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My contribution for Challenge 11 in Guilds of Historica. It’s a simple build that brought back a lot of memories as most of the techniques are things I used frequently years ago. Which made for a straightforward and relaxing build process.
Timber is in high demand as the guilds rebuild. Leading to many new lumber yards popping up in Mitgardia. Located along trade routes and near sawmills they constantly receive new loads of wood and in turn load caravans traveling between the guilds.
Additional photos on Brickbuilt.
The Paramount Building made a significant contribution to the development of the world-famous theater and entertainment district. Built in 1926-27 and designed by the firm of Rapp & Rapp, who were among the best-known and most prolific designers of elaborate movie theaters in the 1920s, it served as the Eastern headquarters for the Famous Players-Lasky Corporation, (forerunner of Paramount Pictures), whose entrepreneurial founders played a major role in promoting the revolutionary motion picture medium.
The building's distinctive massing is exemplary of the innovative setback skyscraper type of the 1920s, while the ornamental details are classically inspired, a hallmark of Rapp & Rapp's style. The striking silhouette of the upper stories is enhanced by four giant clock faces, which were conceived to create a memorable image of the the Paramount trademark in the minds of moviegoers, and a crowning glass globe. The Paramount Building, which once housed the Paramount Theater, stands as as an important reminder of Times Square's boom in the 1920s during the early years of the motion picture industry.
ESA’s ExoMars Trace Gas Orbiter (TGO) and Schiaparelli, also known as the ExoMars Entry, descent and landing Demonstrator Module are seen here during vibration testing at Thales Alenia Space, in Cannes, France, on 23 April 2015.
The first mission of the ExoMars programme, scheduled to arrive at Mars in 2016, consists of a Trace Gas Orbiter plus an Entry, Descent and Landing Demonstrator Module (EDM). The main objectives of this mission are to search for evidence of methane and other trace atmospheric gases that could be signatures of active biological or geological processes and to test key technologies in preparation for ESA's contribution to subsequent missions to Mars.
The Orbiter itself will remain in Mars orbit to image surface features and study the composition of the atmosphere.
Credit: ESA–S. Corvaja, 2015
++++++++ FROM WIKIPEDIA ++++++++++
Kalimpong is a hill station in the Indian state of West Bengal. It is located at an average elevation of 1,250 metres (4,101 ft). The town is the headquarters of the Kalimpong district.The Indian Army's 27 Mountain Division is located on the outskirts of the town.
Kalimpong is known for its educational institutions, many of which were established during the British colonial period.[5] It used to be a gateway in the trade between Tibet and India before China's annexation of Tibet and the Sino-Indian War. Kalimpong and neighbouring Darjeeling were major centres calling for a separate Gorkhaland state in the 1980s, and more recently in 2010.
The municipality sits on a ridge overlooking the Teesta River and is a tourist destination owing to its temperate climate, magnificent Himalayan beauty and proximity to popular tourist locations in the region. Horticulture is important to Kalimpong: It has a flower market notable for its wide array of orchids; nurseries, which export Himalayan grown flower bulbs, tubers and rhizomes, contribute to the economy of Kalimpong.[2] Home to Nepalisindigenous Lepchas, other ethnic groups and non-native immigrants from other parts of India, the town is a religious centre of Buddhism. The Tibetan Buddhist monastery Zang Dhok Palri Phodang holds a number of rare Tibetan Buddhist scriptures.[6]
The Kalimpong Science Centre, established under the Darjeeling Gorkha Hill Council (DGHC) in 2008 is a recent addition to its many tourist attractions. The Science Centre, which provides for scientific awareness among the students of the town and the locals sits atop the Deolo Hill.
Name origin
The precise etymology of the name Kalimpong remains unclear. There are many theories on the origin of the name. One widely accepted theory claims that the name "Kalimpong" means "Assembly (or Stockade) of the King's Ministers" in Tibetan, derived from kalon ("King's ministers") and pong ("stockade"). It may be derived from the translation "ridge where we play" from Lepcha, as it was known to be the place for traditional tribal gatherings for summer sporting events. People from the hills call the area Kalempung ("the black spurs").[7]
According to K.P. Tamsang, author of The Untold and Unknown Reality about the Lepchas, the term Kalimpong is deduced from the name Kalenpung, which in Lepcha means "Hillock of Assemblage";[8] in time, the name was distorted to Kalebung, and later further contorted to Kalimpong. Another possible derivation points to Kaulim, a fibrous plant found in abundance in the region.[9]
History
Katherine Graham Memorial Chapel, Dr. Graham's Homes
The Clock Tower of Kalimpong.
Until the mid-19th century, the area around Kalimpong was ruled in succession by the Sikkimese and Bhutanese kingdoms.[8][10] Under Sikkimese rule, the area was known as Dalingkot.[11] In 1706, the king of Bhutan won this territory from the Sikkimese monarch and renamed it Kalimpong.[11] Overlooking the Teesta Valley, Kalimpong is believed to have once been the forward position of the Bhutanese in the 18th century. The area was sparsely populated by the indigenous Lepcha community and migrant Bhutia and Limbu tribes.
After the Anglo-Bhutan War in 1864, the Treaty of Sinchula (1865) was signed, in which Bhutanese held territory east of the Teesta River was ceded to the British East India Company.[8] At that time, Kalimpong was a hamlet, with only two or three families known to reside there.[12] The first recorded mention of the town was a fleeting reference made that year by Ashley Eden, a government official with the Bengal Civil Service. Kalimpong was added to district of Darjeeling in 1866. In 1866–1867 an Anglo-Bhutanese commission demarcated the common boundaries between the two, thereby giving shape to the Kalimpong subdivision and the Darjeeling district.[13]
After the war, the region became a subdivision of the Western Duars district, and the following year it was merged with the district of Darjeeling.[8] The temperate climate prompted the British to develop the town as an alternative hill station to Darjeeling, to escape the scorching summer heat in the plains. Kalimpong's proximity to the Nathu La and Jelep La passes (La means "pass"), offshoots of the ancient Silk Road, was an added advantage. It soon became an important trading outpost in the trade of furs, wools and food grains between India and Tibet.[14] The increase in commerce attracted large numbers of Nepali's from the neighbouring Nepal and the lower regions of Sikkim, the areas where, Nepali's were residing since the Gorkha invasion of Sikkim in 1790. The movement of people into the area, transformed Kalimpong from a small hamlet with a few houses, to a thriving town with increased economic prosperity. Britain assigned a plot within Kalimpong to the influential Bhutanese Dorji family, through which trade and relations with Bhutan flowed. This later became Bhutan House, a Bhutanese administrative and cultural centre.[15][16][17]
The arrival of Scottish missionaries saw the construction of schools and welfare centres for the British.[12] Rev. W. Macfarlane in the early 1870s established the first schools in the area.[12] The Scottish University Mission Institution was opened in 1886, followed by the Kalimpong Girls High School. In 1900, Reverend J.A. Graham founded the Dr. Graham's Homes for destitute Anglo-Indian students.[12] The young missionary (and aspiring writer and poet) Aeneas Francon Williams, aged 24, arrived in Kalimpong in 1910 to take up the post of assistant schoolmaster at Dr. Graham's Homes,[18] where he later became Bursar and remained working at the school for the next fourteen years.[19] From 1907 onwards, most schools in Kalimpong had started offering education to Indian students. By 1911, the population comprised many ethnic groups, including Nepalis, Lepchas, Tibetans, Muslims, the Anglo-Indian communities. Hence by 1911, the population had swollen to 7,880.[12]
Following Indian independence in 1947, Kalimpong became part of the state of West Bengal, after Bengal was partitioned between India and East Pakistan. With China's annexation of Tibet in 1959, many Buddhist monks fled Tibet and established monasteries in Kalimpong. These monks brought many rare Buddhist scriptures with them. In 1962, the permanent closure of the Jelep Pass after the Sino-Indian War disrupted trade between Tibet and India, and led to a slowdown in Kalimpong's economy. In 1976, the visiting Dalai Lama consecrated the Zang Dhok Palri Phodang monastery, which houses many of the scriptures.[12]
Most large houses in Kalimpong were built during the British era. In the background is Mount Kangchenjunga.
Morgan House is a classic example of colonial architecture in Kalimpong.
Between 1986 and 1988, the demand for a separate state of Gorkhaland and Kamtapur based on ethnic lines grew strong. Riots between the Gorkha National Liberation Front (GNLF) and the West Bengal government reached a stand-off after a forty-day strike. The town was virtually under siege, and the state government called in the Indian army to maintain law and order. This led to the formation of the Darjeeling Gorkha Hill Council, a body that was given semi-autonomous powers to govern the Darjeeling district, except the area under the Siliguri subdivision. Since 2007, the demand for a separate Gorkhaland state has been revived by the Gorkha Janmukti Morcha and its supporters in the Darjeeling hills.[20] The Kamtapur People's Party and its supporters' movement for a separate Kamtapur state covering North Bengal have gained momentum.[21]
Geography
A view from the Deolo Resort, atop Deolo Hill, Kalimpong's highest point
The town centre is on a ridge connecting two hills, Deolo Hill and Durpin Hill,[12] at an elevation of 1,247 m (4,091 ft). Deolo, the highest point in Kalimpong, has an altitude of 1,704 m (5,591 ft) and Durpin Hill is at an elevation of 1,372 m (4,501 ft). The River Teesta flows in the valley below and separates Kalimpong from the state of Sikkim. The soil in the Kalimpong area is typically reddish in color. Occasional dark soils are found due to extensive existence of phyllite and schists.[22] The Shiwalik Hills, like most of the Himalayan foothills, have steep slopes and soft, loose topsoil, leading to frequent landslides in the monsoon season.[22] The hills are nestled within higher peaks and the snow-clad Himalayan ranges tower over the town in the distance. Mount Kanchenjunga at 8,586 m (28,169 ft) the world's third tallest peak,[23] is clearly visible from Kalimpong.[2]
View of the Himalaya range
Kalimpong has five distinct seasons: spring, summer, autumn, winter and the monsoons. The annual temperature ranges from a high of 30 °C (86 °F) to a low of 9 °C (48 °F). Summers are mild, with an average maximum temperature of 30 °C (86 °F) in August.[24] Summers are followed by the monsoon rains which lash the town between June and September. The monsoons are severe, often causing landslides which sequester the town from the rest of India. Winter lasts from December to February, with the maximum temperature being around 15 °C (59 °F). During the monsoon and winter seasons, Kalimpong is often enveloped by fog.[25]
Economy
Oranges grown in the hillsides are exported to many parts of India.
Tourism is the most significant contributor to Kalimpong's economy.[26] The summer and spring seasons are the most popular with tourists, keeping many of town's residents employed directly and indirectly. The town—earlier an important trade post between India and Tibet—hopes to boost its economy after the reopening of the Nathu La (pass) in April 2006.[27] Though this has resumed Indo–China border trades,[28] it is expected that Kalimpong will have a better chance of revival as a hub for Indo–China trades if the demand of local leaders for reopening of Jelep La pass also is met.[28]
Kalimpong is a major ginger growing area of India. Kalimpong and the state of Sikkim together contribute 15 percent of ginger produced in India.[29] The Darjeeling Himalayan hill region is internationally famous for its tea industry.[30] However, most of the tea gardens are on the western side of Teesta river (towards the town of Darjeeling) and so tea gardens near Kalimpong contribute only 4 percent of total tea production of the region. In Kalimpong division, 90 percent of land is cultivable but only 10 percent is used for tea production.[31] Kalimpong is well known for its flower export industry—especially for its wide array of indigenous orchids and gladioli.[32]
A significant contributor to the town's economy is education sector.[26] The schools of Kalimpong, besides imparting education to the locals, attract a significant number of students from the plains, the neighbouring state of Sikkim and countries such as Bhutan, Bangladesh, Nepal and Thailand.[26]
Many establishments cater to the Indian army bases near the town, providing it with essential supplies. Small contributions to the economy come by the way of the sale of traditional arts and crafts of Sikkim and Tibet. Government efforts related to sericulture, seismology, and fisheries provide a steady source of employment to many of its residents.
Kalimpong is well renowned for its cheese, noodles and lollipops. Kalimpong exports a wide range of traditional handicrafts, wood-carvings, embroidered items, bags and purses with tapestry work, copper ware, scrolls, Tibetan jewellery and artifacts.[32][33]
Transport
NH31A winds along the banks of the river Teesta near Kalimpong.
Kalimpong is located off the National Highway 31A (NH31A), which links Sevok to Gangtok. The NH31A is an offshoot of the NH 31, which connects Sevok to Siliguri.[34] These two National Highways together, via Sevok, links Kalimpong to the plains.[35] Regular bus services and hired vehicles connect Kalimpong with Siliguri and the neighbouring towns of Kurseong, Darjeeling and Gangtok. Four wheel drives are popular means of transport, as they can easily navigate the steep slopes in the region. However, road communication often get disrupted in the monsoons due to landslides. In the town, people usually travel by foot. Residents also use bicycle, two-wheelers and hired taxis for short distances.
The nearest airport is in Bagdogra near Siliguri, about 80 kilometres (50 mi) from Kalimpong. Air India, Jet Airways and Druk Air (Bhutan) are the four major carriers that connect the airport to Delhi, Kolkata, Paro (Bhutan), Guwahati and Bangkok (Thailand). The closest major railway station is New Jalpaiguri, on the outskirts of Siliguri,[2] which is connected with almost all major cities of the country.
Demographics
Population growth
At the 2011 India census,[37] Kalimpong town area had a population of 42,988, of which 52% were male and 48% female.[37]
At the 2001 census,[38] Kalimpong had an average literacy rate of 79%, higher than the national average of 59.5%: male literacy was 84%, and female literacy was 73%. In Kalimpong, 8% of the population was under 6 years of age. The Scheduled castes and scheduled tribes population for Kalimpong was 5,100 and 5,121 respectively.[39]
Civic administration
Kalimpong is the headquarters of the Kalimpong district. The semi-autonomous Darjeeling Gorkha Hill Council (DGHC), set up by the West Bengal government in 1988, administers this district as well as the Darjeeling Sadar and Kurseong subdivisions.[40] Kalimpong elects eight councillors to the DGHC, who manages the departments of Public Health, Education, Public Works, Transport, Tourism, Market, Small scale industries, Agriculture, Agricultural waterways, Forest (except reserved forests), Water, Livestock, Vocational Training and Sports and Youth services.[41] The district administration of Darjeeling, which is the authoritative body for the departments of election, panchayat, law and order, revenue, etc., also acts as an interface of communication between the Council and the State Government.[41] The rural area in the district covers three community development blocks Kalimpong I, Kalimpong II and Gorubathan consisting of forty-two gram panchayats.[42] A Sub-Divisional Officer (SDO) presides over the Kalimpong subdivision. Kalimpong has a police station that serves the municipality and 18 gram panchayats of Kalimpong–I CD block.[43]
The Kalimpong municipality, which was established in 1945,[39] is in charge of the infrastructure of the town such as potable water and roads. The municipal area is divided into twenty-three wards.[44] Kalimpong municipality is constructing additional water storage tanks to meet the requirement of potable water, and it needs an increase of water supply from the 'Neora Khola Water Supply Scheme' for this purpose.[45] Often, landslides occurring in monsoon season cause havoc to the roads in and around Kalimpong.[46] The West Bengal State Electricity Distribution Corporation Limited (WBSEDCL) provides electricity here.[47] Renewable Energy Development Agency of the state has plans to promote usage of solar street lights in Kalimpong and proposed an energy park here to sell renewable energy gadgets.[48] The Public Works Department is responsible for the road connecting the town to the National Highway–NH-31A.[49] The Kalimpong municipality has a total of 10 health care units, with a total of 433 bed capacity.[50]
The Kalimpong assembly constituency, which is an assembly segment of the Darjeeling parliamentary constituency, elects one member of the Vidhan Sabha of West Bengal.[51]
People, culture, and cuisine
The Zang Dhok Palri Phodang monastery atop Durpin Hill
The original settlers of Kalimpong are the Lepchas, although the majority of the populace are ethnic Nepali, having migrated from Nepal to Kalimpong in search of jobs while it was under British rule.[52]
Indigenous ethnic groups include the Newars, Bhutia, Sherpas, Limbus, Rais, Magars,[53] Chettris, Bahuns, Thakuris, Gurungs, Tamangs, Yolmos, Bhujels, Sunuwars, Sarkis, Damais and the Kamis.[54] The other non-native communities as old as the Nepalese are the Bengalis, Muslims, Anglo-Indians, Chinese, Biharis and Tibetans who escaped to Kalimpong after fleeing the Communist Chinese invasion of Tibet. Kalimpong is home to Trinley Thaye Dorje—one of the 17th Karmapa incarnations.[55] Kalimpong is the closest Indian town to Bhutan's western border, and has a small number of Bhutanese nationals residing here. Hinduism is the largest religion followed by Nijananda Sampradaya, Buddhism and Christianity.[53] Islam has a minuscule presence in this region, The Oldest settlers include people residing since the mid of 19th Century and also mostly Tibetan Muslims who fled in 1959 after Chinese invasion of Tibet.[56] The Buddhist monastery Zang Dhok Palri Phodang holds a number of rare Tibetan Buddhist scriptures.[6] There is a Mosque, Kalimpong Anjuman Islamia Established in 1887 in the bazaar area of Kalimpong.[57]
Popular Hindu festivals include Dashain, Tihar, Cultural Programme and the Tibetan festival of Losar. Languages spoken in Kalimpong include Nepali, which is the predominant language; Lepcha, Limbu, Tamang, Kirat, Hindi, English and Bengali.[2] Though there is a growing interest in cricket as a winter sport in Darjeeling Hills, football still remains the most popular sport in Kalimpong.[58] Every year since 1947, the Independence Shield Football Tournament is organized here as part of the two-day-long Independence Day celebrations.[59] Former captain of India national football team, Pem Dorjee hails from Kalimpong.[60]
A popular snack in Kalimpong is the momo, steamed dumplings made of pork, beef or vegetable cooked in a wrapping of flour and served with watery soup. Wai-Wai is a packaged Nepalese snack made of noodles which are eaten either dry or in soup form. Churpee, a kind of hard cheese made from yak's or chauri's (a hybrid of yak and cattle) milk, is sometimes chewed.[61] A form of noodle called Thukpa, served in soup form is popular in Kalimpong.[62] There are a large number of restaurants which offer a wide variety of cuisines, ranging from Indian to continental, to cater to the tourists. Tea is the most popular beverage in Kalimpong, procured from the famed Darjeeling tea gardens. Kalimpong has a golf course besides Kalimpong Circuit House.[2][63]
The cultural centres in Kalimpong include, the Lepcha Museum and the Zang Dhok Palri Phodang monastery. The Lepcha Museum, a kilometre away from the town centre, showcases the culture of the Lepcha community, the indigenous peoples of Sikkim. The Zang Dhok Palri Phodong monastery has 108 volumes of the Kangyur, and belongs to the Gelug of Buddhism.
Media
Kalimpong has access to most of the television channels aired in the rest of India. Cable Television still provides service to many homes in the town and it's outskirts, while DTH connections are now practically mandatory throughout the country. Besides mainstream Indian channels, many Nepali-language channels such as Dainandini DD, Kalimpong Television KTv, Haal Khabar (an association of the Hill Channel Network), Jan Sarokar, Himalayan People's Channel (HPC), and Kalimpong Times are broadcast in Kalimpong. These channels, which mainly broadcast locally relevant news, are produced by regional media houses and news networks, and are broadcast through the local cable network, which is now slowly becoming defunct due to the Indian government's ruling on mandatory digitization of TV channels. The movie production houses like JBU films produces the movies on the nepali and other languages.
Newspapers in Kalimpong include English language dailies The Statesman and The Telegraph, which are printed in Siliguri,[65][66] and The Economic Times and the Hindustan Times, which are printed in Kolkata.
Among other languages, Nepali, Hindi and Bengali are prominent vernacular languages used in this region.[25] Newspapers in all these four languages are available in the Darjeeling Hills region. Of the largely circulated Nepali newspapers Himalay Darpan, Swarnabhumi and some Sikkim-based Nepali newspapers like Hamro Prajashakti and Samay Dainik are read most.[67] The Tibet Mirror was the first Tibetan-language newspaper published in Kalimpong in 1925.[68] while Himalayan Times was the first English to have come out from Kalimpong in the year 1947, it was closed down in the year 1962 after the Chinese aggression but was started once again and is now in regular print. Internet service and Internet cafés are well established; these are mostly served through broadband, data card of different mobile services, WLL, dialup lines,[69][70] Kalimpong News, Kalimpong Online News, Kalimpong Times and KTV are the main online news sites that collect and present local and North Bengal & Sikkim news from its own agencies like KalimNews and other newspapers. Besides this there are others like kalimpong.info, kalimpongexpress.blogspot.com and several others. All India Radio and several other National and Private Channels including FM Radio are received in Kalimpong.
The area is serviced by major telecommunication companies of India with most types of cellular services in most areas.
Education
There are fifteen major schools in Kalimpong, the most notable ones being Scottish Universities Mission Institution, Dr. Graham's Homes, St Joseph's Convent, St. Augustine's School, Rockvale Academy, Saptashri Gyanpeeth, Springdale Academy, St. Philomenas School, Kalimpong Girls' High School, Kumdini Homes, Chandramaya High School, Lolay Sampu High School and Gandhi Ashram School. The Scottish Universities Mission Institution was the first school that was opened in 1886. The schools offer education up to high secondary standard, following which students may choose to join a Junior College or carry on with additional two years of schooling.
Kalimpong College, Cluny Women's College and Rockvale Management College are the main colleges in the town. Former two are affiliated to the North Bengal University and the latter affiliated to West Bengal University of Technology and apart from these, Good Shepherd IHM (Hotel management Institution) offers courses on hospitality sectors. Most students however, choose to further their studies in Siliguri, Kolkata, and other colleges in the Indian metropolis. The Tharpa Choling Monastery, at Tirpai Hill near Kalimpong, is managed by Yellow Hat sect and has a library of Tibetan manuscripts and thankas.
Flora and fauna
The area around Kalimpong lies in the Eastern Himalayas, which is classified as an ecological hotspot, one of only three among the ecoregions of India. Neora Valley National Park lies within the Kalimpong subdivision and is home to tigers.[72] Acacia is the most commonly found species at lower altitudes, while cinnamon, ficus, bamboo and cardamom, are found in the hillsides around Kalimpong. The forests found at higher altitudes are made up of pine trees and other evergreen alpine vegetation. Seven species of rhododendrons are found in the region east of Kalimpong. The temperate deciduous forests include oak, birch, maple and alder. Three hundred species of orchid are found around Kalimpong.
The Red panda, Clouded leopard, Siberian weasel, Asiatic black bear,[75] barking deer,[76] Himalayan tahr, goral, gaur[76] and pangolin are some of the fauna found near Kalimpong. Avifauna of the region include the pheasants, cuckoos, minivets, flycatchers, bulbuls, orioles, owls, partridges, sunbirds, warblers, swallows, swifts and woodpeckers.
Kalimpong is a major production centre of gladioli in India,[78] and orchids, which are exported to many parts of the world. The Rishi Bankim Chandra Park is an ecological museums within Kalimpong Citrus Dieback Research Station at Kalimpong works towards control of diseases, plant protection and production of disease free orange seedlings.
