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Condition: Good.; Part of the collection: Victorian National Resources Development Train, tour no. 12, Midland-Mallee-Mildura, July 19-24, 1926.; Also available in an electronic version via the Internet at: nla.gov.au/nla.pic-an24733384. "One of the most pleasing visits during the tour was the inspection of the Baby Health Centre at Redcliffs, where members of the Reso party contributed L.42 towards this splendid work. This photograph shows the Ladies' Committee, which received the money."--Caption.
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Here is a very old Philco unit. i have no idea what the inside of this unit looks like, although i am very curious to know. if you know anything about this style unit, please let us all know.
perawatan unit air conditioner di ruang ATM BANK MANDIRI komp. lokasari jl. Mangga Besar raya Jakarta
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Ghallis tower.
Għallis Tower, originally known as Torre delle Saline, is a small watchtower in Salina, limits of Naxxar, Malta. It was completed in 1658 as the second of the De Redin towers. Today, the tower is in good condition.
Għallis Tower was built in 1658 on the eastern shore of Għallis Point (Maltese: Ras l-Għallis), commanding the entrance to Salina Bay along with Qawra Tower, one of the Lascaris towers. The tower was built on or near the site of a medieval watch post. It follows the standard design of the De Redin towers, having a square plan with two floors and a turret on the roof. The external wall is made of upper coralline limestone which is weather resistant while the inner wall is made of the softer globogerina limestone. It originally had a garrison consisting of a bombardier and three gunners, who manned a three-pounder iron cannon.
During the British period, Għallis Tower was modified by opening a doorway at ground level and the insertion of roof slabs.
On 16 July 1955 Toninu Aquilina, 35, was found dead in the well of the tower. It was a case of a murder.
By the 1990s, Għallis Tower was in a state of disrepair, with parts of its exterior being covered with plaster and cement, and many weeds growing around it. The interior was also damaged due to soot from the many fires lit inside the tower.
Din l-Art Ħelwa restored the tower between 1995 and 1996, and many stonework had to be replaced. Today, it is still under the control of Din l-Art Ħelwa and is in good condition. It is open to the public by appointment.
In 2015, an LED lighting system was installed at Għallis Tower. Since the tower is off Malta's electricity grid, the energy was provided by solar panels installed on the tower's roof.
Temperature; 20 degrees.
Photos ©AVucha 2014
News Release Obtained from the McHenry County Sheriff's Office:
At approximately 1:30AM, Sheriffs deputies responded to the 1300 block of N. East Shore Drive, Holiday Hills to check the well being of the residence for a domestic related incident.
The 2 responding deputies were shot during their response. The female deputy, a 12-year veteran, was transported to Centegra McHenry in stable condition. The male deputy, a 7-year veteran, was transported to Advocate Condell in Libertyville in critical but stable condition.
Two occupants of the residence were able to safely get out.
There were over 250 officers from all over Northern Illinois who responded to assist us today. We received additional assistance from Wisconsin agencies who relayed tips and followed leads. We did an extensive search for Peters utilizing aerial, ground, and water assets. We are appreciative of the all help given by the emergency responders who assisted us and the community at large who called with information and cooperated with us during this stressful incident. We were fortunate to have an MRAP and other armored vehicles which were used to evacuate citizens to safety. Additionally we benefited from the use of three ILEAS aircraft aiding in the search.
Shortly before 5 pm, Sheriff’s deputies responded to the area of IL RT 176 and Smith Rd, unincorporated Crystal Lake, after receiving 2 separate calls of a suspicious person. The callers stated that the male was wearing shorts and a t-shirt which matched the description of Scott Peters.
Deputies made contact with the male subject who was subsequently identified as Scott Peters. Peters was taken into custody without incident. He was not armed when he was taken into custody.
On Friday, October 17th at 8:00 A.M., Peters attended Rights court before Judge Robert Wilbrandt at the McHenry County Correctional Facility. Peters is currently in the custody of McHenry County Correctional Facility. The investigation is ongoing and additional charges my be forthcoming.
