View allAll Photos Tagged compositing
Compositée (Astéracée, ex-Composée) de 90-200 (-300) cm à tige creuse, robuste et dressée, glabre mais poilue-glanduleuse au sommet, solitaire et ramifiée, produisant du latex en abondance (d'où le nom vernaculaire de Laiteron). Limbe foliaire à oreillettes allongées, étroites et aiguës. Feuilles lancéolées, acuminées, indivises (les caulinaires sagittées, les supérieures étroites à l'aspect de bractées), souvent réfléchis et denticulés.
Glandes de l'inflorescence vert noirâtre. Involucre à folioles nombreuses, inégales et imbriquées sur 3 rangées. Réceptacle nu. Capitules jaune pâle de 28-40 mm, pédonculés en corymbe étalé, aux fleurs nombreuses et toutes ligulées. Akènes oblongs et sans bec de 3,5 mm environ, beiges à aigrette sessile et jaunâtre, faiblement striés transversalement, surmontés d'une courte aigrette (inférieure à 1 cm) de soies blanc sale.
Espèce caractéristique des peuplements en grands hélophytes de la cladiaie-pgragmitae (Caricion lasiocarpae) : mégaphorbiaies (du grec ancien megas : grand et phórbia : herbage ou herbe) et roselières eutrophiques, où elle profite de la dégradation des milieux tourbeux alcalins, l'eutrophisation et la minéralisation lui étant plutôt bénéfiques (cf. M Blamey & C Grey-Wilson, H Coste, Nouvelle flore de la Belgique..., Guide des groupements végétaux de la région parisienne et P Jauzein).
Composite photograph of Lake Pedder from Teds Beach and the aurora australis, both shot in Tasmania on the XZ-1, with the same settings. The differences being date, location and the foreground image had a brighter, but partially eclipsed moon during the time of the shot
This was supposed to become a finished composite like the others on here, but it was hard and so did not progress especially far. This way it looks a ton like David Hockney's work, which I very much admire.
I'm trying to create some composites for sales ideas.
Strobist: 3 lights. 2 B800s on background in 7" reflectors, ~f/22. Key is a B800 in a 86" PLM (as a reflective), f/11, front and boomed high, and slightly camera left. Triggered by Pocket Wizards
PP in LR3/CS5
A composite capital in the collections of the Musei Capitolini (Palazzo dei Conservatori). Rome.
Marble.
inv. 1935
The same capital with the decorative elements labeled: here.
Creating composites is a nice occupation on snowy days. Many thanks to the following people for sharing their work.
Oniendra-Stocks for Resting young polarbear
www.deviantart.com/art/Free-Stock-Resting-Young-Polarbear...
Nancy <I’m gonna SNAP! for the wave
pixelsandpainting.com for the texture
maine composite (acadia)
hasselblad 500 el/m
50mm
fuji nph 160
one of my first attempts at making a panoramic image. this was back before i understood parallax, tripod heads, stitching software etc. I went crazy trying to stitch these images, and even went back and gave it a try with stitching software, before giving up and filing them. I didn't realize the low tech approach has merits too. I have a bunch of these early pre smooth stich panos to go back and look at.I think the composite look has a charm and vitue of it's own, it's just taken a while to think about it.
Camera: Canon EOS 450D with Tokina 11-16mm f2.8 lens.
The picture was taken at 1/250 sec. shutter speed, f/8 aperture and ISO 400,
focal length 14mm.
This series of pictures were taken at a skating park near the beach in
Barcelona (41.397704ºN, 2.210632ºE if you want to see it in Google Maps). I
took about 100 of them, then selected the 15 most interesting ones, which I
then proceeded to edit. This brought my computer to a crawl, since the image
size was 600 MB and the temp file was 8GB!
Composite Portrait
Lighting: 2 meidum softbox with grid on the side. 1 5' octabox in front.
Background added in post.
Red for right audio, white for left, yellow for picture. Horrible blurry, noisy images. Soon to be a thing of the past. Good riddance.
Composite of ISS entering eclipse in Orion. Jan 19, 2019 02:43 UTC. Canon G7 X, 60 x 1/2s, ISO 400, aligned and stacked with gmic and gimp. Exif is from a single frame. Timelapse: flic.kr/p/2igT72v
Multi-image composite of this evening's sunset (8:15 p.m., CDT), just after a storm front moved through (we didn't get any rain, but the clouds were beautiful).
For this composite, I left off the top row of images for a more panoramic appearance but with less sky.
A partir d'une photo basse résolution, compositing basé sur le film terminator. Le compositing le plus long que j'ai pu faire
This is my first attempt at doing a photo composite and manipulation using my new Bamboo Capture pen tablet.
Software Apps:
Photoshop Elements 9
Nik Color Efex Pro 3
Credits:
Background:
arbebuk.deviantart.com/art/way-through-the-woods-II-18717...
Girl:
compositing i made from several second life objects. and brushes i found in a tutorial.
this is not a screenshot.
I decided this is my last dark pic i made for personal reasons. now let the light be.
Tonight I've completed three tasks that I've never performed before. Shooting the moon, shooting the stars and building a composite.
This is how our 8x10 T&I Composite Looks like. Every year we create a new Composite that has the same traditional look and fell of a memory mate. The Main thing I don't like to use the same one the fallowing year. JZ has made the for us for the Past couple years he is awesome and creative at these! There is over 11 layers in the original PS Version. I will puts some our Trade Cards up Soon.
For Project 52 Pro 2012 (renamed Insidious Tomatoes).
More here
Strobist: A composite, multiple shots.
Main character, key is a B800 in a gridded stripbox, camera left, f/8. Other characters use 3 lights (2 B800s on background at f/18 with the key being a B800 in a large softbox, camera left, f/11). Tomatoes and bottle lit with a Quadra "A" head in the PortaLite, camera left, f/11 (there is also a white card camera right for fill). Triggered by PWs and Skyport.
PP in LR4/CS6
This is a composite of several pieces of slide film that were placed together to make the whole arch.
Another image from my walk the other day in Golden Ears Park. As with the image posted a few days ago, I used a close up filter on my 50mm, and my speedlight stuffed into a small softbox on a ttl cord. I had the camera on slow burst mode and the flash at 1/8th power and I focused by slowly moving my body.
f16, 1/100sec, ISO 200
I wouldn't mind feedback on my choice of colour for the background and frame.
As always, thoughtful feedback, constructive criticisms, and suggestions are always appreciated. As always, I have used tools at my disposal to interpret the original raw file. Use of this photo without permission is not permitted.