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My contribution to Photo Sunday (Fotosöndag) on the theme photo.
It’s also my contribution to Official Dogwood on the theme selective color.
The newest, most attractive building in London has recently been opened. The Shard is an amazing contribution to the city of London, it stands out because it is so tall and it's modern features make it a great place to visit and to take photos of.
© 2019 Millettarian Photographic Institute
No trip to DeKalb would be complete without a night shot of the coaling tower; here's my contribution.
Stave churches are Norway's most significant contribution to architecture. They are the oldest surviving wooden buildings in Norway.
At one time there were almost 1,000 stave churches in Norway. There are only 28 left! I feel very fortunate that I have seen a quarter of them.
Garmo Stave Church was built around 1200. In 1921 it was moved to Maihaugen in Lillehammer. Maihaugen is an outdoor museum with over 200 Norwegian buildings.
The photo shows the notched log wings at the gables.
A small contribution from the Analogue Street Collective to give something during these unprecedented times of lockdowns, travel bans, isolation…
For 15 consecutive days, all printed publications of the Collective will be available in full for free viewing, in digital version.
We start with our biggest publication to date, Magazine No. 2, print edition, published in Dec 2019, 326 pages
Available from 29th March at ISSUU:
We hope you enjoy this issue and that you all keep safe.
theanaloguestreetcollective.com/magazine-2
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We follow with Magazine No. 3
Softcover print edition, published Jun 2019, 288 pages
Available from 15th April - 1st May
theanaloguestreetcollective.com/magazine-3
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Our 2nd book 'novem II'
Hardcover print edition, published May 2019, 226 pages
Featuring 9 Collective members with a Foreword
by Don Springer
Available from 2nd May
theanaloguestreetcollective.com/novem-ii/
issuu.com/theanaloguestreetcollective/docs/novem_ii_-_the...
This is my contribution to the Rogue Ronin collab, which was presented at Bricking Bavaria in Fürth in 2024. It was inspired by Japan’s Edo period and displayed Kumamoto Town and its coastline in the vibrant colours of autumn.
My part of the model presents a scene right in front of the town’s castle’s outer wall, featuring houses typical for the Edo period and townspeople in their daily life. Probably the biggest challenge I had to conquer whilst building this was to achieve the rather steep descent while maintaining a natural appearance.
To see the whole collab with all details, click here. I also uploaded more details on my second account Piquadratsechstel.
I hope you like it!
My contribution to the "Holiday in Mar-A-Lago" collage zine
This a 32 page jumbo fan-zine features 30 international artists and their collage art inspired by Dead Kennedy music.
Dead Kennedy lyrics seem as relevant today as when they were written, over three and a half decades ago.
over sized zine!
11"x15"
Full Color
News Print
Featuring world class collage artists!
Published 2017
www.society6.com/artist/collageartbyjesse
www.collageartbyjesse.tumblr.com
Contribution to Thursday Monochrome.
Camera: Leica M6
Lens: Leica Elmarit 28mm 2.8
Film: Agfa APX400
Have great day!
Earth Day - 22nd April 2009! my contribution
The Himba are an ethnic group of about 20,000 to 50,000 people living in northern Namibia, in the Kunene region (formerly Kaokoland). They are a nomadic, pastoral people, closely related to the Herero, and speak the same language.
The Himba wear little clothing, but the women are famous for covering themselves with a mixture of butter fat, ochre, and herbs to protect themselves from the sun. The mixture gives their skins a reddish tinge. The mixture symbolizes earth's rich red color and the blood that symbolizes life, and is consistent with the Himba ideal of beauty. Women braid each other's hair and cover it in their ochre mixture (called otjize in their langauge).
texture thanks to: www.flickr.com/photos/borealnz/
submit your picture wherever you are today, go to: earthmosaic.org/
EXPLORE # 278
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My images are not available for free to promote websites, banners, blogs, t-shirts etc.
Detail shots of my main contribution to the "Rogue Francisco" collab at Bricking Bavaria 2025 in Friedrichshafen. I built an homage to the Shell Building, a Golden Age skyscraper from 1929 in a mixture of neo-gothic and art déco, designed by George Kelham, who shaped many a significant building in the Bay Area. It was built for the US subsidiary of Royal Dutch Shell, who used it as their headquarters up until the 60s.