ARRESTED:
Scott B. Peters, Male 52
1313 W. Northeast Shore Drive
Holiday Hills, IL
CHARGES:
ATTEMPT FIRST DEGREE MURDER - Class X Felony - 2 counts
AGGRAVATED BATTERY WITH A FIREARM/ POLICE OFFICER - Class X Felony - 2 counts
BOND:
$1,000.000.00
Today, October 17, 2014, McHenry County Sheriff’s Office Investigators recovered what is believed to be the rifle used by Peters. Evidence and information obtained during the investigation led detectives to recover a ballistic vest, helmet, and a rifle from a channel off of Holiday Drive in Holiday Hills. Investigators also recovered evidence that potentially links the rifle back to the residence.
Investigators have also recovered other firearms from the residence that were not believed to be used during the incident. Peters does not currently possess a valid FOID or Conceal Carry License with the State of Illinois. The Sheriff’s Office is truly grateful for the assistance we have received from numerous agencies during this ongoing investigation. Today, members from the McHenry Fire Protection District, Buffalo Grove Fire Department, Libertyville Fire Department, Wauconda Fire Department, Lake Forest Fire Department, Grayslake Fire Department, Crystal Lake Fire Department, and Cary Fire Department responded with dive teams and boats, assisting in the recovery of items.
The investigation is ongoing and more criminal charges may be forthcoming.
NZR0002
New Zealand Railways
Dx
New Zealand Railways’ most luxurious long-distance passenger trains are the fully air-conditioned “Silver Stars”. Introduced in September 1971 they provide a 12.50 hour overnight service, one each way, between Wellington and Auckland. Since September 1973 they have been hauled by the latest 2050kW “Dx” class diesel-electric locomotives, the most powerful in New Zealand. In this No. 2601 comes through Takapu Road with the southbound “Silver Star” in early morning sunshine ready for its 8.30 a.m. arrival in Wellington. (D.M. Cole)
© NZ Rwy & Loc. Sty,
The air conditioning unit in my bedroom.
This image has been used in 6 articles and as a flash card...
• immobilier.excite.fr/climatisation-reversible-ou-pompe-a-... (in French, English translation here).
• serviceac24.com/the-air-condition-system-in-my-house-is-g...
• buffaloairconditioning.info/air-conditioning/nice-air-pho...
• twenergy.com/actua/instala-un-aparato-de-bomba-de-calor-299 (in Spanish, English translation here)
• www.roomelegance.com/air-conditioning-issues-blown-away.html
• www.ourhometools.com/hot-under-the-collar-dont-sweat-it-a...
• quizlet.com/16101568/in-a-cafe-flash-cards/
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Built in 1903-1905, this Prairie-style mansion was designed by Frank Lloyd Wright for Larkin Company executive Darwin D. Martin, whom built the house as a way to bring his family, which had been scattered in various parts of the United States when his mother had died early in his childhood. The house was the culmination of immense personal wealth and professional success that Martin had enjoyed in his life despite his difficult childhood, starting as a soap seller in New York City, being hired by the Larkin Company in 1878, before moving to Buffalo and becoming the single office assistant to John D. Larkin in 1880, and in 1890, replaced Elbert Hubbard, who was a person that Martin immensely admired, as the Corporate Secretary of the Larkin Company. When the Larkin Company was seeking a designer for a major new office building for the company at the turn of the 20th Century, Martin, whom had witnessed Wright’s work in Chicago and Oak Park, wished to hire the architect as the designer of the new building, but needed to convince the skeptical John D. Larkin and other executives at the company of Wright’s suitability for the project. As a result, Martin decided to have Wright design his family estate. Darwin D. Martin became such a close friend of Wright that he commissioned the family’s summer house, Graycliff, located south of Buffalo on the shores of Lake Erie, to be designed by Wright in 1926, and spearheaded the effort to assist Wright with his finances when his personal residence, Taliesin, was threatened with foreclosure in 1927.
The main house is made up of four structures, those being the house itself, which sits at the prominent southeast corner of the property closest to the intersection of Summit Avenue and Jewett Parkway of any structure on the site, the pergola, which is a long, linear covered porch structure that runs northwards from the center of the house, the conservatory, which sits at the north end of the pergola and features a statue of the Winged Victory of Samothrace, which is visible from the front entrance to the house down the long visual axis created by the pergola, and the carriage house, which sits immediately west of the conservatory and behind the west wing of the house, enclosing the rear of the house’s main garden.
