View allAll Photos Tagged compositing
Camera: Canon EOS 450D with Tokina 11-16mm f2.8 lens.
The picture was taken at 1/250 sec. shutter speed, f/8 aperture and ISO 400,
focal length 14mm.
This series of pictures were taken at a skating park near the beach in
Barcelona (41.397704ºN, 2.210632ºE if you want to see it in Google Maps). I
took about 100 of them, then selected the 15 most interesting ones, which I
then proceeded to edit. This brought my computer to a crawl, since the image
size was 600 MB and the temp file was 8GB!
RD8953. A re-enactment of the first train movement at the beginning of the Festiniog (only one F in those days) Railway's revival in 1954.
Now, in 2014, the Railway is celebrating 60 years of preservation.
The train comprises the World War 1 Simplex petrol tractor know as 'MARY ANN', brake third No.10 and bogie composite No. 20.
Friday, 2nd May, 2014. Copyright © Ron Fisher.
I've been wanting a tilt-shift lens for some time, but was unwilling to pay the $2K+ that Canon wanted. Rokinon has just started shipping their 24mm f/3.5 TS lens. I got mine and finally got around to playing with it. Price was around $1K. Less than half the Canon version.
This composite shows a scene captured at f/3.5 with shift applied (upper left) compared with the lens un-shifted at various f-stops. In each image, I am focused at the 22 inch mark (where the key is). The differences in sharpness are most evident at the 10 inch mark and the end where the tape measure body is.
To my eyes, it takes f/16 to achieve the same depth of focus that I got at f/3.5 with the lens shifted to put the focal plane down the hallway. That's over 4 stops difference!
I have found with my 16-35mm f/2.8L II lens that stopping down to f/18 and f/22 creates too much softness due to diffraction. I have wanted a way in landscapes to get "tripod to mountain" depth of field without being diffraction limited. It will be fun to add this to the arsenal
It can also help when there is some wind and you need to be at f/8 or below to freeze motion, but need f/16 or above for DoF.
Lastly, I've had an old 28mm Nikon shift lens for some time that I love to shoot architecture with. Now I have a 24mm shift that will also do tilt.
Lastly, if I need field of view equivalent (or better) than my 16mm, I can use the shift function to do seamless 3 shot panos at very high pixel counts
I need to compare sharpness to my 16-35mm, but from what I've seen so far, I don't think it will be an issue.
Composite of ISS entering eclipse in Orion. Jan 19, 2019 02:43 UTC. Canon G7 X, 60 x 1/2s, ISO 400, aligned and stacked with gmic and gimp. Exif is from a single frame. Timelapse: flic.kr/p/2igT72v
A partir d'une photo basse résolution, compositing basé sur le film terminator. Le compositing le plus long que j'ai pu faire
4-Image composite that we sell for $100 bucks, JZ one of my Photogs did a great job lighting these T & I photos! I did the layout took me about 5 minuets to do it :)
Canon Mark 2
2-Alien Bees 1600s
PW
This is my first attempt at doing a photo composite and manipulation using my new Bamboo Capture pen tablet.
Software Apps:
Photoshop Elements 9
Nik Color Efex Pro 3
Credits:
Background:
arbebuk.deviantart.com/art/way-through-the-woods-II-18717...
Girl:
Cline River Photography, Photo by Edwina Podemski.
View or purchase items from our portfolio at: www.clineriverphotography.com
I wanted to shoot them on white, but didn't have enough space or lighting to do it all at once. This was my solution.
For Project 52 Pro 2012 (renamed Insidious Tomatoes).
More here
Strobist: A composite, multiple shots.
Main character, key is a B800 in a gridded stripbox, camera left, f/8. Other characters use 3 lights (2 B800s on background at f/18 with the key being a B800 in a large softbox, camera left, f/11). Tomatoes and bottle lit with a Quadra "A" head in the PortaLite, camera left, f/11 (there is also a white card camera right for fill). Triggered by PWs and Skyport.
PP in LR4/CS6
Native flora and fauna photographed over a five day period and brought together in a single composite
Composite wood decking is totally water and rot proof, resistant to mould, fungi and other traditional problems facing timber decking. Made using a combination of wood and plastic, it is easily maintained with either a pressure cleaner or just soapy water, for durability that lasts years.
Unique Bespoke Wood - Supply and install decking and composite wood decking in Edinburgh, Glasgow and surrounding areas. Decking delivery in Scotland and United Kingdom.
www.ubwood.co.uk/composite-wood-decking.html
#deckingEdinburgh #deckingGlasgow #deckingScotland #compositewooddecking #compositedecking #compositedeckingScotland #compositedeckingEdinburgh #compositedeckingGlasgow
I created this image in loving memory of my grandma and granddad. When I was about 8 years old they brought me a toy car from their trip to London: a London Taxi cab. As a kid I played a lot wth toy cars. It's a Dinky Toy and I believe it has some value for collectors.
The golden watch in the image was my granddad's. He used to be a representative at Philips and he got it from the company when he retired. I got it when my grandma died. I cherish many happy memories I have of them both.
BTS: www.flickr.com/photos/143166781@N07/50643434053/in/photos...
Photography: FLOR3NS, Florens van der Put
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Copyright Owner: © 2021 FLOR3NS Photography, Florens van der Put ALL RIGHTS RESERVED
Model Ayana Iwata
For Strobist:
Main: Elinchrom Ranger RQ(400Ws) with Mola Setti set at 30 degree upright and 0 degree horizontal axis.
Additional: Comet Synchron04(400Ws monolight) with wafer80 set at 45 degree downright and 0 degree horizontal axis.
(C)TTX also known as Tetrodotoxin all right reserved.
Composite of the full Moon, 19 Nov. 2021, combined with a long exposure of the star background during maximum of the lunar eclipse.
Working on a bereavement card and made this composite for a friend whose 12 year old German Shepherd just passed away. I used my GS to pose for me.
DSC_3828CloudCompositeWM
Another composite image showing what's being attracted to Agave-leaved Sea Holly in our Staffordshire garden.
Once again, camera was on tripod and Sea Holly stem held firm with a clamp. Then over about a one hour period, I took a shot when anything was feeding or flying around. I then used Photoshop to "blend" elements from a range of images to get the composite.
Interestingly, this time there were fewer bees and more flies, including at least two different tachinids. Also, a solitary wasp species.