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This RS2000 was in gorgeous condition when it was spotted as an exhibit at the 2013 Classic Ford Show, which was held at Crich Tramway Village, on the 9th of September 2013. This particular Escort was made in 1978 and it was first registered in the UK, in the same year, on the 14th of July 1978. It does have the original engine, a 2.0 Litre (1998cc) Straight-Four engine which runs on petrol. This particular is a regular around the Derbyshire shows and has been spotted driving around Derbyshire and the Midlands too.
50031 Hood
This locomotive was purchased in near operational condition, having been withdrawn with only minor faults.
In the early days of class 50 preservation, Hood was the only operational preserved class 50, and was much in demand for open days and Diesel Galas on preserved Railways. During 1993 and 1994 it visited The Severn Valley, The North York Moors, The Midland Railway Centre and The Watercress Line where it triple headed with BR's 50007 and D400.
Whilst on the Watercress Line the locomotive was rededicated to HMS Hood by one of only two remaining survivors of the famous ship's sinking and other members of the HMS Hood Association. To commemorate the occasion new crests were applied.
The Hood was been inspected by RESCO and was certified for main line running. '31's first outing was The Pilgrim Hoover Railtour where she took over from 87101 at Birmingham International for the run to Plymouth along the sea wall at Dawlish and over the South Devon Banks. On the return leg the climbs up Hemmerdon bank (1 in 42 for 2 miles) and the Lickey Incline (1 in 37), were both tackled with ease. The locomotive performed faultlessly throughout.
Then '31 saw service with The Cardiff Railway Co. hauling commuter trains between Rhymney and Cardiff, on special services associated with the 1999 Rugby World Cup, and on a number of mini-railtours and other special trains.
In 2000 50031 was repainted as D431 to pair project Defiance's D449 on Pathfinder Railtour's "Certic Hoover" trip from Birmingham to Glasgow. Since then she has appeared as corporate blue 50031 both with and without nameplates, recreating various periods of her history.
All mainline locomotives operating in the UK from 1st January 2004 must have TPWS fitted. 50031 has received this extra equipment and a "B exam" during the early part of 2004. Follow this link for details of certification test run. Since then '31 has appeared on a number of tours operated by both Pathfinder and Steamy Affairs.
Hood received an award for "Best Main Line Class 50", from Vaclads in 2002.
After a period back on the Severn Valley Railway, Hood was hired to Arriva Trains Wales, and saw occasional service along with 50049 on Cardiff-Milford Haven services. Unfortunately 50031 failed with a main generator fault on an ECS service to Crewe, and was sidelined for repairs.
After a generator swap at LNWR at Crewe and further work by our volunteers at Cardiff, 50031 was restarted in 2009 and took power for the first time since the repair on 19th May 2010.
My new toy. After reading much reviews, I finally decided to get it. My girlfriend said, "Why are you getting my mother's era toy!?"
Legend fashion/nude photographer, Terry Richardson, uses this even till now (i think).
Yashica T4 and Koycera Yashica T4 is the same. Just the Yashica T4 is exported to Europe while Koycera is the name they use in Japan.
Came in a super mint condition. As good as brand new. Came even with the original pouch, sling and manual!
I really cannot wait to see how sharp this Carl Zeiss Tessar is!
156/366 rare
1500 LE (Limited Edition) cars were produced in 1993. This model featured red leather interior, upgraded stereo, Nardi shift knob, leather-wrapped steering wheel, cruise, limited slip differential, power windows, power mirrors, power steering, air conditioning, BBS wheels, Bilstein shocks, front and rear spoilers, ABS brakes, stainless sill plates, and Harley style peanut tank door speaker trim. All 1993 LE cars came in black.
Chartwell is a country house near Westerham, Kent, in South East England. For over forty years, it was the home of Sir Winston Churchill. He bought the property in September 1922 and lived there until shortly before his death in January 1965. During the 1930s, when Churchill was out of political office, Chartwell became the centre of his world. At his dining table, he gathered those who could assist his campaign against German re-armament and the British government's response of appeasement; in his study, he composed speeches and wrote books; in his garden, he built walls, constructed lakes — both with his own hands — and painted. During the Second World War, Chartwell was largely unused, the Churchills returning after he lost the 1945 election. In 1953, when again prime minister, the house became Churchill's refuge when he suffered a debilitating stroke. In October 1964, he left for the last time, dying at his London home, 28 Hyde Park Gate, on 24 January 1965.
The origins of the estate reach back to the 14th century; in 1382, the property (then called Well-street) was owned by William-at-Well. It passed through various owners and was auctioned in 1836, as a substantial brick-built manor. In 1848, it was purchased by John Campbell Colquhoun, whose grandson sold it to Churchill. The Campbell Colquhouns greatly enlarged the house and the advertisement for its sale at the time of Churchill's purchase described it as an imposing mansion. Between 1922 and 1924, it was rebuilt and extended by the society architect Philip Tilden. From the garden front, the house has extensive views over the Weald of Kent, "the most beautiful and charming" Churchill had ever seen, and the determining factor in his decision to buy the house.
In 1946, when financial constraints forced Churchill to consider selling Chartwell, it was acquired by the National Trust with funds raised by a consortium of Churchill's friends (led by Lord Camrose), on condition that the Churchills retained a life-tenancy. After Churchill's death, Lady Churchill surrendered her rights to the house, and it was opened to the public by the Trust in 1966 as a historic house museum. A Grade I listed building, for its historical significance rather than its architectural merit, Chartwell has become among the Trust's most popular properties; 232,000 people visited the house in 2016, the fiftieth anniversary of its opening.