On the grounds of the mansion are two other houses, those being the Barton House, built at the northeast corner of the property along Summit Avenue to house Darwin D. Martin’s sister, Delta Martin Barton, and her husband, George F. Barton, which was the first structure to be built on the property and very visually similar to the main house, using the same type of bricks and incorporating many smaller versions of features found on the main house, and the Gardener’s cottage, built in 1909 to house gardeners who maintained the grounds of the property, which is the smallest and plainest of the three houses, which is sandwiched into a narrow strip of the property between two other houses, fronting Woodward Avenue to the west.
The main house features a buff roman brick exterior with raked horizontal mortar joints and filled in vertical joints, giving the masonry the appearance of being made of a series of solid horizontal bands with recessed joints, accentuating the horizontal emphasis of the house’s design and creating texture with shadows. The roof is hipped with wide overhanging eaves, with the gutters draining into downspouts that drop water into drain basins atop various one-story pillars at the corners of the house, with the roof having a T-shaped footprint above the second floor and three separate sections above the first floor, which wrap around the second floor to the south, west, and north, with the roof soaring above a porte-cochere to the west of the house, as well as a separate roof suspended above a porch to the east. The house’s roof is supported by pillars that sit near, but not at the corners of the building, with windows wrapping the corners. The windows are framed by stone sills and wooden trim, with some windows featuring stone lintels. The front door is obscured inside a recessed porch on the front facade, with the tile walkway to the door turning 90 degrees upon its approach to the doorway, a quite common feature of many of Wright’s houses at the time. The house is surrounded by a series of low brick walls with stone bases and stone caps, with sculptural decorative stone planters atop the pillars at the ends of many of these walls, with some of the planters containing carefully chosen decorative vegetation, and others serving as semi-hidden drainage basins for the adjacent one-story roofs.
Inside, the house features a foyer with a head-on view of the pergola and the conservatory to the north, simple but finely crafted wooden trim elements, the beautiful Wisteria Mosaic Fireplace between the foyer and dining room on the first floor that reflects light in different ways via various types of tile with different types of glazing, rough plaster painted a variety of colors, careful use of shadow to highlight certain elements while obscuring others, art glass windows featuring stained glass and clear glass panes in decorative patterns, wooden built ins and Frank Lloyd Wright-designed furnishings, a large kitchen with lots of white surfaces and wooden cabinets overlooking the garden, a living room with a vaulted ceiling and brick fireplace featuring an arched hearth opening, extensive use of expansion and compression via ceiling height to drive movement through the space, ventilation ducts that can be operated via decorative casement windows at the pillars ringing the various spaces of the house, wooden screens to obscure the staircase and second floor, custom light fixtures, art glass ceiling panels, and five large doors with art glass lights to the eastern porch on the first floor. The second floor of the house has multiple bedrooms with a variety of Frank Lloyd Wright built-in and freestanding furniture, wooden trim, and multiple bathrooms. The house is further decorated with Japanese art pieces procured by Wright in Japan, as well as being heavily inspired by traditional Japanese architecture, with usage of shadow and light to obscure and highlight different features, as well as the general form of the house, with the wide eaves providing ample shade to the interior during the summer months, while still allowing light to easily enter the space during the darker winter months.
To the north of the main house is an approximately 90-foot-long pergola with evenly spaced brick pillars framing the tile walkway, decorative wooden trim on the ceiling at each column, light fixtures at each column, and a glass transom and a door with large glass lights and a narrow frame providing a nearly unobstructed view of the interior of the conservatory at the north end of the pergola, focusing the attention of visitors upon their entrance to the house, as the conservatory and pergola form a continual visual axis from the foyer to the statue of the Winged Victory of Samothrace that stands in the northern end of the conservatory. This entire section of the house was rebuilt during its restoration, having been demolished in the 1960s after falling into disrepair. The pergola features a gabled roof that terminates at the bonnet roof around the perimeter of the conservatory to the north and at the first floor hipped roof of the house to the south.
