com/contextmagazine/docs/context_magazine_-_issue_o...
2019-05-15: Picture of Gareth Phillips, Manager, Climate and Environment Finance Division, African Development Bank during Decentralization of Nationally Determined Contributions in Abidjan, Côte d'Ivoire.
The exhibition Obsession: Sir William Van Horne's Japanese Ceramics is organized by the Gardiner Museum, Toronto in partnership with the Montreal Museum of Fine Arts (MMFA) and in collaboration with the Royal Ontario Museum and the Art Gallery of Ontario. This project is funded by the Government of Canada.
The Museum acknowledges the vital contribution of its official suppliers Air Canada and Denalt Paints. It extends its appreciation to the Ministère de la Culture et des Communications and the Conseil des arts de Montréal for their ongoing support.
The MMFA would also like to thank its Volunteer Guides for their abiding dedication, as well as all its members and the many individuals, corporations and foundations - in particular the Fondation de la Chenelière, directed by Michel de la Chenelière, and Arte Musica, presided over by Pierre Bourgie — for their generosity.
We further extend our gratitude to all those who, through their generous assistance, encouragement and support made this exhibition and its scholarly publication possible.
The second half of the nineteenth century was a golden age of collecting in Europe and North America. The Canadian
centre was Montreal, then the country' s economic powerhouse. a period of colonial expansion, its business leaders collected and displayed European and Asian art to convey their emerging power and status.
Sir William Van Horne (1843-1915), the American-born builder of the Canadian Pacific Railway, was unique among his peers for having the eye of an artist, the mind of an inventor, and the curiosity of an explorer. While he filled the public rooms of his Sherbrooke Street mansion With an internationally renowned collection of paintings, he reserved his private study for his greater love: Japanese ceramics.
The opening of Japan in 1854 sparked a fashion in the West for collecting Japanese art objects, including elaborately decorated ceramics manufactured for export. A few discerning scholars, dealers, and collectors specialized in amassing the simpler, rougher tea bowls, jars, bottles, and vases made for household use, claiming them to be more culturally "authentic." Van Horne himself assembled over 1,200 examples. This exhibition reunites what survives of Van Horne's collection of domestic wares alongside his exacting watercolours, his elaborately annotated notebooks and letters, and related archival material.
A remarkable case study in the history of collecting, this exhibition highlights the unique beauty of Japanese pottery, and, more importantly, the little-known obsession of one of the greatest collectors in Canadian history.
Image from 'Prose and Verse ... Written and published in the course of fifty years, 1836-1886. [A collection in 20 volumes made by Mr. Linton of all his pamphlets and contributions to newspapers, magazines, etc., as they appeared in the original form, with titlepages and tables of contents.]', 002179056
Author: LINTON, William James.
Volume: 07
Page: 89
Year: 1836
Place:
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Contribution of prepaid water systems in the delivery of inclusive and safe water services in rural Tanzania
Contribution of prepaid water systems in the delivery of inclusive and safe water services in rural Tanzania