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A shot I took at church. She was dressed in her Sunday’s best and I thought she could be somebody from the pre-war era. I love the innocence, the energy and the optimism. The motion blur adds to the universality of the particulars. I must have been thinking of Anne Frank or somebody in that era.
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Wintering VI
Schlossgarten Charlottenburg
Spandauer Damm 10
Charlottenburg
14059 Berlin
Germany
-7ËšC is not that cold but it is cold enough.
A day for staying home, drinking tea and drawing.
I live and work in a city. All of my pictures are city scapes of sorts. I am not one of those outdoor types, drifting from glacier to forest. I drift from muesum to a cafe, often by bus when it is really cold or by dutch city bike in the warmer months.
When I do venture outdoors in the winter, oh my, it is so worth it. I love the purple cast of the street lights on the low clouds. Moments before this cloud cast was blue.
15.55 on a very cold afternoon in January. My batteries are blinking and my hands are cold, "Just one more picture" then a coffee and a slice of cake in the Orangery Cafe.
Thank you Berlin
La mayor parte del tiempo nos preocupamos por el exterior, pero no tenemos ni idea de quiénes somos en lo más interno de nuestro ser. Olvidamos que solo somos huesos que al final del crepusculo se convertirán en polvo.
Rob: It is interesting to note that man - being made in the image of God - has the capacity to create. Whether it’s music, visual art, or architecture, Man has the mental and physical ability to create and put things together and call these things whatever he wants.
Juzno: Ah, yes. Creativity is one of those attributes that distinguishes Man from other creatures.
Rob: Yet art is marginalized both by Christians and the secular world. Why is that?
Juzno: I think Art is marginalized because of people’s flawed understanding of art. Art is seen either just a hobby, an entertainment or even a matter of personal preference.
Rob: Yet art permeates culture.
Juzno: Yes, art is everywhere – in magazine ads, billboards, in clothing, television, music.
Rob: Since this is the case, shouldn’t we be concerned about what art is doing to culture?
Juzno: We should be. But we don't.
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Blog www.juzno.com/
# #IAMGenerationImage
It always affects me during winter when I see the homeless. It was cold and wet last week when I went into the city. I know I cannot help everyone but I wonder, all the different cross sections of life, how did this man get so marginalised? How does a person get so stripped of their dignity that he is no longer a person and is largely ignored. And at what point did we, as members of humanity, desensitise ourselves to not pay attention? Amongst the millions and millions of photos of people "living the life", this man gets this space - a small dot on social media - but at least he will get a small space and a small handful of you will notice and see him - as opposed to that day when I stood there and observed that no one did.
Edited on iPad with Snapseed &/or VSCOCAM
Rework of September 3, 2012 post.
Fujifilm Finepix x100
Copyright 2012 and beyond Rob Castro
Gallery www.justanobserver.com/
Blog www.juzno.com/
# #IAMGenerationImage
National Gallery of Victoria
facebook.com/michellerobinson.visualartist
iPhone 7 Plus + ProCamera
Snapseed
© LuÃs Campillo 2015
Model Claudia San Román. es.litmind.com/280994
MUAH Inés Castaño. www.facebook.com/icastanoscarrerasmakeup/
Assistant Lighting and Stage Zaira Cabarga.
instagram.com/luiscampillo
OLYMPUS DIGITAL CAMERA
©Jeremy Photography 2018
3 dramatic effect result are approaching - one coming from the left which is warmth and bright, another from the right which gives the chill and moist and lastly, the one which is unheard and unseen - the devastating howling of the wind.
This 3 effect forms an element of great disaster if it get overwhelm.
Nevertheless, this shot was taken after a week of rainy period, and a glimpse of sun hue glowing from across the horizon.
Jeremy Hui Photography | Getty Collection | Shutterstock | Room the Agency | Facebook Page
Hyper Transformation
A digital alteration from my photograph of a completely different subject.
Honoring International Women's Day
Front Page, A Feast for My Eyes, May 2, 2013: www.flickr.com/groups/afeastformyeyes/
Best seen on black: press L to view
Portrait of Professor in the Dark
Photo © 2014 Rob Castro
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sDg
#IAMGenerationImage
This painting of Jesus calling his disciples had particular meaning for Ketut Lasia, for he had a stong sense of calling, which flowed into his commitment to painting Christian topics.
“My name is Ketut Lasia. I was born on March 3, 1945 as the youngest son in a Hindu family in Peliatan, close to Ubud, the village of artists on the island of Bali in Indonesia.
“My parents were no painters. They were simple rice-farmers. Their life’s work consisted in growing rice, the daily food needed for us children. In my childhood I went to primary school, but no further. My parents were too poor to provide for any further education for me and my siblings. As a child I often went to the painters in our village. I watched them for hours and was amazed at the way they could take the images and pictures in their minds and turn them into paintings. I wanted to be a painter too."
“When... I began to work on my own. Over and over again religious questions kept bothering me. I wrestled with what I had heard from the Christians. I was uncertain and felt that I needed solid ground in my life, some sort of affirmation.
“But, of course, I was a Hindu. In my religion that did not exist. There was no faith in any rescue or healing for humankind in Hinduism. In my religion the law of Karma ruled.
Grace, mercy, forgiveness were unknown." Crossings Community, Inc.
Wrestling with this issue and inspite of exclusion by his Hindu community and by his brother, he chose to identify as a Christian.
Lasia's paintings of Christian gospel are expressed in Balinese settings and styles.
His principal paintings include the accounts of the birth, life and mission, death, resurrection and ascension of Jesus. Also the stories of Jesus told are significant in his folios, for they are readily contextualised in Bali, for they explore the artists' seeking of affirmation in life, and are a means to communicate the life values he embraced.
Rework of December 18, 2012 post. Thanks for visiting.
The poor fishermen couldn't find a catch. Perhaps it was too late in the day and the fish went back to sleep. Or maybe there no were fish left in the pond.
Juan: "Got any catch?"
Esteban: "Only some useless pearls which I threw back in the water. Couldn't eat 'em."
Juan: "Aye... same here. I found an old gold Rolex. Who could eat that?"
Hope your day is going well.
© 2013 Rob Castro
# #IAMGenerationImage
Rework from previous post.
Thanks for looking.
Fujifilm x-pro 1, 35 mm lens
Chino, California
© 2013-17 Rob Castro
Gallery www.justanobserver.com/
Blog www.juzno.com/
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sDg
Model: Suwon Lee
For 'Nuevo PaÃs de las Artes'.
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Somewhere in a sleepy village in Toledo, Spain
Juzno: Senor, por favor. I would like to know where you got your hammer.
Antonio: It's beautiful, huh? It was given to me by my father's father.
Juzno: Do you know where it was from?
Antonio: I believe it was on Ebay.
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# #Spain #Toldeo #TrafalgarInsider #BlackandWhite #Xpro1 #Fujifilm #jeweler #BW #BnW #grainy #portrait
© LuÃs Campillo 2015
Model Vanesa GarcÃa. www.facebook.com/vanesagarcia.artistavisual
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