It is of course ultimately a minifig interpretation of the building on a 32-baseplate, with all the compromises regarding proportions and general dimensions this comes with. Design-wise I removed a ton of floors in the middle and fused some at the top, in addition to reducing the horizontal layout to ⅔. But overall I tried to stay close to the design elements of the original. Colour-wise, I chose white for the terracotta, which in reality can look like anything between white, tan and grey, and sand blue for the steel elements, because it makes for a more interesting contrast than plain black or dark grey.
Most of the windows are blacked out, but the penultimate floor as well as the side stores on the street level are lit and furnished. The lobby is also lit and can be looked into through a hole in the back (since I was placed right at the border anyway). While the lobby is based on historical and contemporary photos, the rest of the interiors were improvised.
On one of the balconies you can also find Scorpio with his rifle, but Inspector "Dirty" Harry Callahan is already on his trail.
At 11k pieces and more than 10 kg this has certainly been my largest contribution so far (if not my largest MOC in general), but it was a lot of fun to design and build, especially in comparison to the landscaping of previous years. I'll probably keep it around for a while, too (I wouldn't know where to put all those pieces anyway).
My contribution to the #NoshsHoodChallenge3
The Challenge At Noshinima's Neighborhood: The City Block
This is the third of my challenges taking place at my brand new, bigger parcel, also named Noshinima's Neighborhood. This setup was a nightmare to work on, and after weeks of work and a lot of lindens spend, I have finally came up with a new challenge for all of you and it is now ready for visitors. This is a new concept I am showcasing on my Flickr, where I challenge 50 great artists to do a photo shoot in the backdrop I created at my home sim.
For the third challenge, I created a large New York style city block, complete with all the different types of retail store outlets you would find at in your typical downtown stroll along downtown. There are clothing stores, supermarkets, pizzerias flower shops and all types of different settings that can be potentially found in just one city block. This also comes with a fairly realistic street view complete with cars and trucks. I am challenging the names tagged in this post to do a shoot within my city block anywhere they like and however they like.
Rules and details:
1) I (Noshinima Midas) tag 50 names of great photographers on Second Life. Said photographers that choose to participate in the challenge can come over to my parcel, Noshinima's Neighborhood (link below) and do an image anywhere in my city. You will be allowed two hours to use any posestands or props that you would like to add and are allowed to bring any friends you want to join you in your shoot. You are also allowed to make the shoot as safe or as adult as you like. The only rule is that you do the shoot within the city block. Take your time to have a look around to see where in the block would make a great place for your image.
2) Upload the finished image onto Flickr and place the hashtag #NoshsHoodChallenge3 on either the title or the description.
3) YOU MUST TAG 10 PEOPLE THAT YOU WOULD LIKE TO SEE TAKE THIS CHALLENGE ON YOUR UPLOAD OF YOUR SHOOT! NO MORE, NO LESS! I have had several people during previous challenges that have not followed this simple rule so I am making it ALLCAPS to get the point across. Link them to this post and explain the rules to them as well. They must also tag 10 of their friends that they would like to see do this challenge if they themselves choose to participate as well. You must tag people that are actual active photographers on Second Life. Tagging pages dedicated to advertising a store, tagging real life photographers and tagging empty profiles does not count and is against the rules. Also, although you are permitted to do this if you desire, tagging me and tagging yourself will not count towards the number of 10 photographers you are tagging.
I am available every day. If anyone has any questions, comments or would like help in their shoots, be sure to contact me on Flickr or Second Life.
The initial names that I am challenging are listed as follows:
-Alsatian Kidd
-Angel Heaven
-Angie
-Argosi Domenici
-Ashlynn Anwyl
-Beatrice McAllister
-BenJohn9
-Buxanna
-Celith Wendt
-Compoqueen
-Daikota Wind
-Darlen Criss
-Dokielicious Doobie
-Davina
-Isle Biedermann
-Jaquelyne Desmoulins
-Jeanie
-Jess & Karen
-Jocelyn Thorne
-Kitten Caboose
-Larry Vinaver
-Laura18 Streeter
-Lexi Fizzle
-Madison Delgado
-Marlene Austrone
-Mathilde De Cyriac
-Melodie Heartsong
-Mirabelle Biedermann
-Misty Bubbles
-Misty Rogers
-Mrs Eva Grimes LePlay
-Nae
-Nathalie RV
-Nialys Kelberry
-Nicoletta Carlucci
-Nikki Heron
-Nuria
-Paula Berger
-Renni Ippon
-Riska Demina
-Rhys Scurlock
-Sean John Brooke
-Shawnaslts
-Stacey Lucciano
-Superbad Snow Storm
-Sylvia Darkangel
-TC Tackleberry
-Valerie Desmoulins
-Victoria
-Violetta Raine
To everyone tagged, remember that once you do the shoot from the city, you must tag 10 names that you would also like to see do this challenge and use the hashtag #NoshsHoodChallenge3
Here is the link to the city block:
Visit Noshinima's Neighborhood in Secondlife
Just a disclaimer. This is not a contest. It is simply a challenge for anyone to use my parcel in their photography as they see fit. Use any creative tactics you choose.