Kalimpong is also famous for their rich practice of cactus cultivation. Its nurseries attract people from far and wide for the absolutely stunning collection of cacti they cultivate. The strains of cacti, though not indigenous to the locale, have been carefully cultivated over the years, and now the town boasts one of the most fascinating and exhaustive collections of the Cactaceae family. The plants have adapted well to the altitude and environment, and now prove to be one of the chief draws of tourism to the township.
West Bengal (/bɛŋˈɡɔːl/, Bengali: Paschim Banga [ˈpoʃtʃim ˈbɔŋgo] (About this soundlisten)) is a state in the eastern region of India along the Bay of Bengal. With over 91 million inhabitants, it is the fourth-most populous state and the fourteenth-largest state by area in India. Covering an area of 88,752 km2 (34,267 sq mi), it is also the eighth-most populous country subdivision of the world. Part of the Bengal region of the Indian subcontinent, it borders Bangladesh in the east, and Nepal and Bhutan in the north. It also borders the Indian states of Odisha, Jharkhand, Bihar, Sikkim and Assam. The state capital is Kolkata, the third-largest metropolis, and seventh largest city by population in India. West Bengal includes the Darjeeling Himalayan hill region, the Ganges delta, the Rarh region and the coastal Sundarbans. The state's main ethnic group are the Bengalis, with the Bengali Hindus forming the demographic majority.
The area's early history featured a succession of Indian empires, internal squabbling, and a tussle between Hinduism and Buddhism for dominance. Ancient Bengal was the site of several major Janapadas, while the earliest cities date back to the Vedic period. The region was part of several ancient pan−Indian empires, including the Vangas, Mauryans, and the Guptas. The citadel of Gauḍa served as the capital of the Gauḍa Kingdom, the Pala Empire, and the Sena Empire. Islam was introduced through trade with the Abbasid Caliphate, but following the Ghurid conquests led by Bakhtiyar Khalji and the establishment of the Delhi Sultanate, the Muslim faith spread across the entire Bengal region. During the Bengal Sultanate, the territory was a major trading nation in the world, and was often referred by the Europeans as the "richest country to trade with". It was absorbed into the Mughal Empire in 1576. Simultaneously, some parts of the region were ruled by several Hindu states, and Baro-Bhuyan landlords, and part of it was briefly overrun by the Suri Empire. Following the death of Emperor Aurangzeb in the early 1700s, the proto-industrialised Mughal Bengal became a semi-independent state under the Nawabs of Bengal, and showed signs of the first Industrial revolution.[8][9] The region was later conquered by the British East India Company at the Battle of Plassey in 1757 and became part of the Bengal Presidency.[10][11]
The region was a hotbed of the Indian independence movement and has remained one of India's great artistic and intellectual centres.[12] Following widespread religious violence, the Bengal Legislative Council and the Bengal Legislative Assembly voted on the Partition of Bengal in 1947 along religious lines into two independent dominions: West Bengal, a Hindu-majority Indian state, and East Bengal, a Muslim-majority province of Pakistan which later became the independent Bangladesh.
Post Indian independence, West Bengal's economy is based on agricultural production and small and medium-sized enterprises.[13] For many decades the state underwent political violence and economic stagnation.[14] Today, the economy of West Bengal is the sixth-largest state economy in India with a gross state domestic product (GSDP) of ₹12.54 lakh crore (US$180 billion),[3] and has the country's 23rd-highest GSDP per capita of ₹115,748 (US$1,600).[3] West Bengal also has the 28th-highest ranking among Indian states in human development index, with the index value being less than that of India.[5] The state government debt of ₹4.0 lakh crore (US$56 billion), or 32.6% of GSDP, is fifth highest India, but has dropped from 40.65% since 2010–11.[15][16] There is moderate unemployment.[17] West Bengal has two World Heritage sites and ranks as the seventh-most visited tourist destination in India.
My small contribution. Feel free to copy, post and modify it! Well I'd be happy if you let me know :).
Greenmonster
I post the whole essay of Kant in German first. The English version is below.
BEANTWORTUNG DER FRAGE: WAS IST AUFKLÄRUNG ?
Berlinische Monatsschrift. Dezember-Heft 1784. S. 481-494
IMMANUEL KANT
AUFKLÄRUNG ist der Ausgang des Menschen aus seiner selbstverschuldeten Unmündigkeit. Unmündigkeit ist das Unvermögen, sich seines Verstandes ohne Leitung eines anderen zu bedienen. Selbstverschuldet ist diese Unmündigkeit, wenn die Ursache derselben nicht am Mangel des Verstandes, sondern der Entschließung und des Mutes liegt, sich seiner ohne Leitung eines andern zu bedienen. Sapere aude! Habe Mut, dich deines eigenen Verstandes zu bedienen! ist also der Wahlspruch der Aufklärung.
Faulheit und Feigheit sind die Ursachen, warum ein so großer Teil der Menschen, nachdem sie die Natur längst von fremder Leitung freigesprochen [A482] (naturaliter maiorennes), dennoch gerne zeitlebens unmündig bleiben; und warum es anderen so leicht wird, sich zu deren Vormündern aufzuwerfen. Es ist so bequem, unmündig zu sein. Habe ich ein Buch, das für mich Verstand hat, einen Seelsorger, der für mich Gewissen hat, einen Arzt, der für mich die Diät beurteilt usw., so brauche ich mich ja nicht selbst zu bemühen. Ich habe nicht nötig zu denken, wenn ich nur bezahlen kann; andere werden das verdrießliche Geschäft schon für mich übernehmen. Daß der bei weitem größte Teil der Menschen (darunter das ganze schöne Geschlecht) den Schritt zur Mündigkeit, außer dem daß er beschwerlich ist, auch für sehr gefährlich halte, dafür sorgen schon jene Vormünder, die die Oberaufsicht über sie gütigst auf sich genommen haben. Nachdem sie ihr Hausvieh zuerst dumm gemacht haben und sorgfältig verhüteten, daß diese ruhigen Geschöpfe ja keinen Schritt außer dem Gängelwagen, darin sie sie einsperreten, wagen durften, so zeigen sie ihnen nachher die Gefahr, die ihnen drohet, wenn sie es versuchen, allein zu gehen. Nun ist diese Gefahr zwar eben so groß nicht, denn sie würden durch einigemal Fallen wohl endlich gehen lernen; allein ein Beispiel von der Art macht doch schüchtern und schreckt gemeiniglich von allen ferneren Versuchen ab.
Es ist also für jeden einzelnen Menschen schwer, sich aus der ihm beinahe zur Natur gewordenen Unmündigkeit [A483] herauszuarbeiten. Er hat sie sogar liebgewonnen und ist vorderhand wirklich unfähig, sich seines eigenen Verstandes zu bedienen, weil man ihn niemals den Versuch davon machen ließ. Satzungen und Formeln, diese mechanischen Werkzeuge eines vernünftigen Gebrauchs oder vielmehr Mißbrauchs seiner Naturgaben, sind die Fußschellen einer immerwährenden Unmündigkeit. Wer sie auch abwürfe, würde dennoch auch über den schmalesten Graben einen nur unsicheren Sprung tun, weil er zu dergleichen freier Bewegung nicht gewöhnt ist. Daher gibt es nur wenige, denen es gelungen ist, durch eigene Bearbeitung ihres Geistes sich aus der Unmündigkeit herauszuwickeln und dennoch einen sicheren Gang zu tun.
Daß aber ein Publikum sich selbst aufkläre, ist eher möglich; ja es ist, wenn man ihm nur Freiheit läßt, beinahe unausbleiblich. Denn da werden sich immer einige Selbstdenkende, sogar unter den eingesetzten Vormündern des großen Haufens finden, welche, nachdem sie das Joch der Unmündigkeit selbst abgeworfen haben, den Geist einer vernünftigen Schätzung des eigenen Werts und des Berufs jedes Menschen, selbst zu denken, um sich verbreiten werden. Besonders ist hiebei: daß das Publikum, welches zuvor von ihnen unter dieses Joch gebracht worden, sie hernach selbst zwingt, darunter zu bleiben, wenn es von einigen seiner Vormünder, die selbst aller Aufklärung unfähig sind, dazu aufgewiegelt [A484] worden; so schädlich ist es, Vorurteile zu pflanzen, weil sie sich zuletzt an denen selbst rächen, die oder deren Vorgänger ihre Urheber gewesen sind. Daher kann ein Publikum nur langsam zur Aufklärung gelangen. Durch eine Revolution wird vielleicht wohl ein Abfall von persönlichem Despotism und gewinnsüchtiger oder herrschsüchtiger Bedrückung, aber niemals wahre Reform der Denkungsart zustande kommen; sondern neue Vorurteile werden, ebensowohl als die alten, zum Leitbande des gedankenlosen großen Haufens dienen.
Zu dieser Aufklärung aber wird nichts erfordert als Freiheit; und zwar die unschädlichste unter allem, was nur Freiheit heißen mag, nämlich die: von seiner Vernunft in allen Stücken öffentlichen Gebrauch zu machen. Nun höre ich aber von allen Seiten rufen: Räsonniert nicht! Der Offizier sagt: Räsonniert nicht, sondern exerziert! Der Finanzrat: Räsonniert nicht, sondern bezahlt! Der Geistliche: Räsonniert nicht, sondern glaubt! (Nur ein einziger Herr in der Welt sagt: Räsonniert, soviel ihr wollt und worüber ihr wollt, aber gehorcht!) Hier ist überall Einschränkung der Freiheit. Welche Einschränkung aber ist der Aufklärung hinderlich, welche nicht, sondern ihr wohl gar beförderlich? – Ich antworte: Der öffentliche Gebrauch seiner Vernunft muß jederzeit frei sein, und der allein kann Aufklärung unter Menschen zustande [A485] bringen; der Privatgebrauch derselben aber darf öfters sehr enge eingeschränkt sein, ohne doch darum den Fortschritt der Aufklärung sonderlich zu hindern. Ich verstehe aber unter dem öffentlichen Gebrauche seiner eigenen Vernunft denjenigen, den jemand als Gelehrter von ihr vor dem ganzen Publikum der Leserwelt macht. Den Privatgebrauch nenne ich denjenigen, den er in einem gewissen ihm anvertrauten bürgerlichen Posten oder Amte von seiner Vernunft machen darf. Nun ist zu manchen Geschäften, die in das Interesse des gemeinen Wesens laufen, ein gewisser Mechanism notwendig, vermittelst dessen einige Glieder des gemeinen Wesens sich bloß passiv verhalten müssen, um durch eine künstliche Einhelligkeit von der Regierung zu öffentlichen Zwecken gerichtet oder wenigstens von der Zerstörung dieser Zwecke abgehalten zu werden. Hier ist es nun freilich nicht erlaubt zu räsonnieren; sondern man muß gehorchen. Sofern sich aber dieser Teil der Maschine zugleich als Glied eines ganzen gemeinen Wesens, ja sogar der Weltbürgergesellschaft ansieht, mithin in der Qualität eines Gelehrten, der sich an ein Publikum im eigentlichen Verstande durch Schriften wendet, kann er allerdings räsonnieren, ohne daß dadurch die Geschäfte leiden, zu denen er zum Teile als passives Glied angesetzt ist. So würde es sehr verderblich sein, wenn ein Offizier, dem von seinen Oberen etwas anbefohlen wird, im Dienste [A486] über die Zweckmäßigkeit oder Nützlichkeit dieses Befehls laut vernünfteln wollte; er muß gehorchen. Es kann ihm aber billigermaßen nicht verwehrt werden, als Gelehrter über die Fehler im Kriegesdienste Anmerkungen zu machen und diese seinem Publikum zur Beurteilung vorzulegen. Der Bürger kann sich nicht weigern, die ihm auferlegten Abgaben zu leisten; sogar kann ein vorwitziger Tadel solcher Auflagen, wenn sie von ihm geleistet werden sollen, als ein Skandal, (das allgemeine Widersetzlichkeiten veranlassen könnte), bestraft werden. Ebenderselbe handelt demohngeachtet der Pflicht eines Bürgers nicht entgegen, wenn er als Gelehrter wider die Unschicklichkeit oder auch Ungerechtigkeit solcher Ausschreibungen öffentlich seine Gedanken äußert. Ebenso ist ein Geistlicher verbunden, seinen Katechismusschülern und seiner Gemeine nach dem Symbol der Kirche, der er dient, seinen Vortrag zu tun, denn er ist auf diese Bedingung angenommen worden. Aber als Gelehrter hat er volle Freiheit, ja sogar den Beruf dazu, alle seine sorgfältig geprüften und wohlmeinenden Gedanken über das Fehlerhafte in jenem Symbol und Vorschläge wegen besserer Einrichtung des Religions- und Kirchenwesens dem Publikum mitzuteilen. Es ist hiebei auch nichts, was dem Gewissen zur Last gelegt werden könnte. Denn was er zufolge seines Amts als Geschäftträger der Kirche lehrt, das stellt er als etwas vor, in Ansehung [A487] dessen er nicht freie Gewalt hat, nach eigenem Gutdünken zu lehren, sondern das er nach Vorschrift und im Namen eines andern vorzutragen angestellt ist. Er wird sagen: unsere Kirche lehrt dieses oder jenes; das sind die Beweisgründe, deren sie sich bedient. Er zieht alsdann allen praktischen Nutzen für seine Gemeinde aus Satzungen, die er selbst nicht mit voller Überzeugung unterschreiben würde, zu deren Vortrag er sich gleichwohl anheischig machen kann, weil es doch nicht ganz unmöglich ist, daß darin Wahrheit verborgen läge, auf alle Fälle aber wenigstens doch nichts der innern Religion Widersprechendes darin angetroffen wird. Denn glaubte er das letztere darin zu finden, so würde er sein Amt mit Gewissen nicht verwalten können; er müßte es niederlegen. Der Gebrauch also, den ein angestellter Lehrer von seiner Vernunft vor seiner Gemeinde macht, ist bloß ein Privatgebrauch, weil diese immer nur eine häusliche, obzwar noch so große Versammlung ist; und in Ansehung dessen ist er als Priester nicht frei und darf es auch nicht sein, weil er einen fremden Auftrag ausrichtet. Dagegen als Gelehrter, der durch Schriften zum eigentlichen Publikum, nämlich der Welt spricht, mithin der Geistliche im öffentlichen Gebrauche seiner Vernunft, genießt einer uneingeschränkten Freiheit, sich seiner eigenen Vernunft zu bedienen und in seiner eigenen Person zu sprechen. Denn daß die Vormünder des Volks [A488] (in geistlichen Dingen) selbst wieder unmündig sein sollen, ist eine Ungereimtheit, die auf Verewigung der Ungereimtheiten hinausläuft.
Aber sollte nicht eine Gesellschaft von Geistlichen, etwa eine Kirchenversammlung oder eine ehrwürdige Classis (wie sie sich unter den Holländern selbst nennt), berechtigt sein, sich eidlich auf ein gewisses unveränderliches Symbol zu verpflichten, um so eine unaufhörliche Obervormundschaft über jedes ihrer Glieder und vermittelst ihrer über das Volk zu führen und diese so gar zu verewigen? Ich sage: das ist ganz unmöglich. Ein solcher Kontrakt, der auf immer alle weitere Aufklärung vom Menschengeschlechte abzuhalten geschlossen würde, ist schlechterdings null und nichtig; und sollte er auch durch die oberste Gewalt, durch Reichstage und die feierlichsten Friedensschlüsse bestätigt sein. Ein Zeitalter kann sich nicht verbünden und darauf verschwören, das folgende in einen Zustand zu setzen, darin es ihm unmöglich werden muß, seine (vornehmlich so sehr angelegentliche) Erkenntnisse zu erweitern, von Irrtümern zu reinigen und überhaupt in der Aufklärung weiterzuschreiten. Das wäre ein Verbrechen wider die menschliche Natur, deren ursprüngliche Bestimmung gerade in diesem Fortschreiten besteht; und die Nachkommen sind also vollkommen dazu berechtigt, jene Beschlüsse, als unbefugter und frevelhafter Weise genommen, zu verwerfen. Der Probierstein [A489] alles dessen, was über ein Volk als Gesetz beschlossen werden kann, liegt in der Frage: ob ein Volk sich selbst wohl ein solches Gesetz auferlegen könnte? Nun wäre dieses wohl, gleichsam in der Erwartung eines bessern, auf eine bestimmte kurze Zeit möglich, um eine gewisse Ordnung einzuführen: indem man es zugleich jedem der Bürger, vornehmlich dem Geistlichen, frei ließe, in der Qualität eines Gelehrten öffentlich, d. i. durch Schriften, über das Fehlerhafte der dermaligen Einrichtung seine Anmerkungen zu machen, indessen die eingeführte Ordnung noch immer fortdauerte, bis die Einsicht in die Beschaffenheit dieser Sachen öffentlich so weit gekommen und bewähret worden, daß sie durch Vereinigung ihrer Stimmen (wenngleich nicht aller) einen Vorschlag vor den Thron bringen könnte, um diejenigen Gemeinden in Schutz zu nehmen, die sich etwa nach ihren Begriffen der besseren Einsicht zu einer veränderten Religionseinrichtung geeinigt hätten, ohne doch diejenigen zu hindern, die es beim alten wollten bewenden lassen. Aber auf eine beharrliche, von niemanden öffentlich zu bezweifelnde Religionsverfassung auch nur binnen der Lebensdauer eines Menschen sich zu einigen, und dadurch einen Zeitraum in dem Fortgange der Menschheit zur Verbesserung gleichsam zu vernichten und fruchtlos, dadurch aber wohl gar der Nachkommenschaft nachteilig zu machen ist schlechterdings unerlaubt. Ein Mensch kann zwar für seine Person [A490] und auch alsdann nur auf einige Zeit in dem, was ihm zu wissen obliegt, die Aufklärung aufschieben; aber auf sie Verzicht zu tun, es sei für seine Person, mehr aber noch für die Nachkommenschaft, heißt die heiligen Rechte der Menschheit verletzen und mit Füßen treten. Was aber nicht einmal ein Volk über sich selbst beschließen darf, das darf noch weniger ein Monarch über das Volk beschließen; denn sein gesetzgebendes Ansehen beruht eben darauf, daß er den gesamten Volkswillen in dem seinigen vereinigt. Wenn er nur darauf sieht, daß alle wahre oder vermeinte Verbesserung mit der bürgerlichen Ordnung zusammenbestehe, so kann er seine Untertanen übrigens nur selbst machen lassen, was sie um ihres Seelenheils willen zu tun nötig finden; das geht ihn nichts an, wohl aber zu verhüten, daß nicht einer den andern gewalttätig hindere, an der Bestimmung und Beförderung desselben nach allem seinen Vermögen zu arbeiten. Es tut selbst seiner Majestät Abbruch, wenn er sich hierin mischt, indem er die Schriften, wodurch seine Untertanen ihre Einsichten ins reine zu bringen suchen, seiner Regierungsaufsicht würdigt, sowohl wenn er dieses aus eigener höchsten Einsicht tut, wo er sich dem Vorwurfe aussetzt: Caesar non est supra grammaticos, als auch und noch weit mehr, wenn er seine oberste Gewalt soweit erniedrigt, den geistlichen Despotism einiger Tyrannen [A491] in seinem Staate gegen seine übrigen Untertanen zu unterstützen.
Wenn denn nun gefragt wird: leben wir jetzt in einem aufgeklärten Zeitalter? so ist die Antwort: Nein, aber wohl in einem Zeitalter der Aufklärung. Daß die Menschen, wie die Sachen jetzt stehen, im ganzen genommen, schon imstande wären oder darin auch nur gesetzt werden könnten, in Religionsdingen sich ihres eigenen Verstandes ohne Leitung eines andern sicher und gut zu bedienen, daran fehlt noch sehr viel. Allein, daß jetzt ihnen doch das Feld geöffnet wird, sich dahin frei zu bearbeiten und die Hindernisse der allgemeinen Aufklärung oder des Ausganges aus ihrer selbstverschuldeten Unmündigkeit allmählich weniger werden, davon haben wir doch deutliche Anzeigen. In diesem Betracht ist dieses Zeitalter das Zeitalter der Aufklärung oder das Jahrhundert FRIEDERICHS.
Ein Fürst, der es seiner nicht unwürdig findet zu sagen, daß er es für Pflicht halte, in Religionsdingen den Menschen nichts vorzuschreiben, sondern ihnen darin volle Freiheit zu lassen, der also selbst den hochmütigen Namen der Toleranz von sich ablehnt, ist selbst aufgeklärt und verdient von der dankbaren Welt und Nachwelt als derjenige gepriesen zu werden, der zuerst das menschliche Geschlecht der Unmündigkeit, wenigsten von seiten der Regierung, entschlug und jedem frei ließ, sich [A492] in allem, was Gewissensangelegenheit ist, seiner eigenen Vernunft zu bedienen. Unter ihm dürfen verehrungswürdige Geistliche, unbeschadet ihrer Amtspflicht, ihre vom angenommenen Symbol hier oder da abweichenden Urteile und Einsichten in der Qualität der Gelehrten frei und öffentlich der Welt zur Prüfung darlegen; noch mehr aber jeder andere, der durch keine Amtspflicht eingeschränkt ist. Dieser Geist der Freiheit breitet sich auch außerhalb aus, selbst da, wo er mit äußeren Hindernissen einer sich selbst mißverstehenden Regierung zu ringen hat. Denn es leuchtet dieser doch ein Beispiel vor, daß bei Freiheit für die öffentliche Ruhe und Einigkeit des gemeinen Wesens nicht das mindeste zu besorgen sei. Die Menschen arbeiten sich von selbst nach und nach aus der Rohigkeit heraus, wenn man nur nicht absichtlich künstelt, um sie darin zu erhalten.
Ich habe den Hauptpunkt der Aufklärung, d. i. des Ausganges der Menschen aus ihrer selbstverschuldeten Unmündigkeit, vorzüglich in Religionssachen gesetzt, weil in Ansehung der Künste und Wissenschaften unsere Beherrscher kein Interesse haben, den Vormund über ihre Untertanen zu spielen, überdem auch jene Unmündigkeit, so wie die schädlichste, also auch die entehrendste unter allen ist. Aber die Denkungsart eines Staatsoberhaupts, der die erstere begünstigt, geht noch weiter und sieht ein: daß selbst in Ansehung seiner Gesetzgebung [A493] es ohne Gefahr sei, seinen Untertanen zu erlauben, von ihrer eigenen Vernunft öffentlichen Gebrauch zu machen und ihre Gedanken über eine bessere Abfassung derselben, sogar mit einer freimütigen Kritik der schon gegebenen, der Welt öffentlich vorzulegen; davon wir ein glänzendes Beispiel haben, wodurch noch kein Monarch demjenigen vorging, welchen wir verehren.
Aber auch nur derjenige, der, selbst aufgeklärt, sich nicht vor Schatten fürchtet, zugleich aber ein wohldiszipliniertes zahlreiches Heer zum Bürgen der öffentlichen Ruhe zur Hand hat, – kann das sagen, was ein Freistaat nicht wagen darf: Räsonniert, soviel ihr wollt, und worüber ihr wollt; nur gehorcht! So zeigt sich hier ein befremdlicher, nicht erwarteter Gang menschlicher Dinge; sowie auch sonst, wenn man ihn im großen betrachtet, darin fast alles paradox ist. Ein größerer Grad bürgerlicher Freiheit scheint der Freiheit des Geistes des Volks vorteilhaft und setzt ihr doch unübersteigliche Schranken; ein Grad weniger von jener verschafft hingegen diesem Raum, sich nach allem seinen Vermögen auszubreiten. Wenn denn die Natur unter dieser harten Hülle den Keim, für den sie am zärtlichsten sorgt, nämlich den Hang und Beruf zum freien Denken, ausgewickelt hat: so wirkt dieser allmählich zurück auf die Sinnesart des Volks, (wodurch dies der Freiheit zu handeln [A494] nach und nach fähiger wird), und endlich auch sogar auf die Grundsätze der Regierung, die es ihr selbst zuträglich findet, den Menschen, der nun mehr als Maschine ist, seiner Würde gemäß zu behandeln.¹
Königsberg in Preußen, den 30. Septemb. 1784. I. Kant.
