View allAll Photos Tagged VisualArtist
Joaquin: I really don't need to work but my father wants me to learn the value of good labor.
Juzno: What does your father do?
Joaquin: He sells Italian Leather.
Juzno: Who is your father?
Joaquin: Rodolfo Gucci.
Little Italy, Montreal, Canada
Gallery www.justanobserver.com
Blog www.juzno.com
# #IAMGenerationImage
© Luis Campillo 2015
Model Xrystina San Millán.
Estilist Jangali Handicraft by Natalia Pérez.
instagram.com/luiscampillo
© Luís Campillo 2015
Model Sofía Bajo. www.facebook.com/sofiabajoactriz
luiscampillo.tumblr.com/
instagram.com/luiscampillo/
Hasselblad 500CM + Distagon 50mm + Kodak Portra 800.
© Luís Campillo 2015
Model Sandra Rosell. es.litmind.com/284442
MUA-Hairdresser Sandra Rosell. www.facebook.com/makeups.rosell
Nothing is real
And nothing to get hung about
(John Lennon)
Gallery www.justanobserver.com/
Blog www.juzno.com/
© Luís Campillo 2015
Model Saryta Vinagrero.
www.facebook.com/pages/Sara-Vinagrero-Ilustradora-Bailari...
instagram.com/luiscampillo/
Photo © 2014 Rob Castro
The Brownie Target Six-16 was introduced in 1946 and was discontinued fifteen years later. It was originally priced at $4. Nowadays, one could get an acceptably functional one between $30 to $80. I say "acceptably functional" because one could never really get a shot that would be comparable even to today's cheapest camera available. I'm not sure where I got mine. I'm sure somebody must have given it to me. I have a few more Brownies, which kind people gave to me and which I also plan to pay tribute to later on. I have not much use for them. The camera uses a film size 616, which is almost impossible to get hold of as Kodak discontinued its manufacture in 1984. Maybe Kodak thought that 1984 would turn the States into the dystopian era similar to George Orwell's 1984 novel.
Although the Brownie is in a different era as Alfred Eisenstaedt's photo of Children at the Puppet Theater (shot in 1963), the nostalgic feel of the photo and of that of the camera go well together in my opinion. I must be post-modern. Because I don't have much regard to historical accuracy when it suits me. Eisenstaedt's photo captures the children's excitement as they watched a puppet show. The Brownie captures the same excitement for amateur photographers who could take pictures without pawning the family heirloom.
I love it that the little girl is leaning towards the camera and looking at Eisenstaedt. Everyone else is engrossed at the puppet show. Come to think of it, the image reminds me of Orwell's 1984 for some reason.
Instagram instagram.com/juznobsrvr/
Gallery www.justanobserver.com/
Blog www.juzno.com/
sDg
#Flickr #horizontal #portrait #tripod #LongExposure #PhotoAsBackground #tribute #StillLife #Monochrome #KodakBrownieTargetSix #IAMGenerationImage #vintage #analogue #camera #IconsBehindTheLensSeries #VintageCamera #film #AlfredEisenstaedt #ChildrenandthePuppetTheater
The great Magnum photographer Elliot Erwitt once said that it is better to shoot an iconic picture rather than a good but boring one. I certainly would not call this image iconic – although in a few years maybe it will – only time will tell. A boring picture? But that is subjective.
I am almost sure that Pete would not like this photo. But that would be his own opinion. In any case, it doesn't matter to me. Because I like it.
I was pleasantly surprised by the result. I thought that the lighting was bad as it was mostly florescent predominantly coming from the top but I think the warm backlighting helped. The classic Nikkor 50mm from my Rose's vintage Nikon FE may have contributed to the wow factor. Despite using a crappy 8 mp Canon Rebel XT, the combination of the lens and the camera as appointed by providence all contributed to this shot.
Reworked from previous post
© 2014 Rob Castro
Addendum:
I used an old Nikkor 50mm lens (truly a great glass on this one - that's why I used it) which was designed for the film SLR. So everything is operated manually including the focus. Without the benefit of the auto focus and split screen I just eyeballed the shot and went for broke. Since this was a stolen shot and the environment was a bit dark, it made shooting more difficult. So yea I wished I had focused on the eyes but focusing on the wrinkles is the next best thing :-)
I also liked the colors on this one. It's not often that I render my portraits in color as I'm partially color blind but I think this one works for me. I did render the image in B&W but this version is my fave.
Gallery www.justanobserver.com/
Blog www.juzno.com/
# #IAMGenerationImage
“My soul is full of longing
for the secret of the sea,
and the heart of the great ocean
sends a thrilling pulse through me.”
― Henry Wadsworth Longfellow
Broadbeach, Gold Coast, Queensland
Through art we can know another's view of the universe. - Marcel Proust, Maxims
People enjoying the Lanzada Beach, Pontevedra, Spain.
This doesn't really have a witty story behind it. But I like the picture. It kind of reminds me of Martin Parr's style - satirically journalistic anthropologistic images of aspects of everyday ordinary life of retrospective social England. Except this was shot at Lanzada Beach, a tourist site in Galicia off a few miles away from Santiago de Compostela. Quite frankly, I find Parr's images quite boring. Does it mean that I find my image equally boring? At this point, I don't really have much of an opinion. Maybe deep inside I think it is because I have procrastinated sharing it. I see the fat lady with too much sunscreen cream on her back, the hot chick beside her - applying some faux cream on her arms, the lazy people in the background - they look like miniature toys. The whole thing looks surreal. That's because I really want it to. What else can it be? Unexceptional for sure. Ordinary. Maybe if I included the topless woman sitting next to a man at the lower left hand corner of the photo. Oh but I have to blur out the topless lady because my art is rated PG. She is there though - I can assure you. In fact, there were some more topless women at the beach so it was a challenge not to include them in my frame.