PS. The images shown on this post are pictures taken from the city block as examples of what my parcel looks like. I will post them all individually soon as examples of shoots done at my parcel.
PPS. I want to also add that while this challenge has officially started today, the city parcel itself is not yet completed. I am still working on adding small touches and details to make the parcel stand out. You may find empty rooms in the parcel but I will work on filling them up as soon as possible. Please excuse the otherwise unfinished and unorganized look of my city block.
Good luck to all those that choose to participate in the challenge. I am looking to see your creativity on display within the city block.
Love,
Noshinima Midas ;)
No one leaves home unless home is the mouth of a shark.
Warsan Shire
So often the world sits idly by, watching ethnic conflicts flare up, as if these were mere entertainment rather than human beings whose lives are being destroyed. Shouldn’t the existence of even one single refugee be a cause for alarm throughout the world?
Urkhan Alakbarov
In the midst of migrants in search of a better life there are people in need of protection: refugees and asylum-seekers, women and children victims of trafficking…Many move simply to avoid dying of hunger. When leaving is not an option but a necessity, this is more than poverty.
Antonio Guterres
A lasting solution, the possibility to begin a new life, is the only dignified solution for the refugee himself.
Poul Hartling
Environmental degradation, overpopulation, refugees, narcotics, terrorism, world crime movements, and organized crime are worldwide problems that don’t stop at a nation’s borders.
Warren Christopher
I urge you to celebrate the extraordinary courage and contributions of refugees past and present.
Kofi Annan
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
6" diameter each - dinnerware & stained glass.
These are my contributions to a Women's International Mosaic Project organized by Pam Goode
My contribution for Droneuary. I built the armed bot first, then thought it would be a great fit as security for a payload transport, so added the cargo unit. Then had fun designing some interesting sci-fi containers to finish.
Rear photo available on Brickbuilt.
This is my contribution to the unnatural theme for the week. It harks back to the first week of the project, where in some misguided bout of 365 optimism I decided to make a little pile of stones and stick it in every photograph. I can't think why....
I am going to set off to collect Eleanor now and she'll be here for 5 days. So, if I was bad a commenting before (I was), I will be even worse now!
I've got a Roman themed crafts activity book to do, we're going for lunch out one day, fish and chip night, pizza night, film night, organised kids craft morning, aircraft museum (not dull, you can sit in them, we'll be a pair of G's), Roman museum and an open farm to do.
Should be fun!
My contribution to an ongoing photo competition (comp.nr.27) on flickr.Theme is "Mother(Nature)’s Finest".
My contribution to Comic Bricks! I should point out that the cover you're looking at is actually the back cover of Roots of the Swamp Thing number 3, which in 1986 reprinted the classic Len Wein/Berni Wrightson Swamp Thing stories from the seventies. The renewed interest was thanks to Alan Moore, who was busy writing Saga of the Swamp Thing and blowing everyone's mind.
The "Piazza del Vento" derives from Renzo Piano's inspiration, as a contribution that he offered to Salone Nautico and the city of Genova. The author of the project is the architectural firm OBR run by Paolo Brescia and Tommaso Principi, who conceived it for the 57° edition of the Genoa Boat Show.
The project, strongly wanted by Ucina Confindustria Nautica with Spim support, represents the legacy of Salone Nautico to the city: "a collective and multisensorial installation designed for a temporary event turning into a permanent public artwork, where to celebrate the rite of urbanity on the sea, thus enhancing the strong link between Salone Nautico and Genova", as Paolo Brescia explained.
OBR designed a "field" of 57 masts in red maple wood and white steel, 12 meters tali and bound together with textile stay-cables with dacron jibs inferred ono On the top of each mast a windex is placed,.sewing coloured spinnaker's fabric highlighting the direction and the intensity of the wind. Among the masts, some double seat swings are placed, where to sit as couple in the shade of the sails while looking toward the sea.