Churchill at Chartwell
1922 to 1939
Chartwell – Clementine Churchill's "magnificent aerial bower" to the left
Churchill first saw Chartwell in July 1921, shortly before the house and estate were to be auctioned.[11] He returned the same month with his wife Clementine, who was initially attracted to the property, although her enthusiasm cooled during subsequent visits.[12] In September 1922, when the house had failed to sell at auction, he was offered it for £5,500. He paid £5,000, after his first offer of £4,800, made because "the house will have to be very largely rebuilt, and the presence of dry rot is a very serious adverse factor", was rejected.[13] The seller was Captain Archibald John Campbell Colquhoun, who had inherited the house in June 1922 on the death of his brother.[14] Campbell Colquhoun had been a contemporary of Churchill's at Harrow School in the 1880s. On completion of the sale in September 1922, Churchill wrote to him, "I am very glad indeed to have become the possessor of "Chartwell".[1] I have been searching for two years for a home in the country and the site is the most beautiful and charming I have ever seen".[14] The sale was concluded on 11 November 1922.[15]
The previous 15 months had been personally and professionally calamitous. In June 1921, Churchill's mother had died, followed three months later by his youngest child, Marigold.[15] In late 1922, he fell ill with appendicitis and at the end of the year lost his Scottish parliamentary seat at Dundee.[16]
Philip Tilden, Churchill's architect, began work on the house in 1922 and the Churchills rented a farmhouse near Westerham, with Churchill frequently visiting the site to observe progress.[17] The two-year building programme, the ever-rising costs – which escalated from the initial estimate of £7,000 to over £18,000 – and a series of construction difficulties (particularly relating to damp) soured relations between architect and client;[18] by 1924, Churchill and Tilden were barely on speaking terms.[19][a][b] Legal arguments, conducted through their respective lawyers, continued until 1927.[22] Clementine's anxieties about the costs, both of building and subsequently living at Chartwell, also continued. In September 1923, Churchill wrote to her, "My beloved, I beg you not to worry about money, or to feel insecure. Chartwell is to be our home (and) we must endeavour to live there for many years."[23] Churchill finally moved into the house in April 1924; a letter dated 17 April to Clementine begins, "This is the first letter I have ever written from this place, and it is right that it should be to you".[24]
In February 1926, Churchill's political colleague Sir Samuel Hoare described a visit in a letter to the press baron Lord Beaverbrook; "I have never seen Winston before in the role of landed proprietor, ... the engineering works on which he is engaged consist of making a series of ponds in a valley and Winston appeared to be a great deal more interested in them than in anything else in the world".[25] As Hoare's presence indicated, Churchill's holidays were very rarely pure vacations. Roy Jenkins, in his study, The Chancellors, contrasted Churchill's approach to holidaying with that of his then boss, Stanley Baldwin. "Churchill went to Chartwell or elsewhere to lengthen the stride of his political work, but not greatly to reduce its quantity; far from shutting himself off, he persuaded as many as possible of his colleagues and henchmen to visit him, to receive his ever-generous hospitality."[26] In January 1928, James Lees-Milne stayed as a guest of Churchill's son Randolph. He described an evening after dinner; "We remained at that round table till after midnight. Mr Churchill spent a blissful two hours demonstrating with decanters and wine glasses how the Battle of Jutland was fought. He got worked up like a schoolboy, making barking noises in imitation of gunfire, and blowing cigar smoke across the battle scene in imitation of gun smoke".[27] On 26 September 1927, Churchill composed the first of his Chartwell Bulletins, which were lengthy letters to Clementine, written to her while she was abroad. In the bulletins, Churchill described in great detail the ongoing works on the house and the gardens, and aspects of his life there. The 26 September letter opens with a report of Churchill's deepening interest in painting; "Sickert arrived on Friday night and we worked very hard at various paintings ... I am really thrilled ... I see my way to paint far better pictures than I ever thought possible before".[28]
Churchill described his life at Chartwell during the later 1930s in the first volume of his history of the Second World War, The Gathering Storm. "I had much to amuse me. I built ... two cottages, ... and walls and made ... a large swimming pool which ... could be heated to supplement our fickle sunshine. Thus I ... dwelt at peace within my habitation".[29] Bill Deakin, one of Churchill's research assistants, recalled his working routine. "He would start the day at eight o'clock in bed, reading. Then he started with his mail. His lunchtime conversation was quite magnificent, ...absolutely free for all. After lunch, if he had guests he would take them round the garden. At seven he would bathe and change for dinner. At midnight, when the guests left, then he would start work ... to three or four in the morning. The secret was his phenomenal power to concentrate."[30][c] In his study of Churchill as author, the historian Peter Clarke described Chartwell as "Winston's word factory"
In the opinion of Robin Fedden, a diplomat, and later Deputy General Secretary of the National Trust and author of the Trust's first guidebook for Chartwell, the house became "the most important country house in Europe".[34] The historian Graham Stewart, in his study of Tory Party politics, Burying Caesar, described it as "a sort of Jacobite court of St Germain".[35][e] A stream of friends, colleagues, disgruntled civil servants, concerned military officers and foreign envoys came to the house to provide information to support Churchill's struggle against appeasement.[f] At Chartwell, he developed what Fedden calls, his own "little Foreign Office ... the hub of resistance".[38] The Chartwell visitors' book, meticulously maintained from 1922, records 780 house guests, not all of them friends, but all grist to Churchill's mill.[39] An example of the latter was Sir Maurice Hankey, Clerk of the Privy Council, who was Churchill's guest for dinner in April 1936. Hankey subsequently wrote, "I do not usually make a note of private conversations but some points arose which gave an indication of the line which Mr Churchill is likely to take in forthcoming debates (on munitions and supply) in Parliament".[40] A week later, Reginald Leeper, a senior Foreign Office official and confidant of Robert Vansittart, visited Churchill to convey their views on the need to use the League of Nations to counter German aggression. Vansittart wrote, "there is no time to lose. There is indeed a great danger that we shall be too late".[41]
Churchill also recorded visits to Chartwell by two more of his most important suppliers of confidential governmental information, Desmond Morton and Ralph Wigram, information which he used to "form and fortify my opinion about the Hitler Movement".[g][43] Their sharing of data on German rearmament was at some risk to their careers; the military historian Richard Holmes is clear that Morton's actions breached the Official Secrets Act.[44] Chartwell was also the scene of more direct attempts to prepare Britain for the coming conflict; in October 1939, when reappointed First Lord of the Admiralty on the outbreak of war, Churchill suggested an improvement for anti-aircraft shells; "Such shells could be filled with zinc ethyl which catches fire spontaneously ... A fraction of an ounce was demonstrated at Chartwell last summer".[45][h]
In 1938, Churchill, beset by financial concerns, again considered selling Chartwell,[47] at which time the house was advertised as containing five reception rooms, nineteen bed and dressing rooms, eight bathrooms, set in eighty acres with three cottages on the estate and a heated and floodlit swimming pool.[i] He withdrew the sale after the industrialist Henry Strakosch agreed to take over his share portfolio, which had been hit heavily by losses on Wall Street, for three years and pay off significant associated debts.[49] In September 1938, the Russian Ambassador, Ivan Maisky, made his first visit and recorded his impressions of Chartwell: "A wonderful place! A two-storey house, large and tastefully presented; the terrace affords a breathtaking view of Kent's hilly landscape; ponds with goldfish of varying size; a pavilion-cum-studio with dozens of paintings - his own creations - hanging on the walls; his pride and joy, a small brick cottage which he was building with his own hands".[j] His impression of his host was somewhat less favourable; asked what special occasion would lead Churchill to drink a bottle of wine dating from 1793 from his cellar, Churchill had replied - "We'll drink this together when Great Britain and Russia beat Hitler's Germany". Maisky's unspoken reaction was recorded in his diary, "Churchill's hatred of Berlin really has gone beyond all limits!" Wikipedia
Afrin will resist, Afrin will stand.
#noflyzone4afrin
#afrinsyria
#afrin
#openletter
#NATO
#saveafrin
#DefendAfrin
Xelkê amedê bo Qudsê
Kane xwepeşandan bo Efrîn a kurda.?
As Kurds we know the intimate violence of endless oppressors and invaders trying to indoctrinate and condition us into an ideology of suffering and hopelessness. They tried to colonize our minds and shroud us in the bleak haze of wretchedness; and as they bombed us, erased and massacred us, raining mortars, sarin gas and cluster bombs on us they told us that it was history's righteous call, God's design and destiny's divine will. But they did not know that the more they oppressed and violated the stronger our roots grew with resistance and we became more resilient, more determined to search out freedom and heed her distant cries. So now when death knocks on Afrin's door she responds and resists with the unyielding courage of an ideology born of love and humanity. And even as she resists she raises her voice and sings love songs of liberation and hope to the oppressed because she knows her own power, her own strength- because she is the embodiment of the chained woman finally freed from the burdens they tried to enslave her with; and as she walks she shakes the very earth; and the mountains, her sacred protectors, shed tears of joy and love having waited with endless patience for this day. Even history has dusted herself off from the bloody ruins of fascism and capitalism's oppression and stands beside us- once again.
