View allAll Photos Tagged compositing
Composites. I hope you like these. They are not easy to do. It takes time to create these and it requires a lot of attention to detail. I shot her here in my studio against a white paper background then separated her from that. Then in Photoshop I dropped in a photo that sort of matched for light and color that had the same density so it could work. More here; www.flickr.com/photos/154678726@N05/albums/72177720306046769
Imitation is the greatest form of flattery! Got this idea from a more talented artist! This composite consists of only two of my photos, the feathers and then the portrait head shot. It was HARD but fun. I think hers is better, but I loved trying!
Im working on a new series combining the rivers and streams with the skies directly above them. This is the first one I have made.... its an old shot that have got round to editing properly.
3 image composite of off-shore lightning storm south of Inlet Beach FL by 60 miles. Canon 5DM4 with Canon 24-70mm @ 70mm f/5.6 20s ISO 1250. Post-processing with LRC, PS CC, Topaz Clarity and Topaz Denoise AI.
Composite photograph made up of 36 shots taken at 15 second intervals and stacked in Photoshop.
Pentax K-70, SIGMA 10-20mm F3.5 EX DC HSM. ISO 125, f/10, exposures from 1/125th – 1/50th seconds.
This is a composite photo I struggled with over the last few days, I couldn’t get positioning the way I wanted…then, I struck me that it was perfectly fine as is. For Smile on Saturday, Composite.
Composite of two photos as I did not have a wide enough lens at the time to capture the whole thing.
It's a composite which is part of my photoshop composite course, parts of the 5day deal (see the link to get the best deal of the year)! www.5daydeal.com/ref/SergeRamelli
Had a lot of fun shooting this one, this is a friend who is a big producer in Hollywood,
I really love this view too! A lot of people hike in the hills and you always have amazing views! Do you guys like to hike just to take photos?
Part of the Desert Spirits Series
Composite of photograph's I've taken since moving to New Mexico. This is a derivative work from www.facebook.com/share/p/1DvsmXs3jd/My. Behind any one image published here, there are several in its wake, explorations of potentiality, lost in the shuffle. Inspired by the vivid enchantment by way of its potentiality and quiet surprises that arise constantly. It's a wonder.
Composite image. The girl is from DDG Text 2 and the scene behind her is a photo I took at a winery a few years ago. Then some finishing touches and tetures in BeFunky and iPiccy
Press 'L' to view on black for increased contrast.
Luke AFB 2013 - 2013.01.23
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Photo composite of smoke and fish.
Mittels Photoshop habe ich ein aktuelles Rauchbild mit zwei Fischen und einer Qualle aus meinem Archiv zu Räucherfisch kombiniert.
Four shot composite. Commissioned to produce this for the 4th of July. Posting it here a bit late, but happy 4th to all none the less.
(x1) Paul C: Buff Einstein at camera left shot through a socked 22" soft white beauty dish.
I named this image An "Impossible Composite" because light pollution prevents this scene from ever being able to play out. The Milkyway will never be viewable like this over heavily populated urban areas due to the amount of lights concentrated in these areas. I wanted to create this "fantastical" image to showcase the beauty of our night sky and hopefully inspire some people who have dwelt in and amongst our cities for their entire lives to get out to the natural and just look up.
Locations:
Matagorda, TX: Milkyway
Houston, TX: City Skyline (Lower Left)
Galveston, TX: Abandoned Army Bunker (Lower Right)
A composite built from several photos of this well known NYC landmark. I was inspired in the use of squares for my recent composites by a Dutch artist Hendrik van Leeuwen ( www.hendrikvanleeuwen.nl/over-shifting-squares-en-cellula...) Is there a connection here? Brooklyn, originally Breukelen, is named after a town in Holland. HSS
The Brooklyn Bridge, an early example of a steel-wire suspension bridge, uses a hybrid cable-stayed/suspension bridge design, with both horizontal and diagonal suspender cables. Its stone towers are neo-Gothic, with characteristic pointed arches.
