View allAll Photos Tagged compositing
All the best shots in one sequence. Sun was lost to the clouds shortly after the eclipse hence the incomplete sequence. There was persistent cloud cover which caused lots of diffusion.
Shot on Nikon D7500 - 300mm
Two shot composite.
Strobist Info:
(x1) Paul C. Buff Einstein at camera left shot through a socked 22" soft white beauty dish.
what i'm doing there? i have no clue. where this idea came from? even less of a clue...
i could be taking away excess paint with the cotton swab?
or wrapping the cloud around the swab like cotton candy?
i think i like that better. but you decide what you want to see here.
and yes, i'm also no expert when it comes to 'compositing'/editing pictures like that. the last time i tried anything like this was last year for the same theme....
done for this week's theme composites (5/52).
Composite of the solar eclipse of April 8, 2024. Viewed in Washington, DC which experienced maximum 87% obscuration
Four shot composite. Commissioned to produce this for the 4th of July. Posting it here a bit late, but happy 4th to all none the less.
(x1) Paul C: Buff Einstein at camera left shot through a socked 22" soft white beauty dish.
Same bird 3 shots you can tell its a composite as the pussy willow buds are the same I could of removed one to make it look more real but left them would be rare to get 3 Goldies like this just a bit of fun :) Textured
I named this image An "Impossible Composite" because light pollution prevents this scene from ever being able to play out. The Milkyway will never be viewable like this over heavily populated urban areas due to the amount of lights concentrated in these areas. I wanted to create this "fantastical" image to showcase the beauty of our night sky and hopefully inspire some people who have dwelt in and amongst our cities for their entire lives to get out to the natural and just look up.
Locations:
Matagorda, TX: Milkyway
Houston, TX: City Skyline (Lower Left)
Galveston, TX: Abandoned Army Bunker (Lower Right)
A little test of compositing. perhaps the shadow at the front is a little amiss but then I'm still learning this editing stuff.
DSC_0003GPPcSq(lft&mdlr180&rgt)3exHDRCompo
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Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission.
© All Rights Reserved - Jim Goodyear 2019.
A composite of several frames as the harvest moon rose behind Burry Port lighthouse.
Check out PhotoHound for more great place to photograph.
I may have looked "rough around the edges" in 1988, but I was reveling in the excitement of being out-and-about. "Laurette" had existed in any physical form for barely 3 years.
Now, as an old hand at dressing en femme, the sheer excitement may have abated, but only to be replaced by an inner sense of satisfaction and contentment.
tae-chan and i took a shot of each other at metro, making the same pose like this.
and now i scanned 2 photos and made a composite photograph of us!
*camera--MINOLTA X-700 / *film--konica minolta CENTURIA200
The Ijen volcano complex is a group of composite volcanoes located on the border between Banyuwangi Regency and Bondowoso Regency of East Java, Indonesia.
It is inside a larger caldera Ijen, which is about 20 kilometres wide. The Gunung Merapi stratovolcano is the highest point of that complex. The name "Gunung Merapi" means "mountain of fire" in the Indonesian language (api being "fire"); Mount Merapi in central Java and Marapi in Sumatra have the same etymology.
West of Gunung Merapi is the Ijen volcano, which has a one-kilometre-wide turquoise-coloured acidic crater lake. The lake is the site of a labour-intensive sulfur mining operation, in which sulfur-laden baskets are carried by hand from the crater floor. The work is paid well considering the cost of living in the area, but is very onerous. Workers earn around Rp 50,000–75,000 ($5.50–$8.30) per day and once out of the crater, still need to carry their loads of sulfur chunks about three kilometers to the nearby Paltuding Valley to get paid.
Many other post-caldera cones and craters are located within the caldera or along its rim. The largest concentration of post-caldera cones run east-west across the southern side of the caldera. The active crater at Kawah Ijen has a diameter of 722 metres (2,369 ft) and a surface area of 0.41 square kilometres (0.16 sq mi). It is 200 metres (660 ft) deep and has a volume of 36 cubic hectometres (29,000 acre⋅ft).
The lake is recognised as the largest highly acidic crater lake in the world. It is also a source for the river Banyupahit, resulting in highly acidic and metal-enriched river water which has a significant detrimental effect on the downstream river ecosystem.
