View allAll Photos Tagged composition
Rule #7
When organizing a pose, be certain that background tree limbs don't appear to be growing out of the subject's head.
A garden showcasing 7 acres of beautiful and rare plants surrounding a 17th century manor house. This hidden gem of a garden is home to an Italian Garden, romantic ruins, enchanting woodland walks and the Old Dairy Tearooms.
Een tuin die we in 2005 al eens bezochten. Toen leefde de eigenaar nog. Zijn visie is nog in de tuin aanwezig, maar wel wat achterstallig onderhoud.
Composition Notebook Cover with fabrics from Tula Pink's Nightshade collection.
www.etsy.com/listing/161899073/tula-pink-nightshade-coven...
The assignment for this fortnight in Studio 26 is triangles in composition. Part of that is analysis of photos we've already taken, or take for the assignment.
The original post for each of these assessments is linked in the comments, with all photos also in the set.
The composition consists include zz Eustoma, roses, hydrangeas with green trimmings. This is a very beautiful and elegant valentine flower arrangement . Everyone will appreciate their beauty! Is attached to the composition note that along with flowers convey wishes.
Compositional Study for 'The Hour Glass'
Evelyn De Morgan
Here Jane Morris poses for De Morgan's oil painting, The Hour Glass, conceived as a pictorial 'echo' of Beethoven's 'Waldstein' Sonata, which ends on 'a sudden voice of triumph'. It is a meditation on mortality which in De Morgan's spiritualist philiosophy was the gateway to a finer life.
Aged sixty-five, Jane Morris was an apt model for the figure. She shared her love of music with the De Morgans, who were 'dear old friends'. The tapestry sketched in the background evokes those at Kelmscott Manor, although is not copied from them.
[National Portrait Gallery]
From Pre-Raphaelite Sisters
(October 2019 - January 2020)
170 years after the first pictures were exhibited by the Pre-Raphaelite Brotherhood in 1849, Pre-Raphaelite Sisters, explores the overlooked contribution of twelve women to this iconic artistic movement. Featuring new discoveries and unseen works from public and private collections across the world, this show reveals the women behind the pictures and their creative roles in Pre-Raphaelite’s successive phases between 1850 and 1900.
Featured Joanna Wells, Fanny Cornforth, Marie Spartali Stillman, Evelyn de Morgan, Christina Rossetti, Georgiana Burne-Jones, Effie Millais, Elizabeth Siddal, Maria Zambaco, Jane Morris, Annie Miller, Fanny Eaton
[National Portrait Gallery]