View allAll Photos Tagged compositing
Composites. I hope you like these. They are not easy to do. It takes time to create these and it requires a lot of attention to detail. I shot her here in my studio against a white paper background then separated her from that. Then in Photoshop I dropped in a photo that sort of matched for light and color that had the same density so it could work. More here; www.flickr.com/photos/154678726@N05/albums/72177720306046769
Another attempt of mine to create an interesting composite. There are a couple of texture layers here along with several of my photographs. Critiques are welcome. HSS
Same bird 3 shots you can tell its a composite as the pussy willow buds are the same I could of removed one to make it look more real but left them would be rare to get 3 Goldies like this just a bit of fun :) Textured
I named this image An "Impossible Composite" because light pollution prevents this scene from ever being able to play out. The Milkyway will never be viewable like this over heavily populated urban areas due to the amount of lights concentrated in these areas. I wanted to create this "fantastical" image to showcase the beauty of our night sky and hopefully inspire some people who have dwelt in and amongst our cities for their entire lives to get out to the natural and just look up.
Locations:
Matagorda, TX: Milkyway
Houston, TX: City Skyline (Lower Left)
Galveston, TX: Abandoned Army Bunker (Lower Right)
Photoshop composite. Woman by Pexels via Pixabay.
Background based om F530 River Waal at Doornenburg.
www.flickr.com/photos/193006463@N04/51220698074/in/photol...
A little test of compositing. perhaps the shadow at the front is a little amiss but then I'm still learning this editing stuff.
DSC_0003GPPcSq(lft&mdlr180&rgt)3exHDRCompo
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© All Rights Reserved - Jim Goodyear 2019.
A composite of several frames as the harvest moon rose behind Burry Port lighthouse.
Check out PhotoHound for more great place to photograph.
tae-chan and i took a shot of each other at metro, making the same pose like this.
and now i scanned 2 photos and made a composite photograph of us!
*camera--MINOLTA X-700 / *film--konica minolta CENTURIA200
It's a composite which is part of my photoshop composite course, parts of the 5day deal (see the link to get the best deal of the year)! www.5daydeal.com/ref/SergeRamelli
Had a lot of fun shooting this one, this is a friend who is a big producer in Hollywood,
I really love this view too! A lot of people hike in the hills and you always have amazing views! Do you guys like to hike just to take photos?
The Ijen volcano complex is a group of composite volcanoes located on the border between Banyuwangi Regency and Bondowoso Regency of East Java, Indonesia.
It is inside a larger caldera Ijen, which is about 20 kilometres wide. The Gunung Merapi stratovolcano is the highest point of that complex. The name "Gunung Merapi" means "mountain of fire" in the Indonesian language (api being "fire"); Mount Merapi in central Java and Marapi in Sumatra have the same etymology.
West of Gunung Merapi is the Ijen volcano, which has a one-kilometre-wide turquoise-coloured acidic crater lake. The lake is the site of a labour-intensive sulfur mining operation, in which sulfur-laden baskets are carried by hand from the crater floor. The work is paid well considering the cost of living in the area, but is very onerous. Workers earn around Rp 50,000–75,000 ($5.50–$8.30) per day and once out of the crater, still need to carry their loads of sulfur chunks about three kilometers to the nearby Paltuding Valley to get paid.
Many other post-caldera cones and craters are located within the caldera or along its rim. The largest concentration of post-caldera cones run east-west across the southern side of the caldera. The active crater at Kawah Ijen has a diameter of 722 metres (2,369 ft) and a surface area of 0.41 square kilometres (0.16 sq mi). It is 200 metres (660 ft) deep and has a volume of 36 cubic hectometres (29,000 acreâ‹…ft).
The lake is recognised as the largest highly acidic crater lake in the world. It is also a source for the river Banyupahit, resulting in highly acidic and metal-enriched river water which has a significant detrimental effect on the downstream river ecosystem.
A composite built from several photos of this well known NYC landmark. I was inspired in the use of squares for my recent composites by a Dutch artist Hendrik van Leeuwen ( www.hendrikvanleeuwen.nl/over-shifting-squares-en-cellula...) Is there a connection here? Brooklyn, originally Breukelen, is named after a town in Holland. HSS
The Brooklyn Bridge, an early example of a steel-wire suspension bridge, uses a hybrid cable-stayed/suspension bridge design, with both horizontal and diagonal suspender cables. Its stone towers are neo-Gothic, with characteristic pointed arches.
