View allAll Photos Tagged compositing

I loved this but made it my second choice at the end.

 

Having such vision problems, I hadn't realized that there were things in the filter I used on my SoS shot that I didn't like, so I replaced it with this one which was my second choice.

 

Now I've changed the original Seconds in B&W with a color version. Don't ask ... awful errors on my part.

Scott has been developing an idea for a composite shot for a while now and today was the day that everything lined up and we all got out there to help make the vision a reality.

 

Jo was a trooper through it too; it actually started snowing while we were working on setting up and while we gave her the chance to flee, she stuck to it, dress and all!

 

I figured the work might make for an interesting "behind the scenes" composite and brought my gear along.

 

Thanks to Scott for showing me a few Photoshop tricks to help me process too!

 

Yay team work!

 

Hope everyone has had a good day.

 

Click "L" for a larger view.

 

I deleted my other photo of this as it had an obvious flaw due to merging two photos. I've seen some composites passed on as being real on flickr. It fools a lot of people as many only take a scant look at them. It is very hard to tell that this photo is a composite now.

Composite photo of the February 20th lunar eclipse.

Composite of two AI generated photos and then edited in BeFunky

Composite image of the leaves of fall.

composite fun with Lacie

Part of the Inside the Frame portrait contest.

 

Six photos composited together. All shot the same. Black fabric backdrop. SB25 in bounce umbrella up high in front of subjects at 1/2 power. Second sb25 in bounce umbrella at 1/4 power camera right.

 

Photo by Erik Christian Photography

A composite done in Photoshop Elements

It was cold and windy, but sunny and good for exploring.

Composite created for Photoshop Artistry Challenge 11 which is to create a tryptch that tells a story and has some text in it.

 

All photos from Adobe Stock.

 

HE > i

NOTW

Cabo Corrientes, Mexico

 

Cinnamon Hummingbird occurs along the Pacific slope from western Mexico south to northwestern Costa Rica, and also on the Yucatan Peninsula in southeastern Mexico and in Belize.

 

This is my first attempt to make a composite picture. I was hoping to portray the way a hummingbird flies in and hovers before coming in to drink nectar. Not sure if this works or not. Comments welcome. KKR

6 to 12 images are superimposed to create this composite. Dusk was occurring quickly thus the reason for the odd coloration.

 

Some individual stokes can be viewed:

www.flickr.com/photos/79387036@N07/7705793802/in/album-72...

 

www.flickr.com/photos/79387036@N07/7705796568/in/album-72...

 

www.flickr.com/photos/79387036@N07/7705790750/in/album-72...

Composite cloud and sail boat

The biggest 'birds in flight' composite I've attempted. With the originals taken on a full frame camera, the file size during composition got pretty horrible, reaching 1.2Gb at one point. If the Puffin had flown a bit slower or if I'd had 8fps instead of 6fps it would have looked better and been a bit shorter.

Composite that includes AI generated images

I had a yen to play with Photoshop's new Select and Mask feature, which is an update on Refine Mask. While one is really supposed to composite the figure from a neutral and solid background, I don't have any of those, so I did my best to extract Danica from a busier, normal photo. It worked pretty well all in all and did a decent job with the hair which is a pretty big deal. I make no claims to perfection or even the comparability of these two images but just wanted to experiment with the technique and to use my own images in the bargain.

 

© Anvilcloud Photography

Having recently watched a FacebookLive with Gavin Hoey, who did a smoke tutorial. I dug out my smoke images from a few years ago & repurposed them with some glass also taken a while back. Great fun to do, & keeps the Photoshop skills going.

AI composites using my back catalogue

Siberia 2005

 

SET

View On White <--- larger

 

we had to use at least 3 images for lab and composite them for our final project. my original idea fell through because time was short, so i went to this idea.

 

ab800 into softbox camera left.

ab400 bare about 135° camera right.

^for shot of lens^

 

ab800 into softbox camera left.

^for shot of chris^

 

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