The conservatory sits at the north end of the pergola, and has a latin cross footprint, with a glass skylight roof with a gabled section running north-south and a pyramidal hipped section at the crossing. The skylight terminates at a parapet that surrounds it on all sides, which features distinctive and decorative “birdhouses” at the north and south ends, apparently intended to house Blue Martins, but were not designed appropriately for the specific needs of the species, and have thus never been occupied. Two of the birdhouses survived the decay and demolition of the original conservatory in the 1960s, and were prominently displayed atop a wall in front of the house until the restoration of the complex in 2007. The interior of the conservatory features only a few concrete planters flanking the walkways and below the large Winged Victory of Samothrace that sits in the northern alcove of the space, with this apparently not having been what the Martin family had in mind, leading to the erection of a prefabricated conventional greenhouse made of metal and glass to the west of the Carriage House shortly after the house’s completion. The conservatory utilizes the same small tile on the floor as other areas of the house, with suspended wooden trim frames breaking up the large void of the space into smaller sections, supporting the space’s light fixtures and carefully framing the planters, fountain, and sculpture.
To the west of the conservatory is the two-story Carriage House, which features a simple pyramidal hipped roof with wide overhanging eaves, recessed corner pillars with central sections featuring wrap-around bands of windows on the second floor, a large carriage door in the center of the south facade, flanked by two smaller pillars and two small windows, and a one-story rear wing with a hipped roof. The interior presently houses a gift shop, but is set up like the original structure, demolished in the 1960s, would have been, with horse stables, red brick walls, a utility sink, and a simple staircase to the upper floor.
The house complex was home to the Martin family until 1937, when, owing to financial difficulties brought on by the loss of the family fortune during the 1929 Black Friday stock market crash and Darwin D. Martin’s death in 1935, the house had become too difficult for the family to maintain, with the family abandoning the house, allowing it to deteriorate. Additionally, Isabelle Reidpath Martin, Darwin’s widow, did not like the house’s interior shadows, which made it difficult for her to see. D.R. Martin, Darwin’s son, tried to donate the house to the City of Buffalo and the State University of New York system for use as a library, but neither entity accepted the offer, and the house remained empty until 1946, when it was taken by the city due to back taxes. In 1951, the house was purchased by the Roman Catholic Diocese of Buffalo, which intended to convert the house into a summer retreat for priests, similar to the contemporaneous sale of Graycliff by the Martin family to the Piarists, a Catholic order. However, the property languished until 1955, when it was sold to architect Sebastian Tauriello, whom worked hard to save the architecturally significant and by-then endangered property, hoping the house would avoid the fate that had befallen the Larkin Administration Building five years prior. The house was subdivided into three apartments, with the carriage house, pergola, and conservatory demolished and the rear yard sold, and two uninspired apartment buildings with slapped-on Colonial Revival-style trim known as Jewett Gardens Apartments, were built to the rear of the house. In 1967, the University at Buffalo purchased the house, utilizing it as the university president’s residence, with the Barton House and Gardener’s Cottage being parceled off, both converted to function as independent single-family houses. The university attempted to repair the damage from years of neglect and did some work to keep the house functioning, modernizing portions of the interior and returning several pieces of original furniture to the house. The house would exist in this condition for the next half-century.