To provide sufficient clearance for shipping in the East River, the Brooklyn Bridge incorporates long approach viaducts on either end to raise it from low ground on both shores. Including approaches, the Brooklyn Bridge is a total of 6,016 feet (1,834 m) long when measured between the curbs at Park Row in Manhattan and Sands Street in Brooklyn.[4] A separate measurement of 5,989 feet (1,825 m) is sometimes given; this is the distance from the curb at Centre Street in Manhattan.The main span between the two suspension towers is 1,595.5 feet (486.3 m) long and 85 feet (26 m) wide.The bridge "elongates and contracts between the extremes of temperature from 14 to 16 inches". Navigational clearance is 127 ft (38.7 m) above mean high water (MHW).[9] A 1909 Engineering Magazine article said that, at the center of the span, the height above MHW could fluctuate by more than 9 feet (2.7 m) due to temperature and traffic loads, while more rigid spans had a lower maximum deflection.
The side spans, between each suspension tower and each side's suspension anchorages, are 930 feet (280 m) long. At the time of construction, engineers had not yet discovered the aerodynamics of bridge construction, and bridge designs were not tested in wind tunnels. It was coincidental that the open truss structure supporting the deck is, by its nature, subject to fewer aerodynamic problems. This is because John Roebling designed the Brooklyn Bridge's truss system to be six to eight times as strong as he thought it needed to be. However, due to a supplier's fraudulent substitution of inferior-quality cable in the initial construction, the bridge was reappraised at the time as being only four times as strong as necessary.
The main span and side spans are supported by a structure containing six trusses running parallel to the roadway, each of which is 33 feet (10 m) deep. The trusses allow the Brooklyn Bridge to hold a total load of 18,700 short tons (16,700 long tons), a design consideration from when it originally carried heavier elevated trains. These trusses are held up by suspender ropes, which hang downward from each of the four main cables. Crossbeams run between the trusses at the top, and diagonal and vertical stiffening beams run on the outside and inside of each roadway.
An elevated pedestrian and cycling promenade runs in between the two roadways and 18 feet (5.5 m) above them.[26] It typically runs 4 feet (1.2 m) below the level of the crossbeams,[27] except at the areas surrounding each tower. Here, the promenade rises to just above the level of the crossbeams, connecting to a balcony that slightly overhangs the two roadways. The path is generally 10 to 17 feet (3.0 to 5.2 m) wide.[Wikipedia]
If you want to see how to accomplish this look go check out the 5day deal www.5daydeal.com/ref/SergeRamelli
Here is another composite with my buddy @kelvinpimont I took his portrait against a wall and then I added him on this cool cadillac store! Pretty cool right?
Took this image of the German Messerschmitt at Canberra's Australian War Memorial and decided to make a composite image with it. Using a stock image for the background and brushes for the fire/smoke.
Three different statues, three separate images with the same backdrop. The Three statues lined one side of the convention building at Fair Park. Because there is strength in numbers I brought them together.
Coccinella septempunctata interacting with a kindhearted (juvenile) specimen of the otherwise ferocious species Homo sapiens
This image is featured in a, soon to be released, book of ours. It's a children's book called "Minimonster i naturen" (= "Mini-monsters in nature" – see, Swedish is easier than it sounds!) and the topic is – surprise, surprise – bugs! Hanna (my wife) is the author and Bruno (our son) is the main character. I'm happy to contribute with the images!
This is a two shot composite of a seven-spot ladybird about to take off from my son's index finger.
Shot with Canon 5DmkII + Nikkor 20/3.5 on a short extension tube. Natural light balanced out with diffused flash in the foreground.
Composite texture created from a variety of photographs (all my own)
Free to use as a texture or layer.
Please credit if used or post a small sized image here.
It's always interesting to see how other people have used textures
Thanks : )
A view of both sides of this female Pileated Woodpecker. A raptor of some sort flew over and she froze for about 5 minutes which allowed me to get shots from both sides, then amalgamate in PS for a double take view....I was a little closer to her on the left but you get the idea :-)
I often imagine photographing these amazing scenes with the milky way, only to realize that they are not possible due to the time of the year or the location.
In these cases, I will sometimes create the scene I imagined by making a composite image of two of my photos. That is what I did here in order to get the milky way reflected in a pond during peak fall foliage back in October.
This is a composite image of two photos taken with the same camera and lens with the same settings, but in two different locations. The Milky Way was taken in Crested Butte, CO last summer while the city is Boulder and I took that last weekend.
What do you think? Too much manipulation? Does that even matter?