Gallery www.justanobserver.com/
Blog www.juzno.com/
sDg
its gonna take a lotta love to change the way things are
its gonna take a lotta love or we wont get too far
so if you look in my direction
and we don't see eye to eye,
my heart needs protection and so do I
(Neil Young)
Yea, I know the song has nothing to do with the image but I hear the music in my head whenever I think about it. Maybe it was playing somewhere when I was there. All I remember was getting excited chasing this shoot. So excited that my hands shook as I pressed the shutter release. Damn that long black I just had. With all the jagged light and blurs, I think I just created art.
Captured with the old reliable 18-55mm crappy kit lens mounted on my battle worn Canon Rebel XT (350d)
Gallery www.justanobserver.com/
Blog www.juzno.com/
Three Pictures of a Copper Beech II
These portraits of plants, have been made for many different reasons but always for the JOY of it. All of my photographs are daytime, made in city parks and gardens and virtually straight out of the camera with the absolute minimum of post processing.
This on going photographic odyssey that I call TERRA INCOGNITA has helped me notice what is always present in my life
The iconic photo behind the two cameras was shot by Bill Beall as he chanced upon Officer Maurice Cullinane gently coaxing two-year old Allen Weaver back to the Curb. The photo won a Pulitzer award. And how could it not? Entitled Busted, the photo is a classic street shot. Unsuspecting protagonists caught at the decisive moment by the photographer.
I decided to use Beall's photo as a background for my Mamiya-6 as the camera came out about the same time as when Beall took his photo. Around late 1950s. The Mamiya-6 (note the hyphen) is different from the more famous plastic-bodied Mamiya Six, which came out in the 1990s. The former is a classic folding camera, which has long been forgotten. The latter is still used around. Actually the Mamiya-6 series debuted in the 1940s. My Mamiya-6 is the last version.
It is curious why Mamiya decided to resurrect the model name fifty years later. Perhaps, a period of fifty years is too long for one to remember the classic folding camera. I'm glad I have one. In my fantasy, I dream of having two. Thanks to the magic of Photoshop. Besides, one cannot have too many cameras, right?
Instagram instagram.com/juznobsrvr/
Gallery www.justanobserver.com/
Blog www.juzno.com/
sDg
# #flickr #LifeMagazine #BillBeall #Pulitzer #AllenWeaver #Mamiya6 #IconsBehindTheLensSeries #FoldingCamera #MediumFormat #6x6 #StillLife #VintageCamera #tripod #LongExposure #PhotoAsBackground #tribute #IAMGenerationImage #vintage #analogue #camera #film
Hasselblad 500CM + Planar 80mm + Kodak Portra 800.
© Luís Campillo 2015
Model Sandra Rosell. es.litmind.com/284442
MUA-Hairdresser Sandra Rosell. www.facebook.com/makeups.rosell
** A reworked, much improved version is HERE. **
A half day at spent with a sea facing window at Marine Drive can be fruitful.
It was easily the most intense process I've ever experienced shooting panos, but I think I am finally getting it right and improving here.
Do tell me what you think!
Full panoramas of all these individual images coming soon at Vivek R. Singh: Visual Artist.
**Update 17-03-12** This image became the top voted post on reddit's "What's Hot?" India page, and holds that position as of this moment.
Secondly, the misaligned last image on the left...that was an error I couldn't correct; subsequent uploads will be with the corrected image.
**Update 19-03-12** Reached 2000+ views on Flickr, a first for me.
**Update 11-04-12** Went viral again on Facebook, through hundreds of third party shares. As of this moment it has been shared more than 2500 times.
And a thank you to everybody who shared, commented on and appreciated this image.
20250710-4193
Gerard ten Broek, visual Artist.
Gerard was vandaag weer druk bezig op de zandmotor. Maar ik kwam voor het resultaat waar hij gisteren op de Zandmotor waar hij gisteren druk mee bezig was. Misschien moet ik morgen weer even gaan kijken.
Ik heb hem hier al vaker bezig gezien. Ik vind het mooi hoe iemand zijn vergankelijke sporen achterlaat op dit mooie stuk strand. Hij is niet de enige.
Als alle lijnen zijn getrokken gaat hij met een drone van bovenaf fotograferen en filmen.
Resultaten van zijn werk zijn op zijn eigen website te zien.
All images are copyrighted by Pieter Musterd. If you want to use any of my photographs, contact me. It is not allowed to download them or use them on any website, blog etc. without my explicit permission.
If you want a translation of the text in your own language, please try "Google Translate".
Merci pour votre commentaire
Dank voor je commentaar
Danke für deinen Kommentar
Thank you for your comment
Gracias por tu comentario
Obrigado pelo seu comentário
VA, 1980 (selenium toned gelatin-silver print)
george-elsasser.blogspot.com/2010/01/intersections-20-yea...
Somewhere in Downtown Los Angeles
Gelda: Willkommen.
Juzno: Wow, you must be a ventriloquist. How'd you do that?
Gelda: Willkommen.
Juzno: You don't say much, huh?
Gelda: Willkommen.
Juzno: When do you get off from work? I would like to have coffee with you - although that may be a bit of a problem for you.
Gelda: Willkommen.
Gallery www.justanobserver.com/
Blog www.juzno.com/
# #wetplate #collodion #blur #portrait #bnw #bnw_life #blackandwhite #blackandwhitephotography #filmnoir #Iamgenerationimage #filmnoir #dust #lint #square #closeup #street #urban
© Luis Campillo 2015
Model Ane Sehnsucht.
Outfit by SEHNSUCHT www.anesehnsucht.com
Assistant Jose Antonio Vica