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An Answer to the Question:
What is Enlightenment? (1784)
by IMMANUEL KANT
Enlightenment is man's emergence from his self-imposed immaturity. Immaturity is the inability to use one's understanding without guidance from another. This immaturity is self-imposed when its cause lies not in lack of understanding, but in lack of resolve and courage to use it without guidance from another. Sapere Aude! [dare to know] "Have courage to use your own understanding!"--that is the motto of enlightenment.
Laziness and cowardice are the reasons why so great a proportion of men, long after nature has released them from alien guidance (natura-liter maiorennes), nonetheless gladly remain in lifelong immaturity, and why it is so easy for others to establish themselves as their guardians. It is so easy to be immature. If I have a book to serve as my understanding, a pastor to serve as my conscience, a physician to determine my diet for me, and so on, I need not exert myself at all. I need not think, if only I can pay: others will readily undertake the irksome work for me. The guardians who have so benevolently taken over the supervision of men have carefully seen to it that the far greatest part of them (including the entire fair sex) regard taking the step to maturity as very dangerous, not to mention difficult. Having first made their domestic livestock dumb, and having carefully made sure that these docile creatures will not take a single step without the go-cart to which they are harnessed, these guardians then show them the danger that threatens them, should they attempt to walk alone. Now this danger is not actually so great, for after falling a few times they would in the end certainly learn to walk; but an example of this kind makes men timid and usually frightens them out of all further attempts.
Thus, it is difficult for any individual man to work himself out of the immaturity that has all but become his nature. He has even become fond of this state and for the time being is actually incapable of using his own understanding, for no one has ever allowed him to attempt it. Rules and formulas, those mechanical aids to the rational use, or rather misuse, of his natural gifts, are the shackles of a permanent immaturity. Whoever threw them off would still make only an uncertain leap over the smallest ditch, since he is unaccustomed to this kind of free movement. Consequently, only a few have succeeded, by cultivating their own minds, in freeing themselves from immaturity and pursuing a secure course.
But that the public should enlighten itself is more likely; indeed, if it is only allowed freedom, enlightenment is almost inevitable. For even among the entrenched guardians of the great masses a few will always think for themselves, a few who, after having themselves thrown off the yoke of immaturity, will spread the spirit of a rational appreciation for both their own worth and for each person's calling to think for himself. But it should be particularly noted that if a public that was first placed in this yoke by the guardians is suitably aroused by some of those who are altogether incapable of enlightenment, it may force the guardians themselves to remain under the yoke--so pernicious is it to instill prejudices, for they finally take revenge upon their originators, or on their descendants. Thus a public can only attain enlightenment slowly. Perhaps a revolution can overthrow autocratic despotism and profiteering or power-grabbing oppression, but it can never truly reform a manner of thinking; instead, new prejudices, just like the old ones they replace, will serve as a leash for the great unthinking mass.
Nothing is required for this enlightenment, however, except freedom; and the freedom in question is the least harmful of all, namely, the freedom to use reason publicly in all matters. But on all sides I hear: "Do not argue!" The officer says, "Do not argue, drill!" The tax man says, "Do not argue, pay!" The pastor says, "Do not argue, believe!" (Only one ruler in the World says, "Argue as much as you want and about what you want, but obey!") In this we have examples of pervasive restrictions on freedom. But which restriction hinders enlightenment and which does not, but instead actually advances it? I reply: The public use of one's reason must always be free, and it alone can bring about enlightenment among mankind; the private use of reason may, however, often be very narrowly restricted, without otherwise hindering the progress of enlightenment. By the public use of one's own reason I understand the use that anyone as a scholar makes of reason before the entire literate world. I call the private use of reason that which a person may make in a civic post or office that has been entrusted to him. Now in many affairs conducted in the interests of a community, a certain mechanism is required by means of which some of its members must conduct themselves in an entirely passive manner so that through an artificial unanimity the government may guide them toward public ends, or at least prevent them from destroying such ends. Here one certainly must not argue, instead one must obey. However, insofar as this part of the machine also regards himself as a member of the community as a whole, or even of the world community, and as a consequence addresses the public in the role of a scholar, in the proper sense of that term, he can most certainly argue, without thereby harming the affairs for which as a passive member he is partly responsible. Thus it would be disastrous if an officer on duty who was given a command by his superior were to question the appropriateness or utility of the order. He must obey. But as a scholar he cannot be justly constrained from making comments about errors in military service, or from placing them before the public for its judgment. The citizen cannot refuse to pay the taxes imposed on him; indeed, impertinent criticism of such levies, when they should be paid by him, can be punished as a scandal (since it can lead to widespread insubordination). But the same person does not act contrary to civic duty when, as a scholar, he publicly expresses his thoughts regarding the impropriety or even injustice of such taxes. Likewise a pastor is bound to instruct his catecumens and congregation in accordance with the symbol of the church he serves, for he was appointed on that condition. But as a scholar he has complete freedom, indeed even the calling, to impart to the public all of his carefully considered and well-intentioned thoughts concerning mistaken aspects of that symbol, as well as his suggestions for the better arrangement of religious and church matters. Nothing in this can weigh on his conscience. What he teaches in consequence of his office as a servant of the church he sets out as something with regard to which he has no discretion to teach in accord with his own lights; rather, he offers it under the direction and in the name of another. He will say, "Our church teaches this or that and these are the demonstrations it uses." He thereby extracts for his congregation all practical uses from precepts to which he would not himself subscribe with complete conviction, but whose presentation he can nonetheless undertake, since it is not entirely impossible that truth lies hidden in them, and, in any case, nothing contrary to the very nature of religion is to be found in them. If he believed he could find anything of the latter sort in them, he could not in good conscience serve in his position; he would have to resign. Thus an appointed teacher's use of his reason for the sake of his congregation is merely private, because, however large the congregation is, this use is always only domestic; in this regard, as a priest, he is not free and cannot be such because he is acting under instructions from someone else. By contrast, the cleric--as a scholar who speaks through his writings to the public as such, i.e., the world--enjoys in this public use of reason an unrestricted freedom to use his own rational capacities and to speak his own mind. For that the (spiritual) guardians of a people should themselves be immature is an absurdity that would insure the perpetuation of absurdities.
But would a society of pastors, perhaps a church assembly or venerable presbytery (as those among the Dutch call themselves), not be justified in binding itself by oath to a certain unalterable symbol in order to secure a constant guardianship over each of its members and through them over the people, and this for all time: I say that this is wholly impossible. Such a contract, whose intention is to preclude forever all further enlightenment of the human race, is absolutely null and void, even if it should be ratified by the supreme power, by parliaments, and by the most solemn peace treaties. One age cannot bind itself, and thus conspire, to place a succeeding one in a condition whereby it would be impossible for the later age to expand its knowledge (particularly where it is so very important), to rid itself of errors,and generally to increase its enlightenment. That would be a crime against human nature, whose essential destiny lies precisely in such progress; subsequent generations are thus completely justified in dismissing such agreements as unauthorized and criminal. The criterion of everything that can be agreed upon as a law by a people lies in this question: Can a people impose such a law on itself? Now it might be possible, in anticipation of a better state of affairs, to introduce a provisional order for a specific, short time, all the while giving all citizens, especially clergy, in their role as scholars, the freedom to comment publicly, i.e., in writing, on the present institution's shortcomings. The provisional order might last until insight into the nature of these matters had become so widespread and obvious that the combined (if not unanimous) voices of the populace could propose to the crown that it take under its protection those congregations that, in accord with their newly gained insight, had organized themselves under altered religious institutions, but without interfering with those wishing to allow matters to remain as before. However, it is absolutely forbidden that they unite into a religious organization that nobody may for the duration of a man's lifetime publicly question, for so do-ing would deny, render fruitless, and make detrimental to succeeding generations an era in man's progress toward improvement. A man may put off enlightenment with regard to what he ought to know, though only for a short time and for his own person; but to renounce it for himself, or, even more, for subsequent generations, is to violate and trample man's divine rights underfoot. And what a people may not decree for itself may still less be imposed on it by a monarch, for his lawgiving authority rests on his unification of the people's collective will in his own. If he only sees to it that all genuine or purported improvement is consonant with civil order, he can allow his subjects to do what they find necessary to their spiritual well-being, which is not his affair. However, he must prevent anyone from forcibly interfering with another's working as best he can to determine and promote his well-being. It detracts from his own majesty when he interferes in these matters, since the writings in which his subjects attempt to clarify their insights lend value to his conception of governance. This holds whether he acts from his own highest insight--whereby he calls upon himself the reproach, "Caesar non eat supra grammaticos."'--as well as, indeed even more, when he despoils his highest authority by supporting the spiritual despotism of some tyrants in his state over his other subjects.
If it is now asked, "Do we presently live in an enlightened age?" the answer is, "No, but we do live in an age of enlightenment." As matters now stand, a great deal is still lacking in order for men as a whole to be, or even to put themselves into a position to be able without external guidance to apply understanding confidently to religious issues. But we do have clear indications that the way is now being opened for men to proceed freely in this direction and that the obstacles to general enlightenment--to their release from their self-imposed immaturity--are gradually diminishing. In this regard, this age is the age of enlightenment, the century of Frederick.
A prince who does not find it beneath him to say that he takes it to be his duty to prescribe nothing, but rather to allow men complete freedom in religious matters--who thereby renounces the arrogant title of tolerance--is himself enlightened and deserves to be praised by a grateful present and by posterity as the first, at least where the government is concerned, to release the human race from immaturity and to leave everyone free to use his own reason in all matters of conscience. Under his rule, venerable pastors, in their role as scholars and without prejudice to their official duties, may freely and openly set out for the world's scrutiny their judgments and views, even where these occasionally differ from the accepted symbol. Still greater freedom is afforded to those who are not restricted by an official post. This spirit of freedom is expanding even where it must struggle against the external obstacles of governments that misunderstand their own function. Such governments are illuminated by the example that the existence of freedom need not give cause for the least concern regarding public order and harmony in the commonwealth. If only they refrain from inventing artifices to keep themselves in it, men will gradually raise themselves from barbarism.
I have focused on religious matters in setting out my main point concerning enlightenment, i.e., man's emergence from self-imposed immaturity, first because our rulers have no interest in assuming the role of their subjects' guardians with respect to the arts and sciences, and secondly because that form of immaturity is both the most pernicious and disgraceful of all. But the manner of thinking of a head of state who favors religious enlightenment goes even further, for he realizes that there is no danger to his legislation in allowing his subjects to use reason publicly and to set before the world their thoughts concerning better formulations of his laws, even if this involves frank criticism of legislation currently in effect. We have before us a shining example, with respect to which no monarch surpasses the one whom we honor.
But only a ruler who is himself enlightened and has no dread of shadows, yet who likewise has a well-disciplined, numerous army to guarantee public peace, can say what no republic may dare, namely: "Argue as much as you want and about what you want, but obey!" Here as elsewhere, when things are considered in broad perspective, a strange, unexpected pattern in human affairs reveals itself, one in which almost everything is paradoxical. A greater degree of civil freedom seems advantageous to a people's spiritual freedom; yet the former established impassable boundaries for the latter; conversely, a lesser degree of civil freedom provides enough room for all fully to expand their abilities. Thus, once nature has removed the hard shell from this kernel for which she has most fondly cared, namely, the inclination to and vocation for free thinking, the kernel gradually reacts on a people's mentality (whereby they become increasingly able to act freely), and it finally even influences the principles of government, which finds that it can profit by treating men, who are now more than machines, in accord with their dignity.
I. Kant
Konigsberg in Prussia, 30 September 1784
My contribution to the Kingsman collaboration that SaltyBros did for BrickFair LEGO Fan Expo 2022! I had so much fun building this contribution, based on Kingsman: The Golden Circle (the second film in the series). I spent a lot of time trying to get it detailed and textured, and accurate to the actual set's appearance. Check out all the photos!
Stay tuned for our video interview with Beyond the Brick!
More photos on my website! And check out the collab!
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--NS
Through the creations that I build, I hope to inspire other young (or perhaps older) LEGO builders to unleash their inner creativity. We all need a positive way to express ourselves, so let's allow LEGO to be an extension of us. Your creativity belongs to you, and nobody can take that away. Build what you want to build, and how you want to build it. Creativity Never Ends!
Here you have my contribution to this week's theme the #gathering for the Swedish flickr group Photo Sunday.
I hope you have a nice sunday and really wonderful week!!!!
Transdev's contribution to the Ribble Centenary is this rather fine modern livery interpretation using genuine Ribble red and cream in the current Transdev style. The Volvo B7TL has been renumbered from 401 to 100 and gained the clever plate R100 TDV
Caught at speed (but not fast enough to outpace white van man) near Hoghton as it heads for Preston.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
Following World War II the Allies dissolved the Wehrmacht with all its branches on 20 August 1946. However, already one year after the founding of the Federal Republic of Germany in May 1949 and because of its increasing links with the West, the Consultative Assembly of Europe began to consider the formation of a European Defence Community with German participation on 11 August 1950.
By March 1954, plans for a new German army had become concrete and foresaw the formation of six infantry, four armored, and two mechanized infantry divisions, as the German contribution to the defense of Western Europe in the framework of a European Defence Community. Following a decision at the London Nine Power Conference of 28 September to 3 October 1954, Germany's entry into NATO effective from 9 May 1955 was accepted as a replacement for the failed European Defence Community plan.
The official founding date of the German army was 12 November 1955 when the first soldiers began their service in Andernach, even though preparations began earlier. In 1956, the first troops set up seven training companies in Andernach and began the formation of schools and training centers. On 1 April 1957, the first conscripts arrived for service in the army. The first military organisations created were instructional battalions, officer schools, and the Army Academy, the forerunner to the Führungsakademie der Bundeswehr in Hamburg. In total twelve armored and infantry divisions were to be established by 1959, as planned in Army Structure I. To achieve this goal, existing units were split approximately every six months. However, the creation of all twelve divisions did not take place until 1965. At the end of 1958 the strength of the army was about 100,000 men.
Concerning vehicles, the German army was equipped at first with American material, such as the M47 Patton main battle tank or M7 Priest SPGs. Lighter vehicles, like the “Schützenpanzer Kurz 11-2” family or the “Schützenpanzer Lang HS-30” AFV, were developed and/or produced with foreign support. Additionally, also as a measure to bring the German industry back into business and to fill equipment gaps, some leftover vehicles from WWII were modernized and put back into service. One of these vehicles was the so-called “Spähpanzer Puma (Neu)”, an update of the highly successful SdKfz. 234/2 8x8 heavy reconnaissance vehicle, one of the best armored scout vehicles during WWII.
Germany had a long and successful history of heavy 8x8 scout cars, starting with the SdKfz. 231 in the Thirties. The Sd.Kfz. 234 was the final development of this vehicle family that actually made it into service. For its time, the Sd.Kfz. 234 incorporated several innovative features, including a monocoque chassis (instead of a classic frame with a hull mounted on top), an independent suspension on each wheel and an air-cooled Tatra 103 diesel engine (at the time of the vehicle’s design all German armored vehicles were powered by gasoline engines) with a net power of 220 hp@2,250 rpm and a very good power-to-weight ratio of 21 hp/ton. This engine gave also the vehicle an extraordinary range of more than 600 miles (1.000 km). The reason behind this was that the SdKfz. 234 was originally intended for use in North Africa, but it came into service in late 1942 and was therefore too late for this theatre of operations. Furthermore, the vehicle featured eight-wheel steering and drive and was able to change direction quickly thanks to a second, rear-facing, driver's seat. Despite its late service introduction, the SdKfz. 234 nevertheless proved useful on the Eastern and Western Fronts. It was quite formidable, commonly used in pairs, one equipped with a long-range radio communications kit while the other possessed only a short-range radio.
A small number of SdKfz. 234s survived the wartime on German soil and had been stashed away as a reserve. Their reactivation for the nascent Bundeswehr in the Fifties covered the replacement of the outdated Tatra engine, for which no spare parts were available anymore, with an air-cooled, supercharged Magirus-Deutz V8 Diesel engine. It had less power (125 kW/180 hp) than the former Tatra V12, but was more reliable and offered more torque and an even better mileage. Furthermore, this was basically a standard engine that was widely used in civil lorries and many other military vehicles of the time, including those operated by the West-German Bundesheer, too. Thanks to the smaller size of the new engine, sound-damping materials could be added and the exhaust system was optimized, so that the vehicle’s noise level was considerably reduced. The additional internal space was also used for two communication kits: a short-range radio was installed in the new turret (see below), while a long-range radio kit was placed into the hull, next to the rear driver.
The suspension was modernized and beefed up, too, with heavy duty shock absorbers, wider wheels and a pressure control system, so that ground pressure could be reduced by the crew from the inside of the vehicle for an adaptable, improved on- and off-road performance. The SdKfz. 234’s crew of four in its former positions was retained, including the second, backwards-facing steering wheel for the radio operator.
Since the West German SdKfz. 234 survivor fleet consisted of different body variants (mostly with open hulls and just two former SdKfz. 234/2s with a closed turret) and vehicles in various states of completion, hull and the armament were unified for the Puma (Neu): all revamped vehicles received a newly developed, welded two-man turret with a low profile. The commander on the left side did not have a cupola, but his position was slightly raised and no less than seven mirrors plus a forward-facing infrared sight for night operations allowed a very good field of view. Both crewmen in the hull also received additional three mirrors above their workstations for a better field of view while driving.
Main weapon of the Puma (Neu) became a 20 mm Rheinmetall MK 20 Rh202 autocannon, a license-built Hispano-Suiza 820 L/85, together with a co-axial 7.62 mm MG42/57 light machine gun. The MK 20 was a common anti-aircraft weapon at the time and mounted to other Bundeswehr vehicles like the HS-30 AFV, too. It could fire HE and AP rounds at 800–1000 RPM, making it efficient against lightly armored vehicles (25-30 mm of armor) at up to 1,500 m range, with a maximum range of 2,000 m. 750 rounds of 20 mm ammunition were carried, even though ammunition feed had to be changed manually. The weapons were not stabilized, but they had a 15x15 periscopic sight and could be elevated between -5° and + 75°, so that it could be aimed at both ground and air targets. Three additional smoke grenade launchers per turret side were provided for tactical and emergency concealment.
Only a small number (40 plus two prototypes) of Spähpanzer Puma (Neu) were eventually converted or re-build from spares, but they became in 1957 the launch equipment of the Bundeswehr’s armored reconnaissance brigades, together with M8 Greyhound scout cars donated by the USA, even though the latter were soon complemented and replaced by tracked vehicles, based on the Schützenpanzer Kurz. However, due to their high road speed and excellent range, the Puma (Neu) scout cars were popular and remained in service until the late Seventies, when a new generation of 8x8 reconnaissance vehicles in the form of the amphibious Spähpanzer Luchs was introduced and replaced all 1st generation Bundeswehr vehicles.
Specifications:
Crew: Four (commander, gunner, driver, radio operator/2nd driver)
Weight: 10.500 kg (23,148 lbs)
Length: 6.02 m (19 ft 9 in)
Width: 2.36 m (7 ft 9 in)
Height: 2.84 metres (9 ft 4 in)
Suspension: Independent on each wheel, with leaf springs
Track width: 1.95 m (6 ft 4 1/2 in)
Wading depth: 1.2 m (3 ft 11 in)
Trench crossing capability: 2m (6 ft 6 1/2 in)
Ground clearance: 350 mm (13 3/4 in)
Climbing capability: 30°
Fuel capacity: 240 l
Armor:
9-30 mm (.35-1.18 in) steel armor
Performance:
Maximum road speed: 80 km/h (49 mph)
Operational range: 800 km (500 mi)
Fuel consumption: 30 l/100 km on roads, 45 l/100 km off-road
Power/weight: 17 PS/t
Engine:
Air-cooled, supercharged 10,622 cc (648³ in) Magirus-Deutz F8L 614K V8 diesel engine,
with 132 kW (180 hp) output at 2.500 RPM
Transmission:
Büssing-NAG "GS" with 6 forward and reverse gears, eight-wheel drive
Armament:
1× 20 mm (0.79 in) Rheinmetall (Hispano-Suiza) MK 20 Rh202 autocannon with 750 rounds
1× co-axial 7.62 mm MG42/57 light machine gun 2.000 rounds
The kit and its assembly:
This German 8x8 vehicle is a contribution to the “Back into service” Group Build at whatifmodelers.com in late 2019. Beyond aircraft I also thought about (armored) vehicles that could fit into this theme, and the SdKfz. 234/2 “Puma” (even though this popular name was never official!) came to my mind, because it was a very effective vehicle with many modern features for its time. So, what could a modernized Puma for the young Bundeswehr look like…?
The starting point became the very nice Hasegawa SdKfz. 234/2 kit, which did not – except for some PSR between the hull halves – pose any complications. I did not want to change too much for the Bundeswehr update, but new/wider wheels and a new, more modern turret with a light post-war weapon appeared sensible.
The wheels come from a ModelTrans aftermarket resin set for the LAV-25 – they are quite modern, but they do not look out of place. Their different, more solid style as well as the slightly bigger diameter and the wider tires change the Puma’s look considerably. In order to mount them, I modified the suspension and cut away the former attachment point on the four axles, replacing them with thin, die-punched styrene discs. This reduced the track width far enough so that the new, wider wheels would fit under the original mudguards. It’s a tight arrangement, but does not look implausible. The spare wheel, normally mounted to the vehicle’s rear, was omitted.
The turret was taken from a Revell “Luchs” Spähpanzer kit, but simplified so that it would have a more vintage look. For instance, the machine gun ring mount above the commander’s hatch was omitted, as well as the rotating warning light and the modern smoke grenade dischargers. The latter were replaced by the WWII triple dischargers from the Hasegawa kit, for a more vintage look.
To my astonishment, the Luchs turret was easy to mate with the Puma chassis: its attachment ring diameter was almost identical! The new part could be attached almost without a problem or modification. I just added some reinforcements to the hull’s flanks, since the Luchs turret is slightly wider than the SdKfz. 234/2’s horseshoe-shaped turret. Beyond that, only small, cosmetic things were added, like mirror fairings for both drivers above their workstations, license plates at the front and the rear and antennae.
Painting and markings:
Creating an early Bundeswehr vehicle is a simple task, because there is only one potential color option until the Eighties: a uniform livery in Gelboliv (RAL 6014). Due to the livery’s simplicity, I used a rattle can to paint hull, turret and wheels separately.
After some detail painting, a very dark brown wash with acrylic paint and some post shading with Revell 42 (also Gelboliv, but a rather greenish and bright interpretation of the tone) as well as dry-brushing with Revell 46 and 45 along the many edges were used to weather the model and emphasize details. After decals had been applied (mostly from a Peddinghaus sheet for early Bundeswehr vehicles, plus some tactical markings from the Revell Luchs), the kit was sealed with matt acrylic varnish.