Cooperating with the musician Roberto Pugliese, Margherita Del Grosso and Matteo Orlandi have created the sound field activated by the action of the wind: a system of brass rods of different length, arranged according to a precise spatial scheme among the masts, reflects the sounds of the mare nostrum with chords trom a Mediterranean musical scale "played" by the wind.
The installation also involves the poet and street artist Ivan Tresoldi, who performs with his group Artkademy together with the visitors of Salone Nautico creating the anamorphosis: "Who throws seeds in the wind will make the sky flourish".
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La "Piazza del Vento" nasce da un'ispirazione di Renzo Piano, come contributo offerto al Salone Nautico e alla città di Genova. Autore del progetto è lo studio d'architettura OBR di Paolo Brescia e Tommaso Principi, che lo ha ideato per la 57° edizione del Salone Nautico di Genova.
L'intervento, fortemente voluto da Ucina Confindustria Nautica con il supporto di Spim, rappresenta l'eredità del Salone alla città: "un'installazione multisensoriale collettiva nata per un evento temporaneo che diventa un'opera pubblica permanente, in cui celebrare il rito dell'urbanità sul mare, sancendo' così il legame indissolubile tra il Salone Nautico e Genova", come ha spiegato Paolo Brescia.
OBR ha immaginato un "campo" di 57 alberi in legno di acero rosso e acciaio bianco alti 12 metri e strallati tra loro con sartie in tessile su cui sono inferiti dei fiocchi in dacron. Sulla sommità degli alberi sono installati dei segnavento cuciti con tessuti di spinnaker colorati che
danno evidenza della direzione e dell'intensità del vento. Tra alcuni alberi sono ricavate delle altalene doppie da utilizzare in coppia, all'ombra delle vele e con vista mare.
Collaborando con il musicista Roberto Pugliese, Margherita Del Grosso e Matteo Orlandi hanno ideato un campo sonoro attivato dall'azione del vento: un sistema di canne d'ottone di diversa lunghezza, disposte secondo un preciso schema spaziale tra gli alberi, restituisce le sonorità del mare nostrum con degli accordi secondo una scala musicale mediterranea "suonata" dal vento.
L'installazione vede anche il coinvolgimento del poeta e artista di strada Ivan Tresoldi che, con il suo gruppo Artkademy, realizza una performance con il pubblico del Salone Nautico creando l'anamorfosi: "Chi getta semi al vento farà fiorire il cielo".
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Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
You can see my images on fluidr: click here
You can see my most interesting photo's on flickr: click here
Muchas veces pareces estar solo, pero miras al rededor y hacia el cielo y estas rodeado de cosas bellas..
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NO PARA DONACIONES SIN PAGO /
Not for donations or contributions without payment
Si deseas comprar esta foto mandame un email /
If you want to buy this photograph send an email:
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gomezsluis@gmail.com
This image may not be used in any way without prior permission
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contribution to the traveling moleskine project. introduction page, including parcel stamp with pen.
Our contribution for the new round of On9: The Infinity Lounge Chair (comes together with the minimalist sun shade). The Infinity Lounge Chair is LI 4 with 2 Prims and holds 13 sitting animations.
The Infinity Lounge Chair will be available on the 9th at On9. One of the offered stzyles will have a huge discount. Landmark to On9: maps.secondlife.com/secondlife/Tropical%20Orchid/239/193/999
My contribution to #BMDWeapons Dora SR 44 Sniper Rifles.
This sniper rifles gun completely acquired with a bench rest quality stainless steel barrel. The DORA SR 44 has a detachable box magazine and an adjustable stock, both length of pull and deadly accurate from afar. The 3-yellow marking on the barrel gun indicate the kills score by the gunner.
Beautiful Artist at Bagan
Be the first to kick start your generous support and fund my production with more amazing images!
Currently, I'm running a crowd funding activity to initiate my personal 2016 Flickr's Project. Here, I sincerely request each and every kind hearted souls to pay some effort and attention.
No limitation, Any Amount and your encouraging comments are welcome.
Crowd funding contribution can be simply direct to my PayPal account if you really appreciate and wish my forthcoming photography project to come alive.
Please PayPal your wish amount to : men4r@yahoo.com
Email me or public comments below your contribution amount for good records with your comments and at final day, at random, I shall sent out my well taken care canon 6D with full box n accessory during random draw to one thankful contributor as my token of appreciation.
