View allAll Photos Tagged compositing
A composite of course. I liked the original black and white image of the gorgeous Cash, a 21 year old Arabian but I wanted to give it some punch. So I layered it with three other images of mine: a skyscape with nice clouds, a grunge texture of rough, old concrete, and fire. I personally like the results but I don't know how you photography purist will feel:-) I think it gives it punch.
Fighter Squadron Composite Twelve (VFC-12) is a United States Navy Reserve fighter squadron based at NAS Oceana, providing adversary training to East Coast air wings.
VFC-12 reports to Commander Tactical Support Wing, a component of Commander, Naval Air Reserve Force (COMNAVAIRESFOR).
The "Fighting Omars" is manned by selected reservists, full-time reservists (FTS) and active duty personnel. The squadron's radio callsign is "Ambush" and their tailcode is AF.
Squadron aircraft no longer wear the unique adversary blue camouflage paint scheme which they have been known for but upgraded to the SU-35 Flanker Prototype 2 Arctic Splinter Camouflage in late 2012 when they transitioned back to the F/A-18A+. The Splinter Camouflage paint scheme was designed by veteran; Darrall W. Taylor Jr (former; AD3 Taylor).
Selected frames taken for the following thunderstorm event:
www.flickr.com/photos/79387036@N07/34087836435/in/photost...
A Nikkor 85mm f/1.4 lens was used.
The best 17 images taken during a 10 minute period were stacked for this version.
Comet NEOWISE over St Anthony's chapel with the crescent moon in Violet, Texas. Three shot composite; one each for the chapel, the comet, and the moon
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This is my newest picture for the 52 weeks project and the new theme "Composites".
The last week was a busy and successful week and nearly no time for a theme shot and my 52 weeks group, but today i took the chance in a tunnel - week 5 dusted and done =)
Shot with my Nikon DÆ’ with 10 multiple exposures with a 85mm Æ’1,8, processed in Lightroom using VSCO Film Pack 04.
Another composite trying a few different shade and texture techniques. I also wanted to see something on a stark white background with hard crops.
©2007 James White. All rights reserved. www.signalnoise.com
If you are interesting in creating this look check it out here: www.5daydeal.com/ref/SergeRamelli
This is a composite I did of my buddy @kelvinpimont it is part of my Photoshop composite course which is in the 5daydeal.
I really had fun shooting this, I wanted to create a really cinematographic look and I think it worked out. Do you guys like this kind of scene/mood?
Tonight's moon with a sky from about 4 years ago.
This wasn't the image I had in mind on Friday when I mentioned a shot of a moon I wanted to do. Apparently I need a shot of the moon from much, nuch later in the evening to do that...so you get this composite instead.
_MG_1215hpvividwm photo manipulation imitating refraction from a photo taken at Nathan Phillips Square in Toronto a couple of years ago.
Since I couldn't manage to see the Milky Way at Delicate Arch, I had fun putting one together :)
Learn HDR with me -
Photomatix - www.hdrone.com/beginners-hdr-photography-course-art-of-hdr/
Digital blending - www.hdrone.com/digital-blending-hdr-tutorial-using-lumina...
A departure from all the landscapes I post. A photo composition that I did awhile ago. Curious to see how it is accepted.
An incredible lightning composite image taken on June 5, 2013, near Sweetwater, TX. For more, visit and like my page on Facebook! www.facebook.com/rpsmithphotography