View allAll Photos Tagged Visuals
_ poesía visual / visual poetry
_ ensamblaje / assemblage
_ madera de cajón de frutas / wooden fruits containers
_ 2008
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk
There were 3 or 4 of these with documentaries running on tv's relating to logging and rural life in NZ. Very interesting.
Note the caterpillar blade behind the seating.
Partitura Visual realizada a partir da música "Ninguém é Quem Queria Ser" de Foge Foge Bandido.
Vídeo disponível em vimeo.com/22935790
John Creamer, Encargado de Negocios a.i. la Embajada de los Estados Unidos de América en el Ministerio de Cultura
Next up after the huge mobile over the River Wear was Visual Illusion, near St. Oswald's Church. This reflects shapes found in and around Durham Cathedral.
#AbFav_Red_Accents_
I love that sort of 'game', never the same twice, unpredictable and whimsical.
Magda (*_*)
For more of my other work or if you want to purchase, visit here: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE OR LINK ANY OF MY images or TEXT to websites, blogs or any other media without my explicit permission. © All rights reserved
colour, game, visual, squares, gel, yellow, orange, red, NikonD7000, square, studio, black-background, Magda indigo
The moderators at PechaKucha Night Tokyo Volume 77 which was held at SuperDeluxe in Tokyo October 28. This PechaKucha was "design-only", since Tokyo Design Week starts this Friday, October 29.
Photo: Nagame Hayami.
It's strange that, when we freeze a visual moment, we "see" silence.
There is "heart" between eyes and ears.
很奇妙的，當我們凍結一個視覺的瞬間，會 "看見" 寂靜。
眼和耳之間，應該有著 "心" 吧。
Konica Hexar RF Limited 相機
Leica Noctilux 50mm f1.0 鏡頭
Fuji RVP100 正片
Nikon Coolscan 5000ED 底掃
Character design process. The top left was my original concept for a stoic waitress who worked at a playboy-themed café, but found the outfit too simple and restrictive. I made her a burlesque dancer instead so I could play around with her costuming more. The bottom illustration shows me exploring 4 wildly different costume concepts: vampire, bunny, ringleader and clown. I took much inspiration from pinup style illustrations, Showgirls fashion and Thierry Mugler. I eventually settled on the second outfit "bunny" and created some experimental sketches in the top right. I enjoyed the many outfits I designed, and settled on the "bunny" themed one in the end because I still wanted to harken back to that iconic image of the playboy bunny costume from my original concept, but with the glamourous and campy stylings of Burlesque costuming. For that outfit in specific, I referenced much of Marilyn Monroe's fashion stylings, specifically her many sparkly skintight bodysuits and fur shawls.
Against Yale University’s Celebration of Hate, Slavery, Racism, and White Supremacy: Yale students and New Haven human rights activists petition a name change for Calhoun College in a letter delivered to Dr. Peter Salovey, as well as an end to Yale Police Department harassment and intimidation, 189 Elm Street, New Haven, Connecticut, Friday, September 23, 2016.
Peter Salovey
Office of the President
Yale University
PO Box 2082229
New Haven, CT 06520-8229
Re: Calhoun College: Change the Name
Dear President Salovey:
The conversation over the names of Yale’s colleges and their connection to slavery and the ongoing issues related to racism exploded into the national consciousness in July with the smashing of the stained glass window at Calhoun College that depicted 2 enslaved people in a field of cotton.
The man who broke the window said the offensive nature of the images was pointed out to him by a Yale alumnus who was at Calhoun for his reunion. Yes, he was an African-American.
A generation ago, the image of a black man in chains cowering at Calhoun’s feet was also removed. The removal of the offensive windows does not remove their underlying purpose or meaning because Calhoun himself was such a prominent proponent of slavery.
Yale’s conversation about slavery and its connection to the university appears to be limited to its campus, despite the fact that the university is surrounded by a diverse population, the majority of whom are people of color. The people of New Haven, whether residents working in the dining halls, staffing an office or policing on campus, want to participate in that conversation because they have a stake in its outcome.
We, a coalition of Yale alumni/alumnae, Yale faculty, Yale students, residents of New Haven, political leaders and organizations, hereby petition you, President Salovey, and the Yale Corporation Board, to take immediate action to remove the name of “Calhoun” from the College and to rename it consistent with the great message embodied in the Amistad memorial outside of City Hall.
Signed