A composite built from several photos of this well known NYC landmark. I was inspired in the use of squares for my recent composites by a Dutch artist Hendrik van Leeuwen ( www.hendrikvanleeuwen.nl/over-shifting-squares-en-cellula...) Is there a connection here? Brooklyn, originally Breukelen, is named after a town in Holland. HSS
The Brooklyn Bridge, an early example of a steel-wire suspension bridge, uses a hybrid cable-stayed/suspension bridge design, with both horizontal and diagonal suspender cables. Its stone towers are neo-Gothic, with characteristic pointed arches.
To provide sufficient clearance for shipping in the East River, the Brooklyn Bridge incorporates long approach viaducts on either end to raise it from low ground on both shores. Including approaches, the Brooklyn Bridge is a total of 6,016 feet (1,834 m) long when measured between the curbs at Park Row in Manhattan and Sands Street in Brooklyn.[4] A separate measurement of 5,989 feet (1,825 m) is sometimes given; this is the distance from the curb at Centre Street in Manhattan.The main span between the two suspension towers is 1,595.5 feet (486.3 m) long and 85 feet (26 m) wide.The bridge "elongates and contracts between the extremes of temperature from 14 to 16 inches". Navigational clearance is 127 ft (38.7 m) above mean high water (MHW).[9] A 1909 Engineering Magazine article said that, at the center of the span, the height above MHW could fluctuate by more than 9 feet (2.7 m) due to temperature and traffic loads, while more rigid spans had a lower maximum deflection.
The side spans, between each suspension tower and each side's suspension anchorages, are 930 feet (280 m) long. At the time of construction, engineers had not yet discovered the aerodynamics of bridge construction, and bridge designs were not tested in wind tunnels. It was coincidental that the open truss structure supporting the deck is, by its nature, subject to fewer aerodynamic problems. This is because John Roebling designed the Brooklyn Bridge's truss system to be six to eight times as strong as he thought it needed to be. However, due to a supplier's fraudulent substitution of inferior-quality cable in the initial construction, the bridge was reappraised at the time as being only four times as strong as necessary.
The main span and side spans are supported by a structure containing six trusses running parallel to the roadway, each of which is 33 feet (10 m) deep. The trusses allow the Brooklyn Bridge to hold a total load of 18,700 short tons (16,700 long tons), a design consideration from when it originally carried heavier elevated trains. These trusses are held up by suspender ropes, which hang downward from each of the four main cables. Crossbeams run between the trusses at the top, and diagonal and vertical stiffening beams run on the outside and inside of each roadway.
An elevated pedestrian and cycling promenade runs in between the two roadways and 18 feet (5.5 m) above them.[26] It typically runs 4 feet (1.2 m) below the level of the crossbeams,[27] except at the areas surrounding each tower. Here, the promenade rises to just above the level of the crossbeams, connecting to a balcony that slightly overhangs the two roadways. The path is generally 10 to 17 feet (3.0 to 5.2 m) wide.[Wikipedia]
If you want to see how to accomplish this look go check out the 5day deal www.5daydeal.com/ref/SergeRamelli
Here is another composite with my buddy @kelvinpimont I took his portrait against a wall and then I added him on this cool cadillac store! Pretty cool right?
Old composite shot from this Summer's trip to Shenandoah National Park. Shot in Olympus' live composite mode. The plane traveling westward makes the image look a little like missile defense. :B
Took this image of the German Messerschmitt at Canberra's Australian War Memorial and decided to make a composite image with it. Using a stock image for the background and brushes for the fire/smoke.
A view of both sides of this female Pileated Woodpecker. A raptor of some sort flew over and she froze for about 5 minutes which allowed me to get shots from both sides, then amalgamate in PS for a double take view....I was a little closer to her on the left but you get the idea :-)
You can find her here: www.instagram.com/ashen_fire_keeper
Composited with an image generated with AI (Midjourney)
I often imagine photographing these amazing scenes with the milky way, only to realize that they are not possible due to the time of the year or the location.
In these cases, I will sometimes create the scene I imagined by making a composite image of two of my photos. That is what I did here in order to get the milky way reflected in a pond during peak fall foliage back in October.