In 1975, the house was listed on the National Register of Historic Places, and in 1986, was listed as a National Historic Landmark. In 1992, the nonprofit Martin House Restoration Corporation was founded with the goal of eventually restoring the historically and architecturally significant complex, and opening it as a museum. In 1994, the organization purchased the Barton House, and had the Martin House donated by the University of Buffalo in 2002. The restoration of both houses began under the direction of Hamilton Houston Lownie Architects shortly thereafter, and the Jewett Gardens Apartments were demolished upon the acquisition of the site by the nonprofit around the turn of the millennium. In 2006, the Gardener’s cottage was purchased from private ownership, and work began to rebuild the lost Pergola, Conservatory, and Carriage House, which were completed in 2007. Additional work to restore the house continued over the next decade, restoring the various interior spaces, with extensive work being put in to restore the kitchen and bedrooms. Finally, in 2017, the last part of the house was restored, being the beautiful Wisteria Mosaic Fireplace between the dining room and foyer, which had been extensively altered. An addition to the grounds, located on the former rear yard of an adjacent house, is the contemporary, sleek glass and steel-clad Eleanor & Wilson Greatbatch Pavilion Visitor Center, designed by Toshiko Mori, with a cantilevered roof that appears to float and tapers to thin edges, with glass walls on three sides, which houses the visitor information desk, ticket sales, presentation space, a timeline of the Martin House’s history, and restrooms. The restoration of the house marks one of the first full reconstructions of a demolished Frank Lloyd Wright structure, and is one of several significant works by the architect in Buffalo, including three designs that were built posthumously in the early 21st Century - the Fontana Boat House in Front Park, the Tydol Filling Station at the Buffalo Transportation Pierce Arrow Museum, and the Blue Sky Mausoleum at Forest Lawn Cemetery, which was designed for the Martin family in 1928, but not built until 2004.
Today, the restored Darwin D. Martin House complex serves as a museum, allowing visitors to experience one of the largest Prairie-style complexes designed by Frank Lloyd Wright, faithfully restored to its circa 1907 appearance, giving visitors a sense of the genius and design philosophy of Wright.
“If you tell a big enough lie and tell it frequently enough, it will be believed.”
“I use emotion for the many and reserve reason for the few.”
“The great strength of the totalitarian state is that it forces those who fear it to imitate it.”
“It is not truth that matters, but victory.”
“What good fortune for governments that the people do not think.”
“By the skillful and sustained use of propaganda, one can make a people see even heaven as hell or an extremely wretched life as paradise.”
“Make the lie big, make it simple, keep saying it, and eventually they will believe it. ”
“The man who has no sense of history, is like a man who has no ears or eyes”
“I do not see why man should not be as cruel as nature”
“Demoralize the enemy from within by surprise, terror, sabotage, assassination. This is the war of the future.”
“The only preventative measure one can take is to live irregularly.”
“He alone, who owns the youth, gains the future.”
“I begin with the young. We older ones are used up but my magnificent youngsters! Are there finer ones anywhere in the world? Look at all these men and boys! What material! With you and I, we can make a new world.”
“The receptivity of the masses is very limited, their intelligence is small, but their power of forgetting is enormous. In consequence of these facts, all effective propaganda must be limited to a very few points and must harp on these in slogans until the last member of the public understands what you want him to understand by your slogan.”
“The Whites have carried to these (colonial) people the worst that they could carry: the plagues of the world: materialism, fanaticism, alcoholism, and syphilis. Moreover, since what these people possessed on their own was superior to anything we could give them, they have remained themselves... The sole result of the activity of the colonizers is: they have everywhere aroused hatred.”
“The very first essential for success is a perpetually constant and regular employment of violence.”
“I believe today that my conduct is in accordance with the will of the Almighty.”
“The great masses of the people will more easily fall victims to a big lie than to a small one.”
“The most foolish mistake we could possibly make would be to permit the conquered Eastern peoples to have arms. History teaches that all conquerors who have allowed their subject races to carry arms have prepared their own downfall by doing so.”
“The application of force alone, without support based on a spiritual concept, can never bring about the destruction of an idea or arrest the propagation of it, unless one is ready and able to ruthlessly to exterminate the last upholders of that idea even to a man, and also wipe out any tradition which it may tend to leave behind.”
“Any philosophy, whether of a religious or political nature - and sometimes the dividing line is hard to determine - fights less for the negative destruction of the opposing ideology than for the positive promotion of its own. Hence its struggle is less defensive than offensive. It therefore has the advantage even in determining the goal, since this goal represents the victory of its own idea, while, conversely,it is hard to determine when the negative aim of the destruction of a hostile doctrine may be regarded as achieved and assured. For this reason alone, the philosophy's offensive will be more systematic and also more powerful than the defensive against a philosophy, since here, too, as always, the attack and not the defence makes the decision. The fight against a spiritual power with methods of violence remains defensive, however, until the sword becomes the support,the herald and disseminator, of a new spiritual doctrine.”
