View allAll Photos Tagged compositing
The pieces from the Walking Dad edit.
Lit with a large umbrella behind and above camera for just a little fill, and two strobes pointing at white cove for the strong rim light. All compositing/editing in CC. Background image is from actual Walking Dead promos.
This was supposed to become a finished composite like the others on here, but it was hard and so did not progress especially far. This way it looks a ton like David Hockney's work, which I very much admire.
Composite of ISS entering eclipse in Orion. Jan 19, 2019 02:43 UTC. Canon G7 X, 60 x 1/2s, ISO 400, aligned and stacked with gmic and gimp. Exif is from a single frame. Timelapse: flic.kr/p/2igT72v
I've been wanting a tilt-shift lens for some time, but was unwilling to pay the $2K+ that Canon wanted. Rokinon has just started shipping their 24mm f/3.5 TS lens. I got mine and finally got around to playing with it. Price was around $1K. Less than half the Canon version.
This composite shows a scene captured at f/3.5 with shift applied (upper left) compared with the lens un-shifted at various f-stops. In each image, I am focused at the 22 inch mark (where the key is). The differences in sharpness are most evident at the 10 inch mark and the end where the tape measure body is.
To my eyes, it takes f/16 to achieve the same depth of focus that I got at f/3.5 with the lens shifted to put the focal plane down the hallway. That's over 4 stops difference!
I have found with my 16-35mm f/2.8L II lens that stopping down to f/18 and f/22 creates too much softness due to diffraction. I have wanted a way in landscapes to get "tripod to mountain" depth of field without being diffraction limited. It will be fun to add this to the arsenal
It can also help when there is some wind and you need to be at f/8 or below to freeze motion, but need f/16 or above for DoF.
Lastly, I've had an old 28mm Nikon shift lens for some time that I love to shoot architecture with. Now I have a 24mm shift that will also do tilt.
Lastly, if I need field of view equivalent (or better) than my 16mm, I can use the shift function to do seamless 3 shot panos at very high pixel counts
I need to compare sharpness to my 16-35mm, but from what I've seen so far, I don't think it will be an issue.
Playing around with 3D typography in Cinema 4D and photography.
B800 in softbox camera right
Vagabond II
big ass Helvetica
Canon 5D
Cline River Photography, Photo by Edwina Podemski.
View or purchase items from our portfolio at: www.clineriverphotography.com
Just beginning to get into compositing images. This is one of my first tries. Though flawed it does show the direction that I'm trying to go and the learning curve on this one was pretty difficult. My grandson loves it though.
Red for right audio, white for left, yellow for picture. Horrible blurry, noisy images. Soon to be a thing of the past. Good riddance.
compositing i made from several second life objects. and brushes i found in a tutorial.
this is not a screenshot.
I decided this is my last dark pic i made for personal reasons. now let the light be.
Multi-image composite of this evening's sunset (8:15 p.m., CDT), just after a storm front moved through (we didn't get any rain, but the clouds were beautiful).
For this composite, I left off the top row of images for a more panoramic appearance but with less sky.
Small project I was working on...
Composite: HDR image of gym, 5 exposures, plus a little extra work.
Strobist : b800 2/3 camera right, just behind model
b800 2/3 camera left, just behind model
580 ring flash
Total time with set up just under 3 hours.
I know...it's wild, crazy and over the top! It has fire, smoke, lightening, sparkles and a cool dude with sunglasses! What more could a 9 year old want?
© Ray Skwire & © Steve Maciejewski
This is just a composite of two images (mine on the left, Steve's on the right) of the same lightning strike captured several miles apart.
For other great shots from Steve of this, as well as many other storms, click on his name above, or, check out his website (which I'm sure he'll appreciate more) for more stunning pictures of lightning and other weather phenomena.
Textures Only ~ Competition #77
Original image by Amerune
background and frame www.flickr.com/photos/andrearusky/2240595375/
Asian paper script found on LostandTaken.com
Uploaded by Ol'Wizard www.flickr.com/photos/olwizard/2744660800/
texture joessistah www.flickr.com/photos/27805557@N08/4253264504
Composite of my photo of Kitt Peak's Mayall Telescope with star field added to opening. From 35mm slide Oct 1989; starfield shot in 2011. Changed interior lighting to simulate night.
Textures Only ~ Competition #160
Original image with thanks to Jaybergesen
Donkey by Fine Equine on DAfineequine.deviantart.com/art/Donkey-147575984
collie by salsola stock on DAsalsolastock.deviantart.com/art/Border-Collie-1-94757355
orange cat is by alzirrswanheart stock at DAalzirrswanheartstock.deviantart.com/art/Stock-269-red-cat...
and the cottage is by aleeka stock on DAaleeka-stock.deviantart.com/art/fairy-cottage-81223280
textures by clive saxwww.flickr.com/photos/chorando/6512898703/in/pool-807238@...
and mewww.flickr.com/photos/calliope/6525434213/in/pool-807238@...
www.flickr.com/photos/calliope/6525736453/in/pool-807238@...
Week 30 of the 52 week Challenge 2012 edition..
Double Exposure Composite..
It was fun doing this and thanks to the friend who helped me to do it. In fact I have a few piled up now so expect more!!
The Goddess of Storm
I have used the following sources for this composite:
1) chimonk.deviantart.com/art/bird-bird-bird-PNG-format-1945...
2) doloresminette.deviantart.com/art/smashed-car-PNG-327800499
3) pixelmixtur-stocks.deviantart.com/art/Titanic-PNG-Stock-3...
4) mjranum-stock.deviantart.com/art/Summon-the-storm-2-21047...
5) dh-textures.deviantart.com/art/Storm-Cloud-Stock-210586378
6) amethystdreams1987.deviantart.com/art/Clouds-8-149395740
7) amka-stock.deviantart.com/art/dark-cloud-stock-468450641
Thanks!
Taken from a print in my collection, no further details known.
LBSCR H1 class, built Kitson numbered 40 February 1906. SR B40 and named July 1925, later numbered 2040. Mainsell superheater July 1934. Composite load gauge May 1935. Withdrawn January 1944.
This image is a composite of five different photos....they are as follows:
The awesome background image is from NASA and the Hubble Telescope.
The Big Blue Marble (Our wonderful Earth) also a NASA image shot from Apollo 17.
The lens flare effect, representing the Sun is mine produced with Photoshop CS.....This created and unexpected and delightful halo effect.
The fleet of flying saucers are mine and have shown up in a few of my other photos. :) :)
The feather is mine shot at the city park this morning.
TO Paraphrase Forest Gump on Destiny :
"I don't know if every man has a destiny.....or....if were all like a feather just floating around on the winds of time........
...........I believe it's both......"
(From The book by Winston Groom, "FOREST GUMP ")
......And now for some mood music click below.
www.youtube.com/watch?v=jVO8keNJ_Q0&feature=related
You may download this image for your own personal use