View allAll Photos Tagged compositing
Someone has been making beautiful composite color copes and stitching them together on Mission Street, on some wood cladding outside of an empty restaurant. This is a composite photo of a composite photo - dude, it's meta!
Early 16th century composite figure from the east window of the north aisle.
Shelton church is one I've known from photos for some time, so I was particularly pleased to be visiting it at last. You always have certain expectations in such cases so it's always intriguing to see how they'll measure up to reality. It looks quite a grand building so imagined a more dignified approach, instead we simply pulled up by a gate on a leafy country lane and there it was!
This is clearly an above average building that has had a lot of money put into it, and sure enough its rebuilding was funded by Sir Ralph Shelton (High Sheriff of Norfolk) from the 1490s to at least the 1520s (work may well have continued up to the eve of the Reformation). This work was never finished, as witnessed by the humble west tower that clearly belonged to the previous church, and the curiously hollow south porch, where a fan-vault was obviously planned but never materialised (leaving the upper chamber without a floor).
The church is unusual in the area for showing so little flintwork, the usual building material in these parts. Aside from the tower the walls are mostly of brick and the clerestorey of stone (quite a luxury). Its proportions make the building appear larger than it is, fairly short in length owing to the lack of a structurally defined chancel, but given more height by the handsome row of clerestorey windows above.
Within the church the sense of height is maintained, the proportions again accentuating this with a fairly narrow central aisle that rises to a flat plaster ceiling (replacing the original timber one in the 18th century). The nave columns are slender and elegant, all very much in the last phase of Gothic where the ratios of stonework to glass changed dramatically. This seems a very light building in every sense.
The best original surviving features here are in the windows at the east end, with much early 16th century glass remaining, collected into the three windows of the east wall (and therefore not in situ) with more remains in the traceries of the aisle windows. Most of the larger figures are kneeling donors of the Tudor period, but a few more saintly individuals also remain. There is another font following the usual local design at the west end, but this one has sadly suffered some mutilation. There are tombs of the Shelton family at the east end, but most are plain aside from the early 17th century one on the south side with a group of kneeling figures.
Shelton church is a bit of a gem and well worth a visit, and was open and welcoming when we called in happier (pre Covid) times.
For more see its entry on Simon's Norfolk Churches site below:-
Composite Moon. Zoom for detail!
(Disclaimer: not a single image)
This compositing technique involved shooting multiple panels of the 1st quarter Moon and stacking the best frames and then stitching them together as a mosaic Then blending this with a full Moon (darkened) to replicate the shadowed side. A separate sky exposure is then added for some drama. Again, not a 'real' single image but rather a blend of a few different ones.
C11 XLT, Altair 385c and Canon EOS RP.
Cline River Photography, Photo by Edwina Podemski.
View or purchase items from our portfolio at: www.clineriverphotography.com
Composite Photography : Shutter Speed 1/60s F/11 ISO 100 Focal Length 105mm
Camera Nikon D7500 Flash Used Bounced Edited in Camera Raw
Cline River Photography, Photo by Edwina Podemski.
View or purchase items from our portfolio at: www.clineriverphotography.com
Composite show of snowboarder comming down the ramp
From the 2011 Relentless Freeze Festival at Battersea power station.
Centre Hall fire company car show.
The owner explained what other cars various parts came from.
DS7_4325a
Composite photograph of Lake Pedder from Teds Beach and the aurora australis, both shot in Tasmania on the XZ-1, with the same settings. The differences being date, location and the foreground image had a brighter, but partially eclipsed moon during the time of the shot
There was a lot of lightning last night. All I had to do was point and shoot. This is a composite of 3 pics, not particularly clean.
My first attempt at merging photos using layers. A composite of 3 photos, bridge +clouds+raindrops. Any feedback on the technical aspects welcomed :-)
The base image was taken on the Dynamic Busan! Photowalk last April.
Chinese American Composite Wing was assigned to the 14th Air Force, China Burma India (CBI) Theatre in World War2.
This a A2 leather flight jacket themed to honor those airmen.
Composite image from 4 pictures. This worm is pretty big.
Deropristis from the intestine of an Atlantic sturgeon. Probably one of the coolest parasites I've ever found in a fish. The anterior region is enlarged and armed with a wicked array of spines, and there is a little mound of spines on the dorsal surface as well. It looks a little bit like a cobra.
Cross Country Trains / BR ( ADtranz / MTU ) Class 170/5 'TurboStar' 2-Car DMU 170 521 ( Comprising DMSL Car 50521 & DMCL Car 79521 ) approaches Spondon station with an eastbound service on 23 May 2013
Cline River Photography, Photo by Edwina Podemski.
View or purchase items from our portfolio at: www.clineriverphotography.com
Just seeing what I think of making composite images. Obviously, I'm not so good at it just yet. This is a church down on 16th Street.
Trex composite decking in saddle and woodland brown colors with solid skirting. Contact Long Island Decking for a free in home design consultation. In Nassau 516-594-0390 or Suffolk 631-728-7272. www.lidecking.com
All pictures copyright Long Island Decking Inc.
Pruebas de construcción con papel de una composición Hockney en formato medio. (con photoshop es laborioso, pero en papel es peor aún :) )
Test of construction on paper of a Hockney´s composite in medium format. (with photoshop is laborious, but on paper is even worse :) )
A bit of fun, after seeing something similar a while ago.
5DMkII 100/2.8 macro.
YN560 on the red painted b/g (no gel)@ 1/2 pwr. Texture via PS.
Elinchrom Quadra & socked beautydish, camera right 45deg to subject @ 1mtr.
iso100, f/11 1/160th
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