There should be no fear in our hearts. No anxiety, no self doubt because we are the children of Kurdistan, the offsprings of freedom, the love child of mist and mountains. We learned resistance in the womb of our revolutionary mothers. We were raised to the lullaby of rattling of windows and that rat-a-tat of weapons and to the screams of brothers, fathers, uncles and cousins tortured in the pits of prisons. We were carried on the shoulders of our revolutionary freedom seeking fathers across mountains. We were watered by the spirit of sacrificing love of thousands of fallen martyrs. We have known every cave and every unseen path on the sacred face of our battered but relentless land and her canyons and mountains that protected us as the world turned its face away in submissive acquiescence. We are the flowers that grew where the bombs and mortars of hate fell; and together we are the garden that emerged from the rubble and concrete remains of war's death drums. And for thousands of years to come history will sing of the courage of our revolutionary freedom fighters- our YPG and YPJ- and rename freedom in their name and honor.
Yesterday she was named Kobane, today she is named Afrin.
نەفرەت لە داگیرکەرانی کوردستان
Today Turkish planes conducted several airstrikes on Afrin city and its surrounding. Kurdish Afrin is one the most secure and stable cities in Syria, it is the only city in Rojava and among the few in Syria which has not been destroyed in the Syrian civil war. The city has taken in so many Syrian refugees in the last 5 years that its population has doubled to 400.000.
"Kurdish women declared the liberation of ISIS capital Raqqa. But today, the republic of Turkey is recruiting murderers who chant religious fundamentalist slogans to attack the democratic, women's liberationist, multi-cultural havens, pioneered by the revolutionary Kurdish freedom movement. The Turkish threats against Afrin are therefore an attack against another possible Middle East, where communities can live together in justice and freedom.
ههربژین شێرهكانی عهفرین ...ههربژین بۆ ورهی پۆلایینتان
Defending Afrin is a duty of everybody who does not surrender to the idea that the cradle of civilisation is destined to be the graveyard of humanity. Our region must be the graveyard of fascism only."
الله يحمي قواتنا في كل مكان والنصر ل عفرين
هەموومان عەفرینین
Am hemo Afrînîyn
کلنا مع عفرین
داوا دەکەین عەفرین وەکو کەرکووک نەفروشرێت .
Dxazin Afrîn mîna kirkukê nehêt firûtn
Efrîn Kurdistan e,Ji dijmin re goristane.
عەفرین کووردستانە، ژ دژمن را گۆرستانە.
عەفرین قەڵای بەرخودان و داستان و نەبەردی
An attack of this kind against the peaceful citizens of Afrin is a blatant act of aggression against a peaceful and democratically-governed region and population. Turkey cannot carry out such an attack without the approval of Russia, Iran and Syria – and inaction by the U.S. to stop it. The Kurdish people have endured the loss of thousands of young men and women who joined the YPG, and YPJ women’s force, to rid the world of ISIS. The U.S and the international community have a moral obligation to stand behind the Kurdish people now. We call on U.S. officials and the international community to guarantee Afrin’s stability and security and prevent further Turkish aggression from within Syria and across the Syrian border.
#DEFEND #AFRIN
#Rojava✌️
بارزان وحلبجة وكرميان .. الانفال وشنكال واليوم عفرين ، ما بالك ايها الشعب الكوردي وما هذا القدر البائس ، وجدت في محيط يكن لك كل الحقد والكراهية ، ظلموك عبر التاريخ وهاهي اليوم عفرين تقصف ويقتل ناسها واهلها بدمٍ بارد امام أنظار واعين العالم دون ان يحرك المجتمع الدولي ساكنا امام هذه الانتهاكات التركية الداعشية الأردوغانية العثمانية .. قلوبنا معكم ونذرف الدمع حزناً وألما وندعو لكم ونناشد كل الخيرين للوقوف معكم ازاء هذه الهجمة الشرسة الجبانةكلنا#عفرين#وقلوبنا معك ياعفرين
#DefendAfrin
Thousands of tweets protesting against Turkey's aggressive military attacks on Afrin
#DefendAfrin
Çiqilê zeytûnê ya Erdogan,Cîhada xomêynî ûEnfala Sedam ji kitêbekê hatine wergirtin ,ku piraniya kurdan diperestin!!!!!!!
شاخی زەیتوون ناوی ئوپەراسیۆنێ ئەردۆغان،جیھاد ئۆپەراسیۆنی خومێنی و ئەنفالی سەدام، ھەمووی لە کتێبێک وەرگیراون کە زۆربەی کوردەکان ئەو کتێبە دەپەرەستن!!!!!!
TURKEY IS INVADING AFRIN! TODAY IS THE DAY TO DEFEND THE PEOPLE OF ROJAVA!
We call on all Kurdish people and people in solidarity with the Kurdish struggle to protest and condemn this genocidal invasion.
This photo links to my blog at www.heatheronhertravels.com/things-to-do-in-nevis/
This photo may be used for non commercial purposes on condition that you credit Heatheronhertravels.com and link to www.heatheronhertravels.com/
For commercial use please contact me for permission at heather@heatheronhertravels.com
Another favorite of mine, these nicely broken in Toms. They originally were a bit snug, I think Women's 6 or 7. But now my toes are free, and they aren't tight any more.
I had a friend ask me why I wore such worn out Toms (one of the very few times anyone said anything about the condition of my footwear). My reply: That's how Toms are supposed to look.
This sign is likely to have been repainted at some stage as it's in such good condition. It reads Humber, Rudge and Hartills for Raleigh Cycles. B Roberts builder is listed at the address in 1936. A Hartill first appears in the listings for 1937. The last listing I can find is in 1974.
A1minicoach.co.uk was a small operator based in Milton Keynes and running a handful of vehicles, mostly 16-seaters. The immaculate fleet won the Premier Operator Award at Showbus 2003 and the company returned the following year with vehicles proudly lettered to celebrate that achievement. Seen early in the morning as they took their places on the runway are fleet flagship Iveco Daily/Crest BU04 GVW, LDV Convoy LF02 UJO and Ford Transit 505 KVO, formerly Y904 LHU.
Mint condition 1960s edition of Milton Bradley's 'The Game of LIFE'. Found in 2018 at an estate sale in un-played with condition.
Like the fate of many toys and games at our house, Mom either threw ours in the garbage or gave it away.
The Game of Life
From Wikipedia, the free encyclopedia
For other uses, see The Game of Life (disambiguation).
The Game of Life, also known simply as Life, is a board game originally created in 1860 by Milton Bradley as The Checkered Game of Life, the first ever board game for his own company, the Milton Bradley Company. The Game of Life was US's first popular parlour game. The game simulates a person's travels through their life, from early adulthood to retirement, with college if necessary, jobs, marriage, and possible children along the way.
Up to six players, depending on the version, can participate in a single game. Variations of the game accommodate up to ten players.
The modern version was originally published 100 years later, in 1960. It was created and co-designed by Bill Markham and Reuben Klamer, respectively, and was "heartily endorsed" by Art Linkletter. It is now part of the permanent collection of the Smithsonian's National Museum of American History and an inductee into the National Toy Hall of Fame.
History
The game was originally created in 1860 by Milton Bradley as The Checkered Game of Life, and was the first game created by Bradley, a successful lithographer. The game sold 45,000 copies by the end of its first year. Like many 19th-century games, such as The Mansion of Happiness by S. B. Ives in 1843, it had a strong moral message.
The game board resembled a modified checkerboard. The object was to land on "good" spaces and collect 100 points. A player could gain 50 points by reaching "Happy Old Age" in the upper-right corner, opposite "Infancy" where one began. Instead of dice – which were associated with gambling – players used a six-sided top called a teetotum.
