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This is a composite image from NASA’s Chandra X-ray Observatory, the Hubble Space Telescope, and the James Webb Space Telescope. Pictured is galaxy cluster MACS J0416 at a distance of about 4.3 billion light-years from Earth.
Galaxy clusters are the largest objects in the universe held together by gravity, and ones like this can contain hundreds or even thousands of individual galaxies all immersed in massive amounts of superheated gas that Chandra can detect. In this view, Chandra’s X-rays in purple show this reservoir of hot gas while Hubble and Webb pick up the individual galaxies in red, green, and blue. The long thin lines are caused by matter in the cluster distorting the light from galaxies behind MACS J0416 in a process known as gravitational lensing.
Read more: chandra.si.edu/photo/2024/chandrawebb3/
Credit: X-ray: NASA/CXC/SAO/G. Ogrean et al.; Optical/Infrared: (Hubble) NASA/ESA/STScI; IR: (JWST) NASA/ESA/CSA/STScI/Jose M. Diego (IFCA), Jordan C. J. D'Silva (UWA), Anton M. Koekemoer (STScI), Jake Summers (ASU), Rogier Windhorst (ASU), Haojing Yan (University of Missouri)
Image description: Here, the blackness of space is packed with glowing dots and tiny shapes, in whites, purples, oranges, golds, and reds, each a distinct galaxy. Upon close inspection (and with a great deal of zooming in!) the spiraling arms of some of the seemingly tiny galaxies are revealed in this highly detailed image. Gently arched across the middle of the frame is a soft band of purple; a reservoir of superheated gas detected by Chandra.
My first try on a composite: Any help is very welcome. This is a further worked on version of v1.
Oh, and take a look at phlearn. A really great resource on learning photoshop.
Strobist info (Model was shot on a grey background and flipped in PP to match the light in the BG-- Woods was a non-strobist snap-away awailable light):
- Main light: Elinchrom Style 1200S at 106Ws in an Stripbox
- Fill light: Canon 580EX-II at 1/2 power and a 1/4 CTO in a reflective umbrella
- Rim light: Canon 580ex-II at 1/16 power and 1/2 CTO
All triggered by Elinchrom Skyports
Also see the according setupshot.
Dress by Irene Luft.
Makeup by Anja El Sawaf.
Composite image. Inspired by "Heroes of Cosplay".
Credits:
Abandoned Factory -
www.deviantart.com/art/Abandoned-Factory-Storage-99823493
Poison Ivy Girl -
Check out the full size and the detail crops for a sense of what is really going on in this composition.
Original Render 16002x16002px.
Composite created for the Down Under Challenge
With thanks to Cathy for
plus my background Queensland sunset.
Stars from free png
Are we alone? This question is as old as humankind itself. For millennia, people have turned their eyes to the stars and wondered if there are others like themselves out there. Does life, be it similar to our own or not, exist elsewhere in our Solar System? Our Galaxy? Until 1992, when the first exoplanet was confirmed, it was uncertain whether there were even any planets outside those in our own Solar System. Today we know of over 3850 planets around other stars and thousands of planet candidates. Do any of these planets have conditions that would support life? ...
Before we can determine if there are other planetary systems capable of supporting life, we must first find them.
science.nasa.gov/astrophysics/big-questions/
school project
strobist info:
sb800 boomed and snooted overhead at half power
580ex gelled w/ soft amber behind chair at 1/64th
characters:
sb800 and 580 ex bounced off hallway walls
Playing around with Photoshop, I created this composite image. The vintage aircraft photo was taken at the 2010 Brantford air show and the background shot was taken from a hot air balloon in 2012.
A fun exercise!
My very first Multiple Composite.
Used 5 different images to create one Multiple Composite.
Just playing around with ideas, not too satisfied with the outcome, as it is lacking creativity.
I did a face study for my final project.
Thirty-two portraits are here in this one photograph.
A movie accompanied my project and the composite was a way to portray the same idea (of faces morphing into one another) in print.
The pieces from the Walking Dad edit.
Lit with a large umbrella behind and above camera for just a little fill, and two strobes pointing at white cove for the strong rim light. All compositing/editing in CC. Background image is from actual Walking Dead promos.
Photo composite
Used 2 stripboxes with grid (einsteins) from the back at an angle and an Einstein with Beauty dish above camera right in front of subject.
My accomplice ejemmmm Model is my son I hope you enjoy
Inspired by Joel Grimes
Lighting info:
Elinchrome strobes. Two large soft boxes on the sides with one overhead beauty dish for fill. Two black cardboard cards were placed just in front of the camera to the left and right to prevent lens flare.
The model was shot on a grey seamless. The background is a HDR image shot with three images, -2, 0 and +2. The images were tone mapped in Photomatix and combined in Photoshop.
Visit my blog: www.blog.psportraitphoto.com
This image is protected by copyright, no use of this image shall be granted without the written permission from the photographer.
© 2011 Eric Adeleye Photography. (Press "L" for a larger view of the photograph)
I was trying out some of the lessons from chapter 1 and 2 of Photoshop Compositing Secrets by Matt Kloskowski. This book is worth every penny, I highly recommend you add this to your photography library shelf.
I used Photoshop CS5 to add a very slight HDR effect to the group of people in the photograph using Nik Softwater's HDR Efex Pro. I then selected and moved the subjects out of the original photograph and moved them into the HDR photograph that I used for the background. The selection of the subjects from the original photograph took me about 2 hours to do because I really wanted it to look good. The hard spots were around the heads and in between people. The background HDR photograph is composed of 5 bracketed shots that were merged together and processed in Photomatix 4. When I'm cheating and applying an HDR effect to single file, I tend to like using HDR Efex Pro. If I'm merging a set of bracketed shots togther, I always use Photomatix 4.
I welcome your feedback & critique? Compositing is one of the techniques I plan to master.
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My last composite. Still working out the kinks with creating enough contrast between the background and the hair. Also my first use of a fan! shot with large softbox directly in front and above with two x800 lights for rim with bar doors and frosted gells to soften the light.
Experimenting with Olympus LiveComp mode.
The camera will automatically record a composite image from multiple shots, observing changes in light without over exposing areas where there has been no change.
This image is multiple 30 second exposures with me doing some light painting in the foreground while recording star trails in the night sky.
After every exposure the composite image is updated on the camera screen, so you can see your work in progress. In my case I had my phone connected via WiFi for remote shutter and image preview.
I didn't take note of how long I spent on this image (I thought it would have been in the meta-data), but it was around 45 minutes. That means this is a composite of around 90 continuous 30 second exposures.
This is the jpeg straight out of the camera, no processing.
Note; this is using my new 9-18mm wide angle lens (18-36 equivalent).
Created for Textures for Layers Challenge #89: Floating Gate
Thanks to Paul Mannix for the original
www.flickr.com/photos/paulmannix/286817594/
wood texture background
www.flickr.com/photos/trevor303/2499027898/
Kanji by Ol’Wizard
www.flickr.com/photos/olwizard/2744626146
bird brushes