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Painting with flash in the studio. This is a composite of 6 images.
Strobist: Ambient - large softbox to camera right. various painting with snoot. Norman D24 pack.
Inspired by Joel Grimes.
Lighting info:
Elinchrome strobes. Two large soft boxes on the sides with one overhead beauty dish for fill. Two black cardboard cards were placed just in front of the camera to the left and right to prevent lens flare.
The model was shot on a grey seamless. The background is a HDR image shot with three images, -2, 0 and +2. The images were tone mapped in Photomatix and combined in Photoshop.
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This image is protected by copyright, no use of this image shall be granted without the written permission from the photographer.
Two composite engineers discuss the finite element analysis results of a composite carbon fibre stair tread. The stair case is to be premiered at the Science Museum in London on March 11th 2009 as part of a new exhibition entitled "Fast Forward- 20 ways F1 is changing our world." The accompanying picture is that of the carbon component itself.
Strobist info:
580EX through Eyybox Softbox high camera right aiming back down towards papers.
430EX snooted rear left as kicker
430EX gridded and blue gelled to put a hint of blue between the two designers.
Triggered by an ST-E2 strobes in manual
Blinds closed partly in room to allow ambient to come through the tiny slots - main and kicker gelled CTO with WB to tungsten to render them blue.
A stunning Brescia Solidor composite door in Anthracite grey with the ES3 800mm stainless steel handle and satin glass. Installed in Bingham, Nottingham. For a free quotation call us on 01158 660066 pop into our West Bridgford showroom or visit our website www.thenottinghamwindowcompany.co.uk #Composite #Anthracite #Grey #Modern #Nottingham #Bingham
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The Milano solidor composite door in anthracite grey with matching frame, satin glass and a 1800mm stainless-steel handle. Installed in Gamston, Nottingham. For a free quotation call us on 01158 660066 www.thenottinghamwindowcompany.co.uk or pop into our West Bridgford showroom. #Solidor #Composite #Gamston #Anthracite #nottingham #home
Just playing around with my 365 photo from today. I googled "stadium seats" and used an image I found and treated it to match the photo of my kid I extracted. Just a quick composite in honor of the Super Bowl.
Two originals from Library of Congress; composited, repaired, and colorized. Since the originals are in the mirror-reverse like all of those early daguerreotypes, I decided to leave the restoration that way also. While working on this image, it occurred to me that the two originals were not intended as an end in themselves but made to serve as a portrait artist’s reference for a painting. An artist’s studio sitting would have required far too much time for the subjects. The early daguerreotypes were a hastle; however, they were often used by artists to project a much larger first impression on canvas. Color was also in the artist’s professional advantage in going this route. I have never seen any such painting of the Lincolns that were taken from these originals. Maybe the project never materialized. Perhaps this is why the their arms fit together so well; it was part of someone’s clever plan way back there in time past.
A re-imagining of Dali's 'Christ of St John of the Cross'
A composite of 3 images taken at Alnmouth and Amble
A Painswick Flint Beeston Solidor Composite Door accompanied by a R7 Residence Collection flush casement window. Installed in Ruddington, Nottingham. For a free quotation call us on 01158 660066 www.thenottinghamwindowcompany.co.uk or pop into our West Bridgford showroom. #R7 #Residence #Solidor #Composite #Beeston #Painswick #Flush #Casement #Ruddington #Nottingham
Product Photography
Many of my product shots in the past have involved a lot of experimenting, moving things around, and a lot of time and test shots. That, of course, also results in gaining knowledge of what works and what doesn't. I've also been slowly working through "Light Science and Magic".
This shot was rewarding for me because I had a specific plan on how to light these packages before I started setting up anything. I put the setup together on top of the dining room table and made just a couple of very minor adjustments before moving forward with the shoot - and the result was pretty much what I wanted to see.
This image is a composite. The two bottles were shot seperately in position. I did an overlay and a quick mask. If the two bottles had been photographed together there would have been shadows and lots of reflections of one bottle on the other.
Lighting:
SB800 in DIY 28" soft box fired through intermediate diffuser - a white fabric shower curtain. Same setup left and right side.
SB-28DX from above onto background.
Black cards behind and on table just outside frame.
All speedlights fired with buff Cybersyncs.
The camera takes a base image and then sequential images at preset timing and just adds the new light sources , hence the car trails... very clever.....this is a bit foggy in the foreground due to pedestrians