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Some records don't arrive with fireworks. They drift in like weather. They don't ask for your attention, they simply settle into the room until, one day, you realize they've been living there all along. That's how “Bravery, Repetition and Noise”, by The Brian Jonestown Massacre has always felt to me.

 

If there were ever an album made for the hours between midnight and sunrise, when every streetlight seems to know a secret and every passing car carries someone else's unfinished story, this might be it. It's an album built on repetition, not as monotony but as meditation. The guitars circle patiently, the melodies linger like cigarette smoke in an empty bar, and the rhythm never hurries because it knows time eventually catches everyone. Some songs tell you exactly where they stand. Others leave the map folded in their pocket. “Bravery, Repetition and Noise” belongs to the second kind. It lives in the uncertainty between hope and resignation, between affection and distance, between what was said and what was meant.

 

My personal favorite has always been "Nevertheless”, not only because that strong instrumental arrangement but because it's one of those songs that never finishes saying what it's trying to say, and that's exactly why it stays with me. The line about the "three words you have spoken" hangs in the air like an unanswered telephone. You spend the entire song wondering what those three words really are.

Were they "I love you"?

Or were they "I hate you"?

The song never settles the matter, and that's its quiet brilliance. Those two possibilities carry the same weight when memory gets involved. Sometimes the words we remember most clearly are the ones whose meaning changes every time we hear them again. Love and resentment have a way of borrowing each other's vocabulary. Distance can make either sound like the other. That's what makes "Nevertheless" feel so human. It understands that certainty is overrated.

Life rarely gives us clean endings or perfect explanations. More often we're left replaying conversations, searching for emphasis, for tone, for the pause between words, trying to discover whether we were being welcomed home or gently shown the door. Like the album itself, the song never forces an answer. It simply keeps the question alive. And perhaps that's what bravery really is—not certainty, but continuing anyway. Repetition becomes memory. Noise becomes feeling.

 

Somewhere in that beautiful blur lies one of The Brian Jonestown Massacre's finest records: an album that doesn't reveal itself all at once but rewards every return, every late-night listen, every moment when silence seems just a little too loud.

A Glitch "Prodigiosum Habitu (παράξενη στάση) ~ Ètude I”

 

This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.

by ™℗®© Louis M o n t i e l

 

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New artists added to the dot-art Website Winter 2011-12

 

Paul Vera-Broadbent

 

www.dot-art.co.uk/artist/paul-vera-broadbent

Title: #164. Acrylic Painting... 24x24 inches, Acrylic on Canvas. Painting by Terry David Silvercloud (Butch).

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2011 © All rights reserved

DO NOT use this image for any purpose without my consent

For consent:

raihan_mazumder@yahoo.com

+6281 2288 666 22

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Visit my Getty Images account.

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Please check my other sets:

Landscape // Portraits // Bridal // Insect // Clouds // Nostalgia // Concept Foto

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Collage Sampler of Music Drawings

 

Music Cards from the Linea Collection

OLYMPUS DIGITAL CAMERA

Swimmers at the 40 Foot, Sandycove Dublin, Ireland

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2011 © All rights reserved

DO NOT use this image for any purpose without my consent

For consent:

raihan_mazumder@yahoo.com

+6281 2288 666 22

If you like my photographs, please join me on facebook || google+ || twitter

Visit my Getty Images account.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Please check my other sets:

Landscape // Portraits // Bridal // Insect // Clouds // Nostalgia // Concept Foto

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QAX - June 11th, 2010

  

AES Gallery with Patricia Bradshaw

2021 National FIO Ranking, 28th September. Photo by Light Oriye

Social Media for Artists, training course delivered by Amanda Daniels of Koogar, 10th June 2011

Kim Weller "Gina's Mitts" 2002, fiber, plastic, paper, thread, faux fur, bubble wrap

Jaakko Kahilaniemi Photography

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Naza, Brazilian American painter in Florida, showing her abstract painting "Eagle Man", in Brazil.

All the tired horses in the sun

How am I supposed to get any riding done?

 

horses made of cardboard, acrylic, ink

contact ibarraloana@gmail.com

A Glitch "Pulvis Silentii (σκόνη) ~ Ètude I”

 

This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.

by ™℗®© Louis M o n t i e l

 

NFT Crypto Digital Art

Marketplace on qurable.co : Buy, Shell & Explore Digital Assets

 

app.qurable.co/c-louis-montiel

 

~ FOLLOW ME & SUBSCRIBE ~

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#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #nfts #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #nftart #glitchartscollective #glitcharts #nftartist #glitchartwork #glitchartisdead #glitchartists #nftcommunity #nft #glitchartist #pixelsortingart #nftartists #creativecodeart #glitchportrait

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2011 © All rights reserved

DO NOT use this image for any purpose without my consent

For consent:

raihan_mazumder@yahoo.com

+6281 2288 666 22

If you like my photographs, please join me on facebook || google+ || twitter

Visit my Getty Images account.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Please check my other sets:

Landscape // Portraits // Bridal // Insect // Clouds // Nostalgia // Concept Foto

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Swimmers at the 40 Foot, Sandycove Dublin, Ireland

took this photo on my way back home few days back, it was right before everything got swallow by these clouds!

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2011 © All rights reserved

DO NOT use this image for any purpose without my consent

For consent:

raihan_mazumder@yahoo.com

+6281 2288 666 22

If you like my photographs, please join me on facebook || google+ || twitter

Visit my Getty Images account.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Please check my other sets:

Landscape // Portraits // Bridal // Insect // Clouds // Nostalgia // Concept Foto

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Model of "The Rocket" at Rainhill Station

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