View allAll Photos Tagged compositing
Four shot composite. Commissioned to produce this for the 4th of July. Posting it here a bit late, but happy 4th to all none the less.
(x1) Paul C: Buff Einstein at camera left shot through a socked 22" soft white beauty dish.
Same bird 3 shots you can tell its a composite as the pussy willow buds are the same I could of removed one to make it look more real but left them would be rare to get 3 Goldies like this just a bit of fun :) Textured
OK while I'm in the mood here's another take on the approaching summer theme.
I lost count of the number of exposures here, maybe seven?
Photoshop composite. Woman by Pexels via Pixabay.
Background based om F530 River Waal at Doornenburg.
www.flickr.com/photos/193006463@N04/51220698074/in/photol...
A little test of compositing. perhaps the shadow at the front is a little amiss but then I'm still learning this editing stuff.
DSC_0003GPPcSq(lft&mdlr180&rgt)3exHDRCompo
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© All Rights Reserved - Jim Goodyear 2019.
A composite built from several photos of this well known NYC landmark. I was inspired in the use of squares for my recent composites by a Dutch artist Hendrik van Leeuwen ( www.hendrikvanleeuwen.nl/over-shifting-squares-en-cellula...) Is there a connection here? Brooklyn, originally Breukelen, is named after a town in Holland. HSS
The Brooklyn Bridge, an early example of a steel-wire suspension bridge, uses a hybrid cable-stayed/suspension bridge design, with both horizontal and diagonal suspender cables. Its stone towers are neo-Gothic, with characteristic pointed arches.
To provide sufficient clearance for shipping in the East River, the Brooklyn Bridge incorporates long approach viaducts on either end to raise it from low ground on both shores. Including approaches, the Brooklyn Bridge is a total of 6,016 feet (1,834 m) long when measured between the curbs at Park Row in Manhattan and Sands Street in Brooklyn.[4] A separate measurement of 5,989 feet (1,825 m) is sometimes given; this is the distance from the curb at Centre Street in Manhattan.The main span between the two suspension towers is 1,595.5 feet (486.3 m) long and 85 feet (26 m) wide.The bridge "elongates and contracts between the extremes of temperature from 14 to 16 inches". Navigational clearance is 127 ft (38.7 m) above mean high water (MHW).[9] A 1909 Engineering Magazine article said that, at the center of the span, the height above MHW could fluctuate by more than 9 feet (2.7 m) due to temperature and traffic loads, while more rigid spans had a lower maximum deflection.
The side spans, between each suspension tower and each side's suspension anchorages, are 930 feet (280 m) long. At the time of construction, engineers had not yet discovered the aerodynamics of bridge construction, and bridge designs were not tested in wind tunnels. It was coincidental that the open truss structure supporting the deck is, by its nature, subject to fewer aerodynamic problems. This is because John Roebling designed the Brooklyn Bridge's truss system to be six to eight times as strong as he thought it needed to be. However, due to a supplier's fraudulent substitution of inferior-quality cable in the initial construction, the bridge was reappraised at the time as being only four times as strong as necessary.
The main span and side spans are supported by a structure containing six trusses running parallel to the roadway, each of which is 33 feet (10 m) deep. The trusses allow the Brooklyn Bridge to hold a total load of 18,700 short tons (16,700 long tons), a design consideration from when it originally carried heavier elevated trains. These trusses are held up by suspender ropes, which hang downward from each of the four main cables. Crossbeams run between the trusses at the top, and diagonal and vertical stiffening beams run on the outside and inside of each roadway.
An elevated pedestrian and cycling promenade runs in between the two roadways and 18 feet (5.5 m) above them.[26] It typically runs 4 feet (1.2 m) below the level of the crossbeams,[27] except at the areas surrounding each tower. Here, the promenade rises to just above the level of the crossbeams, connecting to a balcony that slightly overhangs the two roadways. The path is generally 10 to 17 feet (3.0 to 5.2 m) wide.[Wikipedia]
A composite of several frames as the harvest moon rose behind Burry Port lighthouse.
Check out PhotoHound for more great place to photograph.
tae-chan and i took a shot of each other at metro, making the same pose like this.
and now i scanned 2 photos and made a composite photograph of us!
*camera--MINOLTA X-700 / *film--konica minolta CENTURIA200
For Studio 26 processing assignment.
I've done a couple of these composites in the past and I do like the effects that can be created. It's similar to doing a double exposure in camera but much easier to get a usable image.
It's simply a silhouette of Taivas put over a shot of trees in the mist/sunshine. I resized the shot of Taivas to get the result I wanted, set the blend mode to screen and did a little cloning to remove some blue sky and cropped the final image.
The two original shots are in the comments.
KALAMAZOO, MI -- Two brothers, who recently travelled to Costa Rica, checked into a clinic complaining about shoulder lice. They were told that shoulder lice was a big problem down in Central America, and they probably contracted it when the lice jumped from an infected person's shoulder onto their shoulders. So, they got a prescription to go out and stand in a very crowded area, like a bus stop or a grocery store checkout line. Eventually, the lice would jump onto somebody else's shoulder, and they would thereby become cured of the nasty affliction. A one-week follow-up appointment was also recommended, as per usual.
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NASA/JPL-Caltech/SwRI/MSSS/Kevin M. Gill
10 years ago this month (I missed the date, OK, other stuff going on around then...) I had my first makeover, at a place (now sadly out of business in Newtown called The MakeUp Store, run by the fabulous Emma-Lee.
I was so damn nervous going in there, but she quickly put me at ease, and I spent a wonderful couple of hours seeing just how Marci could look, with the right skills.
10 years and a few days later, that's me, all my own work. Years of practice, figuring out what MU and wigs and outfits work (I still use some of the original products that Emma Lee recommended, including Ben Nye creams for highlights and contouring).
Anyway (if I do say so myself) not bad for 10 years down the track. Though OMG, they've gone so damn fast!
If you want to see how to accomplish this look go check out the 5day deal www.5daydeal.com/ref/SergeRamelli
Here is another composite with my buddy @kelvinpimont I took his portrait against a wall and then I added him on this cool cadillac store! Pretty cool right?
A view of both sides of this female Pileated Woodpecker. A raptor of some sort flew over and she froze for about 5 minutes which allowed me to get shots from both sides, then amalgamate in PS for a double take view....I was a little closer to her on the left but you get the idea :-)
Composite image taking from the time-lapse sequence. The top image is the middle frame out of 266, while the ocean is the other 266 frames all blended together, much like you'd do for a star trail. Was lucky in that 2 factors came together at the same time. NW wind coming right to left, as was the incoming tide. The smoke was from the NSW forrest first 2100 km away & turned out Dunedin skies this incredible colour pallet.
I often imagine photographing these amazing scenes with the milky way, only to realize that they are not possible due to the time of the year or the location.
In these cases, I will sometimes create the scene I imagined by making a composite image of two of my photos. That is what I did here in order to get the milky way reflected in a pond during peak fall foliage back in October.