Once dry and completed, some artist pigments were added around the wheels and lower hull in order to simulate dust and dirt. On the lower chassis, some pigments were also "cluttered" onto small patches of the acrylic varnish, so that the stuff soaks it up, builds volume and becomes solid - the perfect simulation of dry mud crusts. I found the uniform livery to look quite dull, so I added some branches (real moss, spray-painted with dark green acrylic paint from a rattle can) to the hull – a frequent field practice.
This was a very quick project – in fact, the model was completed in the course of just one evening, and painting it was a quick affair, too, lasting only another day. However, I like the result. The SdKfz. 234/2 already had a quite modern look in its original guise, but the new wheels and the Luchs turret change its look considerably, it really has an even more modern feel that fits well into the early Bundeswehr era.
My contribution to Baumysue's party.
(Tribute to Susan ;) )
Sorry for the delay, I had to wait the caramel to get cold ;))
(source: "Du Caramel Plein la Bouche", by Trish Deseine)
Brushes on iPhone
Uploaded with Darkslide.
possible contribution (#1) to Macro Mondays challenge for 27/7/26 - theme: Movie (or film!!!)
SOME LIKE IT HOT
There are a few options for this one but this is a hint toward one of my favourite films of all time - Some Like It Hot which, along side Tony Curtis and Jack Lemmon, starred somebody called Marilyn Monroe.
The image itself is a spoonful (is that the missing spoon??) of smoked paprika. It isn't hot because I don't really like it too hot (food or weather!)
My contribution to the group Fotosöndag theme: The 7 deadly sins. This must be gluttany. Or maybe arrogance?
Fireworks in the south harbour of Lysekil on new years eve 2011.
Lilla Lysekils storslagna nyårsfyrverkeri. Både frosseri och övermod, i all sin skönhet.
Jag hade svårt att välja bland mina fyrverkeribilder, kanske skulle jag valt den här istället: www.flickr.com/photos/katinkabille/6612672913/in/photostream
My contribution to one of my favorite groups, "Telegraph Tuesday" is this photo of one of the remaining poles at Schneider, Indiana on August 12th, 2008. View is looking east at the NYC's Egyptian & 3-I diamond. Black and White seemed to work well with this. If "SG" tower were still here, it would be at left of the pole on the same side.
The Ayia Napa Monastery, located in the town of Ayia Napa in the Republic of Cyprus, has a rich history that spans several centuries. The monastery holds a significant place in the cultural and religious heritage of Cyprus. In the following 1000 words, I will provide you with an overview of the history of the Ayia Napa Monastery.
The origins of the Ayia Napa Monastery can be traced back to the 14th century when Cyprus was under the rule of the Lusignan dynasty. According to legend, a hunter discovered a miraculous icon of the Virgin Mary hidden in a cave near the area where the monastery now stands. This discovery prompted the construction of a small chapel on the site to house the icon.
Initially, the chapel served as a place of worship for the locals and visiting pilgrims. Over time, the number of pilgrims increased, and the chapel underwent expansions and renovations to accommodate the growing congregation. As the popularity of the chapel grew, it attracted the attention of religious authorities, leading to the appointment of a resident priest and the establishment of a monastic community.
The exact date of the monastery's foundation is uncertain, but historical records indicate that it was officially recognized as a monastery in the late 16th century. It was dedicated to the Virgin Mary, and the name "Ayia Napa" translates to "Holy Forest" in Greek, referring to the lush vegetation surrounding the area.
During the Ottoman rule in the 16th and 17th centuries, the Ayia Napa Monastery faced numerous challenges. The Ottoman Empire restricted the activities of Christian institutions, and the monastery endured periods of neglect and decay. However, despite the difficulties, the monks continued to maintain the monastery and preserve its spiritual significance.
In the 18th century, the Ayia Napa Monastery underwent a major renovation and expansion, transforming it into the grand structure that stands today. The reconstruction efforts were supported by both local donations and contributions from wealthy individuals and church officials from other regions of Cyprus.
The architectural style of the monastery reflects the influences of Byzantine, Gothic, and Renaissance styles. The central church of the monastery features exquisite frescoes, intricate woodwork, and a remarkable iconostasis. The monastery complex also includes a bell tower, a chapel dedicated to St. George, a dormitory, and various auxiliary buildings.
Throughout its history, the Ayia Napa Monastery has been a center of spiritual and cultural life in the region. It has served as a place of pilgrimage, attracting believers from all over Cyprus and beyond. The monastery's holy relics and the presence of the miraculous icon have been sources of faith and healing for countless individuals.
In addition to its religious significance, the Ayia Napa Monastery has also played a role in local folklore and traditions. Festivals and processions are held annually to commemorate religious occasions, attracting visitors and adding to the vibrant cultural fabric of Ayia Napa.
In the 20th century, with the development of tourism in Cyprus, Ayia Napa transformed into a popular tourist destination. The monastery, with its historical and cultural importance, became an integral part of the town's attractions, drawing visitors seeking spiritual enrichment and a glimpse into the island's heritage.
Today, the Ayia Napa Monastery continues to be an active religious institution, with a community of resident monks who carry out daily prayers and rituals. The monastery welcomes visitors, offering a serene and contemplative environment for reflection and worship.
In conclusion, the Ayia Napa Monastery in the Republic of Cyprus has a rich history that spans centuries. From its humble beginnings as a small chapel to its transformation into a grand monastic complex, the monastery has endured numerous challenges and remained a symbol of faith and cultural heritage. Its architectural beauty, spiritual significance, and cultural traditions make it a cherished landmark in Ayia Napa, attracting visitors and pilgrims from near and far.
My contribution to annual international freeform crochet group challenge. This year's theme was "One color" and my work is named "Trash. Can. Dance"
This was one of my contributions to the Isles of Aura InnovaLUG layout at Brickworld this year. While trying to come up with ideas for how to make an island that was a little different than just your average floating rock, a flash of inspiration hit. Why not make a shipwreck island? I mean, with all these rocks and boats just floating around in the sky, it seems like the odds are pretty high that it would happen eventually. So now I had a good idea! But having an idea and building it are two different matters. I wanted the ship to have split the island, so that each side was at an angle. To achieve this, I made an extremely solid technic frame, and then built out from there. I’ll be doing a build log for this in the near future, so I won’t spoil all the details, but let’s just say it was quite a challenge at times. The buildings here were extremely fun to build however! I pretty much just tried to see how many balconies I could fit on one building with the taller one. Got to put some our MDF tiles to use too. Anyways, thanks for looking, and I hope you enjoy the build – as always, C&C is very welcome!
Lots more pictures on Brickbuilt!
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The Walhalla is a hall of fame that honors laudable and distinguished people in German history – "politicians, sovereigns, scientists and artists of the German tongue"; thus the celebrities honored are drawn from Greater Germany, a wider area than today's Germany. The hall is a neo-classical building above the Danube River, east of Regensburg in Bavaria.
The Walhalla is named for the Valhalla of Norse mythology. It was conceived in 1807 by Crown Prince Ludwig in order to support the then-gathering momentum for the unification of the many German states. Following his accession to the throne of Bavaria, construction took place between 1830 and 1842 under the supervision of the architect Leo von Klenze. The memorial displays some 65 plaques and 130 busts covering 2,000 years of history, beginning with Arminius, victor at the Battle of the Teutoburg Forest in 9 AD. (source: Wikipedia)
You can find there also Sophie Scholl, member of the Anti-Nazi "White Rose", or Konrad Adenauer. All in all an interesting collection of "celebrities" and today more unknown men and women - the busts sometimes not of high quality.
I hope one day we will have a European Walhalla or European Pantheon, which unites a lot of men and women, who made great contributions to European history and spirit.
Anyhow, even this very German place shows some early European connections and roots - even in a time when nation building seemed so important. Some nationalists should think about it. And about a history, in which great parts of Europe were united in diversity.
Yaacov Agam is an Israeli sculptor and experimental artist best known for his contributions to optical and kinetic art.
Great Agam's Fountain is one of refreshing places in huge futuristic kingdom of concrete, steel and glass.
This fountain was designed by Yaacov Agam, a key figure in the history and development of the genre known as kinetic art. Born in Palestine, Agam moved to Paris in the early 1950s where he has spent much of his life. The musical fountain seen here was created in 1977.
The fountain's pool is made of polymorphic mosaic surface. It is comprised of 66 vertical water jets shooting water up to 14 meters. The fountain, at night beautifuly illuminated, was further enhanced with the addition of five new triple tulip jets in 1991.
The Biddulph Gate in Famagusta, Turkish Republic of North Cyprus, is a ruined structure named after General Sir Robert Biddulph. It is situated within the walled city of Famagusta but is not part of the defensive wall. The gate's current state is that of a ruin.
The history of the Biddulph Gate is closely tied to General Sir Robert Biddulph, a British military officer who served in Cyprus during the late 19th century. It is believed that the gate was named in his honor, possibly due to his contributions or association with the region.
The exact origins and architectural details of the Biddulph Gate are unclear due to its ruined state. It is possible that the gate had historical significance and functioned as an entry point or passage within the walled city of Famagusta. However, the lack of available information makes it challenging to provide an in-depth account of its original purpose or design.
Over time, the Biddulph Gate fell into disrepair and is now in a ruined state. The specific reasons for its deterioration or the events that led to its current condition remain unclear. The gate's ruinous state adds to its historical intrigue and provides a sense of mystery surrounding its past.
Despite its ruined state, the Biddulph Gate holds cultural and historical importance as a tangible reminder of Famagusta's past. It serves as a poignant symbol of the city's history and the passage of time.
Preservation and restoration efforts may be necessary to protect the Biddulph Gate and prevent further deterioration. These initiatives could focus on stabilizing the structure, conducting archaeological research, and potentially opening it up to visitors as a cultural and historical attraction.
In conclusion, the Biddulph Gate in Famagusta, Turkish Republic of North Cyprus, is a ruined structure named after General Sir Robert Biddulph. While its exact origins and original purpose are unclear due to its current state, the gate's association with General Biddulph and its location within the walled city of Famagusta contribute to its historical significance. Efforts to preserve and understand this cultural heritage site may be necessary to ensure its continued appreciation and exploration.
General Sir Robert Biddulph, (26 August 1835 – 18 November 1918) was a senior British Army officer. He served as Quartermaster-General to the Forces in 1893, and was then Governor of Gibraltar until 1900.
Military career
Educated at Twyford School and the Royal Military Academy, Woolwich, Biddulph was commissioned into the Royal Artillery in 1853. He served in the Crimean War and was present at the Siege of Sevastopol in 1854. He then served in the Indian Mutiny, and was Brigade Major during the Siege of Lucknow in 1857.
In 1871 he was selected to be Assistant Adjutant-General at the War Office and then in 1879 he succeeded Sir Garnet Wolseley as High Commissioner and Commander-in-Chief of Cyprus. In 1886, he returned to London to be Inspector-General of Recruiting and two years later became Director-General of Military Education. In 1893 he was briefly Quartermaster-General to the Forces. Later that year he became Governor of Gibraltar, serving as such until 1900. He was Colonel Commandant of Royal Artillery, and was placed on retired pay on 26 August 1902.
His final appointment, in 1904, was as Army Purchase Commissioner: in that capacity he abolished the purchase of commissions.
He was appointed Knight Grand Cross of the Order of the Bath in the 1899 Birthday Honours. Biddulph's Gate in Famagusta in Cyprus is named after him.
Famagusta is a city on the east coast of the de facto state Northern Cyprus. It is located east of Nicosia and possesses the deepest harbour of the island. During the Middle Ages (especially under the maritime republics of Genoa and Venice), Famagusta was the island's most important port city and a gateway to trade with the ports of the Levant, from where the Silk Road merchants carried their goods to Western Europe. The old walled city and parts of the modern city are de facto part of Northern Cyprus as the capital of the Gazimağusa District.
The city was known as Arsinoe or Arsinoë (Greek: Ἀρσινόη, Arsinóē) in antiquity, after Ptolemy II of Egypt's sister and wife Arsinoe II.
By the 3rd century, the city appears as Ammochostos (Greek: Ἀμμόχωστος or Αμμόχωστος, Ammókhōstos, "Hidden in Sand") in the Stadiasmus Maris Magni.[5] This name is still used in modern Greek with the pronunciation [aˈmːoxostos], while it developed into Latin Fama Augusta, French Famagouste, Italian Famagosta, and English Famagusta during the medieval period. Its informal modern Turkish name Mağusa (Turkish pronunciation: [maˈusa]) came from the same source. Since 1974, it has formally been known to Turkey and Northern Cyprus as Gazimağusa ([ɡaːzimaˈusa]), from the addition of the title gazi, meaning "veteran" or "one who has faught in a holy war".
In the early medieval period, the city was also known as New Justiniana (Greek: Νέα Ἰουστινιανία, Néa Ioustinianía) in appreciation for the patronage of the Byzantine emperor Justinian, whose wife Theodora was born there.
The old town of Famagusta has also been nicknamed "the City of 365 Churches" from the legend that, at its peak, it boasted a church for every day of the year.
The city was founded around 274 BC, after the serious damage to Salamis by an earthquake, by Ptolemy II Philadelphus and named "Arsinoe" after his sister.[6] Arsinoe was described as a "fishing town" by Strabo in his Geographica in the first century BC. In essence, Famagusta was the successor of the most famous and most important ancient city of Cyprus, Salamis. According to Greek mythology, Salamis was founded after the end of the Trojan War by Teucros, the son of Telamon and brother of Aedes, from the Greek island of Salamis.
The city experienced great prosperity much later, during the time of the Byzantine emperor Justinian. To honor the city, from which his wife Theodora came, Justinian enriched it with many buildings, while the inhabitants named it New Justiniania to express their gratitude. In AD 647, when the neighboring cities were destroyed by Arab raiding, the inhabitants of these cities moved to Famagusta, as a result of which the city's population increased significantly and the city experienced another boom.
Later, when Jerusalem was occupied by the Arabs, the Christian population fled to Famagusta, as a result of which the city became an important Christian center, but also one of the most important commercial centers in the eastern Mediterranean.
The turning point for Famagusta was 1192 with the onset of Lusignan rule. It was during this period that Famagusta developed as a fully-fledged town. It increased in importance to the Eastern Mediterranean due to its natural harbour and the walls that protected its inner town. Its population began to increase. This development accelerated in the 13th century as the town became a centre of commerce for both the East and West. An influx of Christian refugees fleeing the downfall of Acre (1291) in Palestine transformed it from a tiny village into one of the richest cities in Christendom.
In 1372 the port was seized by Genoa and in 1489 by Venice. This commercial activity turned Famagusta into a place where merchants and ship owners led lives of luxury. By the mid-14th century, Famagusta was said to have the richest citizens in the world. The belief that people's wealth could be measured by the churches they built inspired these merchants to have churches built in varying styles. These churches, which still exist, were the reason Famagusta came to be known as "the district of churches". The development of the town focused on the social lives of the wealthy people and was centred upon the Lusignan palace, the cathedral, the Square and the harbour.
In 1570–1571, Famagusta was the last stronghold in Venetian Cyprus to hold out against the Turks under Mustafa Pasha. It resisted a siege of thirteen months and a terrible bombardment, until at last the garrison surrendered. The Ottoman forces had lost 50,000 men, including Mustafa Pasha's son. Although the surrender terms had stipulated that the Venetian forces be allowed to return home, the Venetian commander, Marco Antonio Bragadin, was flayed alive, his lieutenant Tiepolo was hanged, and many other Christians were killed.
With the advent of the Ottoman rule, Latins lost their privileged status in Famagusta and were expelled from the city. Greek Cypriots natives were at first allowed to own and buy property in the city, but were banished from the walled city in 1573–74 and had to settle outside in the area that later developed into Varosha. Turkish families from Anatolia were resettled in the walled city but could not fill the buildings that previously hosted a population of 10,000. This caused a drastic decrease in the population of Famagusta. Merchants from Famagusta, who mostly consisted of Latins that had been expelled, resettled in Larnaca and as Larnaca flourished, Famagusta lost its importance as a trade centre. Over time, Varosha developed into a prosperous agricultural town thanks to its location away from the marshes, whilst the walled city remained dilapidated.
In the walled city, some buildings were repurposed to serve the interests of the Muslim population: the Cathedral of St. Nicholas was converted to a mosque (now known as Lala Mustafa Pasha Mosque), a bazaar was developed, public baths, fountains and a theological school were built to accommodate the inhabitants' needs. Dead end streets, an Ottoman urban characteristic, was imported to the city and a communal spirit developed in which a small number of two-storey houses inhabited by the small upper class co-existed with the widespread one-storey houses.
With the British takeover, Famagusta regained its significance as a port and an economic centre and its development was specifically targeted in British plans. As soon as the British took over the island, a Famagusta Development Act was passed that aimed at the reconstruction and redevelopment of the city's streets and dilapidated buildings as well as better hygiene. The port was developed and expanded between 1903 and 1906 and Cyprus Government Railway, with its terminus in Famagusta, started construction in 1904. Whilst Larnaca continued to be used as the main port of the island for some time, after Famagusta's use as a military base in World War I trade significantly shifted to Famagusta. The city outside the walls grew at an accelerated rate, with development being centred around Varosha. Varosha became the administrative centre as the British moved their headquarters and residences there and tourism grew significantly in the last years of the British rule. Pottery and production of citrus and potatoes also significantly grew in the city outside the walls, whilst agriculture within the walled city declined to non-existence.
New residential areas were built to accommodate the increasing population towards the end of the British rule,[11] and by 1960, Famagusta was a modern port city extending far beyond Varosha and the walled city.
The British period saw a significant demographic shift in the city. In 1881, Christians constituted 60% of the city's population while Muslims were at 40%. By 1960, the Turkish Cypriot population had dropped to 17.5% of the overall population, while the Greek Cypriot population had risen to 70%. The city was also the site for one of the British internment camps for nearly 50,000 Jewish survivors of the Holocaust trying to emigrate to Palestine.
From independence in 1960 to the Turkish invasion of Cyprus of 1974, Famagusta developed toward the south west of Varosha as a well-known entertainment and tourist centre. The contribution of Famagusta to the country's economic activity by 1974 far exceeded its proportional dimensions within the country. Whilst its population was only about 7% of the total of the country, Famagusta by 1974 accounted for over 10% of the total industrial employment and production of Cyprus, concentrating mainly on light industry compatible with its activity as a tourist resort and turning out high-quality products ranging from food, beverages and tobacco to clothing, footwear, plastics, light machinery and transport equipment. It contributed 19.3% of the business units and employed 21.3% of the total number of persons engaged in commerce on the island. It acted as the main tourist destination of Cyprus, hosting 31.5% of the hotels and 45% of Cyprus' total bed capacity. Varosha acted as the main touristic and business quarters.
In this period, the urbanisation of Famagusta slowed down and the development of the rural areas accelerated. Therefore, economic growth was shared between the city of Famagusta and the district, which had a balanced agricultural economy, with citrus, potatoes, tobacco and wheat as main products. Famagusta maintained good communications with this hinterland. The city's port remained the island's main seaport and in 1961, it was expanded to double its capacity in order to accommodate the growing volume of exports and imports. The port handled 42.7% of Cypriot exports, 48.6% of imports and 49% of passenger traffic.
There has not been an official census since 1960 but the population of the town in 1974 was estimated to be around 39,000 not counting about 12,000–15,000 persons commuting daily from the surrounding villages and suburbs to work in Famagusta. The number of people staying in the city would swell to about 90,000–100,000 during the peak summer tourist period, with the influx of tourists from numerous European countries, mainly Britain, France, Germany and the Scandinavian countries. The majority of the city population were Greek Cypriots (26,500), with 8,500 Turkish Cypriots and 4,000 people from other ethnic groups.
During the second phase of the Turkish invasion of Cyprus on 14 August 1974 the Mesaoria plain was overrun by Turkish tanks and Famagusta was bombed by Turkish aircraft. It took two days for the Turkish Army to occupy the city, prior to which Famagusta's entire Greek Cypriot population had fled into surrounding fields. As a result of Turkish airstrikes dozens of civilians died, including tourists.
Unlike other parts of the Turkish-controlled areas of Cyprus, the Varosha suburb of Famagusta was fenced off by the Turkish army immediately after being captured and remained fenced off until October 2020, when the TRNC reopened some streets to visitors. Some Greek Cypriots who had fled Varosha have been allowed to view the town and journalists have been allowed in.
UN Security Council resolution 550 (1984) considers any attempts to settle any part of Famagusta by people other than its inhabitants as inadmissible and calls for the transfer of this area to the administration of the UN. The UN's Security Council resolution 789 (1992) also urges that with a view to the implementation of resolution 550 (1984), the area at present under the control of the United Nations Peace-keeping Force in Cyprus be extended to include Varosha.
Famagusta's historic city centre is surrounded by the fortifications of Famagusta, which have a roughly rectangular shape, built mainly by the Venetians in the 15th and 16th centuries, though some sections of the walls have been dated earlier times, as far as 1211.
Some important landmarks and visitor attractions in the old city are:
The Lala Mustafa Pasha Mosque
The Othello Castle
Palazzo del Provveditore - the Venetian palace of the governor, built on the site of the former Lusignan royal palace
St. Francis' Church
Sinan Pasha Mosque
Church of St. George of the Greeks
Church of St. George of the Latins
Twin Churches
Nestorian Church (of St George the Exiler)
Namık Kemal Dungeon
Agios Ioannis Church
Venetian House
Akkule Masjid
Mustafa Pasha Mosque
Ganchvor monastery
In an October 2010 report titled Saving Our Vanishing Heritage, Global Heritage Fund listed Famagusta, a "maritime ancient city of crusader kings", among the 12 sites most "On the Verge" of irreparable loss and destruction, citing insufficient management and development pressures.
Famagusta is an important commercial hub of Northern Cyprus. The main economic activities in the city are tourism, education, construction and industrial production. It has a 115-acre free port, which is the most important seaport of Northern Cyprus for travel and commerce. The port is an important source of income and employment for the city, though its volume of trade is restricted by the embargo against Northern Cyprus. Its historical sites, including the walled city, Salamis, the Othello Castle and the St Barnabas Church, as well as the sandy beaches surrounding it make it a tourist attraction; efforts are also underway to make the city more attractive for international congresses. The Eastern Mediterranean University is also an important employer and supplies significant income and activity, as well as opportunities for the construction sector. The university also raises a qualified workforce that stimulates the city's industry and makes communications industry viable. The city has two industrial zones: the Large Industrial Zone and the Little Industrial Zone. The city is also home to a fishing port, but inadequate infrastructure of the port restricts the growth of this sector. The industry in the city has traditionally been concentrated on processing agricultural products.
Historically, the port was the primary source of income and employment for the city, especially right after 1974. However, it gradually lost some of its importance to the economy as the share of its employees in the population of Famagusta diminished due to various reasons. However, it still is the primary port for commerce in Northern Cyprus, with more than half of ships that came to Northern Cyprus in 2013 coming to Famagusta. It is the second most popular seaport for passengers, after Kyrenia, with around 20,000 passengers using the port in 2013.
The mayor-in-exile of Famagusta is Simos Ioannou. Süleyman Uluçay heads the Turkish Cypriot municipal administration of Famagusta, which remains legal as a communal-based body under the constitutional system of the Republic of Cyprus.
Since 1974, Greek Cypriots submitted a number of proposals within the context of bicommunal discussions for the return of Varosha to UN administration, allowing the return of its previous inhabitants, requesting also the opening of Famagusta harbour for use by both communities. Varosha would have been returned to Greek Cypriot control as part of the 2004 Annan Plan but the plan had been rejected by a majority(3/4) of Greek Cypriot voters.