Modern game
In 1960 the modern Game of Life was introduced. A collaboration between Reuben Klamer and Bill Markham, it consists of a track which passes along, over, and through small mountains, buildings, and other features. A player travels along the track in a small plastic automobile, according to the spins of a small wheel on the board with spaces numbered one through ten. Each car has six holes into which pegs are added as the player "gets married" and "acquires children".
Some "early modern" editions have eight cars. The modern game pegs or "people" are pink and blue to distinguish the sexes (blue for male, pink for female). Each player starts the game with one peg that matches their sex.
There is also a bank which includes money in $5,000, $10,000, $20,000, $50,000, and $100,000 bills; automobile, life, fire, and/or homeowners' insurance policies (depending on the version); $20,000 promissory notes and stock certificates.
Other tangibles vary between versions of the game. $500 bills were dropped in the 1980s as were $1,000 bills in 1992. The rules in all different modern versions of the game are generally the same even though they may have different cards and spaces.
1960s version
The Game of Life, copyrighted by the Milton Bradley Company in 1960, had some differences from later versions. For example, once a player reached the "Day of Reckoning" space, they had to choose one of two options. The first was to continue along the road to "Millionaire Acres," if the player believed they had enough money to out-score all opponents. The second option was to try to become a "Millionaire Tycoon" by betting everything on one number and spinning the wheel.
The player immediately won the game if the chosen number came up, or went to the "Poor Farm" and was eliminated if it did not. If no player became a Millionaire Tycoon, the one with the highest final total won the game. In addition, there were spaces that forced a player to go back; in the case a player landed on one of these, they were forced to take the shortest route and pay no attention to any penalties and rewards in doing so.
This version had Art Linkletter as the spokesman, included his likeness on the $100,000 bills (with his name displayed on the bills as "Arthur Linkletter Esq.") and a rousing endorsement from Linkletter on the cover of the box. It was advertised as a "Milton Bradley 100th Anniversary Game" and as "A Full 3-D Action Game."
Winning Moves currently markets a classic 1960s edition.
1974 Citroen DS23 Fuel Injection with optional Factory Air-condition. Seen at Citroen Conservatoire in Aulnay Sous Bois France
New series about my feelings of seasons changes. And first one with gold topic «Lost summer».
Acrylic and spray at canvas. 40x50 cm. Varnished. 2020
In nice clean condition, this engine was moved to Wakefield in October 1966 from where it was withdrawm in June 1967. Many of this class had tragically short careers and the majority were still in exellent condition when withdrawn from operational duties, some locomotives being less than five years old when removed from service.
By the end of 1966 half the class had gone. Photo K. R. Pirt.
Miss Violet facing her interviewers, Myrtil, Jimmy, Petra, Becky, Emma and Zaida.
The urchins decided they wanted to hire a grown-up to deal with things they wanted done but couldn't do themselves, because of their child condition.
The interview for Miss Violet Solano was to be set inside the old Imperial Theatre, across from Loki’s Absinthe Café in Babbage Square, to avoid the whole process of blindfolding her before leading her to the hideout.
Becky, Jimmy and Myrtil arrived three minutes before the set time of the interview. Miss Solano was waiting for them, sitting in the front row.
[15:27] Myrtil Igaly: 'ello Miss Vi! You are early!
[15:27] VI : good afternoon Jimmy, Myrtil and Becky
[15:27] Jimmy Branagh: Hoy Miss Vi!
[15:27] Becky Blackcinder: Hullo ma'am!
[15:27] Myrtil Igaly: Good afternoon to you too and thank you for coming
[15:28] VI : so do you wish to interview me here? Or up in your rooms in the attic?
[15:28] Myrtil Igaly: Oh, so you know about those...
[15:28] VI : there is little I miss in this town
[15:28] Becky Blackcinder: I was gonna say, I thought that was a secret! But it's not that hard to find if you look.
[15:29] VI : not if you’re used to using the high road
[15:29] Myrtil Igaly: I had set up the interview here cause our hideout was to be kept a secret but if you know about it heh
[15:29] Becky Blackcinder: Observant is good.
[15:29] Myrtil Igaly: will be quieter up there
[15:29] Myrtil Igaly: Please lead the way!
[15:29] Myrtil Igaly grins
All four then took the dangerous way from the Imperial to the hideout and, once there, settled at the long table. Petra was already there, waiting for them.
[15:32] Myrtil Igaly: Hey Petra!
[15:32] Jimmy Branagh: Hoy Petra
[15:32] VI : very nice really reminds of the one you had in the gut
[15:32] Petra Flax : Hello!
[15:32] Myrtil Igaly: I don't actually remember that one!
[15:32] Myrtil Igaly: But thank you
[15:33] Petra Flax : The one in the gut?
[15:33] VI : hello petra
[15:33] Myrtil Igaly: Alright, so first of all thank you for coming to be interviewed, I know you are a very busy lady.
[15:34] VI : i have my moments of peace
[15:34] Myrtil Igaly: From your note, I gather you understand what we are looking for.
[15:34] Petra Flax lights her pipe
[15:34] Myrtil Igaly: And we will be asking you questions in turn to decide if you would be fit for the job.
[15:34] VI : yes a go between to work with the adults
[15:34] Myrtil Igaly nods
[15:35] Myrtil Igaly: So, if you are ready, I will start.
[15:35] VI : ask away
[15:35] Jimmy Branagh pulls out the notebook, rips a page off and hands to Myrtil
[15:35] Myrtil Igaly grins. "Thanks Jimmy!"
[15:35] Jimmy Branagh then hands blank pages to Petra and Becky
[15:35] Becky Blackcinder peers over the tops of her spectacles, trying to look interrogative.
[15:36] Myrtil Igaly glances seriously at Miss Solano
[15:36] Jimmy Branagh: Welcome!
[15:36] Myrtil Igaly: Miss Violet.
[15:36] Myrtil Igaly: In the note I sent you to ask you to come for an interview, I mentioned that I wanted an information from you, as a show of good will.
[15:37] VI : of course
[15:37] Myrtil Igaly: That would be the name of the urchin from whom you learnt about those interviews.
[15:37] Myrtil Igaly: Could you please provide us with their name?
[15:38] Jimmy Branagh waits, charcoal stick at the ready
[15:38] Myrtil Igaly raises an eyebrow, waiting for the reply
[15:38] VI : I would if I could. But it was Omig who told me about it and he got it from one of our ...... employees, but I’ll look into it
[15:38] Myrtil Igaly nods. "Thank you, that would be most appreciated."
[15:39] Jimmy Branagh scribbles
Emma arrived, running inside and a little short-breathed.
[15:39] Myrtil Igaly: Hey Emma! Glad you could make it!
[15:39] VI : hello emma
[15:39] Jimmy Branagh: Hoy Emma
[15:39] Emma Walsh : Hello
[15:39] Myrtil Igaly taps on Jimmy's shoulder. "Your turn, Jimmy."
[15:39] Jimmy Branagh: Awlroight.
[15:40] Jimmy Branagh: Miss VI, ifn we wos awl at a hoity-toity party, an' th' host offered us urchins Wiggyfish gruel, an' you 'ad a big stick in yer hand, wot would ya do?
[15:40] Myrtil Igaly grins
[15:40] Becky Blackcinder stifles a giggle.