Now, I cordially invite and look forward with eagerness a strong pool of unity zealous participants in this fundermental ideology yet sustainable crowd fund raising task.
Basically, the substantial gather amount is achievable with pure passion n love heart in photography and not necessary be filty rich nor famous to help me accomplish raising my long yearning photography career, a sucking heavy expense that been schedules down my photography making journey had inevitably, some circumstances had badly fall short behind racing with time and inability to fulfill as quickly in near future consolidating good fund .
Honestly, with aspiration and hope, I appeal to urge on this media for a strong humanity mandate through good faith of sharing and giving generously on this particular crowd funding excercise to achieve my desire n is not just purely a dread dream , is also flickers first starter own crowds funding strength turning impossible into reality through this pratical raising method that I confidently trust it will turn fruitful from all your small effort participation, every single persistency will result consolidating piling up every little tiny bricks into an ultimate huge strong living castle.
In reality, I have trust and never look down on every single peny efforts that been contributed as helpful means, turning unrealistic dream alive is the goal in crowd funding excercise, No reason any single amount is regard to be too small when the strength of all individual wish gather to fulfill my little desire to make exist and keep alive. .
I sincerely look forward each and every participants who think alike crowds funding methodlogy works here no matter who come forwards with regardless any capital amount input be big or small , please help gather and pool raise my objective target amount as close to USD$10K or either acquisition from donation item list below:
1- ideally a high mega pixel Canon 5DS ( can be either new or use ok)
2- Canon 70-200mm F2.8 L IS lens ( can be either new or use ok)
Last but not least, a photography journey of life time for a trip to explore South Island of New Zealand and Africa.
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My intended schedule may estimate about 1 month round trip self drive traveling down scenic Southern Island of New Zealand for completing the most captivating landscape photography and wander into the big five, the wilderness of untamed Africa nature for my project 2016 before my physical body stamina eventually drain off.
During the course, I also welcome sponsor's to provide daily lodging/accommodation, car rental/transportation, Fox Glacier helicopter ride and other logistic funding expenses, provide photographic camera equipments or related accessories .
Kindly forward all sponsors request terms of condition n collaboration details for discussion soon.
Great Ocean Drive- the 12 Apostle's
Please Click Auto Slide show for ultimate viewing pleasure in Super Large Display .to enjoy my photostream . ..
Due to copyright issue, I cannot afford to offer any free image request. Pls kindly consult my sole permission to purchase n use any of my images.You can email me at : men4r@yahoo.com.
Don't use this image on Websites/Blog or any other media
without my explicit permission.
For Business, You can find me here at linkedin..
Follow me on www.facebook.com here
As i get older, I am now age 60, I still regret the years I wasted in fear of my desire to dress up as a woman and the way I went into complete denial and continually attempted to suppress my desire to appear as a female. I was brought up in an era when boys were told to be boys and to man up. All I recall is as teenager I was desperate to become a girl. At the time I was confused as I was far from certain if I simply wanted to dress up as a girl or I actually wanted to be a girl.
Being older I think I now have some understanding as to how I was back then. I think part of me is transsexual but it’s not dominant enough to make we want to transition into a full time woman. I also was painfully shy and harboured a dream of performance. I was especially taken with female impersonators who had established theatrical acts. These were not over the top drag queens, these were men whose performance was based upon looking completely convincing as women with no hint of the man being present yet the audience knew they were male. This is an art form in my mind, what I like to call female illusion.
This performance of the audience seeing you appear as a woman right down your physical attributes, clothing, shoes, make-up and hair and confidently performing as a female in front of them genuinely thrilled me and I wanted to be such a performer. To be able to carry off a convincing transformation and have the confidence and nerve as a man to step out on stage such a portrayal would have been quite amazing to experience. Knowing there were men out there that had made careers of doing this type of performance really caught my imagination.
I can still vividly recall the first time as a teenager I shaved my legs, dared to pluck my eyebrows, wore make-up for the first time, styled my hair into a girls style (no ned for a wig back then!), wore a bra and put on my first dress, then slipped on a pair of high heels…my head was spinning and I nearly passed out!