To provide sufficient clearance for shipping in the East River, the Brooklyn Bridge incorporates long approach viaducts on either end to raise it from low ground on both shores. Including approaches, the Brooklyn Bridge is a total of 6,016 feet (1,834 m) long when measured between the curbs at Park Row in Manhattan and Sands Street in Brooklyn.[4] A separate measurement of 5,989 feet (1,825 m) is sometimes given; this is the distance from the curb at Centre Street in Manhattan.The main span between the two suspension towers is 1,595.5 feet (486.3 m) long and 85 feet (26 m) wide.The bridge "elongates and contracts between the extremes of temperature from 14 to 16 inches". Navigational clearance is 127 ft (38.7 m) above mean high water (MHW).[9] A 1909 Engineering Magazine article said that, at the center of the span, the height above MHW could fluctuate by more than 9 feet (2.7 m) due to temperature and traffic loads, while more rigid spans had a lower maximum deflection.
The side spans, between each suspension tower and each side's suspension anchorages, are 930 feet (280 m) long. At the time of construction, engineers had not yet discovered the aerodynamics of bridge construction, and bridge designs were not tested in wind tunnels. It was coincidental that the open truss structure supporting the deck is, by its nature, subject to fewer aerodynamic problems. This is because John Roebling designed the Brooklyn Bridge's truss system to be six to eight times as strong as he thought it needed to be. However, due to a supplier's fraudulent substitution of inferior-quality cable in the initial construction, the bridge was reappraised at the time as being only four times as strong as necessary.
The main span and side spans are supported by a structure containing six trusses running parallel to the roadway, each of which is 33 feet (10 m) deep. The trusses allow the Brooklyn Bridge to hold a total load of 18,700 short tons (16,700 long tons), a design consideration from when it originally carried heavier elevated trains. These trusses are held up by suspender ropes, which hang downward from each of the four main cables. Crossbeams run between the trusses at the top, and diagonal and vertical stiffening beams run on the outside and inside of each roadway.
An elevated pedestrian and cycling promenade runs in between the two roadways and 18 feet (5.5 m) above them.[26] It typically runs 4 feet (1.2 m) below the level of the crossbeams,[27] except at the areas surrounding each tower. Here, the promenade rises to just above the level of the crossbeams, connecting to a balcony that slightly overhangs the two roadways. The path is generally 10 to 17 feet (3.0 to 5.2 m) wide.[Wikipedia]
1950 Ford mild custom out for first run of the year. Just to see if it needs anything before the shows start.
Actually, this is composite of a photo I took of a back road nearby and of a Ford sedan at the 2018 Back to the Fifties car show.
When you drive up into the hills above Laguna Beach it's difficult to get an open view past the beautiful homes up here on these narrow, winding streets.
I was up here this day, high above the ocean, by invitation. As I was leaving, my host suggested I drive higher up for this one rare, spectacular view. As a rule I'm prepared with gear including a tripod; I wished I'd brought it.
At first I was shooting the orange-sunset area for a panorama, but quickly realized I had to photograph all of this incredible sight. So I tried to 'fill-in' the top and bottom in order to make a composite in some detail -- Look close, you'll see an oil platform, along with the row of lights along the Long Beach shoreline, 30 miles distant. Catalina Island hides in those brooding clouds hugging the sea.
As you can see, there are many 'empty' areas in my panoramic composite made-up of 19 photos.
I can crop this, though I always hate to sacrifice any part of the beauty. And when I tried to edit the shadows and contrast (etc.), I failed because the image is just too large for Flickr's abilities. The 'jump' between sizes is 2048 to 17,994! I realize I need to use photoshop and other tools.
So, we'll see what I can do here. I will definitely return to this spot more prepared. It is an absolute photographer's dream.
Same bird 3 shots you can tell its a composite as the pussy willow buds are the same I could of removed one to make it look more real but left them would be rare to get 3 Goldies like this just a bit of fun :) Textured
2016-Jun-05 Chosen as Front Cover Photo for the
'a b s t r a X i o n ' group
FPWhtLdrPatGPPcSqlft&mdlr90&rgt)3exHDRCompo
Great Thanks go to Dennis Hill and Friends at FontPlay.com who provided the image used to form this Composite.
Their Free images can be found at:
www.fontplay.com/freephotos/index.htm
For maximum effect, click the image, to go into the Lightbox, to view at the largest size; or, perhaps, by clicking the expansion arrows at top right of the page for a Full Screen view.
Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission.
© All Rights Reserved - Jim Goodyear 2016.
With photoshop I made an apocalyptic scene in a small fridge I used to make a good composite.
Used a General electronic light object behind the mask.
First photoshop photo I done
Did anyone else happen to capture the Super Duper moon? At one point it got so close I thought it was going to collide with the earth! Actually just another fun composite. Both images were shot from nearly the same spot in my yard, only 4 1/4 years apart.