[15:40] VI : that would depend
[15:41] Jimmy Branagh raises an eyebrow ominously
[15:41] VI : were you invited?
[15:41] Jimmy Branagh: Let's say we wos.
[15:41] Myrtil Igaly studies Miss Solano closely
[15:41] VI : than i would complain to our host about his ill treatment of you
[15:42] Jimmy Branagh: Awlroight.
[15:42] Myrtil Igaly nods with a smile
[15:42] Jimmy Branagh: Now let's say we wosn't invoighted
[15:42] Jimmy Branagh: Wot would ya do?
[15:42] VI : attacking him would not improve your, or my reputation with the people you wish to deal with
[15:43] Myrtil Igaly scribbles
[15:43] Jimmy Branagh: Thet wosn't th' question
[15:43] Jimmy Branagh: Wot would ya do?
[15:43] VI : i would offer to pay the host for better food for you
[15:43] Jimmy Branagh: Awlroight.
[15:43] Jimmy Branagh scribbles
[15:43] Jimmy Branagh: Petra?
[15:43] Becky Blackcinder scribbles too, although she might just be doodling.
[15:44] Emma Walsh doesn't have a paper again...
[15:44] Petra Flax : My turn?
[15:44] Jimmy Branagh makes a paper airship and sails it to Emma
[15:44] Myrtil Igaly: Yes Petra, we're asking questions in turn to Miss Violet
[15:44] Myrtil Igaly: But we can skip you for this round if you don't know!
[15:45] Petra Flax : Well my big question is pretty practical. Alligaters
[15:45] Emma Walsh gets her paper and starts drawing Miss Vi as a stick figure rabbit
[15:45] Myrtil Igaly: Oh
[15:45] Jimmy Branagh looks at Petra
[15:45] Myrtil Igaly leans on the table to take a better glance at Petra
[15:45] Petra Flax : How would you deal with a plague of alligators?
[15:45] Jimmy Branagh: Oh okay ....
[15:46] VI : Alligaters?
[15:46] Becky Blackcinder is also doodling.
[15:46] Myrtil Igaly turns to Miss Vi
[15:46] VI : really?
[15:46] Jimmy Branagh: Aligaters in th' sewers mybee
[15:46] Myrtil Igaly: Anything could happen in New Babbage!
[15:47] Emma Walsh : We had clockwork hippos attack once....
[15:47] Petra Flax : Yep… its happened before in other cities…
[15:47] Jimmy Branagh: Yesh
[15:47] VI : well that i think is a matter for public works not public relations
[15:47] Jimmy Branagh: They wos 'orrible
[15:47] Jimmy Branagh: It wos loike Attack of th' Popplefots
[15:47] Jimmy Branagh laughs
[15:48] Myrtil Igaly scribbles a few words and glances interrogatively at Petra
[15:48] VI : i could go to the city and complain
[15:48] Petra Flax pretends to write
[15:48] VI : but not much else
[15:48] Becky Blackcinder: You made that up!
[15:48] Becky Blackcinder: Popplefots I mean.
And finally the last urchin interviewer, Zaida, arrived.
[15:48] Myrtil Igaly: Hey Zaida!
[15:48] Jimmy Branagh: Hoy Zaida
[15:48] Myrtil Igaly: You're lucky Miss Violet, lots of interviewers for you!
[15:48] Jimmy Branagh sails a piece of paper to Zaida
[15:48] Zaida Gearbox (zaida.gearbox): hi jim
[15:48] VI : hello Zaida
[15:48] Zaida Gearbox (zaida.gearbox): hi miz vi!
[15:48] Zaida Gearbox (zaida.gearbox): me an' miz vi used to be neighbors in wheatstone waterways
[15:48] VI : yes
[15:49] Myrtil Igaly: Alright, try to stay unbiased Zaida!
[15:49] Jimmy Branagh: Nah, Popplefot runs the shoe black factory!
[15:49] Jimmy Branagh: 'ee's fat loike a hippo!
[15:49] Zaida Gearbox (zaida.gearbox) looks for the piece of paper
[15:49] Myrtil Igaly: Are you satisfied with the answer Petra?
[15:50] Petra Flax : Not really no
[15:50] Myrtil Igaly: Oh
[15:50] Petra Flax : but if that's her answer...
[15:50] Petra Flax : heh
[15:50] VI : i am not exactly a slayer of Alligators
[15:50] Jimmy Branagh: Awlrought then. Becky
[15:50] Myrtil Igaly: Well, we'll discuss about that later, let's hear Becky's question
[15:51] Becky Blackcinder: Hmmmm...
[15:51] Jimmy Branagh scribbles note, adding odd cryptic symbols
[15:51] Zaida Gearbox (zaida.gearbox): i gots a question
[15:51] Jimmy Branagh: Wait yer turn
[15:51] Zaida Gearbox (zaida.gearbox) sticks tongue out
[15:51] Myrtil Igaly me giggles
[15:51] Petra Flax snickers
[15:51] Jimmy Branagh chuckles
[15:51] Becky Blackcinder: You knew about the hideout. Which is pretty gear. So...d'you know anything else about the city that could be useful to somebody like me? An' will you tell it to us?
[15:52] Myrtil Igaly nods and turns to Miss Violet, interested
[15:52] Petra Flax scribbles loops, impressed that they actually look like writing
[15:53] VI : wouldn't that be beyond the scope of the proffered position?
[15:53] Myrtil Igaly takes a glance at the other urchins' papers and looks impressed at all the writing on there
[15:53] Emma Walsh draws some stick figure alligators underneath Vi and points arrows saying 'not alligator slayer'
[15:53] Jimmy Branagh shrugs
[15:53] Zaida Gearbox (zaida.gearbox) doodles a bunny with an arrow through its head
[15:53] VI : would be willing to make a full exchange of information?
[15:53] Myrtil Igaly: Yes that's not demanded for the position, but we're not against a few extras!
[15:54] Jimmy Branagh: We're jus' pickin' yer brain, Miss VI. It's perfectly safe!
[15:54] Becky Blackcinder has apparently done the following doodle of Vi:
www.flickr.com/photos/annalisa_shepherd/23449967259/in/da...
[15:54] Petra Flax relights her pipe, looking down at her page, and then to the pages of the others.
[15:54] Becky Blackcinder looks proud
[15:55] Myrtil Igaly: There's no right or wrong answer, Miss Violet, we'll discuss later and decide. We may not even agree with each other ya know
[15:55] VI : true
[15:55] Becky Blackcinder: 'S true. Urchins ain't all that organized.
[15:55] Myrtil Igaly: Your turn Emma!
[15:55] Emma Walsh : Okay, this one should be easy.
[15:56] VI : more here than most
[15:56] Myrtil Igaly smiles at the compliment
[15:56] Emma Walsh : If you weren't a bunny what animal would you be instead? Your inner not bunny?
[15:56] Zaida Gearbox (zaida.gearbox) rolls eyes and shakes head
[15:56] Myrtil Igaly smirks
[15:57] Becky Blackcinder giggles.
Miss Solano stood up abruptly.
[15:57] VI : well i think we're at an end here
[15:57] Myrtil Igaly looks surprised
[15:57] Becky Blackcinder blinks.
[15:57] Myrtil Igaly: Are we?
[15:57] Jimmy Branagh: Hmm?
[15:57] Petra Flax raises her eyebrows
[15:57] Myrtil Igaly: What do you mean Miss Violet?
[15:57] Zaida Gearbox (zaida.gearbox): miz vi don't want to work for us?
