View allAll Photos Tagged compositing
053/366
Act Of Valor
--
You can check out the tutorial here:
www.youtube.com/watch?v=INqqu35yJ28
::
Inspired by the upcoming movie "Act Of Valor"
I wanted to create something visually striking and also kind of like an ad.
::
As soon as I saw the trailer again, I knew what I wanted to do!
-There is a scene with a soldier on an aircraft carrier.
I saw it and was like "THIS!!!"
::
Obviously, I don't have Aircraft Carriers just laying around…so I had to think of an idea.
Creating an airplane from a drawing, using clouds and a carrier and blah blah blah, was WAY too much time than I wanted to invest for a Project 366 Photo.
So I improvised.
I loaded up Battlefield 3 and went to Noshahr Canals.
Canals has the best carrier for what I wanted to do.
I then took several screenshots (13 to be exact) of the jet and carrier.
I needed to use Photomerge in Photoshop to get the Panoramic style I needed for the composite.
-This process took me almost 2 hours to complete because of bad Photomerges and having to redo this process over and over
::
Once the "background" was finally composited, I needed to get a picture of myself holding a walkie-talkie or…..something.
I looked ALL over the house, for an hour, to find something I could use.
I finally grabbed a hair brush and said, "screw it….I'm using this"
Then I called all of my army friends for some fatigues, but no one was available until tomorrow or this weekend.
So I had to improvise…I grabbed my snowboarding jacket and my BlackRapid Camera straps.
Figured I could at least make it "look" like it was "special" or something….Yea….
::
Now that everything was in place, I set up the cam on the tripod, got in front of the green screen and started trying to get my "shot".
It took several tries to get that *one* shot (40 to be exact; I used #38).
Once completed, I went into Photoshop and started my work!
::
Once 95% finished in Photoshop, I threw the image into After Effects to put a nice Optical Flares preset on the photo to really give it a *pop*
Then back in to Photoshop for the final touch and then in to Lightroom for the final export!
::
Overall, this composite took about 8-10 hours to complete, and that is BEFORE the tutorial was been dubbed.
In the end, it was about 15 hours total, plus render time to complete the *entire* project.
-I am pretty proud of this work.
I did something that I have never seen anyone do before (using multiple photos of IN-GAME footage of a video game to Photomerge for a panoramic composite background shot); Then compositing myself into that Panoramic shot.
I am stoked it came out how it did. I think I *leveled up* on this one!
::
You can check out the tutorial here:
www.youtube.com/watch?v=INqqu35yJ28
--
Canon 5DmII
Canon 70-200mm f/2.8 @ 75mm @ f/7.1
ISO 2000
Shutter 1/80
Softbox - Back Left
Softbox - Back Right
Beautybox - Front Left
BF3 Stills:
13 Shots using Fraps
Switching between Grenade & Knife to get a Clean Plate
--
If you use an epiem photo, please tag us, or at least give us credit.
Please DO NOT crop, modify, edit or change our images.
All images are property of epiem
©epiem 2012
--
Thanks for looking!
If you like our photos, please remember to Favorite, Comment and Share!
--
epiem
Website: ‪http://www.epiem.com‬
Facebook: ‪http://www.facebook.com/‬epiem
Twitter: @epiem ‪http://www.twitter.com/‬epiem
Tumblr: ‪http://epiem.tumblr.com‬
--
This is the finished composite of photographs I shot over the course of a few days this week. The lighting for each person is the same as I described in the outtake posted previously. The image will be used to promote the band's latest album, Bees. Thirteen indie pop songs about bees!
From left to right, the members are Dan (lead guitar), Anna (accordion), Timothy (vocals, rhythm guitar), Antonia (vocals), Steve (theremin), and Christian (bass).
The advantage of composites is that the fibres can be place in the ideal direction to carry the loads. This, combined with their inherent light weight, results in dramatic weight saving possibilities. Another benefit of using composite materials in design is that complex shape parts can often be made in a single moulding, reducing the need for assembly and mechanical fastening operations.
For more information www.twi.co.uk/technologies/material-properties/non-metall...
If you wish to use this image each use should be accompanied by the credit line and notice, "Courtesy of TWI Ltd".
Quick-Look Hill-shaded Colour Relief Image of 2014 1m LIDAR Composite Digital Surface Model (DSM).
Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...