The walled city of Famagusta contains many unique buildings. Famagusta has a walled city popular with tourists.
Every year, the International Famagusta Art and Culture Festival is organized in Famagusta. Concerts, dance shows and theater plays take place during the festival.
A growth in tourism and the city's university have fueled the development of Famagusta's vibrant nightlife. Nightlife in the city is especially active on Wednesday, Friday and Saturday nights and in the hotter months of the year, starting from April. Larger hotels in the city have casinos that cater to their customers. Salamis Road is an area of Famagusta with a heavy concentration of bars frequented by students and locals.
Famagusta's Othello Castle is the setting for Shakespeare's play Othello. The city was also the setting for Victoria Hislop's 2015 novel The Sunrise, and Michael Paraskos's 2016 novel In Search of Sixpence. The city is the birthplace of the eponymous hero of the Renaissance proto-novel Fortunatus.
Famagusta was home to many Greek Cypriot sport teams that left the city because of the Turkish invasion and still bear their original names. Most notable football clubs originally from the city are Anorthosis Famagusta FC and Nea Salamis Famagusta FC, both of the Cypriot First Division, which are now based in Larnaca. Usually Anorthosis Famagusta fans are politically right wing where Nea Salamis fans are left wing.
Famagusta is represented by Mağusa Türk Gücü in the Turkish Cypriot First Division. Dr. Fazıl Küçük Stadium is the largest football stadium in Famagusta. Many Turkish Cypriot sport teams that left Southern Cyprus because of the Cypriot intercommunal violence are based in Famagusta.
Famagusta is represented by DAÜ Sports Club and Magem Sports Club in North Cyprus First Volleyball Division. Gazimağusa Türk Maarif Koleji represents Famagusta in the North Cyprus High School Volleyball League.
Famagusta has a modern volleyball stadium called the Mağusa Arena.
The Eastern Mediterranean University was founded in the city in 1979. The Istanbul Technical University founded a campus in the city in 2010.
The Cyprus College of Art was founded in Famagusta by the Cypriot artist Stass Paraskos in 1969, before moving to Paphos in 1972 after protests from local hoteliers that the presence of art students in the city was putting off holidaymakers.
Famagusta has three general hospitals. Gazimağusa Devlet Hastahanesi, a state hospital, is the biggest hospital in city. Gazimağusa Tıp Merkezi and Gazimağusa Yaşam Hastahanesi are private hospitals.
Personalities
Saint Barnabas, born and died in Salamis, Famagusta
Chris Achilleos, illustrator of the book versions on the BBC children's series Doctor Who
Beran Bertuğ, former Governor of Famagusta, first Cypriot woman to hold this position
Marios Constantinou, former international Cypriot football midfielder and current manager.
Eleftheria Eleftheriou, Cypriot singer.
Derviş Eroğlu, former President of Northern Cyprus
Alexis Galanos, 7th President of the House of Representatives and Famagusta mayor-in-exile (2006-2019) (Republic of Cyprus)
Xanthos Hadjisoteriou, Cypriot painter
Oz Karahan, political activist, President of the Union of Cypriots
Oktay Kayalp, former Turkish Cypriot Famagusta mayor (Northern Cyprus)
Harry Luke British diplomat
Angelos Misos, former international footballer
Costas Montis was an influential and prolific Greek Cypriot poet, novelist, and playwright born in Famagusta.
Hal Ozsan, actor (Dawson's Creek, Kyle XY)
Dimitris Papadakis, a Greek Cypriot politician, who served as a Member of the European Parliament.
Ṣubḥ-i-Azal, Persian religious leader, lived and died in exile in Famagusta
Touker Suleyman (born Türker Süleyman), British Turkish Cypriot fashion retail entrepreneur, investor and reality television personality.
Alexia Vassiliou, singer, left here as a refugee when the town was invaded.
George Vasiliou, former President of Cyprus
Vamik Volkan, Emeritus Professor of Psychiatry
Derviş Zaim, film director
Famagusta is twinned with:
İzmir, Turkey (since 1974)
Corfu, Greece (since 1994)
Patras, Greece (since 1994)
Antalya, Turkey (since 1997)
Salamina (city), Greece (since 1998)
Struga, North Macedonia
Athens, Greece (since 2005)
Mersin, Turkey
Northern Cyprus, officially the Turkish Republic of Northern Cyprus (TRNC), is a de facto state that comprises the northeastern portion of the island of Cyprus. It is recognised only by Turkey, and its territory is considered by all other states to be part of the Republic of Cyprus.
Northern Cyprus extends from the tip of the Karpass Peninsula in the northeast to Morphou Bay, Cape Kormakitis and its westernmost point, the Kokkina exclave in the west. Its southernmost point is the village of Louroujina. A buffer zone under the control of the United Nations stretches between Northern Cyprus and the rest of the island and divides Nicosia, the island's largest city and capital of both sides.
A coup d'état in 1974, performed as part of an attempt to annex the island to Greece, prompted the Turkish invasion of Cyprus. This resulted in the eviction of much of the north's Greek Cypriot population, the flight of Turkish Cypriots from the south, and the partitioning of the island, leading to a unilateral declaration of independence by the north in 1983. Due to its lack of recognition, Northern Cyprus is heavily dependent on Turkey for economic, political and military support.
Attempts to reach a solution to the Cyprus dispute have been unsuccessful. The Turkish Army maintains a large force in Northern Cyprus with the support and approval of the TRNC government, while the Republic of Cyprus, the European Union as a whole, and the international community regard it as an occupation force. This military presence has been denounced in several United Nations Security Council resolutions.
Northern Cyprus is a semi-presidential, democratic republic with a cultural heritage incorporating various influences and an economy that is dominated by the services sector. The economy has seen growth through the 2000s and 2010s, with the GNP per capita more than tripling in the 2000s, but is held back by an international embargo due to the official closure of the ports in Northern Cyprus by the Republic of Cyprus. The official language is Turkish, with a distinct local dialect being spoken. The vast majority of the population consists of Sunni Muslims, while religious attitudes are mostly moderate and secular. Northern Cyprus is an observer state of ECO and OIC under the name "Turkish Cypriot State", PACE under the name "Turkish Cypriot Community", and Organization of Turkic States with its own name.
Several distinct periods of Cypriot intercommunal violence involving the two main ethnic communities, Greek Cypriots and Turkish Cypriots, marked mid-20th century Cyprus. These included the Cyprus Emergency of 1955–59 during British rule, the post-independence Cyprus crisis of 1963–64, and the Cyprus crisis of 1967. Hostilities culminated in the 1974 de facto division of the island along the Green Line following the Turkish invasion of Cyprus. The region has been relatively peaceful since then, but the Cyprus dispute has continued, with various attempts to solve it diplomatically having been generally unsuccessful.
Cyprus, an island lying in the eastern Mediterranean, hosted a population of Greeks and Turks (four-fifths and one-fifth, respectively), who lived under British rule in the late nineteenth-century and the first half of the twentieth-century. Christian Orthodox Church of Cyprus played a prominent political role among the Greek Cypriot community, a privilege that it acquired during the Ottoman Empire with the employment of the millet system, which gave the archbishop an unofficial ethnarch status.
The repeated rejections by the British of Greek Cypriot demands for enosis, union with Greece, led to armed resistance, organised by the National Organization of Cypriot Struggle, or EOKA. EOKA, led by the Greek-Cypriot commander George Grivas, systematically targeted British colonial authorities. One of the effects of EOKA's campaign was to alter the Turkish position from demanding full reincorporation into Turkey to a demand for taksim (partition). EOKA's mission and activities caused a "Cretan syndrome" (see Turkish Resistance Organisation) within the Turkish Cypriot community, as its members feared that they would be forced to leave the island in such a case as had been the case with Cretan Turks. As such, they preferred the continuation of British colonial rule and then taksim, the division of the island. Due to the Turkish Cypriots' support for the British, EOKA's leader, Georgios Grivas, declared them to be enemies. The fact that the Turks were a minority was, according to Nihat Erim, to be addressed by the transfer of thousands of Turks from mainland Turkey so that Greek Cypriots would cease to be the majority. When Erim visited Cyprus as the Turkish representative, he was advised by Field Marshal Sir John Harding, the then Governor of Cyprus, that Turkey should send educated Turks to settle in Cyprus.
Turkey actively promoted the idea that on the island of Cyprus two distinctive communities existed, and sidestepped its former claim that "the people of Cyprus were all Turkish subjects". In doing so, Turkey's aim to have self-determination of two to-be equal communities in effect led to de jure partition of the island.[citation needed] This could be justified to the international community against the will of the majority Greek population of the island. Dr. Fazil Küçük in 1954 had already proposed Cyprus be divided in two at the 35° parallel.
Lindley Dan, from Notre Dame University, spotted the roots of intercommunal violence to different visions among the two communities of Cyprus (enosis for Greek Cypriots, taksim for Turkish Cypriots). Also, Lindlay wrote that "the merging of church, schools/education, and politics in divisive and nationalistic ways" had played a crucial role in creation of havoc in Cyprus' history. Attalides Michael also pointed to the opposing nationalisms as the cause of the Cyprus problem.
By the mid-1950's, the "Cyprus is Turkish" party, movement, and slogan gained force in both Cyprus and Turkey. In a 1954 editorial, Turkish Cypriot leader Dr. Fazil Kuchuk expressed the sentiment that the Turkish youth had grown up with the idea that "as soon as Great Britain leaves the island, it will be taken over by the Turks", and that "Turkey cannot tolerate otherwise". This perspective contributed to the willingness of Turkish Cypriots to align themselves with the British, who started recruiting Turkish Cypriots into the police force that patrolled Cyprus to fight EOKA, a Greek Cypriot nationalist organisation that sought to rid the island of British rule.
EOKA targeted colonial authorities, including police, but Georgios Grivas, the leader of EOKA, did not initially wish to open up a new front by fighting Turkish Cypriots and reassured them that EOKA would not harm their people. In 1956, some Turkish Cypriot policemen were killed by EOKA members and this provoked some intercommunal violence in the spring and summer, but these attacks on policemen were not motivated by the fact that they were Turkish Cypriots.
However, in January 1957, Grivas changed his policy as his forces in the mountains became increasingly pressured by the British Crown forces. In order to divert the attention of the Crown forces, EOKA members started to target Turkish Cypriot policemen intentionally in the towns, so that Turkish Cypriots would riot against the Greek Cypriots and the security forces would have to be diverted to the towns to restore order. The killing of a Turkish Cypriot policeman on 19 January, when a power station was bombed, and the injury of three others, provoked three days of intercommunal violence in Nicosia. The two communities targeted each other in reprisals, at least one Greek Cypriot was killed and the British Army was deployed in the streets. Greek Cypriot stores were burned and their neighbourhoods attacked. Following the events, the Greek Cypriot leadership spread the propaganda that the riots had merely been an act of Turkish Cypriot aggression. Such events created chaos and drove the communities apart both in Cyprus and in Turkey.
On 22 October 1957 Sir Hugh Mackintosh Foot replaced Sir John Harding as the British Governor of Cyprus. Foot suggested five to seven years of self-government before any final decision. His plan rejected both enosis and taksim. The Turkish Cypriot response to this plan was a series of anti-British demonstrations in Nicosia on 27 and 28 January 1958 rejecting the proposed plan because the plan did not include partition. The British then withdrew the plan.
In 1957, Black Gang, a Turkish Cypriot pro-taksim paramilitary organisation, was formed to patrol a Turkish Cypriot enclave, the Tahtakale district of Nicosia, against activities of EOKA. The organisation later attempted to grow into a national scale, but failed to gain public support.
By 1958, signs of dissatisfaction with the British increased on both sides, with a group of Turkish Cypriots forming Volkan (later renamed to the Turkish Resistance Organisation) paramilitary group to promote partition and the annexation of Cyprus to Turkey as dictated by the Menderes plan. Volkan initially consisted of roughly 100 members, with the stated aim of raising awareness in Turkey of the Cyprus issue and courting military training and support for Turkish Cypriot fighters from the Turkish government.
In June 1958, the British Prime Minister, Harold Macmillan, was expected to propose a plan to resolve the Cyprus issue. In light of the new development, the Turks rioted in Nicosia to promote the idea that Greek and Turkish Cypriots could not live together and therefore any plan that did not include partition would not be viable. This violence was soon followed by bombing, Greek Cypriot deaths and looting of Greek Cypriot-owned shops and houses. Greek and Turkish Cypriots started to flee mixed population villages where they were a minority in search of safety. This was effectively the beginning of the segregation of the two communities. On 7 June 1958, a bomb exploded at the entrance of the Turkish Embassy in Cyprus. Following the bombing, Turkish Cypriots looted Greek Cypriot properties. On 26 June 1984, the Turkish Cypriot leader, Rauf Denktaş, admitted on British channel ITV that the bomb was placed by the Turks themselves in order to create tension. On 9 January 1995, Rauf Denktaş repeated his claim to the famous Turkish newspaper Milliyet in Turkey.
The crisis reached a climax on 12 June 1958, when eight Greeks, out of an armed group of thirty five arrested by soldiers of the Royal Horse Guards on suspicion of preparing an attack on the Turkish quarter of Skylloura, were killed in a suspected attack by Turkish Cypriot locals, near the village of Geunyeli, having been ordered to walk back to their village of Kondemenos.
After the EOKA campaign had begun, the British government successfully began to turn the Cyprus issue from a British colonial problem into a Greek-Turkish issue. British diplomacy exerted backstage influence on the Adnan Menderes government, with the aim of making Turkey active in Cyprus. For the British, the attempt had a twofold objective. The EOKA campaign would be silenced as quickly as possible, and Turkish Cypriots would not side with Greek Cypriots against the British colonial claims over the island, which would thus remain under the British. The Turkish Cypriot leadership visited Menderes to discuss the Cyprus issue. When asked how the Turkish Cypriots should respond to the Greek Cypriot claim of enosis, Menderes replied: "You should go to the British foreign minister and request the status quo be prolonged, Cyprus to remain as a British colony". When the Turkish Cypriots visited the British Foreign Secretary and requested for Cyprus to remain a colony, he replied: "You should not be asking for colonialism at this day and age, you should be asking for Cyprus be returned to Turkey, its former owner".
As Turkish Cypriots began to look to Turkey for protection, Greek Cypriots soon understood that enosis was extremely unlikely. The Greek Cypriot leader, Archbishop Makarios III, now set independence for the island as his objective.
Britain resolved to solve the dispute by creating an independent Cyprus. In 1959, all involved parties signed the Zurich Agreements: Britain, Turkey, Greece, and the Greek and Turkish Cypriot leaders, Makarios and Dr. Fazil Kucuk, respectively. The new constitution drew heavily on the ethnic composition of the island. The President would be a Greek Cypriot, and the Vice-President a Turkish Cypriot with an equal veto. The contribution to the public service would be set at a ratio of 70:30, and the Supreme Court would consist of an equal number of judges from both communities as well as an independent judge who was not Greek, Turkish or British. The Zurich Agreements were supplemented by a number of treaties. The Treaty of Guarantee stated that secession or union with any state was forbidden, and that Greece, Turkey and Britain would be given guarantor status to intervene if that was violated. The Treaty of Alliance allowed for two small Greek and Turkish military contingents to be stationed on the island, and the Treaty of Establishment gave Britain sovereignty over two bases in Akrotiri and Dhekelia.
On 15 August 1960, the Colony of Cyprus became fully independent as the Republic of Cyprus. The new republic remained within the Commonwealth of Nations.
The new constitution brought dissatisfaction to Greek Cypriots, who felt it to be highly unjust for them for historical, demographic and contributional reasons. Although 80% of the island's population were Greek Cypriots and these indigenous people had lived on the island for thousands of years and paid 94% of taxes, the new constitution was giving the 17% of the population that was Turkish Cypriots, who paid 6% of taxes, around 30% of government jobs and 40% of national security jobs.
Within three years tensions between the two communities in administrative affairs began to show. In particular disputes over separate municipalities and taxation created a deadlock in government. A constitutional court ruled in 1963 Makarios had failed to uphold article 173 of the constitution which called for the establishment of separate municipalities for Turkish Cypriots. Makarios subsequently declared his intention to ignore the judgement, resulting in the West German judge resigning from his position. Makarios proposed thirteen amendments to the constitution, which would have had the effect of resolving most of the issues in the Greek Cypriot favour. Under the proposals, the President and Vice-President would lose their veto, the separate municipalities as sought after by the Turkish Cypriots would be abandoned, the need for separate majorities by both communities in passing legislation would be discarded and the civil service contribution would be set at actual population ratios (82:18) instead of the slightly higher figure for Turkish Cypriots.
The intention behind the amendments has long been called into question. The Akritas plan, written in the height of the constitutional dispute by the Greek Cypriot interior minister Polycarpos Georkadjis, called for the removal of undesirable elements of the constitution so as to allow power-sharing to work. The plan envisaged a swift retaliatory attack on Turkish Cypriot strongholds should Turkish Cypriots resort to violence to resist the measures, stating "In the event of a planned or staged Turkish attack, it is imperative to overcome it by force in the shortest possible time, because if we succeed in gaining command of the situation (in one or two days), no outside, intervention would be either justified or possible." Whether Makarios's proposals were part of the Akritas plan is unclear, however it remains that sentiment towards enosis had not completely disappeared with independence. Makarios described independence as "a step on the road to enosis".[31] Preparations for conflict were not entirely absent from Turkish Cypriots either, with right wing elements still believing taksim (partition) the best safeguard against enosis.
Greek Cypriots however believe the amendments were a necessity stemming from a perceived attempt by Turkish Cypriots to frustrate the working of government. Turkish Cypriots saw it as a means to reduce their status within the state from one of co-founder to that of minority, seeing it as a first step towards enosis. The security situation deteriorated rapidly.
Main articles: Bloody Christmas (1963) and Battle of Tillyria
An armed conflict was triggered after December 21, 1963, a period remembered by Turkish Cypriots as Bloody Christmas, when a Greek Cypriot policemen that had been called to help deal with a taxi driver refusing officers already on the scene access to check the identification documents of his customers, took out his gun upon arrival and shot and killed the taxi driver and his partner. Eric Solsten summarised the events as follows: "a Greek Cypriot police patrol, ostensibly checking identification documents, stopped a Turkish Cypriot couple on the edge of the Turkish quarter. A hostile crowd gathered, shots were fired, and two Turkish Cypriots were killed."
In the morning after the shooting, crowds gathered in protest in Northern Nicosia, likely encouraged by the TMT, without incident. On the evening of the 22nd, gunfire broke out, communication lines to the Turkish neighbourhoods were cut, and the Greek Cypriot police occupied the nearby airport. On the 23rd, a ceasefire was negotiated, but did not hold. Fighting, including automatic weapons fire, between Greek and Turkish Cypriots and militias increased in Nicosia and Larnaca. A force of Greek Cypriot irregulars led by Nikos Sampson entered the Nicosia suburb of Omorphita and engaged in heavy firing on armed, as well as by some accounts unarmed, Turkish Cypriots. The Omorphita clash has been described by Turkish Cypriots as a massacre, while this view has generally not been acknowledged by Greek Cypriots.
Further ceasefires were arranged between the two sides, but also failed. By Christmas Eve, the 24th, Britain, Greece, and Turkey had joined talks, with all sides calling for a truce. On Christmas day, Turkish fighter jets overflew Nicosia in a show of support. Finally it was agreed to allow a force of 2,700 British soldiers to help enforce a ceasefire. In the next days, a "buffer zone" was created in Nicosia, and a British officer marked a line on a map with green ink, separating the two sides of the city, which was the beginning of the "Green Line". Fighting continued across the island for the next several weeks.
In total 364 Turkish Cypriots and 174 Greek Cypriots were killed during the violence. 25,000 Turkish Cypriots from 103-109 villages fled and were displaced into enclaves and thousands of Turkish Cypriot houses were ransacked or completely destroyed.
Contemporary newspapers also reported on the forceful exodus of the Turkish Cypriots from their homes. According to The Times in 1964, threats, shootings and attempts of arson were committed against the Turkish Cypriots to force them out of their homes. The Daily Express wrote that "25,000 Turks have already been forced to leave their homes". The Guardian reported a massacre of Turks at Limassol on 16 February 1964.
Turkey had by now readied its fleet and its fighter jets appeared over Nicosia. Turkey was dissuaded from direct involvement by the creation of a United Nations Peacekeeping Force in Cyprus (UNFICYP) in 1964. Despite the negotiated ceasefire in Nicosia, attacks on the Turkish Cypriot persisted, particularly in Limassol. Concerned about the possibility of a Turkish invasion, Makarios undertook the creation of a Greek Cypriot conscript-based army called the "National Guard". A general from Greece took charge of the army, whilst a further 20,000 well-equipped officers and men were smuggled from Greece into Cyprus. Turkey threatened to intervene once more, but was prevented by a strongly worded letter from the American President Lyndon B. Johnson, anxious to avoid a conflict between NATO allies Greece and Turkey at the height of the Cold War.
Turkish Cypriots had by now established an important bridgehead at Kokkina, provided with arms, volunteers and materials from Turkey and abroad. Seeing this incursion of foreign weapons and troops as a major threat, the Cypriot government invited George Grivas to return from Greece as commander of the Greek troops on the island and launch a major attack on the bridgehead. Turkey retaliated by dispatching its fighter jets to bomb Greek positions, causing Makarios to threaten an attack on every Turkish Cypriot village on the island if the bombings did not cease. The conflict had now drawn in Greece and Turkey, with both countries amassing troops on their Thracian borders. Efforts at mediation by Dean Acheson, a former U.S. Secretary of State, and UN-appointed mediator Galo Plaza had failed, all the while the division of the two communities becoming more apparent. Greek Cypriot forces were estimated at some 30,000, including the National Guard and the large contingent from Greece. Defending the Turkish Cypriot enclaves was a force of approximately 5,000 irregulars, led by a Turkish colonel, but lacking the equipment and organisation of the Greek forces.
The Secretary-General of the United Nations in 1964, U Thant, reported the damage during the conflicts:
UNFICYP carried out a detailed survey of all damage to properties throughout the island during the disturbances; it shows that in 109 villages, most of them Turkish-Cypriot or mixed villages, 527 houses have been destroyed while 2,000 others have suffered damage from looting.
The situation worsened in 1967, when a military junta overthrew the democratically elected government of Greece, and began applying pressure on Makarios to achieve enosis. Makarios, not wishing to become part of a military dictatorship or trigger a Turkish invasion, began to distance himself from the goal of enosis. This caused tensions with the junta in Greece as well as George Grivas in Cyprus. Grivas's control over the National Guard and Greek contingent was seen as a threat to Makarios's position, who now feared a possible coup.[citation needed] The National Guard and Cyprus Police began patrolling the Turkish Cypriot enclaves of Ayios Theodoros and Kophinou, and on November 15 engaged in heavy fighting with the Turkish Cypriots.
By the time of his withdrawal 26 Turkish Cypriots had been killed. Turkey replied with an ultimatum demanding that Grivas be removed from the island, that the troops smuggled from Greece in excess of the limits of the Treaty of Alliance be removed, and that the economic blockades on the Turkish Cypriot enclaves be lifted. Grivas was recalled by the Athens Junta and the 12,000 Greek troops were withdrawn. Makarios now attempted to consolidate his position by reducing the number of National Guard troops, and by creating a paramilitary force loyal to Cypriot independence. In 1968, acknowledging that enosis was now all but impossible, Makarios stated, "A solution by necessity must be sought within the limits of what is feasible which does not always coincide with the limits of what is desirable."