I experienced pure elation, yet there was also fear at that was doing yet every fibre of my being was embracing what I had just done. At last I was a girl! A girl! Oh joy! I loved how I felt in that precious and intense private moment. I also recall I got the shakes, it was uncontrollable for awhile but eventually settled enough for me to stand in front of a mirror. Seeing myself as a girl was quite a moment full of mixed emotions. I was euphoric and the emotions overwhelmed me. This was what I dreamed of doing! I was a boy but I also wanted to be a girl and seeing myself in a dress and make-up made me cry. I was frustrated and elated at the same time. I was a boy, not a girl but I was trying to be a girl and I knew I wanted that, oh yes, I really wanted it!
I began to imagine how it must feel to be a professional female impersonator. How would it be to make a living out of appearing on stage as a woman and entertaining people. Would I ever have the nerve and self confidence to step out in front of an audience completely in the guise of a woman? I wanted to do it but I had self doubt about my abilities. The prospect of a career of dressing up as a woman was alluring but my inner doubt held me back.
Now am 60, I never stepped on stage dressed up as a woman so that dream is unlikely to ever happen now. I still feel a desire to attempt some form of performance as a female impersonator and to some extent, my videos I’ve posted pander to this yearning. Increasingly, I am finding I feel more confident about stepping in front of a video camera dressed as a woman and I enjoy talking to camera in my guise as a female.
However, I’ll admit, my videos to date are rather aimless, rambling and highly self indulgent. I now find I would like to record more videos but have some point to them. I did try a series of videos in the past called ’T-chat’ in which I interviewed other cross-dressers and transsexuals. Unfortunately, this idea proved a failure and never gained much interest within the trans community. In fact sometimes it generated very negative and hostile responses! I eventually gave up on this idea after realising it was pointless doing anymore interviews due to the notable lack of enthusiasm. I think I was rather naive in my plans for such a series of videos.
Despite that not working out I find I am still keen to record videos as my female alter-ego. There are lots of things about my transvestism I have a need to talk about. When I talk to the camera about them I am expressing my own personal feelings and thoughts on being a man that cross-dresses asa woman. I do often wonder how others feel about their own motivations and aspirations with their own cross-dressing.
I would like to improve my videos and take on more interesting subject matter that is related to cross-dressing. I did enjoy the two way conversation in the T-chat interviews and have been thinking of an alternative. What I would love is to hear from other cross-dressers about transgender subjects they have a view on. Appearing on camera as a woman gives me an opportunity to perform as the female impersonator I always wished I had dared to become. I’ve had ideas where i could maybe host a series of videos that includes videos made by other cross-dressers in which they speak on camera on a cross-dressing subject they want open up about or start debate upon. Hopefully this would lead to further responses that can be included in future episodes.
I accept some people have no wish to talk on camera when they are appearing as a woman and I wondered if they too felt as I did that they have questions in regard to their cross-dressing. I the past I used to receive e-mails asking me questions about my own cross-dressing. I am willing to talk openly about them so I wondered if perhaps I could record videos in which I answered their questions.
I also wondered if perhaps questions could be posed on a cross-dressing topic and several cross-dressers could contribute by recording a video of their own answers to such questions. I could then compile these answers in to a video programme.
I’m not trying to be arrogant or ‘me, me, me’, it is a case of I enjoy being a woman on camera and I want to do something that is helpful and interesting for the trans community and i do seek more focus and substance for future videos rather than my stream of consciousness ramblings such as I’ve been doing so far.
I suppose I am aware I enjoy being a an on screen presenter when I dress up as a woman. It’s great fun and a chance tower lots of dresses, experiment with make-up and wear different wigs. In a way it’s me finally being a female impersonator but in a more interactive way than I do at the moment.
I would love torah from anyone who would consider posing a question or recording something on video for inclusion in a future video. It may just be this idea goes the same way as my ill fated ’T-chat’ interview series< i only managed four of them in the end and one person asked for their interview to be taken off-line. I’m not really expecting this to pan out based only experiences but I feel if I don’t mention it then I will never know. If you should feel a willingness to ask a question or record a video about cross-dressing, expressing your own thoughts and views on camera then I’m keen to embark on a series of videos the can include these.
I can be contacted by direct e-mail on: helene_barclay@yahho.co.uk
my latest contribution to the 3am collaboration with ventral is golden (www.ventralisgolden.com/) and bryan olson (www.cargocollective.com/BryanOlson)
check out the other works at www.cargocollective.com/3AM and www.3amofthesoul.tumblr.com/
www.society6.com/studio/jessetreece/store
www.collageartbyjesse.tumblr.com
My contribution to an ambitious project by the local Mountain Club OPS Ikarias.