“Instruction in world history in the so-called high schools is even today in a very sorry condition. Few teachers understand that the study of history can never be to learn historical dates and events by heart and recite them by rote; that what matters is not whether the child knows exactly when this battle or that was fought, when a general was born, or even when a monarch (usually a very insignificant one) came into the crown of his forefathers. No, by the living God, this is very unimportant. To 'learn' history means to seek and find the forces which are the causes leading to those effects which we subsequently perceive as historical events.”
Quote Source -> www.goodreads.com/author/quotes/30691.Adolf_Hitler
Volume One, Chapter Six:
"War Propaganda"
{1}The function of propaganda does not lie in the scientific training of the individual, but in calling the masses' attention to certain facts, processes, necessities, etc., whose significance is thus for the first time placed within their field of vision.
{2}The whole art consists in doing this so skillfully that everyone will be convinced that the fact is real, the process necessary, the necessity correct, etc. But since propaganda is not and cannot be the necessity in itself, since its function. . . consists in attracting the attention of the crowd, and not in educating those who are already educated or who are striving after education and knowledge, its effect for the most part must be aimed at the emotions and only to a very limited degree at the so-called intellect. . . .
{3}The art of propaganda lies in understanding the emotional ideas of the great masses and finding, through a psychologically correct form, the way to the attention and thence to the heart of the broad masses. The fact that our bright boys do not understand this merely shows how mentally lazy and conceited they are. . . .
{4}The receptivity of the great masses is very limited, their intelligence is small, but their power of forgetting is enormous. In consequence of these facts, all effective propaganda must be limited to a very few points and must harp on these in slogans until the last member of the public understands what you want him to understand by your slogan. As soon as you sacrifice this slogan and try to be many-sided, the effect will piddle away, for the crowd can neither digest nor retain the material offered. In this way the result is weakened and in the end entirely cancelled out.
{5}Thus we see that propaganda must follow a simple line and correspondingly the basic tactics must be psychologically sound. For instance, it was absolutely wrong to make the enemy ridiculous, as the Austrian and German comic papers did. It was absolutely wrong because actual contact with an enemy soldier was bound to arouse an entirely different conviction, and the results were devastating; for now the German soldier, under the direct impression of the enemy's resistance, felt himself swindled by his propaganda service. His desire to fight, or even to stand film, was not strengthened, but the opposite occurred. His courage flagged.
{6}By contrast, the war propaganda of the English and Americans was psychologically sound. By representing the Germans to their own people as barbarians and Huns, they prepared the individual soldier for the terrors of war, and thus helped to preserve him from disappointments. After this, the most terrible weapon that was used against him seemed only to confirm what his propagandists had told him; it likewise reinforced his faith in the truth of his government's assertions, while on the other hand it increased his rage and hatred against the vile enemy For the cruel effects of the weapon, whose use by the enemy he now came to know, gradually came to confirm for him the 'Hunnish' brutality of the barbarous enemy, which he had heard all about; and it never dawned on him for a moment that his own weapons possibly, if not probably, might be even more terrible in their effects. . . .
{7}The function of propaganda is . . . not to weigh and ponder the rights of different people, but exclusively to emphasize the one right which it has set out to argue for. Its task is not to make an objective study of the truth, in so far as it favors the enemy, and then set it before the masses with academic fairness; its task is to serve our own right, always and unflinchingly.
{8}It was absolutely wrong to discuss war-guilt from the standpoint that Germany alone could not be held responsible for the outbreak of the catastrophe; it would have been correct to load every bit of the blame on the shoulders of the enemy, even if this had not really corresponded to the true facts, as it actually did. . . .
Volume One, Chapter Ten:
"Causes of the Collapse"
{9}The easiest and hence most widespread explanation of the present misfortune is that it was brought about by the consequences of the lost War and that therefore the War is the cause of the present evil.
{10}There may be many who will seriously believe this nonsense but there are still more from whose mouth such an explanation can only be a lie and conscious falsehood. . . . Didn't these apostles of world conciliation . . . . glorify the benevolence of the Entente, and didn't they shove full blame for the whole bloody struggle on Germany? . . . Will you claim that this was not so, you wretched, lying scoundrels?