After 1967 tensions between the Greek and Turkish Cypriots subsided. Instead, the main source of tension on the island came from factions within the Greek Cypriot community. Although Makarios had effectively abandoned enosis in favour of an 'attainable solution', many others continued to believe that the only legitimate political aspiration for Greek Cypriots was union with Greece.
On his arrival, Grivas began by establishing a nationalist paramilitary group known as the National Organization of Cypriot Fighters (Ethniki Organosis Kyprion Agoniston B or EOKA-B), drawing comparisons with the EOKA struggle for enosis under the British colonial administration of the 1950s.
The military junta in Athens saw Makarios as an obstacle. Makarios's failure to disband the National Guard, whose officer class was dominated by mainland Greeks, had meant the junta had practical control over the Cypriot military establishment, leaving Makarios isolated and a vulnerable target.
During the first Turkish invasion, Turkish troops invaded Cyprus territory on 20 July 1974, invoking its rights under the Treaty of Guarantee. This expansion of Turkish-occupied zone violated International Law as well as the Charter of the United Nations. Turkish troops managed to capture 3% of the island which was accompanied by the burning of the Turkish Cypriot quarter, as well as the raping and killing of women and children. A temporary cease-fire followed which was mitigated by the UN Security Council. Subsequently, the Greek military Junta collapsed on July 23, 1974, and peace talks commenced in which a democratic government was installed. The Resolution 353 was broken after Turkey attacked a second time and managed to get a hold of 37% of Cyprus territory. The Island of Cyprus was appointed a Buffer Zone by the United Nations, which divided the island into two zones through the 'Green Line' and put an end to the Turkish invasion. Although Turkey announced that the occupied areas of Cyprus to be called the Federated Turkish State in 1975, it is not legitimised on a worldwide political scale. The United Nations called for the international recognition of independence for the Republic of Cyprus in the Security Council Resolution 367.
In the years after the Turkish invasion of northern Cyprus one can observe a history of failed talks between the two parties. The 1983 declaration of the independent Turkish Republic of Cyprus resulted in a rise of inter-communal tensions and made it increasingly hard to find mutual understanding. With Cyprus' interest of a possible EU membership and a new UN Secretary-General Kofi Annan in 1997 new hopes arose for a fresh start. International involvement from sides of the US and UK, wanting a solution to the Cyprus dispute prior to the EU accession led to political pressures for new talks. The believe that an accession without a solution would threaten Greek-Turkish relations and acknowledge the partition of the island would direct the coming negotiations.
Over the course of two years a concrete plan, the Annan plan was formulated. In 2004 the fifth version agreed upon from both sides and with the endorsement of Turkey, US, UK and EU then was presented to the public and was given a referendum in both Cypriot communities to assure the legitimisation of the resolution. The Turkish Cypriots voted with 65% for the plan, however the Greek Cypriots voted with a 76% majority against. The Annan plan contained multiple important topics. Firstly it established a confederation of two separate states called the United Cyprus Republic. Both communities would have autonomous states combined under one unified government. The members of parliament would be chosen according to the percentage in population numbers to ensure a just involvement from both communities. The paper proposed a demilitarisation of the island over the next years. Furthermore it agreed upon a number of 45000 Turkish settlers that could remain on the island. These settlers became a very important issue concerning peace talks. Originally the Turkish government encouraged Turks to settle in Cyprus providing transfer and property, to establish a counterpart to the Greek Cypriot population due to their 1 to 5 minority. With the economic situation many Turkish-Cypriot decided to leave the island, however their departure is made up by incoming Turkish settlers leaving the population ratio between Turkish Cypriots and Greek Cypriots stable. However all these points where criticised and as seen in the vote rejected mainly by the Greek Cypriots. These name the dissolution of the „Republic of Cyprus", economic consequences of a reunion and the remaining Turkish settlers as reason. Many claim that the plan was indeed drawing more from Turkish-Cypriot demands then Greek-Cypriot interests. Taking in consideration that the US wanted to keep Turkey as a strategic partner in future Middle Eastern conflicts.
A week after the failed referendum the Republic of Cyprus joined the EU. In multiple instances the EU tried to promote trade with Northern Cyprus but without internationally recognised ports this spiked a grand debate. Both side endure their intention of negotiations, however without the prospect of any new compromises or agreements the UN is unwilling to start the process again. Since 2004 negotiations took place in numbers but without any results, both sides are strongly holding on to their position without an agreeable solution in sight that would suit both parties.
My contribution is a shot I took at Handy, Indiana on NYC's former Egyptian line this past weekend. This view looks south away from the tower at an old line pole. The tracks were to the left and it is apparent there were other buildings and shanty's here. HTT!!
Poles like this carried block lines to the towers from the dispatchers, yardmasters, other towers and the phone boxes along the pole lines.
Taking shots of this line and fighting with the windmills in the shots bothers me, so I do my best to keep them out.
NYC Telegraph Line Pole
Handy, Indiana
MP IH 80.40
April 10th, 2022
Ouverture du sas !🎉 Chaque cargo Cygnus est nommé en l’honneur d’une personne ayant apporté une contribution majeure au vol spatial habité. Celui-ci est le S.S. Ellison Onizuka, nommé d’après le premier astronaute américain d’origine asiatique. Et voici à quoi ça ressemble, 3 tonnes de fret attendant d’être déballées !
The process of opening the hatch▩🎉 Every Cygnus spacecraft is named in honour of someone who has made a major contribution to human spaceflight. This one is the S.S. Ellison Onizuka, after the first Asian American astronaut. And this is what 3 tons of cargo looks like when it's waiting to be unpacked
Credits: ESA/NASA–T. Pesquet
527D0793
My contribution to the Kingsman collaboration that SaltyBros did for BrickFair LEGO Fan Expo 2022! I had so much fun building this contribution, based on Kingsman: The Golden Circle (the second film in the series). I spent a lot of time trying to get it detailed and textured, and accurate to the actual set's appearance. Check out all the photos!
Stay tuned for our video interview with Beyond the Brick!
More photos on my website! And check out the collab!
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| Website |
--NS
Through the creations that I build, I hope to inspire other young (or perhaps older) LEGO builders to unleash their inner creativity. We all need a positive way to express ourselves, so let's allow LEGO to be an extension of us. Your creativity belongs to you, and nobody can take that away. Build what you want to build, and how you want to build it. Creativity Never Ends!
My third contribution to the 3am of the Soul collaboration with Jesse Treece and Ventral is Golden.
See what these rad dudes put together in the wee hours of the morning here:
While out on a search for public installations of Contact 2012, Toronto's annual May photography festival now in progress, came upon an exhibition of Leonard Cohen's limited edition prints mounted in the atrium of Brookfield Place. The exhibit is in conjunction with the prestigious Glenn Gould Prize recently awarded to Mr Cohen by an international jury & to be presented to him this Monday night, May 14th, at a gala fundraising concert at Massey Hall. The award is in recognition of his lifetime contribution to arts cultures throughout the world ... in music, literature & visual arts.
The exhibition, titled "Artworks", is a collection of sketches & words spanning 40 years & includes females who have been the subject of his songs & humorous self-portraits with self-deprecating captions. Each print has been produced in permanent pigmented ink, on 300lb watercolour paper and is titled, signed, numbered, dated & embossed with the artists personal seal. Yet another example of Leonard Cohen's limitless talent. At Brookfield Place, downtown Toronto until May 19th.
title of image above : 'watching you think' / leonard cohen '07.
framing, on all works shown in this post, added in picmonkey.... the original mattes have been cropped to varying degrees as they carried reflections of atrium traffic & distracting light flairs.
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NB : Upon receiving the Glenn Gould Prize of $50,000 on Monday night, May 14th, Leonard Coehen donated the total amount to the Canada Council for the Arts to the benefit of other Canadian artists.
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My two contributions to the POP! 2 show at L|td Gallery!
Of course Peter Parker, his alter ego, and the two women in his life that appeals to each side.
My contribution to Nnovvember 2017
I just took a few new photos with assistance from my friend Brian.
Be sure to check out all of the photos in the album!
Harris hawk (Parabuteo unicinctus)
In the Nomura International PLC
No.1 Angel Lane is an architecturally distinguished 525,000 sq.ft development occupying the largest area of open riverside space in the City of London. It forms the focal point of the new business district connecting the river and the heart of the City.
The sixth-floor terrace - the size of eight tennis courts - has unobstructed, panoramic views of the river Thames. It is open to staff and clients to eat al fresco during the summer months while enjoying the peace and tranquillity of the gardens, its water features and London's breathtaking scenery.
The formal gardens are planned and maintained by Tony and Matt of ISS Facilities Landscaping. With over 50 years' experience between them, the hedges, shrubs, herbaceous plants, ferns, herbs and grasses - as well as the lawns - are kept in pristine condition for employees and visitors to enjoy.
The kitchen garden measures 56ft by 20ft. Managed voluntarily by the switchboard team of Eileen, Linda and Tessa, it was cleared to make 12 vegetable beds. The team designed and drew up a growing plan, the seeds were started off from home and the garden came alive!
Now in its fourth year, with about 25 different varieties of vegetables and edible flowers, the garden provides an array of produce, enabling the chefs to pick fresh vegetables daily for client dining. The surplus is offered for sale to staff, with profits donated to charity.
During 2014 Nomura were awarded Best Large Garden at the Flowers in the City Awards. They were also awarded Outstanding Food Grower (Commercial) and Outstanding Contribution to City Green Spaces at the City in Bloom Awards 2015.
[Opensquares.org]
My contribution to today's Self Portrait Sunday theme was created with the help of a dear old furry friend that some of you might know quite well from the glorious Google Plus days 😉
For those of you who haven't met #spidey and my alter ego #spiderwomanthereal yet, you are most welcome to pop in to the world of #lifewithspidey: www.facebook.com/spideythespider/ Merry Christmas to you all!
Title
A Familiar Landscape
（ FUJIFILM GFX50R shot ）
Kujukuri Beach. Motosuka Coast. Sanmu City. Chiba, Japan. May 7, 2025.
… (0.9 / 9)
(Today’s photo. It is unpublished.)
Images
Toshiki Kadomatsu – Forgotten Shores NONSTOP MIX
youtu.be/6JjYgB43vj8?si=OmyjvbmhnTbWVibo
::Photo Music and iTunes Playlist Link::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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#Trump #mutualtariffs #ElonMusk #SteveJobs #self-driving #iphone #Toyota #Crown #artist #sedan #SUV #capitalism #internet #rareearth #subscription #music #Movie #destruction #children #child-rearing #worries #nagging #shrinking #spontaneity #initiative #money #management #Biden #personnel #ability #effort #future #contribution #photographer #Japan #university #work #retirement #NewYork #drive
Thoughts on April 10th
youtu.be/3y-kGHO4GPo?si=V3UDiIkdXsuR5j_f
1. Trump's mutual tariff warhead explodes 😅
Everyone chose it, right? There's nothing we can do about it 😅
2. Elon Musk and Steve Jobs are completely different 😃
Self-driving is just around the corner! It's been a few years since he declared that. Tesla, which is still not yet achieved, and Jobs, who announced it after completely perfecting the iPhone, are completely different.
3. Toyota's new Crown is the crystallization of an artist's spirit that is not afraid of change.
The mindset seen in an SUV that has changed dramatically from the conventional sedan.
4. The collapse of capitalism and the equality brought about by the Internet.
The pursuit of rare earths and the destruction of music and movies by subscription services are bringing changes to capitalism itself.
(We're in the middle of this, so we're arguing a lot 😅)
5. How to raise children and thoughts about children who have grown up
Never nag them. Don't make them shrink. Do everything voluntarily.
Be aware of how to manage your money yourself.
6. Just like the change from Biden to Trump, personnel decisions are not related to ability. 😅
However, I will receive something in return for the effort I put into myself, and contribute that to the future. 😃
It's the same as previous photographers in Japan. I'm just giving up my seat to acquaintances. 😃
7. I don't mind dying when my child graduates from college. 😅 Of course, I'll quit my job right away. 😃 I want to go to New York for a bit. 😃
That's all I said while driving.
If you have a lot of free time, please feel free to read it. 😃
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“A.I. - About Apple’s Identity”
www.flickr.com/photos/stealaway/54271473379/in/dateposted...
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### Will Apple Listen to Mark Zuckerberg’s Criticism?
I Don’t Think So—At Least Not for Someone Enchanted by the Apple Vision Pro.
Mark Zuckerberg, CEO of Meta, recently appeared on a well-known podcast, where he criticized Apple for failing to release an innovative product since the iPhone and for experiencing a decline in sales.
Appearing on a podcast originating from Apple and then proceeding to criticize the company might seem like a lighthearted joke, but I believe he was serious.
Why? Because he now wields a weapon—the AR glasses.
With the support of various institutions and a team of highly skilled professionals, he has likely achieved some notable milestones. Yet, as someone who has been a devoted Apple user since the PowerBook 540c, I still do not sense any real craftsmanship or identity in what he creates.
This sentiment extends to other IT giants that currently dominate the world—Meta, Amazon, Tesla, Microsoft, and Google.
Just by listing their names, readers of this text are likely already picturing their respective CEOs.
In the past, I wrote that Steve Jobs was not an artist.
What he excelled at was weaving together scattered ideas from across the world, expanding upon them, and linking them to the future.
The true creator was Jonathan Ive.
A minority of people may share this perspective with me.
However, when I see these IT moguls quickly shifting their corporate stances the moment the possibility of Trump returning to power emerges, I feel compelled to speak my mind.
The AR glasses, the cars—everything they create lacks a fundamental concept.
Call it ideology or, in lighter terms, identity.
It is true that Tim Cook and Apple’s current team have become more prone to letting slip details about upcoming products before their official release.
I have always loved music.
Artists shut themselves in a studio, cutting off the outside world, pouring their anger, hatred, joy, and sorrow into each note with intense focus.
It’s as if they are entrusting something to their music.
And when they finally release their album, they explain the emotions and thoughts behind its creation.
(Prince, whom I admire, rarely spoke about his work, so understanding his art required engaging with the final product itself.)
Until an album is complete and released, artists say nothing.
It was those artists who moved me to my core.
The faint glow of Apple’s innovation still remains within me.
Not even last year’s widely criticized "failure"—the Apple Vision Pro—could extinguish it.
In fact, it shines even brighter than the iPhone.
Because beyond its cutting-edge electronic components, I can sense a concept, an ideology.
Unfortunately, I will never feel the same from Meta’s AR glasses or Tesla’s cars.
I have written at length, but here is the key article:
**Tim Cook Donates Over $1.5 Million to Trump’s Inauguration Ceremony**
🔗 [Gigazine Article](gigazine.net/news/20250104-apple-ceo-tim-cook-donates-1-m...)
At first glance, this might make it seem like Tim Cook, like other tech CEOs, has sold his soul. But that is not the case.
While Cook personally donated to Trump, Apple itself did not follow the same path as other companies.
Apple refused to bow to Trump.
If asked what Apple’s ideology truly is, I would answer this:
**Apple is a group of individuals who believe in themselves.**
Steve Jobs, watching from heaven, is probably chuckling at this overly serious text I wrote.
A company that does not pander to Trump—
That is Apple. :)
### January 15
After reading a heartwarming article.
**Mitsushiro Nakagawa**
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**Postscript:**
Corrections made:
Before: "Appearing on Apple's podcast"
After: "Appearing on a podcast originating from Apple"
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:
Photo Music and iTunes Playlist Link::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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消えた境界線から生まれたもの ～ 去ってゆく川村記念美術館を振り返って ～
www.flickr.com/photos/stealaway/54020588671/in/dateposted...
What Emerged from the Vanishing Boundaries~ Reflecting on the Departing Kawamura Memorial Museum ~
www.flickr.com/photos/stealaway/54020588671/in/dateposted...
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8mm film of our honeymoon resurrected after decades.
youtu.be/zH-dG7bMeL4?si=yLF5_f1m-LhAVdPp
We found the 8mm film of our honeymoon for the first time in decades, and burned it onto a DVD.
On June 6, 1993, we got married, and headed straight to Nassau, Bahamas, via New York.
Our destination was the pink sand beach where the late Princess Diana went on her honeymoon.
If you're heading to the Bahamas, this might be a good reference.
The hotel we stayed at was the Ramada Hotel, which no longer exists.
My wife is showing us the hotel room.
But now you can see the beautiful scenery in real time.
When I played the DVD that arrived, it showed footage of our arrival in the Bahamas.
Please take a look if you'd like.
This time, we asked Fujifilm to make the DVD.
I'll post the link below.
Digitize videos and photos and convert them to DVDs | Fujifilm
fujifilmmall.jp/conversion/?_gl=1*1smvac9*_gcl_au*NTA1NDU....
#Bahamas #Nassau #PinkSandBeach #Honeymoon #1993
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Important Notices.
I have relaxed the following conditions.
I will distribute my T-shirt to the world for free.
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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Exhibition in 2025
Theme
The Nightfly
Images
Donald Fagen … I.G.Y.
youtu.be/Ueivjr3f8xg?si=xmqGPQjyIKoTs4Q5
Live.
youtu.be/Di0_KYtmVKI?si=CLFpU2n0gXahqLPB
Mitsushiro - Nakagawa
Organizer
Design Festa
Location
Tokyo Big Sight
Date
Autumn 2025.
exhibition.mitsushiro.nakagawa@gmail.com
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Notice regarding "Lot No.402_”.
From now on I will host "Lot No.402_".
The work of Leonardo da Vinci who was sleeping.
That is the number when it was put up for auction.
No sign was written on the work.
So this work couldn't conclude that it was his work.
However # as a result of various appraisals # it was exposed to the sun.
A work that no one notices. A work that speaks quietly without a title.
I will continue to strive to provide it to many people in various ways.
October 24 2020 by Mitsushiro - Nakagawa.
Mitsushiro Nakagawa belong to Lot No. 402 _.Copyright©︎2025 Lot No.402_ All rights reserved.
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Profile.
In November 2014 # we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model # and will conclude a confidentiality agreement with them.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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Here’s a translated version with a style suitable for a news site introduction:
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### **Interview and Novel: My Work**
I published a book in the past.
At that time, I uploaded my interview as a PDF online, both in Japanese and English.
Now, I am making it available for free.
More details can be found on Amazon.
**Writing a Novel.**
**Photography Techniques.**
**The Sense of Distance Between the Creator and the Work.**
These all share a common theme.
I put into words the things I felt and left them behind as a record.
I hope my text reaches many readers.
Thank you.
**Mitsushiro**
🔗 **[Access the Files Here](drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...)**
### **Contents**
📄 **1. Interview (English Version)**
📖 **2. Novel: *Unforgettable* (English Version)**
📄 **3. Interview (Japanese Version)**
📖 **4. Novel: *Unforgettable* (Japanese Version)**
*(This novel is dedicated to future artists.)*
*(456 pages in Japanese manuscript format.)*
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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### **Synopsis**
Kei Kitami, a student preparing for university entrance exams, meets Kaori Kamimura, an event companion six years his senior, through social media.
Kaori has come to Tokyo with a dream—to befriend famous artists.
To achieve this, she needs the influence of Ryo Osawa, a well-known radio producer.
During a live radio broadcast, Osawa speaks directly to Kaori:
*"I have a wife and child. But still, I want to see you."*
Meanwhile, Rika Sanjo, Kei’s classmate who secretly harbors feelings for him, is closely watching Kaori’s every move...
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Main story
There are two reasons why a person faces the sea.
One to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other to brush the dust of memory like an old man who misses old days staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel : Unforgettable'
(This book is Dedicated to the future artist.)
Kei Kitami, a student preparing for university entrance exams, meets Kaori Kamimura, an event companion six years his senior, through social media.
Kaori has come to Tokyo with a dream—to befriend famous artists.
To achieve this, she needs the influence of Ryo Osawa, a well-known radio producer.
During a live radio broadcast, Osawa speaks directly to Kaori:
*"I have a wife and child. But still, I want to see you."*
Meanwhile, Rika Sanjo, Kei’s classmate who secretly harbors feelings for him, is closely watching Kaori’s every move...
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other to brush the dust of memory like an old man who misses old days staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
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3/9
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4/9
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5/9
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6/9
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7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
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The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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Do you want to hear my voice?
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell # I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs # it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
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I talked about how to make a work.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well # what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview # it is the same as writing a novel.
7 I want to show it to someone # but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays # it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
www.youtube.com/user/mitsushiro/
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Explanation of composition. 2
1.Composition explanation 2 ... 1/4
2.Composition explanation 2 ... 2/4
3.Composition Explanation 2 ... 3/4
4.Composition Explanation 2 ... 4/4
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My shutter feeling.
Today's photo.
It is a photo taken from Eurostar.
This video is an explanation.
I went to Milan in 2005.
At that time # I went from Milan to Venice.
We took Eurostar into the transportation.
This photo was not taken from a very fast Eurostar.
When I changed the track # I took a picture at the moment I slowed down.
Is there a Japanese beside you?
Please have my video translated.
:)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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My Statistics (as of May 12, 2025)
Flickr and YouPic views:
Flickr 25,354,244 View
Youpic 8,533,634 View
x.com/mitsushiro/status/1921858836618481746
My statistics (as of December 15, 2024)
How many views have you had on Flickr and Youpic
Flickr 24,260,172 Views
Youpic 7,957,826 Views
x.com/mitsushiro/status/1868185157909582014
My statistics (as of August 1, 2024)
How many views have I had on Flickr and Youpic
Flickr 23,192,383 Views
Youpic 7,574,603 Views
My statistics. (As of February 7, 2024)
What is the number of accesses to Flickr and YouPic
Flickr 21,694,434 Views
Youpic 7,003,230 Views
What is the number of accesses to Flickr and YouPic?
(As of November 13, 2023)
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsushiro Nakagawa belong to Lot No. 204 _ . Copyright©︎2024 Lot No.402_ All rights reserved.
_________________________________アイフォン用の
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Title.
見慣れた風景。
（ 富士フィルム GFX50R shot ）
九十九里浜。本須賀海岸。山武市。千葉。日本。５月７日２０２５年。 … ( 0.9 / 9 )
( 今日の写真。それは未発表です。 )
Images.