About this place, see my blog article: "sun in the gulch"
About the culture or wild swimming and swimming holes, illustrated with a selection of photos from Ikaria, read my article: "Κολυμπότρυπες ☺ στην Ικαρία"
Special blog article:
I've been terribly negligent with my Flickr account, so I'm finally getting caught up on uploading some of my favorites from the last year+!
My contribution to the expanding gallery of this beautiful and famous little bird. She has become quite the Bombay Hook celebrity.
Please click on the photo for the best view.
Thanks for looking.
Greg
Our contribution to The Seasons Story Summer (beginning 10th July 2015): The Vintage Ice Cream Trike (LI 8/10 Prims - rezzes temporary ice cream cones as attachement with 6 different flavours) and the Shabby Roll Tray with Ice Cream Toppings (LI 2/3 Prims - Toppings LI1/1 Prim each).
The Seasons Story Summer openes 10th July. Here is your SURL: maps.secondlife.com/secondlife/The%20Seasons%20Story/128/...
The Handley-Page Victor K.2 tanker evolved from the original Victor B.2, ‘V’-bomber, which entered service with the Royal Air Force in October 1961. The first K.2 flew at Woodford on 1 March 1972. It had a crew of five, and was powered by four Rolls-Royce Conway turbofans of 20,600 lb thrust each. It had a maximum speed of 640 mph (Mach 0.92) at 40,000 feet, a ceiling of 59,000 feet and a range of 3,500 miles.
Victor K.2s made a substantial contribution in the Falklands War, flying over 3,000 hours and making over 600 air refuelling sorties from Ascension Island, in support of the Vulcans, Nimrods, Hercules and Harriers. They also flew in the Gulf War, refuelling the Tornado and other allied aircraft. The Victor’s outstanding versatility and advanced design enabled it to have the longest service of all the ‘V-bomber’ generation.
XL231 joined 139 Squadron on 1 February 1962, returning to Handley-Page for conversion to a B(S.R) Mk 2 in November 1963 and joining the Wittering Wing in July 1964. It was converted to become the prototype K.2 Tanker on 23 January 1972 and saw service in the Falklands War, in support of the ‘Operation Black Buck’ Vulcan raid on Port Stanley, and later in the Gulf War. It was flown into retirement at Elvington in November 1993. The aircraft is kept in ground operational condition by Andre Tempest and his ground crew.
The contribution of underprivileged and uneducated women in the country's national economy is immense, especially their involvement in handicraft industry is commendable. A woman is considered as the skilled workforce for the handicraft industry. On the other hand, pottery side by side with the handicraft industry bears the cultural heritage of Bangladesh. The women are involved with the industry since the ancient time and their contribution in this sector can not be denied even in the modern age. Women have been putting their endeavors in this trade from primary to finishing stage of the objects. Among the women labourers, about 90 percent are uneducated and they have no training. Like other sectors, the women workers are also facing wage discrimination. They draw two-third portion wage compared to their male counterparts investing the same labour.
[Source : BSS]
Typical Dutch holiday street scene, found in a book: a family is preparing their holiday trip.
In the Summer of 1953 Luigi Segre of Carrozzeria Ghia had made some contributions to the final design of the new Dauphine, which was placed between the 4CV and the Frégate.
The Dauphine was presented to the press in Nov. 1955, but only in March 1956 followed the official presentation.
845 cc rear engine.
Production Dauphine: 1956-1967.
Original Dutch reg. number: 5/1957.
Photo taken from: Hans Pars, En we gaan nog niet naar huis! 100 jaar Nederlanders op vakantie, Scriptum Publishers, Schiedam, Z.J.
Original photographer unknown.
Photo source: Spaarnestad Fotoarchief, Haarlem.
Amsterdam, Oct. 31, 2015.
© 2015 Sander Toonen Amsterdam | All Rights Reserved
My contribution for Challenge 11 in Guilds of Historica. It’s a simple build that brought back a lot of memories as most of the techniques are things I used frequently years ago. Which made for a straightforward and relaxing build process.
Timber is in high demand as the guilds rebuild. Leading to many new lumber yards popping up in Mitgardia. Located along trade routes and near sawmills they constantly receive new loads of wood and in turn load caravans traveling between the guilds.
Additional photos on Brickbuilt.