Adolf Hitler, Mein Kampf (1926) -> history.hanover.edu/courses/excerpts/111hitler.html
Visiting HIPASS on the San Diego and Arizona Railway:
Disclaimer: Trespassing on the tracks is prohibited.
The railroad tracks are private property. The surrounding area may be state park property and is protected by state regulations. The surrounding area may be private property: respect no trespassing signs and fences.
Preserve the past, do not touch or disturb cultural and historic structures and artifacts.
No person shall remove, injure, disfigure, deface, or destroy any object of archaeological, or historical interest or value.
At Dublin Airport
Apologies to all my usual contacts for not visiting your streams of late. It's been full on. I hope to do the rounds soon.
Recent arrivals with Lords of Hull are a pair of former Dublin 1999 built Alexander bodied Volvo Olympians. First registered in the UK in May 2012, T915EGD was latterly Dublin Bus RV530 (99D530) and is still in original Irish condition including destination blinds.
These Macbeths were gifted to me several years ago, about as you see them here. Another pair that I really enjoy wearing. I do enjoy the condition of the uppers. Just about perfect.
It had long been our ambition to convert the basement of the Rotunda back to its condition in 1910. Ickworth Lives, a project funded by the Heritage Lottery Fund and your donations, is doing just that. Opened on 2nd March 2012, we invite you to discover the real lives of those who lived and worked in this party house in the 1930s.
The exterior of the Earl-Bishop’s Rotunda was virtually finished when he died in 1803, but the interior was still an empty shell, and the curving corridors and wings only a few feet above ground. It was left to the Earl-Bishop’s son, the future 1st Marquess of Bristol, to make what use he could of his father’s extraordinary plan. Having no need for massive galleries, in 1821 he instructed his architect, John Field, to redesign the East Wing as family living-quarters.
Field fitted out the ground floor of the Rotunda as state rooms in an austere Regency style. The West Wing was added purely for symmetry and so was left empty. The Trust is pleased to announce the go-ahead of a package for a project to develop the West Wing to provide new facilities for visitor reception, information, education, shop, restaurant, functions, conferences and events.
As the family lived mostly in the East Wing, the rooms that visitors see in the Rotunda spent much of the year under dust sheets, coming into their own mainly for parties and other special occasions. But as a result, their superb furnishings and decoration have survived in excellent condition and little changed since the heyday of the house in the Edwardian era.
The house, with much of its collections of family portraits, Huguenot silver, Regency furniture and china, and part of the ancient deer-park, passed to the National Trust in 1956.
The East Wing has been transformed into a four star hotel by the hotel company Luxury Family Hotels who lease the East Wing. Until 1997 the East Wing was home to the late 7th Marquis of Bristol who had leased the property from the National Trust.
The hotel has 35 luxury rooms - 11 in the Dower House a separate property situated on the north-west of the estate (opened in autumn 2002) - the hotel complex has three restaurants, a 50ft indoor pool, horse riding facilities and a tennis court.
Ickworth’s 18th-century parkland and gardens include some of the most stunning countryside to be found in East Anglia.
The Park
The extensive 1,800 acres of wooded parkland, created in part by 'Capability' Brown, is a living landscape rich in plant, animal, and bird life. Some parts cultivated and grazed yet much can be explored and enjoyed. Some waymarked field margins may also be walked. Access has been made possible through funding by the Forestry Commission’s Countryside Access scheme.
The Gardens
The gardens surrounding the house were created in the first half of the 19th century by the First Marquess of Bristol. Those in the formal Italian style to the south of the house feature the Gold and Silver Gardens, a Victorian Stumpery and the Temple Rose Garden. A raised terrace walk separates the south garden from the park.
Beyond the church are the remnants of an 18th-century garden created by the First Earl. His summerhouse (circa.1703) and ornamental canal still survive. The kitchen garden, protected by high brick walls.
A firefighter from San Diego Fire Station 21, at Mission Blvd and Grand Ave in Pacific Beach, joins other members of the SDFD for physical training on the beach--located a block away from their station. Firefighters need to be in top physical condition. Their turnout gear alone weighs about 55 pounds, and one length of fire hose weighs roughly the same. There are less demanding jobs.
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