Toshiki Kadomatsu … Forgotten Shores NONSTOPMIX
youtu.be/6JjYgB43vj8?si=OmyjvbmhnTbWVibo
::写真の音楽とiTunesプレイリストをリンク::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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#トランプ #相互関税 #イーロンマスク #スティーブジョブズ #自動運転 #アイフォン #アイフォーン #トヨタ #クラウン #アーティスト #セダン #SUV #資本主義 #インターネット #レアアース #サブスク #音楽 #映画 #破壊 #子供 #子育て #悩み #小言 #萎縮 #自発性 #自発的 #お金 #管理 #バイデン #人事 #能力 #労力 #未来 #貢献 #写真家 #日本 #大学 #仕事 #退職 #ニューヨーク #ドライブ
4月１０日に想うこと
youtu.be/3y-kGHO4GPo?si=vlQdX3yaQ-Jdd3Pp
１ トランプ相互関税弾頭炸裂 😅
みんなが選んだんでしょ？ どうにもならないなー 😅
２ イーロンマスクとスティーブ・ジョブズは１８０度、異なります😃
自動運転はもう間近！ と公言してから数年。いまだ達成できないテスラとアイフォンを完全に完成させてから発表したジョブズはまるで異なる。
３ トヨタの新型クラウンは、変化を恐れないアーティスト精神の結晶
従来のセダンから大きく変化させたSUVに見るその心得。
４ 資本主義の崩壊・インターネットがもたらした平等
レアアースの追求・サブスクが破壊した音楽・映画のあり方は、資本主義そのもののに変化をもたらしている。
（その最中だから揉めに揉めているところ😅）
５ 子供の育て方・育った子に想うこと
小言は決して言わない。萎縮させない。すべてを自発的に。
お金の管理も自ら気づくように。
６ バイデンからトランプへ変わったように、人事は能力無関係😅
ただし、僕は自分に費やした労力分は見返りをいただき、その分は未来へ貢献する😃
日本のこれまでの写真家と同じ。知り合いに席を譲り合っているだけ😃
７ 子供が大学を卒業したら死んでもいい😅 もちろん、仕事は速攻辞めます😃ニューヨークへちょっと行きたい😃
以上、ドライブしながら地味に語りました。
お時間が、どーしても有り余ってる方はどうぞ 😃
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重要なお知らせ。
僕は以下の条件を緩和します。
僕はTシャツを無料で世界中へ配布します。
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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２０２5年の展示
テーマ
The Nightfly
Images
Donald Fagen … I.G.Y.
youtu.be/Ueivjr3f8xg?si=xmqGPQjyIKoTs4Q5
Live.
youtu.be/Di0_KYtmVKI?si=CLFpU2n0gXahqLPB
Mitsushiro - Nakagawa
主催
デザインフェスタ
場所
東京ビッグサイト
日程
2025年 秋。
exhibition.mitsushiro.nakagawa@gmail.com
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タイトル
“” A.I. アップルのアイデンティティについて””
www.flickr.com/photos/stealaway/54271473379/in/dateposted...
マークザッカーバーグ氏の批判に、アップルは耳を傾けるだろうか。
僕にはそう思えない。アップルヴィジョンプロに夢を見せられた僕には。
メタのマークザッカーバーグ氏は、有名なポッドキャストに出演し、アップルはアイフォン以来革新的な製品を発売せず、売り上げも落ちていると批判したようだ。
アップル発祥のポッドキャストに現れ、アップルを批判すると言うのは軽いジョークに思えるが、真剣に訴えたんだろうと僕は思う。
なぜなら、今の彼はARグラスという武器を手にしているからだ。
おそらく、さまざまな関係機関や優秀なスタッフが彼を支え、それなりの目標を達成したんだろうが、パワーブック５４０cから使い続けてきた僕のような古いアップルファンからしてみれば、まだ物作りのアイデンティを彼からはまったく感じない。
これは他の、現在世界を制覇しているIT企業らも含む。
メタ、アマゾン、テスラ。マイクロソフト。グーグル。
社名が並ぶだけで、このテキストを読まれている方は名前と顔をすでに浮かべているはずだ。
僕は以前、スティーブ・ジョブズはアーティストではないと書いた。
彼は、現世界に散らばったイメージを紡ぎ合わせ、それを膨らます。そして未来へリンクさせる。それが得意だっただけだ。
実際に創作していたのはジョナサンアイブだ。少数ながらも僕のような意見を持っている方もいるだろう。
しかし、先述したIT関連の面々が、トランプ氏に再び権力が戻るとなった途端に会社の方針を覆す様子を見ていると、僕は一言、どうしても意見したいのだ。
彼らが作ったARグラスや車などには、肝心な観念が欠けている。思想という重い言葉や、軽めのアイデンティティと言い換えてもいい。
確かに、ティムクック氏やアップルの現在のスタッフらは、発売前の商品に関して口を滑らせることが多くなった。
僕は、以前から書いているように音楽が大好きだ。
外界を断ち、アーティストらがスタジオにこもって、怒りや憎しみ、喜びや悲しみを一心不乱になって一音に吹き込む。何かを託すと言ってもいい。
そして、完成したアルバムを発表し、どんな思いを込めて制作したのかを語る。（僕が好きなプリンスはほとんど語らなかったので、完成された作品を理解する必要があった）
アルバムが完成し、発表するまで、彼らはひとことも語らない。
僕の胸を震わせたのは、そんなアーティストらだった。
僕の中に淡く灯っているアップルの革新性は、いまでも消えていない。
それは昨年、大失敗だと批判されたアップルヴィジョンプロでさえも消すことはできない。むしろ、アイフォン以上の強烈な光を放っている。
ただの斬新な電化製品ではなく、細かな電気部品の向こうに観念や思想を感じるからだ。
残念ながら、メタのARグラスやテスラの車に、僕がその観念や思想を感じることは今後もないだろう。
長々と書いてきたが、結論は以下の記事だ。
1.5億円超をAppleのティム・クックCEOがトランプの大統領就任式に寄付
gigazine.net/news/20250104-apple-ceo-tim-cook-donates-1-m...
一読すると、ティムクック氏も他のIT会社同様、魂を売ったのかと思われるがそうではない。
ティムクック氏は個人的にトランプ氏へ献金をするが、アップル社だけは他社と同じようには献金していない。
アップルは、トランプ氏になびかなかったのだ。
アップル社の観念や思想とは、具体的に何かと訊かれたら、僕はこう答える。
アップルとは、自分自身を信じる人間が集まっているグループだ。
たぶん、天国のスティーブ・ジョブズは、僕がクソ真面目に書いたテキストを、鼻で笑っていることだろう。
トランプ氏に媚びない会社。
それがAppleさ。:)
１月１５日
嬉しい記事を読んだ後で。
Mitsushiro Nakagawa.
追記。
修正しました。
修正前 アップルのポッドキャストに現れ、
修正後 アップル発祥のポッドキャストに現れ、
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新婚旅行の8mmフィルムを数十年ぶりに復活😃
youtu.be/zH-dG7bMeL4?si=yLF5_f1m-LhAVdPp
新婚旅行の8mmフィルムが数十年ぶりに出てきて、DVDに焼きました。
１９９３年６月６日、僕らは結婚し、そのままニューヨークを経由して、バハマのナッソーへ向かいました。
目的地は、亡くなられたダイアナ妃が新婚旅行へ向かったピンクサンドビーチです。
もしもこれからバハマへ向かうならば、参考に見てもよいかもしれません。
泊まったホテルは、今はもうないラマダホテル。
妻がホテルの部屋を紹介しています。
でも、今はリアルタイムで美しい景色が見られますね。
届いたDVDを再生したら、バハマに到着したところからの映像でした。
もしもよかったら見てください。
今回、DVD化を依頼した場所は、富士フィルムさんです。
下にリンクを貼っておきます。
ビデオや写真をデータ化しDVDに変換 | 富士フイルム
fujifilmmall.jp/conversion/?_gl=1*1smvac9*_gcl_au*NTA1NDU....
#バハマ #ナッソー #ピンクサンドビーチ #新婚旅行 #1993
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2021 Lot No.402_ All rights reserved.
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プロフィール
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
１ インタビュー 英語版
２ 小説。unforgettable’ 英語版。
３ インタビュー 日本語版
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
５ 流線形の軌跡。 日本語のみ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
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僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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あなたは僕の声を聞きたいですか？
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
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作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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構図の解説２
1.構図の解説２ ... 1/4
2.構図の解説２ ... 2/4
3.構図の解説２ ... 3/4
4.構図の解説２ ... 4/4
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僕のシャッター感覚
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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僕の統計（2025年5月12日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 25,354,244 View
Youpic 8,533,634 View
x.com/mitsushiro/status/1921858836618481746
僕の統計。（2024年12月15日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 24,260,172 View
Youpic 7,957,826 View
x.com/mitsushiro/status/1868185157909582014
僕の統計。（2024年8月1日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 23,192,383 View
Youpic 7,574,603 View
僕の統計。（2024年2月7日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 21,694,434 View
Youpic 7,003,230 View
僕の統計。（2023年11月13日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsushiro Nakagawa belong to Lot no.204_ . Copyright©︎2020 Lot no.204_ All rights reserved.
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2024 Lot No.402_ All rights reserved.
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Palmer, Alfred T.,, photographer.
Students at Washington High School at class, training for specific contributions to the war effort, Los Angeles, Calif.
1942 Sept.
1 transparency : color.
Notes:
Title from FSA or OWI agency caption.
Transfer from U.S. Office of War Information, 1944.
Subjects:
Washington High School (Los Angeles, Calif.)
Schools
World War, 1939-1945
Vocational education
United States--California--Los Angeles
Format: Transparencies--Color
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Farm Security Administration - Office of War Information Collection 12002-40 (DLC) 93845501
General information about the FSA/OWI Color Photographs is available at hdl.loc.gov/loc.pnp/pp.fsac
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/fsac.1a35367
Call Number: LC-USW36-287
contribution to the traveling moleskine project. gocco page, of my house print pasted on black card.
My contribution for this week's theme "eye contact", for the Swedish photo group Fotosondag.
Fjäderholmarna. Stockholms närmaste skärgårdsö. Måsar, vitkindade gäss och trutar vaktar sina ägg med väsningar och spända blickar. Kanske inte den mysigaste ögonkontakten men väl så effektiv.
English/Anglais
IS2005-2175a
07 August, 2005
Gulf of Oman, Arabian Sea
Ship's Team Divers with HMCS Winnipeg, Leading Seaman Andy O'Brien (left), from Cape Broyle, Nfld., and Able Seaman Marc Tremblay, from Victoria, B.C., check their equipment prior to a dive in the Gulf of Oman.
The Canadian frigate is part of Operation ALTAIR, Canada's maritime contribution to the U.S.-led coalition campaign against terrorism mission known as Operation ENDURING FREEDOM.
HMCS Winnipeg is deployed for a period of six months to the Persian Gulf (Arabian Gulf) region and is operating with the 5th Fleet of the United States Navy. With her crew of 240 officers and sailors, and her CH-124 Sea King helicopter detachment, HMCS Winnipeg is conducting surveillance patrols and maritime interdiction operations in order to control sea-based activity in the region.
Photo: Sgt Frank Hudec, Canadian Forces Combat Camera
French/Français
IS2005-2175a
Le 7 août 2005
Golfe d’Oman (mer d’Oman)
Des membres de l’équipe de plongeurs de bord du NCSM Winnipeg, le Matelot de 1re classe Andy O'Brien (à gauche), de Cape Broyle (Terre Neuve), et le Matelot de 2e classe Marc Tremblay, de Victoria (C. B.), vérifient leur équipement avant de plonger dans le golfe d’Oman.
La frégate canadienne participe à l’opération Altair, la contribution maritime du Canada à la campagne dirigée par les É. U. et menée par la coalition contre le terrorisme, connue sous le nom d’opération Enduring Freedom.
Déployé dans la région du golfe Arabo-Persique pour une période de six mois, le NCSM Winnipeg collabore avec la 5e flotte de la United States Navy. Constitué d’un équipage de 240 officiers et matelots ainsi que d’un détachement d’hélicoptères CH-124 Sea King, le NCSM Winnipeg effectue des patrouilles de surveillance et mène des opérations d’interdiction maritime afin de contrôler les activités maritimes dans la région.
Photo : Sgt Frank Hudec, Caméra de combat des Forces canadiennes
My very minor contribution to this project is the technical analysis of some of the textiles recovered from the site under the direction of an archaeologist who is a leading expert on North Atlantic textiles.
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About the Borgund Kaupang Project
Borgund (outside of Ålesund in Møre og Romsdal County) was one of medieval Norway’s only 14 towns (see map). Sources suggest that the place dates back into the Viking Age and prospered until its late medieval abandonment. Known from literary sources and 20 seasons of archaeological excavations, little research has been carried out on the extensive datasets available. With multidisciplinary and pluralistic approaches, we address the economic and cultural prerequisites of Borgund from emergence to abandonment.
Our hypotheses are that:
1. Borgund, as one of Norway’s small towns, had a diverse economy with a central role in processing and refining natural resources from sea and land for domestic and international trade.
2. The inhabitants of Borgund were part of international economic, cultural and social networks and enjoyed a lifestyle with influences from distant parts of Europe and the North Atlantic.
With a human level, Perspective from below approach, we will study economic, cultural and social aspects of production, procurement and consumption of exotic and domestic materials at Borgund within national, European and North Atlantic contexts. The project includes two PhD projects dealing with
1. Production and consumption of iron objects and
2. Consumption of household soapstone and pottery vessels.
In addition, a team of national and international experts approach a broad spectrum of sources: Churches and secular buildings, imported textiles, gender related objects, exotic and domestic everyday accessories, literary sources and more.
This approach adds new insights about life in small communities on the periphery of Europe, and the roles they played on the world stage.
www.uib.no/en/rg/borgund-kaupang/128731/about-project-res...
My contribution to the Culture Vulture Travelling Moleskine project. The answer to the question "What makes you tick?".
Marc Zakharovich Chagall (/ʃəˈɡɑːl/ shə-GAHL;[3][nb 1] born Moishe Zakharovich Shagal;[4] 6 July [O.S. 24 June] 1887 – 28 March 1985) was a Russian-French artist of Belarusian Jewish origin.[1] An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints.
Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's preeminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN, and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra.
Before World War I, he travelled between Saint Petersburg, Paris and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern European Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922.
He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk."[5] "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is".[6]
Contents
1 Early life and education
1.1 Early life
1.2 Art education
1.3 Artistic inspiration
2 Art career
2.1 Russia (1906–1910)
2.2 France (1910–1914)
2.3 Russia and Soviet Belarus (1914–1922)
2.4 France (1923–1941)
2.4.1 The Bible illustrations
2.4.2 Nazi campaigns against modern art
2.4.3 Escaping occupied France
2.5 United States (1941–1948)
2.5.1 Aleko ballet (1942)
2.5.2 Coming to grips with World War II
2.5.3 Post-war years
2.6 France (1948–1985)
2.6.1 Ceiling of the Paris Opera (1963)
3 Art styles and techniques
3.1 Color
3.2 Subject matter
3.2.1 From life memories to fantasy
3.2.2 Jewish themes
Early life and education
Chagall's Parents
Marc Chagall was born Moishe Segal in a Lithuanian Jewish family in Liozna,[7] near the city of Vitebsk (Belarus, then part of the Russian Empire) in 1887.[note][8] At the time of his birth, Vitebsk's population was about 66,000, with half the population being Jewish.[5] A picturesque city of churches and synagogues, it was called "Russian Toledo", after a cosmopolitan city of the former Spanish Empire. As the city was built mostly of wood, little of it survived years of occupation and destruction during World War II.
Chagall was the eldest of nine children. The family name, Shagal, is a variant of the name Segal, which in a Jewish community was usually borne by a Levitic family.[9] His father, Khatskl (Zachar) Shagal, was employed by a herring merchant, and his mother, Feige-Ite, sold groceries from their home. His father worked hard, carrying heavy barrels but earning only 20 roubles each month (the average wages across the Russian Empire being 13 roubles a month). Chagall would later include fish motifs "out of respect for his father", writes Chagall biographer, Jacob Baal-Teshuva. Chagall wrote of these early years:
Day after day, winter and summer, at six o'clock in the morning, my father got up and went off to the synagogue. There he said his usual prayer for some dead man or other. On his return he made ready the samovar, drank some tea and went to work. Hellish work, the work of a galley-slave. Why try to hide it? How tell about it? No word will ever ease my father's lot... There was always plenty of butter and cheese on our table. Buttered bread, like an eternal symbol, was never out of my childish hands.[10]
One of the main sources of income of the Jewish population of the town was from the manufacture of clothing that was sold throughout Russia. They also made furniture and various agricultural tools.[11] From the late 18th century to the First World War, the Russian government confined Jews to living within the Pale of Settlement, which included modern Ukraine, Belarus, Poland, Lithuania, and Latvia, almost exactly corresponding to the territory of the Polish-Lithuanian Commonwealth recently taken over by Imperial Russia. This caused the creation of Jewish market-villages (shtetls) throughout today's Eastern Europe, with their own markets, schools, hospitals, and other community institutions.[12]:14
Most of what is known about Chagall's early life has come from his autobiography, My Life. In it, he described the major influence that the culture of Hasidic Judaism had on his life as an artist. Vitebsk itself had been a center of that culture dating from the 1730s with its teachings derived from the Kabbalah. Chagall scholar Susan Tumarkin Goodman describes the links and sources of his art to his early home:
Chagall's art can be understood as the response to a situation that has long marked the history of Russian Jews. Though they were cultural innovators who made important contributions to the broader society, Jews were considered outsiders in a frequently hostile society... Chagall himself was born of a family steeped in religious life; his parents were observant Hasidic Jews who found spiritual satisfaction in a life defined by their faith and organized by prayer.[12]:14
Chagall was friends with Sholom Dovber Schneersohn, and later with Menachem M. Schneerson.[13]
Art education
Portrait of Chagall by Yehuda (Yuri) Pen, his first art teacher in Vitebsk
In Russia at that time, Jewish children were not allowed to attend regular Russian schools or universities. Their movement within the city was also restricted. Chagall therefore received his primary education at the local Jewish religious school, where he studied Hebrew and the Bible. At the age of 13, his mother tried to enroll him in a Russian high school, and he recalled, "But in that school, they don't take Jews. Without a moment's hesitation, my courageous mother walks up to a professor." She offered the headmaster 50 roubles to let him attend, which he accepted.[10]
A turning point of his artistic life came when he first noticed a fellow student drawing. Baal-Teshuva writes that for the young Chagall, watching someone draw "was like a vision, a revelation in black and white". Chagall would later say that there was no art of any kind in his family's home and the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go and find a book in the library, idiot, choose any picture you like, and just copy it". He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.[11]
He eventually confided to his mother, "I want to be a painter", although she could not yet understand his sudden interest in art or why he would choose a vocation that "seemed so impractical", writes Goodman. The young Chagall explained, "There's a place in town; if I'm admitted and if I complete the course, I'll come out a regular artist. I'd be so happy!" It was 1906, and he had noticed the studio of Yehuda (Yuri) Pen, a realist artist who also operated a small drawing school in Vitebsk, which included the future artists El Lissitzky and Ossip Zadkine. Due to Chagall's youth and lack of income, Pen offered to teach him free of charge. However, after a few months at the school, Chagall realized that academic portrait painting did not suit his desires.[11]
Artistic inspiration
Marc Chagall, 1912, Calvary (Golgotha), oil on canvas, 174.6 × 192.4 cm, Museum of Modern Art, New York. Alternative titles: Kreuzigung Bild 2 Christus gewidmet [Golgotha. Crucifixion. Dedicated to Christ]. Sold through Galerie Der Sturm (Herwarth Walden), Berlin to Bernhard Koehler (1849–1927), Berlin, 1913. Exhibited: Erster Deutscher Herbstsalon, Berlin, 1913
Goodman notes that during this period in Russia, Jews had two basic alternatives for joining the art world: One was to "hide or deny one's Jewish roots". The other alternative—the one that Chagall chose—was "to cherish and publicly express one's Jewish roots" by integrating them into his art. For Chagall, this was also his means of "self-assertion and an expression of principle."[12]:14
Chagall biographer Franz Meyer, explains that with the connections between his art and early life "the hassidic spirit is still the basis and source of nourishment for his art."[14] Lewis adds, "As cosmopolitan an artist as he would later become, his storehouse of visual imagery would never expand beyond the landscape of his childhood, with its snowy streets, wooden houses, and ubiquitous fiddlers... [with] scenes of childhood so indelibly in one's mind and to invest them with an emotional charge so intense that it could only be discharged obliquely through an obsessive repetition of the same cryptic symbols and ideograms... "[5]
Years later, at the age of 57 while living in the United States, Chagall confirmed this when he published an open letter entitled, "To My City Vitebsk":
Why? Why did I leave you many years ago? ... You thought, the boy seeks something, seeks such a special subtlety, that color descending like stars from the sky and landing, bright and transparent, like snow on our roofs. Where did he get it? How would it come to a boy like him? I don't know why he couldn't find it with us, in the city—in his homeland. Maybe the boy is "crazy", but "crazy" for the sake of art. ...You thought: "I can see, I am etched in the boy's heart, but he is still 'flying,' he is still striving to take off, he has 'wind' in his head." ... I did not live with you, but I didn't have one single painting that didn't breathe with your spirit and reflection.[15]
Art career
Russia (1906–1910)
In 1906, he moved to Saint Petersburg which was then the capital of Russia and the center of the country's artistic life with its famous art schools. Since Jews were not permitted into the city without an internal passport, he managed to get a temporary passport from a friend. He enrolled in a prestigious art school and studied there for two years.[11] By 1907, he had begun painting naturalistic self-portraits and landscapes.
Between 1908 and 1910, Chagall was a student of Léon Bakst at the Zvantseva School of Drawing and Painting. While in Saint Petersburg, he discovered experimental theater and the work of such artists as Paul Gauguin.[16] Bakst, also Jewish, was a designer of decorative art and was famous as a draftsman designer of stage sets and costumes for the Ballets Russes, and helped Chagall by acting as a role model for Jewish success. Bakst moved to Paris a year later. Art historian Raymond Cogniat writes that after living and studying art on his own for four years, "Chagall entered into the mainstream of contemporary art. ...His apprenticeship over, Russia had played a memorable initial role in his life."[17]:30
Chagall stayed in Saint Petersburg until 1910, often visiting Vitebsk where he met Bella Rosenfeld. In My Life, Chagall described his first meeting her: "Her silence is mine, her eyes mine. It is as if she knows everything about my childhood, my present, my future, as if she can see right through me."[11]:22
France (1910–1914)
Marc Chagall, 1911–12, The Drunkard (Le saoul), 1912, oil on canvas. 85 × 115 cm. Private collection
Marc Chagall, 1912, The Fiddler, an inspiration for the musical Fiddler on the Roof[18]
In 1910, Chagall relocated to Paris to develop his artistic style. Art historian and curator James Sweeney notes that when Chagall first arrived in Paris, Cubism was the dominant art form, and French art was still dominated by the "materialistic outlook of the 19th century". But Chagall arrived from Russia with "a ripe color gift, a fresh, unashamed response to sentiment, a feeling for simple poetry and a sense of humor", he adds. These notions were alien to Paris at that time, and as a result, his first recognition came not from other painters but from poets such as Blaise Cendrars and Guillaume Apollinaire.[19]:7 Art historian Jean Leymarie observes that Chagall began thinking of art as "emerging from the internal being outward, from the seen object to the psychic outpouring", which was the reverse of the Cubist way of creating.[20]
He therefore developed friendships with Guillaume Apollinaire and other avant-garde luminaries such as Robert Delaunay and Fernand Léger.[21] Baal-Teshuva writes that "Chagall's dream of Paris, the city of light and above all, of freedom, had come true."[11]:33 His first days were a hardship for the 23-year-old Chagall, who was lonely in the big city and unable to speak French. Some days he "felt like fleeing back to Russia, as he daydreamed while he painted, about the riches of Russian folklore, his Hasidic experiences, his family, and especially Bella".
In Paris, he enrolled at Académie de La Palette, an avant-garde school of art where the painters Jean Metzinger, André Dunoyer de Segonzac and Henri Le Fauconnier taught, and also found work at another academy. He would spend his free hours visiting galleries and salons, especially the Louvre; artists he came to admire included Rembrandt, the Le Nain brothers, Chardin, van Gogh, Renoir, Pissarro, Matisse, Gauguin, Courbet, Millet, Manet, Monet, Delacroix, and others. It was in Paris that he learned the technique of gouache, which he used to paint Belarusian scenes. He also visited Montmartre and the Latin Quarter "and was happy just breathing Parisian air."[11] Baal-Teshuva describes this new phase in Chagall's artistic development:
Chagall was exhilarated, intoxicated, as he strolled through the streets and along the banks of the Seine. Everything about the French capital excited him: the shops, the smell of fresh bread in the morning, the markets with their fresh fruit and vegetables, the wide boulevards, the cafés and restaurants, and above all the Eiffel Tower.
