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Juxtapositions of WW2 images with modern photos with of Aachen, Germany.
Rennbahn (Bendelstraße), with the Dom visible as (I think) German troops surrender.
Le complexe nuageux de Rho Ophiuchi (ρ Ophiuchi) est situé à 390 années-lumière de la Terre dans la constellation du Serpentaire Ophiucus. Ce nuage moléculaire géant de la Voie lactée est composé en partie d'hydrogène ionisé et de poussière sombre, et doit son nom à l'étoile qui domine la région dans laquelle il se trouve. Il est rempli de gaz et d'étoiles de différentes tailles et âges. Ici, les rayons X de Chandra sont violets et révèlent les atmosphères extérieures chaudes des étoiles naissantes. Les données infrarouges de Weeb-NIRCam sont rouges, jaunes, cyan, bleu clair et bleu plus foncé, et offrent des vues des régions spectaculaires de gaz et de poussière.
Description de l'image
Le nuage vert trouble et doré ressemble à une tête fantomatique de profil, plongeant depuis le coin supérieur gauche, traînant des vrilles en forme de cheveux. Le bord inférieur et le coin inférieur droit de l'image sont traversés par un nuage long et étroit, rouge brique, qui ressemble à la braise d'un bâton tiré d'un feu. Plusieurs grandes étoiles blanches parsèment l’image. Beaucoup sont entourées d’anneaux violets néon brillants et brillent de pointes de diffraction (cf. Radiographie : NASA/CXC/MIT/C. Canizares ; IR : NASA/ESA/CSA/STScI/K. Pontoppidan ; Traitement d'images : NASA/ESA/STScI/Alyssa Pagan, NASA/CXC/SAO/L. Frattare et J. Major).
Pour situer le complexe nuageux de Rho Ophiuchi (ρ Ophiuchi) dans la constellation du Serpentaire Ophiucus :
Composite created for the Down Under Challenge
With thanks to Cathy for
plus my background Queensland sunset.
Stars from free png
Are we alone? This question is as old as humankind itself. For millennia, people have turned their eyes to the stars and wondered if there are others like themselves out there. Does life, be it similar to our own or not, exist elsewhere in our Solar System? Our Galaxy? Until 1992, when the first exoplanet was confirmed, it was uncertain whether there were even any planets outside those in our own Solar System. Today we know of over 3850 planets around other stars and thousands of planet candidates. Do any of these planets have conditions that would support life? ...
Before we can determine if there are other planetary systems capable of supporting life, we must first find them.
science.nasa.gov/astrophysics/big-questions/
Photoshop composite of 3 separate images:
- Silhouette of John and Tacoma (photo by me)
- Full moon (photo by me)
- Stars background (source: www.hdwallpapers.in/stars_space_darkness_night_black_sky_...)
Playing around with Photoshop, I created this composite image. The vintage aircraft photo was taken at the 2010 Brantford air show and the background shot was taken from a hot air balloon in 2012.
A fun exercise!
Since 1990s, I have made several time-lapse composite pictures of planets wandering in the sky. 2024-5 was a good season for Mars observing, with the red planet coming to opposition on 16th January 2025 and shining very high in the sky in Gemini at mag. -1.4.
I photographed the motion of Mars on 41 different nights roughly 6~7 days apart, between September 2024 and May 2025.
For the master image, I used a picture I took on 20 April 2025 from Uludağ NP at 1700-m elevation; 30 km south of Bursa. I registered the rest of the shots on to this master. Apart from a few other nights at Uludağ NP, other nearby rural sites and two from Oman, shots of most nights were from the rooftop of our apartment building in Bursa. Exposures ranged from 4 to 20 seconds according to the changing conditions of sky, effects of moonlight and light pollution.
The resulting image shows Mars tracing an asymmetric clockwise loop in Gemini and Cancer. Beehive Cluster (M44) lies at the eastern end of the loop.
I prepared an animated version of the motion as well, which you can visit in the below Vimeo link:
My very first Multiple Composite.
Used 5 different images to create one Multiple Composite.
Just playing around with ideas, not too satisfied with the outcome, as it is lacking creativity.
I did a face study for my final project.
Thirty-two portraits are here in this one photograph.
A movie accompanied my project and the composite was a way to portray the same idea (of faces morphing into one another) in print.
This was a composite I did entirely on the iphone using the Artstudio app. If you're interested in learning how to create an edit like this, be sure and check out this intro tutorial I made on youtube! www.youtube.com/watch?v=_qmZegvjPlc&list=UUv-F3XmpzpR...
My first try on a composite: Any help is very welcome. This is a further worked on version of v1.
Oh, and take a look at phlearn. A really great resource on learning photoshop.
Strobist info (Model was shot on a grey background and flipped in PP to match the light in the BG-- Woods was a non-strobist snap-away awailable light):
- Main light: Elinchrom Style 1200S at 106Ws in an Stripbox
- Fill light: Canon 580EX-II at 1/2 power and a 1/4 CTO in a reflective umbrella
- Rim light: Canon 580ex-II at 1/16 power and 1/2 CTO
All triggered by Elinchrom Skyports
Also see the according setupshot.
Dress by Irene Luft.
Makeup by Anja El Sawaf.
An idea I came up with while trying to imitate MC Escher's work this past month. The forest scene is composited, but I think I have some future ideas of how to do this without all that work :-)
A "Tower Brigde", construída ao final do século 19, com sistema basculante movido a vapor. Um dos pontos turísticos mais visitados e reconhecidos da Ingalterra. A foto acima é a composição HDR (High Dynamic Range) feita a partir de 4 fotos com exposições diferentes, desta forma, foi possível ao mesmo tempo, capturar detalhes nas sombras, e nas áreas claras, com extrema eficiência / The Tower Bridge, finished on the last years of the 19th century. It had a vapour lift system. One of the most visited and known sites of London and United Kingdom. The above picture is a HDR (High Dynamic Range) composite. It´s a blend of four different exposed pictures resulting in a very effective way to capture shadows and highlights.
The advantage of composites is that the fibres can be place in the ideal direction to carry the loads. This, combined with their inherent light weight, results in dramatic weight saving possibilities. Another benefit of using composite materials in design is that complex shape parts can often be made in a single moulding, reducing the need for assembly and mechanical fastening operations.
For more information www.twi.co.uk/technologies/material-properties/non-metall...
If you wish to use this image each use should be accompanied by the credit line and notice, "Courtesy of TWI Ltd".
school project
strobist info:
sb800 boomed and snooted overhead at half power
580ex gelled w/ soft amber behind chair at 1/64th
characters:
sb800 and 580 ex bounced off hallway walls
This shot was inspired by all of the times that a security guard has approached me in the street and told me that I can't use my big camera and tripod in a public place to photograph their building. But after a bit of discussion, they're usually friendly and agreeable.
Taken for the Certificate IV in Photo Imaging I'm doing at The Centre For Creative Photography.
My last composite. Still working out the kinks with creating enough contrast between the background and the hair. Also my first use of a fan! shot with large softbox directly in front and above with two x800 lights for rim with bar doors and frosted gells to soften the light.
The Velocity XL is tucked away into its hangar after another successful morning of flying.
Millin's 12-year adventure to construct the aircraft resulted in building an addition onto his home before the aircraft was transported to the airport.
The end result of countless hours of construction is a composite aircraft that is truly appealing both in terms of performance and appearance.
Composite of the Annular Eclipse from Page, AZ. The shot at the Lower Right, shows the top of the ridgeline, on the western horizon.