[15:57] Zaida Gearbox (zaida.gearbox) offers miz vi a cookie
[15:57] VI : there is nothing better for me to be than a rabbit
[15:58] Myrtil Igaly: Oh
[15:58] Myrtil Igaly: Please don't be offended by the question, it was very innocent.
[15:58] Petra Flax : touch-eeeee
[15:58] Myrtil Igaly: Shhhh Petra!
[15:58] VI : to say other wise is preposterous, and rude
[15:58] Becky Blackcinder: I wish I was somethin' besides a human sometimes.
[15:58] Petra Flax snaps her mouth shut
[15:58] Becky Blackcinder: An' I do know a surprising number of mad scientists, so...
[15:59] VI : very well
Miss Solano sat back on the bench, facing the urchins.
[15:59] Myrtil Igaly: Very true Miss Violet, please forgive us for even thinking you would think otherwise
[15:59] Zaida Gearbox (zaida.gearbox): this is babbage knowing a mad scientist or 10 isn't surprising
[15:59] Zaida Gearbox (zaida.gearbox): if i could be a animal i'd be daisy my dog
[15:59] Zaida Gearbox (zaida.gearbox): then i could lay around in my bed all day
[15:59] Myrtil Igaly whispers to the others. "Ok, avoid the bunny questions!"
[15:59] Petra Flax nods
[15:59] VI : i suppose it would be a badger
[16:00] Myrtil Igaly blinks
[16:00] Emma Walsh : Badgers are awful buggers...
[16:00] Petra Flax : Badgers are pretty great
[16:00] Jimmy Branagh: Okay Zaida?
[16:00] Myrtil Igaly: They're fierce for sure
[16:00] Becky Blackcinder: Opinion is divided on badgers!
[16:00] VI : the ruling family of my home land are badger
[16:01] Zaida Gearbox (zaida.gearbox): miz vi - you a boss lady outside of hear, an' you sometimes employ urchins to carry messages an' packages..... how are you goin' to feel about havin' urchins bossin' you instead of you bossin' us
[16:01] Petra Flax : Good question.
[16:01] Myrtil Igaly hides a smile and dives onto her piece of paper, pencil at the ready
[16:02] VI : well that would depend on whether the orders are in conflict with my business
[16:02] Myrtil Igaly nods slowly
[16:03] Myrtil Igaly: Which would come first in that case?
[16:03] VI : that would depend on your requested action
[16:03] VI : it it was not within the scope of the job your offering
[16:04] VI : i would decline
[16:04] Myrtil Igaly: Understood
[16:04] VI : for example
[16:04] Petra Flax : What’s decline mean?
[16:04] VI : if you asked me to talk to tenk about something fine
[16:05] Myrtil Igaly whispers : that she says "no"
[16:05] VI : if you asked me to kill tenk
[16:05] Petra Flax : Oh
[16:05] VI : well that’s different
[16:05] Myrtil Igaly: Oh of course
[16:05] Petra Flax : Well jeez lady
[16:05] Myrtil Igaly: That wouldn't be something we would ask you to do.
[16:06] VI : of course not
[16:06] Myrtil Igaly: We merely need someone to represent us to deal with other grown-ups
[16:06] Myrtil Igaly: without those grown-ups knowing they're actually dealing with urchins
[16:06] Petra Flax : I mean beat in a sack with a hammer, maybe... but kill is kinda extreme
[16:06] Petra Flax : And what Myrtil said
[16:06] Myrtil Igaly rolls her eyes at Petra
[16:06] VI : and in that capacity i would
[16:06] Myrtil Igaly nods
[16:07] Myrtil Igaly: Here's my second question then.
[16:07] Petra Flax readies her pencil
[16:08] Myrtil Igaly: If you were working for us and we asked you to go talk to Miss Book and get an information about some secret Militia documents. How would you do it?
[16:08] VI : with great difficulty
[16:08] Myrtil Igaly laughs
[16:08] VI : we are not on the best of terms
[16:09] Myrtil Igaly: That's why I asked this question
[16:09] Myrtil Igaly smiles
[16:09] Myrtil Igaly starts drawing circles on her paper
[16:10] VI : and as to getting the information by less than honest means
[16:10] VI : your urchins are as capable as me in that regard
[16:11] Zaida Gearbox (zaida.gearbox) whispers: she paid me a whole dollar to stand around and yell HELLO MIZ BOOK if i seen her once
[16:11] Jimmy Branagh chuckles
[16:11] Myrtil Igaly: Maybe, but I would like to know how you would do it as an indication of what you would be able to do to deal with difficult missions
[16:11] Petra Flax : Depends on the urchin. Tubby ain’t much good at nothin.
[16:12] Jimmy Branagh: 'ee's good at eatin'. Everythin'!
[16:12] Petra Flax : And it was probably him that spilled the beans about this gig
[16:12] Petra Flax : Good point Jimmy.
[16:12] Myrtil Igaly: Tubby you think?
[16:13] Petra Flax nods
[16:13] VI : i would send one of my employees to retrieve the information
[16:13] Myrtil Igaly nods and scribbles
[16:13] Zaida Gearbox (zaida.gearbox): i ain't seen tubby in a long time. i thought creaky got him
[16:14] Jimmy Branagh scribbles
[16:14] Zaida Gearbox (zaida.gearbox) whispers: she'd pay an urchin to do it
[16:14] Petra Flax : That’d keep him fed for a while.
[16:14] VI : sadly the man that would be best at that retrieval is no longer available
[16:14] Jimmy Branagh: Finished, Myrtil?
[16:14] Myrtil Igaly: Yup, go ahead
[16:15] Jimmy Branagh: Miss VI, wos you in Babbage when the Dark Aether fell?
[16:15] VI : no
[16:15] Jimmy Branagh: Awlroight. Never moind then. Petra?
[16:15] Myrtil Igaly chuckles
[16:15] Jimmy Branagh scribbles
[16:16] Petra Flax : Well, I guess it’s no secret you’re sort villainy type… what sorta guarantee can we have that you won’t just lie about all this and do something that is to our detri- detrimu- uh… is bad for us?
[16:17] Petra Flax draws out a hangman, then fills in all the spaces with Xs
[16:17] Myrtil Igaly squints at Miss Violet, waiting for her reply
[16:17] VI : hmmmmmm
[16:17] VI : well that’s the rub isn't it
[16:18] Myrtil Igaly: We could write something about it in the contract, but the question is, do you respect contracts...
[16:18] Petra Flax : The rub?
[16:18] VI : since you consider me a villain, would you trust any promises i made anyway
[16:18] Petra Flax : Like for ribs?
[16:18] Zaida Gearbox (zaida.gearbox): maybe she wants her ears rubbed?
[16:18] Myrtil Igaly smiles at Zaida
[16:19] Zaida Gearbox (zaida.gearbox): gilly like him ears scratched
[16:19] Becky Blackcinder: I've known some trustworthy villians an' some good guys who lie a lot.
[16:19] Myrtil Igaly: That was a good question Petra. This is to take into consideration but it could go both directions anyway
[16:19] Zaida Gearbox (zaida.gearbox) nods in agreement with Becky
[16:19] VI : like that counterfeit count?
[16:19] Myrtil Igaly: Heh
[16:19] Zaida Gearbox (zaida.gearbox): doc O was a villain but him would keep him promises
[16:20] Zaida Gearbox (zaida.gearbox): 'course him usually promised to do bad things
[16:20] Petra Flax : Baloney? He's crackers.