Another completely new world that opened up for him was the kaleidoscope of colours and forms in the works of French artists. Chagall enthusiastically reviewed their many different tendencies, having to rethink his position as an artist and decide what creative avenue he wanted to pursue.[11]:33
During his time in Paris, Chagall was constantly reminded of his home in Vitebsk, as Paris was also home to many painters, writers, poets, composers, dancers, and other émigrés from the Russian Empire. However, "night after night he painted until dawn", only then going to bed for a few hours, and resisted the many temptations of the big city at night.[11]:44 "My homeland exists only in my soul", he once said.[20]:viii He continued painting Jewish motifs and subjects from his memories of Vitebsk, although he included Parisian scenes—- the Eiffel Tower in particular, along with portraits. Many of his works were updated versions of paintings he had made in Russia, transposed into Fauvist or Cubist keys.[5]
Marc Chagall, 1912, Still-life (Nature morte), oil on canvas, private collection
Chagall developed a whole repertoire of quirky motifs: ghostly figures floating in the sky, ... the gigantic fiddler dancing on miniature dollhouses, the livestock and transparent wombs and, within them, tiny offspring sleeping upside down.[5] The majority of his scenes of life in Vitebsk were painted while living in Paris, and "in a sense they were dreams", notes Lewis. Their "undertone of yearning and loss", with a detached and abstract appearance, caused Apollinaire to be "struck by this quality", calling them "surnaturel!" His "animal/human hybrids and airborne phantoms" would later become a formative influence on Surrealism.[5] Chagall, however, did not want his work to be associated with any school or movement and considered his own personal language of symbols to be meaningful to himself. But Sweeney notes that others often still associate his work with "illogical and fantastic painting", especially when he uses "curious representational juxtapositions".[19]:10
Sweeney writes that "This is Chagall's contribution to contemporary art: the reawakening of a poetry of representation, avoiding factual illustration on the one hand, and non-figurative abstractions on the other". André Breton said that "with him alone, the metaphor made its triumphant return to modern painting".[19]:7
Russia and Soviet Belarus (1914–1922)
Because he missed his fiancée, Bella, who was still in Vitebsk—"He thought about her day and night", writes Baal-Teshuva—and was afraid of losing her, Chagall decided to accept an invitation from a noted art dealer in Berlin to exhibit his work, his intention being to continue on to Belarus, marry Bella, and then return with her to Paris. Chagall took 40 canvases and 160 gouaches, watercolors and drawings to be exhibited. The exhibit, held at Herwarth Walden's Sturm Gallery was a huge success, "The German critics positively sang his praises."[11]
People's Art School where the Vitebsk Museum of Modern Art was situated
After the exhibit, he continued on to Vitebsk, where he planned to stay only long enough to marry Bella. However, after a few weeks, the First World War began, closing the Russian border for an indefinite period. A year later he married Bella Rosenfeld and they had their first child, Ida. Before the marriage, Chagall had difficulty convincing Bella's parents that he would be a suitable husband for their daughter. They were worried about her marrying a painter from a poor family and wondered how he would support her. Becoming a successful artist now became a goal and inspiration. According to Lewis, "[T]he euphoric paintings of this time, which show the young couple floating balloon-like over Vitebsk—its wooden buildings faceted in the Delaunay manner—are the most lighthearted of his career".[5] His wedding pictures were also a subject he would return to in later years as he thought about this period of his life.[11]:75
Bella with White Collar, 1917
In 1915, Chagall began exhibiting his work in Moscow, first exhibiting his works at a well-known salon and in 1916 exhibiting pictures in St. Petersburg. He again showed his art at a Moscow exhibition of avant-garde artists. This exposure brought recognition, and a number of wealthy collectors began buying his art. He also began illustrating a number of Yiddish books with ink drawings. He illustrated I. L. Peretz's The Magician in 1917.[22] Chagall was 30 years old and had begun to become well known.[11]:77
The October Revolution of 1917 was a dangerous time for Chagall although it also offered opportunity. By then he was one of the Russia's most distinguished artists and a member of the modernist avant-garde, which enjoyed special privileges and prestige as the "aesthetic arm of the revolution".[5] He was offered a notable position as a commissar of visual arts for the country[clarification needed], but preferred something less political, and instead accepted a job as commissar of arts for Vitebsk. This resulted in his founding the Vitebsk Arts College which, adds Lewis, became the "most distinguished school of art in the Soviet Union".
It obtained for its faculty some of the most important artists in the country, such as El Lissitzky and Kazimir Malevich. He also added his first teacher, Yehuda Pen. Chagall tried to create an atmosphere of a collective of independently minded artists, each with their own unique style. However, this would soon prove to be difficult as a few of the key faculty members preferred a Suprematist art of squares and circles, and disapproved of Chagall's attempt at creating "bourgeois individualism". Chagall then resigned as commissar and moved to Moscow.
In Moscow he was offered a job as stage designer for the newly formed State Jewish Chamber Theater. It was set to begin operation in early 1921 with a number of plays by Sholem Aleichem. For its opening he created a number of large background murals using techniques he learned from Bakst, his early teacher. One of the main murals was 9 feet (2.7 m) tall by 24 feet (7.3 m) long and included images of various lively subjects such as dancers, fiddlers, acrobats, and farm animals. One critic at the time called it "Hebrew jazz in paint". Chagall created it as a "storehouse of symbols and devices", notes Lewis.[5] The murals "constituted a landmark" in the history of the theatre, and were forerunners of his later large-scale works, including murals for the New York Metropolitan Opera and the Paris Opera.[11]:87
Famine spread after the war ended in 1918. The Chagalls found it necessary to move to a smaller, less expensive, town near Moscow, although he now had to commute to Moscow daily using crowded trains. In 1921, he worked as an art teacher in a Jewish boys' shelter in suburban Malakhovka, which housed orphaned refugees from Ukrainian pogroms.[6]:270 While there, he created a series of illustrations for the Yiddish poetry cycle Grief written by David Hofstein, who was another teacher at the Malakhovka shelter.[6]:273
After spending the years between 1921 and 1922 living in primitive conditions, he decided to go back to France so that he could develop his art in a more comfortable country. Numerous other artists, writers, and musicians were also planning to relocate to the West. He applied for an exit visa and while waiting for its uncertain approval, wrote his autobiography, My Life.[11]:121
France (1923–1941)
In 1923, Chagall left Moscow to return to France. On his way he stopped in Berlin to recover the many pictures he had left there on exhibit ten years earlier, before the war began, but was unable to find or recover any of them. Nonetheless, after returning to Paris he again "rediscovered the free expansion and fulfillment which were so essential to him", writes Lewis. With all his early works now lost, he began trying to paint from his memories of his earliest years in Vitebsk with sketches and oil paintings.[5]
He formed a business relationship with French art dealer Ambroise Vollard. This inspired him to begin creating etchings for a series of illustrated books, including Gogol's Dead Souls, the Bible, and the La Fontaine's Fables. These illustrations would eventually come to represent his finest printmaking efforts.[5] In 1924, he travelled to Brittany and painted La fenêtre sur l'Île-de-Bréhat.[23] By 1926 he had his first exhibition in the United States at the Reinhardt gallery of New York which included about 100 works, although he did not travel to the opening. He instead stayed in France, "painting ceaselessly", notes Baal-Teshuva.[11] It was not until 1927 that Chagall made his name in the French art world, when art critic and historian Maurice Raynal awarded him a place in his book Modern French Painters. However, Raynal was still at a loss to accurately describe Chagall to his readers:
Chagall interrogates life in the light of a refined, anxious, childlike sensibility, a slightly romantic temperament ... a blend of sadness and gaiety characteristic of a grave view of life. His imagination, his temperament, no doubt forbid a Latin severity of composition.[6]:314
During this period he traveled throughout France and the Côte d'Azur, where he enjoyed the landscapes, colorful vegetation, the blue Mediterranean Sea, and the mild weather. He made repeated trips to the countryside, taking his sketchbook.[6]:9 He also visited nearby countries and later wrote about the impressions some of those travels left on him:
I should like to recall how advantageous my travels outside France have been for me in an artistic sense—in Holland or in Spain, Italy, Egypt, Palestine, or simply in the south of France. There, in the south, for the first time in my life, I saw that rich greenness—the like of which I had never seen in my own country. In Holland I thought I discovered that familiar and throbbing light, like the light between the late afternoon and dusk. In Italy I found that peace of the museums which the sunlight brought to life. In Spain I was happy to find the inspiration of a mystical, if sometimes cruel, past, to find the song of its sky and of its people. And in the East [Palestine] I found unexpectedly the Bible and a part of my very being.[15]:77
The Bible illustrations
"The Prophet Jeremiah" (1968)
After returning to Paris from one of his trips, Vollard commissioned Chagall to illustrate the Old Testament. Although he could have completed the project in France, he used the assignment as an excuse to travel to Israel to experience for himself the Holy Land. He arrived there in February 1931 and ended up staying for two months. Chagall felt at home in Israel where many people spoke Yiddish and Russian. According to Jacob Baal-Teshuva, "he was impressed by the pioneering spirit of the people in the kibbutzim and deeply moved by the Wailing Wall and the other holy places".[11]:133
Chagall later told a friend that Israel gave him "the most vivid impression he had ever received". Wullschlager notes, however, that whereas Delacroix and Matisse had found inspiration in the exoticism of North Africa, he as a Jew in Israel had different perspective. "What he was really searching for there was not external stimulus but an inner authorization from the land of his ancestors, to plunge into his work on the Bible illustrations".[6]:343 Chagall stated that "In the East I found the Bible and part of my own being."
As a result, he immersed himself in "the history of the Jews, their trials, prophecies, and disasters", notes Wullschlager. She adds that beginning the assignment was an "extraordinary risk" for Chagall, as he had finally become well known as a leading contemporary painter, but would now end his modernist themes and delve into "an ancient past".[6]:350 Between 1931 and 1934 he worked "obsessively" on "The Bible", even going to Amsterdam in order to carefully study the biblical paintings of Rembrandt and El Greco, to see the extremes of religious painting. He walked the streets of the city's Jewish quarter to again feel the earlier atmosphere. He told Franz Meyer:
I did not see the Bible, I dreamed it. Ever since early childhood, I have been captivated by the Bible. It has always seemed to me and still seems today the greatest source of poetry of all time.[6]:350
Chagall saw the Old Testament as a "human story, ... not with the creation of the cosmos but with the creation of man, and his figures of angels are rhymed or combined with human ones", writes Wullschlager. She points out that in one of his early Bible images, "Abraham and the Three Angels", the angels sit and chat over a glass of wine "as if they have just dropped by for dinner".[6]:350
He returned to France and by the next year had completed 32 out of the total of 105 plates. By 1939, at the beginning of World War II, he had finished 66. However, Vollard died that same year. When the series was completed in 1956, it was published by Edition Tériade. Baal-Teshuva writes that "the illustrations were stunning and met with great acclaim. Once again Chagall had shown himself to be one of the 20th century's most important graphic artists".[11]:135 Leymarie has described these drawings by Chagall as "monumental" and,
...full of divine inspiration, which retrace the legendary destiny and the epic history of Israel to Genesis to the Prophets, through the Patriarchs and the Heroes. Each picture becomes one with the event, informing the text with a solemn intimacy unknown since Rembrandt.[20]:ix
Nazi campaigns against modern art
Not long after Chagall began his work on the Bible, Adolf Hitler gained power in Germany. Anti-Semitic laws were being introduced and the first concentration camp at Dachau had been established. Wullschlager describes the early effects on art:
The Nazis had begun their campaign against modernist art as soon as they seized power. Expressionist, cubist, abstract, and surrealist art—anything intellectual, Jewish, foreign, socialist-inspired, or difficult to understand—was targeted, from Picasso and Matisse going back to Cézanne and van Gogh; in its place traditional German realism, accessible and open to patriotic interpretation, was extolled.[6]:374
Beginning during 1937 about twenty thousand works from German museums were confiscated as "degenerate" by a committee directed by Joseph Goebbels.[6]:375 Although the German press had once "swooned over him", the new German authorities now made a mockery of Chagall's art, describing them as "green, purple, and red Jews shooting out of the earth, fiddling on violins, flying through the air ... representing [an] assault on Western civilization".[6]:376
After Germany invaded and occupied France, the Chagalls naively remained in Vichy France, unaware that French Jews, with the help of the Vichy government, were being collected and sent to German concentration camps, from which few would return. The Vichy collaborationist government, directed by Marshal Philippe Pétain, immediately upon assuming power established a commission to "redefine French citizenship" with the aim of stripping "undesirables", including naturalized citizens, of their French nationality. Chagall had been so involved with his art, that it was not until October 1940, after the Vichy government, at the behest of the Nazi occupying forces, began approving anti-Semitic laws, that he began to understand what was happening. Learning that Jews were being removed from public and academic positions, the Chagalls finally "woke up to the danger they faced". But Wullschlager notes that "by then they were trapped".[6]:382 Their only refuge could be America, but "they could not afford the passage to New York" or the large bond that each immigrant had to provide upon entry to ensure that they would not become a financial burden to the country.
Escaping occupied France
According to Wullschlager, "[T]he speed with which France collapsed astonished everyone: the French army, with British support, capitulated even more quickly than Poland had done" a year earlier. "Shock waves crossed the Atlantic... as Paris had until then been equated with civilization throughout the non-Nazi world."[6]:388 Yet the attachment of the Chagalls to France "blinded them to the urgency of the situation."[6]:389 Many other well-known Russian and Jewish artists eventually sought to escape: these included Chaim Soutine, Max Ernst, Max Beckmann, Ludwig Fulda, author Victor Serge and prize-winning author Vladimir Nabokov, who although not Jewish himself, was married to a Jewish woman.[24]:1181 Russian author Victor Serge described many of the people living temporarily in Marseille who were waiting to emigrate to America:
Here is a beggar's alley gathering the remnants of revolutions, democracies and crushed intellects... In our ranks are enough doctors, psychologists, engineers, educationalists, poets, painters, writers, musicians, economists and public men to vitalize a whole great country.[6]:392
After prodding by their daughter Ida, who "perceived the need to act fast",[6]:388 and with help from Alfred Barr of the New York Museum of Modern Art, Chagall was saved by having his name added to the list of prominent artists whose lives were at risk and who the United States should try to extricate. Varian Fry, the American journalist, and Hiram Bingham IV, the American Vice-Consul in Marseilles, ran a rescue operation to smuggle artists and intellectuals out of Europe to the US by providing them with forged visas to the US. Chagall was one of over 2,000 who were rescued by this operation. He left France in May 1941, "when it was almost too late", adds Lewis. Picasso and Matisse were also invited to come to America but they decided to remain in France. Chagall and Bella arrived in New York on 23 June 1941, the day after Germany invaded the Soviet Union.[11]:150 Ida and her husband Michel followed on the notorious refugee ship SS Navemar with a large case of Chagall's work.[25] A chance post-war meeting in a French café between Ida and intelligence analyst Konrad Kellen led to Kellen carrying more paintings on his return to the United States.[26]
United States (1941–1948)
Photo portrait of Chagall in 1941 by Carl Van Vechten
Even before arriving in the United States in 1941, Chagall was awarded the Carnegie Prize third prize in 1939 for "Les Fiancés". After being in America he discovered that he had already achieved "international stature", writes Cogniat, although he felt ill-suited in this new role in a foreign country whose language he could not yet speak. He became a celebrity mostly against his will, feeling lost in the strange surroundings.[17]:57
After a while he began to settle in New York, which was full of writers, painters, and composers who, like himself, had fled from Europe during the Nazi invasions. He lived at 4 East 74th Street.[27] He spent time visiting galleries and museums, and befriended other artists including Piet Mondrian and André Breton.[11]:155
Baal-Teshuva writes that Chagall "loved" going to the sections of New York where Jews lived, especially the Lower East Side. There he felt at home, enjoying the Jewish foods and being able to read the Yiddish press, which became his main source of information since he did not yet speak English.[11]
Contemporary artists did not yet understand or even like Chagall's art. According to Baal-Teshuva, "they had little in common with a folkloristic storyteller of Russo-Jewish extraction with a propensity for mysticism." The Paris School, which was referred to as 'Parisian Surrealism,' meant little to them.[11]:155 Those attitudes would begin to change, however, when Pierre Matisse, the son of recognized French artist Henri Matisse, became his representative and managed Chagall exhibitions in New York and Chicago in 1941. One of the earliest exhibitions included 21 of his masterpieces from 1910 to 1941.[11] Art critic Henry McBride wrote about this exhibit for the New York Sun:
Chagall is about as gypsy as they come... these pictures do more for his reputation than anything we have previously seen... His colors sparkle with poetry... his work is authentically Russian as a Volga boatman's song...[28]
He was offered a commission by choreographer Leonid Massine of the Ballet Theatre of New York to design the sets and costumes for his new ballet, Aleko. This ballet would stage the words of Pushkin's verse narrative The Gypsies with the music of Tchaikovsky. While Chagall had done stage settings before while in Russia, this was his first ballet, and it would give him the opportunity to visit Mexico. While there he quickly began to appreciate the "primitive ways and colorful art of the Mexicans," notes Cogniat. He found "something very closely related to his own nature", and did all the color detail for the sets while there.[17] Eventually, he created four large backdrops and had Mexican seamstresses sew the ballet costumes.
When the ballet premiered on 8 September 1942 it was considered a "remarkable success."[11] In the audience were other famous mural painters who came to see Chagall's work, including Diego Rivera and José Orozco. According to Baal-Teshuva, when the final bar of music ended, "there was a tumultuous applause and 19 curtain calls, with Chagall himself being called back onto the stage again and again." The ballet also opened in New York City four weeks later at the Metropolitan Opera and the response was repeated, "again Chagall was the hero of the evening".[11]:158 Art critic Edwin Denby wrote of the opening for the New York Herald Tribune that Chagall's work:
has turned into a dramatized exhibition of giant paintings... It surpasses anything Chagall has done on the easel scale, and it is a breathtaking experience, of a kind one hardly expects in the theatre.[29]
Coming to grips with World War II
After Chagall returned to New York in 1943, however, current events began to interest him more, and this was represented by his art, where he painted subjects including the Crucifixion and scenes of war. He learned that the Germans had destroyed the town where he was raised, Vitebsk, and became greatly distressed.[11]:159 He also learned about the Nazi concentration camps.[11] During a speech in February 1944, he described some of his feelings:
Meanwhile, the enemy jokes, saying that we are a "stupid nation." He thought that when he started slaughtering the Jews, we would all in our grief suddenly raise the greatest prophetic scream, and would be joined by the Christian humanists. But, after two thousand years of "Christianity" in the world—say whatever you like—but, with few exceptions, their hearts are silent... I see the artists in Christian nations sit still—who has heard them speak up? They are not worried about themselves, and our Jewish life doesn't concern them.[15]:89
In the same speech he credited Soviet Russia with doing the most to save the Jews:
The Jews will always be grateful to it. What other great country has saved a million and a half Jews from Hitler's hands, and shared its last piece of bread? What country abolished antisemitism? What other country devoted at least a piece of land as an autonomous region for Jews who want to live there? All this, and more, weighs heavily on the scales of history.[15]:89
On 2 September 1944, Bella died suddenly due to a virus infection, which was not treated due to the wartime shortage of medicine. As a result, he stopped all work for many months, and when he did resume painting his first pictures were concerned with preserving Bella's memory.[17] Wullschlager writes of the effect on Chagall: "As news poured in through 1945 of the ongoing Holocaust at Nazi concentration camps, Bella took her place in Chagall's mind with the millions of Jewish victims." He even considered the possibility that their "exile from Europe had sapped her will to live."[6]:419
With Virginia Haggard McNeil
After a year of living with his daughter Ida and her husband Michel Gordey, he entered into a romance with Virginia Haggard, daughter of diplomat Sir Godfrey Digby Napier Haggard and great-niece of the author Sir Henry Rider Haggard; their relationship endured seven years. They had a child together, David McNeil, born 22 June 1946.[11] Haggard recalled her "seven years of plenty" with Chagall in her book, My Life with Chagall (Robert Hale, 1986).
A few months after the Allies succeeded in liberating Paris from Nazi occupation, with the help of the Allied armies, Chagall published a letter in a Paris weekly, "To the Paris Artists":
In recent years I have felt unhappy that I couldn't be with you, my friends. My enemy forced me to take the road of exile. On that tragic road, I lost my wife, the companion of my life, the woman who was my inspiration. I want to say to my friends in France that she joins me in this greeting, she who loved France and French art so faithfully. Her last joy was the liberation of Paris... Now, when Paris is liberated, when the art of France is resurrected, the whole world too will, once and for all, be free of the satanic enemies who wanted to annihilate not just the body but also the soul—the soul, without which there is no life, no artistic creativity.[15]:101
I dreamed that the sea was flooding, drowning us. There were only two solutions: traveling to space with all the food or asking god to help us. We asked god and he solved the problem.
(Boy/ Spain)
Okinawan Paintpot cuttlefish (Metasepia tullbergi)
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Depth: 40feet @night
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Complicated? Is it ever!
For what seems like centuries now hydrocarbons extracted from the North Sea and East Shetland Basin were landed at the Sullom Voe Terminal. The location stores hydrocarbons ahead of export as well as using them to generate electricity for the archipelago. This gives Shetland, pound for pound, a bigger than expected CO₂ footprint. You'd think they'd welcome some cleaner energy.
A lot of Shetland is covered in peat. This provided fuel for the populace. There's still something of a cottage industry of cutting peat for traditional use. In a way this is a renewable resource even if it doesn't generate dispatchable power.
Now you see these work-in-progress wind farms popping up about the place. They must be making lots of jobs in their construction. Add to this, they are still in the business of building transmission lines which will carry power from here to Scotland. Be careful what you say here. Shetland might have a remote administration in Scotland but locally it is earnestly Shetland, not Scotland! Even so, you'd expect them to be proud of their contribution to off-setting emissions.
Not so fast! There's a lot of resentment about being used to farm energy for what the Shetlanders see as the other. They have a point. Roads pushed through the peat lands are making a terrible mess and resulting in erosion. Despite all the perfectly good rocks on Shetland for building and road surfacing, the stuff is not being quarried here. It is brought by ship from Norway then carried about on Shetland's skinny, fragile roads by the truckload. Something about this seems disingenuous, a bit fake; smelling of greenwashing. The locals are canny, pragmatic and not fooled by the politics of the south seeming to leave them used and neglected.
Soon I'll be passing quite a substantial quarry on my way to the Scalloway Museum, then hop over the island of Trondra and on to Burra to see a bit more of Shetland's contribution.
My first contribution to FS, even though I've been in it for the longest time. Also, I lost inspiration in the stock area, so at 3:41 am I said "Phucket, I'll call it a day." The whole build started around a G3 receiver and the XM8 part in front.
Looked up the rank picture, and apparently I am a Staff Warrant Officer within FS. Completely forgot about that :-P
This is meant to be a HSLD compact G3, able to take M14 magazines (which are plenty available, as opposed to the G3's magazines) and outfitted with a custom-shaped fore-end, which is intended to be held similar to a Magpul AFG. A short-to-medium range red dot sight with laser range estimator is included to wrap up the package.
Forgot to credit Fawkz for his MPO technique.