For full raster dataset go to: environment.data.gov.uk/ds/survey
(Composite photo) Hanging out near Bridge Creek Falls in Oregon on Jan 19, 2014. Photo by Mick Orlosky/Redfishingboat. With Morgan Stone Grether.
I wanted to shoot them on white, but didn't have enough space or lighting to do it all at once. This was my solution.
Composite image produced by combining the 10,000 most recent images posted to the squared circle group.
This is a normalized average.
The shadow on this image is more pronounced then the first large-scale bronze shield I produced (which used about 4,000 images). I think perhaps because there have been more coins and similar objects posted recently.--
More stuff by jbum:
5d
SB80
16 images including the sky composite.
First attempt at putting an image like this together. I purchased Mike Kelleys video a few days ago and watched it a few times and then pulled the trigger by actually trying to create an image. I do recommend the series and it will pay for itself on your first assignment. Any constructive evaluation welcome.
Composite done with 2 iPhone photos and one a friend took on her Nikon. All edited in the Photos app and put together in Snapseed on my iPad. This is my first attempt using these tools.
A composite.
I didn't realize this may not translate with today's generation. Once of the dancers (and perhaps all of them) didn't know what flypaper is.
Strobist
Man and flypaper
B800 in a large octa, camera right, f/8. 2 B800s in 7" reflectors for the background (blown white), f/16. Triggered by Pocketwizards.
Other images a variety of lighting setups.
PP in LR4/CS5
Cutler-Hammer brand electrical panel box with an asbestos-paper lining adhered on the inside surface of its door. Although similar in appearance to certain types of asbestos materials, some other components inside the panel are non-asbestos, consisting of ceramic composite (light grey and dark grey) and black plastic molded pieces.
This is one of our new products that we offer to our clients, it a 50x60 Fleece Blanket. The company I use makes them from a Die-Sub process. We started offering photo blankets about a year ago, we sell them for $75.00. Some are simple some are designed like this one. Its a great product that help us retain contracts. It they buy 1 its $75.00 but if they order more i give a group discount. The Senior Moms Love this! I shot most of the images with the exception of the action shots. If you would like to know where to order these e-mail me.
Canon 30D
MAC G-5
Photoshop CS2
Alien Beez 800s
Some composite textures from paper stock by designshard.com, hello-streetlight.blogspot.com,martinsiilak.deviantart.com, and
hibbary.deviantart.com.
fabric stock by valleysinthevinyl.com, and grunge by buzillo-stock.deviantart.com,
Decided to release these under a CC license.
Please credit
Encompass--rose.blogspot.com visit the blog for a zip file
Image Description - Two originals from Library of Congress; composited, repaired, and colorized. Since the originals are in the mirror-reverse like all of those early daguerreotypes, I decided to leave the restoration that way also. While working on this image, it occurred to me that the two originals were not intended as an end in themselves but made to serve as a portrait artist’s reference for a painting. An artist’s studio sitting would have required far too much time for the subjects. The early daguerreotypes were a hastle; however, they were often used by artists to project a much larger first impression on canvas. Color was also in the artist’s professional advantage in going this route. I have never seen any such painting of the Lincolns that were taken from these originals. Maybe the project never materialized. Perhaps this is why their arms interlock together so well; it was part of someone’s clever plan way back there in time past.
Camera: Canon EOS 450D with Tokina 11-16mm f2.8 lens.
The picture was taken at 1/250 sec. shutter speed, f/8 aperture and ISO 400,
focal length 14mm.
This series of pictures were taken at a skating park near the beach in
Barcelona (41.397704ºN, 2.210632ºE if you want to see it in Google Maps). I
took about 100 of them, then selected the 15 most interesting ones, which I
then proceeded to edit. This brought my computer to a crawl, since the image
size was 600 MB and the temp file was 8GB!
Composite from one of my recent pictures. Tried to replicate the mood Anton Corbijn used for his latest photo's for g-star.
Composite of 4 images. Shot on 9 foot white seamless with Flashpoint 620m into 6 foot PLM from behind the paper and 2 SB600 into 36 inch umbrellas CR/CL. Triggered with Phottix Strato radio triggers.
Taken with a Cannon Rebel EOS XS. Used about 25 individual pictures. Put together manually using Photoshop. Inspired by David Hockney
Quick-Look Hill-shaded Colour Relief Image of 2014 1m LIDAR Composite Digital Terrain Model (DTM).
Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...
For full raster dataset go to: environment.data.gov.uk/ds/survey