[16:20] Myrtil Igaly: He is, but who isn't in this town?
[16:20] VI : i am a business woman and i hold to contracts
[16:20] Myrtil Igaly: Oh, that's good to know!
[16:20] Myrtil Igaly scribbles
[16:21] Petra Flax pretends to write again, nodding.
[16:21] Myrtil Igaly: Becky, another question?
[16:21] Emma Walsh draws a piece of paper in Vi's hands
[16:21] Becky Blackcinder hmmms. "Okay..."
[16:21] Myrtil Igaly: That's if you have one
[16:21] Myrtil Igaly: not mandatory
[16:21] Becky Blackcinder: Why d'you wanna work for us? What do you like about us? Or is it just a business thing?
[16:21] Jimmy Branagh: Let's move along folks! Get snappy!
[16:22] VI : mostly?
[16:22] Myrtil Igaly nods and turns her head towards Miss violet
[16:22] VI : because it benefits both of us
[16:23] Myrtil Igaly: The question would then be, how does it benefit you?
[16:23] VI : you get someone who can deal with the adults
[16:23] Myrtil Igaly: Right
[16:24] VI : and i get an alliance with the biggest information gathering force in the city
[16:24] Myrtil Igaly: Oh I see * grins*
[16:24] Myrtil Igaly scribbles
[16:25] Jimmy Branagh: Emma
[16:25] Petra Flax nudges Becky to nudge Emma
[16:25] Jimmy Branagh: EMMA!
[16:25] Emma Walsh : Do you have any credi.....proof of your expertise? Things that the adults look for in this town fer respect.
[16:26] Myrtil Igaly glances at Emma
[16:26] Becky Blackcinder scribbles some stuff down.
[16:27] VI : i have a successful business, i have money, i have made considerable donations to the fire brigade, and the militia
[16:27] Myrtil Igaly looks up, wide-eyed
[16:28] Emma Walsh : Errr....I guess that means you look good on paper!
[16:28] VI : yes
[16:28] Emma Walsh guesses that's the right saying and starts doodling dollar signs under her
[16:29] VI : and i helped with the recent Prometheus incident
[16:29] Jimmy Branagh: Zaida has the final question
[16:29] Zaida Gearbox (zaida.gearbox): you gave money to the militia even though miz book don't like you?
[16:29] Jimmy Branagh scribbles
[16:29] Myrtil Igaly scribbles too and starts to regret drawing circles as she's running out of space
[16:30] Zaida Gearbox (zaida.gearbox): ummmmm---- i guess that was my question
[16:30] VI : yes to give to the widows and orphans left by the Militia men that were murdered
[16:30] Zaida Gearbox (zaida.gearbox): oh ok
[16:30] Emma Walsh : Ohhhhh...
[16:30] Petra Flax : Huh.
[16:30] VI : i think she declined to pass it on
[16:30] Myrtil Igaly: That was your question Zaida?
[16:31] Zaida Gearbox (zaida.gearbox): how will you represent us as our embassador
[16:31] VI : well really that depends on what you have in mind
[16:32] VI : have you fully considered what you wish me to do?
[16:32] Petra Flax : Imagine a suit of armor filled with kids
[16:32] Myrtil Igaly starts to wonder what they got themselves into
[16:32] Zaida Gearbox (zaida.gearbox): i mean in helping us with our urchin grow'd up relations
[16:33] Zaida Gearbox (zaida.gearbox): we need a urchin grow'd ups relations office
[16:33] Myrtil Igaly: Yes, that's what we need, except secret one, not official
[16:33] VI : but are you expecting a person to foster better relations with the adults?
[16:33] VI : or just a bigger urchin?
[16:34] Zaida Gearbox (zaida.gearbox): isn't that what a embassador does?
[16:34] Jimmy Branagh: You would be representin' our interests.
[16:34] Petra Flax blinks
[16:34] Myrtil Igaly: To deal with adults who don't want to have nothing to do with us
[16:34] Myrtil Igaly: Have them think they're dealing with you except they're dealing with us
[16:35] Petra Flax : Yeah
[16:35] Jimmy Branagh: We figger 'avin' a representative would be better'n burnin' the' city down
[16:35] Myrtil Igaly chuckles
[16:35] VI : and that’s the thing, for me to do that job i'd need to show a proper front
[16:35] VI : so no activity's that could be seen as dishonest
[16:36] Myrtil Igaly: I s'pose we could be having business with both honest and dishonest grown-ups
[16:36] VI : you need what amounts to a business manager
[16:36] Myrtil Igaly: Hmmm
[16:37] Zaida Gearbox (zaida.gearbox) starts day dreaming about the new buffet at brunel as her tummy rumbles
[16:37] Myrtil Igaly: We're the business managers. What we need is someone willing to do what we tell them to do but also be crafty enough to find how to get the high hand in deals with other people
[16:38] Jimmy Branagh nods
[16:38] Petra Flax nods
[16:38] VI : in short a business manager
[16:38] VI : someone to manage your business with others
[16:39] Myrtil Igaly: Well yes, can call it like that.
[16:38] Myrtil Igaly looks at the other urchins. "Does anyone have another question?"
[16:39] Emma Walsh : Err...no...but I have one for you Myrt when we're done...
[16:39] Myrtil Igaly nods to Emma
[16:38] Petra Flax : Yeah, I got one more… gonna seem silly, but I got my reasons fed asking it. Ok… what’s yer favorite thing about Mayor Tenk?
[16:39] Zaida Gearbox (zaida.gearbox): is likin' tenk a job requirement?
[16:39] Petra Flax : Nope.
[16:39] Myrtil Igaly: won't be in the contract, but Petra has her reasons
[16:39] Petra Flax : Just a question.
[16:39] VI : my favorite thing about tenk
[16:39] Zaida Gearbox (zaida.gearbox): my favorite thing about tenk is him don't take no bullpoo
[16:40] VI : he stays out of other people’s business
[16:40] Myrtil Igaly smirks
[16:40] Petra Flax : Not you Zaida, Miss Vi
[16:40] Petra Flax : And thank you
[16:40] Becky Blackcinder: I like how he's not taller'n me.
[16:40] Myrtil Igaly giggles
[16:40] Zaida Gearbox (zaida.gearbox): imma shorter dan mr. tenk
[16:41] Myrtil Igaly: It's cause you're a shrimp Zaida!
[16:41] Zaida Gearbox (zaida.gearbox) makes rude gesture at myrtil
[16:40] Myrtil Igaly nods. "Thank you Miss Violet. Now would YOU have questions for us?"
[16:41] VI : well i do wonder if you have thought this position through?
[16:41] Myrtil Igaly: Oh yes, are you concerned about it Miss violet?
[16:41] VI : if you know what you need, over what you think you want
[16:42] Myrtil Igaly: We've talked about it, and will talk some more after the interviews. We'll decide as a group so there's always gonna be someone to say if they don't agree and why
[16:43] Jimmy Branagh writes more, and the number 423 next to it
[16:43] Myrtil Igaly: Which will make us think more and more until it's all good
[16:43] VI : if you hire a Representative to deal with the adults they will need to be very public
[16:43] Myrtil Igaly: Not necessarily.
