View allAll Photos Tagged compositing
2-exposure composite shot. Green and blue channels from a visible light image (the red and green channels respectively,) red channel is a grayscale 720nm image.
Shot with a full spectrum Sony a6000, and Micro-Nikkor 55mm f/3.5. Unfortunately, the lack of lens data means I have no idea what aperture I shot these at, but it was probably f/8 or f/11.
Exposure settings:
Visible - ISO 320, f/?, 1/500th
720nm - ISO 320, f/?, 1 sec
This is a composite of several images. Thanks to Annie for the model image tanit-isis-stock.deviantart.com/art/Tanit-Isis-Red-Corset...
Another composite, a bit heavier on the palette this time.
©2007 James White. All rights reserved. www.signalnoise.com
Tada!!
So that's how a layer mask works??!! Well I suppose that's why I like this group...you make me push my boundaries. I normally avoid a lot of "photo shopping" in this sense...it's not why I enjoy photography. But I guess it's not a whole lot different than being creative in an artsy kind of way and I really enjoy that.
So here's my first attempt at a composite. I really do wish that's what was on the other side of my fence right now. :)
p.s. I've just gone through the submissions so far...the ideas, the creativity...wow!! Well done.
A composite of 2 shots. The results were not much different than a regular shot :( I have a ways to go before I get to the HDR...
12/100@35mm
My photoshop skills are something I want to work on this year. This is a composite image, the object is a 3d rendering of a fractal by Tom Beddard.
Part of a Set / Slideshow documenting Amanda Cotton's 2013 MDES [Master of Design] show at Brighton University.
www.flickr.com/photos/dominicspics/collections/7215767135...
The artist uses her own body as part of her work. The composite materials combine more traditional ceramics and resins with - variously - hair, fingernails, urine, placenta, face debris - as well as referencing personal body weight and dimensions.
Amanda Elisabeth Cotton
www.amandacotton.co.uk/ [Official website]
www.etsy.com/shop/AmandaECotton [Shop]
This image / video is available under the indicated creative commons licence - subject to the approval of the artist(s) featured - and also subject to any additional conditions that the artist(s) may wish to apply.
Composite greenscreen Nikon D850/Nikon Z6
Tamron 24-70 G2
ISO 200
Speed 1/125
F-5.6
Flashpoint Xplore 400 pro main
Flashpoint eVOLV 200
Flashpoint R2 Pro trigger
Cheetah 36" Deep Parabolic Quick RiceBowl
Cheetah 32”Quick Silver Octabox
Cheetah Stand C12
52 Weeks of 2020
Week No. 45: Composite
Category: Creative
This is a composite image created on 15 November 2020 from photos I took in the past.
Base layer of sunrise. Minor color adjustments to enhance the redness. From www.flickr.com/gp/157755164@N06/67Y2s6
Second layer of jet with contrails. Selected region around jet and contrails and copied to another layer. Selected sky color and then inverted the selection, then copied and pasted to layer on base image. Sized, rotated, and aligned behind moon. Enhance contrail colors. From www.flickr.com/gp/157755164@N06/2h7nM9
Third layer of moon. Selected circle around moon and copied. Selected sky color and inverted selection and copied and pasted to layer on base image. Sized, rotated, and aligned on top of sun. From flic.kr/p/2k4uJS1
Top layer of top of the sun. This was so that it appeared to be in front of the moon. Copied top of sun from base image using ellipse and rectangular selectors. Painted out some red on the edge of the red sky that showed on top of the moon.
Opening frame from my personal project. (Re-uploaded because of the over sharpening Flickr applied to the first one). You can read more about the project from my blog www.arimyllymaki.com/stash-eddie-composite-photo-series/
Composite photo of a woman modelling knitwear for New Century Press, Sydney, 4 April 1934, by Ted Hood, glass negative, Hood Collection part II, Box 026, nos. 033-036, State Library of New South Wales, ON 204/Box 26/nos. 33-36 collection.sl.nsw.gov.au/record/Yj7Vb449/e7ZQZoVwBGppp
Photographing the 2016 Perseids Meteor shower from Southern Saskatchewan at Grasslands National Park.
It is one of the darkest places in North America and provided clear skies and hundreds of bright meteors to enjoy.
This composite image was photographed over the night of August 11-12, 2016.
probably the most complex composite i have done so far but i did enjoy it !
made from a tut discussed at It's a addicition
I used the images credited in the tut where possible other s were from Sxc
and the room by Joe's sistah www.flickr.com/photos/27805557@N08/sets/72157621763107414/
composite Iphone/photoshop experiment. In no way do I condone or support the actions of racist, extremist groups. This is merely a photographic/art experiment.
the Grand Lodge of Maryland Masonic Temple
second permanent headquarters of the Maryland Freemasons, 1866-1996
also known as: Grand Historic Venue, Tremont Suites Hotel & Embassy Suites Baltimore Downtown
architectural style: French & Italian Renaissance, Beaux-Arts
architect: Edmund G. Lind
Joseph Evans Sperry, Beaux Arts sixth story, attic & elaborate entryway
cornerstone laid: November 20, 1866, President Andrew Johnson was among the attendees
Grand Historic Venue
225 North Charles Street
Baltimore, MD
A composite image blending three photographs of a rainbow, lake view and a sunset. All original photography. All taken around the Lehigh Valley in Pennsylvania
Canvas, metal, posters and home decor available at:
jason-fink.pixels.com/featured/natural-composites-jason-f...
I was going to have to make a fantasy composite from the earlier image and that outstretched hand calls for something magical. Working on the little things like having the blue magic provide light and color cast to the parts of her body near it. But still Brianna's eyes...
Comments and constructive critique welcome
Model is Brianna, IG: @briannaelizabeth.art
I couldn't get the adult owl and the kids to all look at me at the same time so I tried my hand at combining an image with the adult looking straight ahead and the owlets looking straight ahead. With a simple layer mask in Photoshop I was surprised at how easy it was to do. I feel a little torn about it from an artistic and ethical standpoint. The Audobon Society took a strong stand against composite images recently - www.audubonmagazine.org/articles/living/blurred-lines-aud.... I'd welcome anyone's input on the issue or the image. The original is at www.flickr.com/photos/craiggoodwin2/14359572112/.
“Other Gallery”
Creating composite images has long been a passion of mine but one that I don’t always get an opportunity or better said create an opportunity to develop these types of images. As a person who uses photography as his tool to express his artist impressions, composite i...