[16:44] Zaida Gearbox (zaida.gearbox): we could hire two people
[16:44] Myrtil Igaly: Just have to look respectable enough or know how to make themselves look that way
[16:44] Zaida Gearbox (zaida.gearbox): someone to be our public face an' someone to be sneaky
[16:44] VI : no they will need to be public any interaction will become known
[16:44] Myrtil Igaly: And yes, we can also do that Zaida
[16:44] Petra Flax : That’s true
[16:45] VI : the action may not be seen to be connected to you but it will be seen by someone
[16:45] Zaida Gearbox (zaida.gearbox) looks confused
[16:45] Myrtil Igaly: Maybe what we would need is a few agents, or a master of disguise
[16:46] Myrtil Igaly: Or someone who can stay veeery discreet
[16:46] Petra Flax : I think she means the Great Builder....
[16:46] Zaida Gearbox (zaida.gearbox): can we hire miz book?
[16:46] Myrtil Igaly raises an eyebrow at Petra
[16:46] Zaida Gearbox (zaida.gearbox): nobody would ever suspect her
[16:46] Myrtil Igaly: Noooo Zaida, she'd never agree
[16:46] VI : take the Count i can see him bragging about every sneaky thing he does for you
[16:46] Emma Walsh laughs
[16:47] Zaida Gearbox (zaida.gearbox): yeah her all noble an' shi--stuff
[16:47] Myrtil Igaly: Well that's for us to judge Miss Violet.
[16:47] VI : as you wish
[16:47] Jimmy Branagh: We need a person capable of bein' both public, an' subtley behoind the scenes. Our shadow hand, as it were.
[16:47] Myrtil Igaly: I understand your concern and thank you for worrying, but we'll manage.
[16:47] Myrtil Igaly smiles
[16:48] Myrtil Igaly: Well I guess we're done if it's good for everyone?
[16:48] Zaida Gearbox (zaida.gearbox) whispers, "i think her right about the Count. him not rowin' wid both oars..."
[16:48] Becky Blackcinder smiles and nodnods.
[16:48] Jimmy Branagh nods
[16:48] Jimmy Branagh: Pass yer papers in please
[16:48] Petra Flax : Yep
[16:48] Emma Walsh : Well with Miss Vi yeah
[16:48] Myrtil Igaly: Miss Violet, thank you again for your time!
[16:48] Jimmy Branagh: Thenks Miss VI
[16:48] Jimmy Branagh smiles
[16:48] Myrtil Igaly: We will let you know our decision after we've made it.
[16:48] Emma Walsh : But need ter talk to you about Mr. Hyde.
[16:48] VI : you’re welcome
[16:48] Becky Blackcinder hands Jimmy her notes, which are mainly doodles.
[16:48] VI : but think well on what you really need
[16:48] Myrtil Igaly nods
[16:48] Myrtil Igaly: We will.
[16:49] Jimmy Branagh collects the sheet, wads them in the notebook and shoves the notebook into his coat
[16:49] Myrtil Igaly: Do you need to be walked back outside?
[16:49] VI : i think i can find my way
[16:49] Myrtil Igaly: Alright! Take care!
[16:49] Jimmy Branagh: 'Ave a good evenin' Miss!
[16: 49] VI : stands on the boards and waves and the men hiding on the roofs move off
[16: 49] Jimmy Branagh whistles, signalling the armed urchins watching from hidden position to stand down
[16:49] Emma Walsh : Hyde blabbed.
[16:49] Myrtil Igaly: Hyde?
[16:50] Emma Walsh : Mr. Hyde
[16:50] Emma Walsh : When we had our big meeting
[16:50] Becky Blackcinder: He would, wouldn't he?
[16:50] Emma Walsh : Discussing Creaky
[16:50] Emma Walsh : And the interviews
[16:50] Emma Walsh : He wasn't sworn to secrecy
[16:50] Myrtil Igaly: Oh yes, he totally would
[16:50] Myrtil Igaly: Dang it
[16:51] Emma Walsh : So he probably told his friends, who told everyone
[16:51] Myrtil Igaly: We gotta have a little chat with Mister Hyde...
[16:51] Becky Blackcinder: He has friends?
[16:51] Myrtil Igaly: hehe
[16:51] Emma Walsh : Err....must have some runnin mates
[16:51] Becky Blackcinder: I mostly only see him when he's passed out on Dr. Jekyll's couch.
[16:52] Myrtil Igaly: Yes not sure he's got many friends
[16:52] Emma Walsh : He's got enough drinking buddies
[16:53] Emma Walsh : And he was sharing some stuff when I stopped by the other night.
[16:53] Myrtil Igaly: Hah!
[16:53] Myrtil Igaly: you're probably right Emma
[16:54] Myrtil Igaly: and if that's him, we need to talk with him, for one, and never to allow him to our secret meetings anymore again
[16:54] Emma Walsh nods
And thus ended the third interview the urchins held to find a “grown-up ambassador”.
The condition of this car was unbelievable, however I'am quite local to the area and have never seen it before so i wonder if the owner is having a first go at running a classic or maybe a very solid and lucky second-hand buy.
Air-Conditioned by Refrigeration - Controlled Heat - Tile Bath Shower & Tub - Opelika's Most Modern Cafe - Pan-Am Service for Your Convenience - Completely Air-Conditioned - Clean Rest Rooms - Specializing in Southern Style Cooking for Tourists - 2 Mile South of Opelika, Alabama - Hwys. 280-431.
Oak Spec. Co.
14194F
CAPA-019611
All you need to make this DIY spot cooler is a bucket, some PVC pipe, a fan, and ice, reusable ice packs, and a frozen gallon jug of water—the homemade air conditioner was able to lower the temperature of a small room by only 2° to 3° F, and within 30 minutes the room temperature began to rise again.
The frozen jug of water was the best for cooling, apparently because it allows enough air to circulate around the jug to sufficiently cool it. And while the ice cubes initially produced the lowest air temperature, once they started melting the temperature measured outside the duct (pipe or cup) wasn’t much different than the room temperature. Again, the room temperature began to rise in 30 minutes.
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HELENSBURGH UPPER or UPPER HELENSBURGH as it now is these days.
A sad day when it was demolished, something I don't think they would get away with these days, it was demolished purely as it was being closed as a staffed station and to avoid cost of upkeep, otherwise it was in sound condition.
It was also a sad day for me as this was where my interest in trains developed in 1977 with initially going to watch the trains, as I lived near by, and then it becoming a regular haunt as I got befriended by regular station Railman George Killen, a top bloke. This gave me full access to all parts of the station, all unauthorised of course but that was the way of the world back then, so much better to the way things are now.
Through George I got to know retired Loco inspector Davie Thornton and his wife Shona who lived in a trackside cottage halfway between Arrochar and Ardlui and who were picked up by a train stopping outside their cottage once a week to take them shopping, sadly Davie was on the track one day when no train was stopping and the 08.00 from Oban with 37011 came along and killed him.
A few years before this tragedy though Davie had used his contacts to arrange an unauthorised cab ride on the 06.00 Glasgow Queen St to Fort William to Rannoch and back on a class 25 and class 27. That was it and I got the bug and ended up driving the West Highland Line my self from 1980 to 1986.
Hey people Do u know?? In this picture Emma is very nervously Walking!
Because!!! I follow her and She Thought i'm Theif Lolz hahaha
(in angry condition Emma looking very cute)
A Cadillac Seville at the Schuppen 1 in Bremen.
© Dennis Matthies
My photographs are copyrighted and may not be altered, printed, published in any media and/or format, or re-posted in other websites/blogs.
Talking about the weather, did you know that The Century Building (1940) was the first fully air-conditioned office building in Victoria? ift.tt/2jDoiio