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The detailed rendering of this tranquil scene is characteristic of Hart's early work, when he was most deeply influenced by the Hudson River school of landscape painting.
Born in Scotland, Hart began his career as a coach decorator. In 1850, he traveled to Germany's major art centers--Munich and Düsseldorf--where he completed his training as an artist. From 1857 until his death, Hart was based in New York City.
H: 21 1/8 x W: 35 1/4 in. (53.7 x 89.5 cm)
H with frame: 34 1/4 x W: 48 1/4 x D: 5 in. (87 x 122.6 x 12.7 cm)
medium: oil on canvas
by bequest to Walters Art Museum, 1931.
Original URL: km.itb.ac.id/site/wp-content/uploads/2011/02/rossy3.jpg
Attached in: bandungstraat.com/2011/02/rossy-goes-to-campus/
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The initial A with the resurrected Christ, shown here, was painted by an immediate follower of Girolamo da Cremona, who was likely working in Siena using the master's designs. Girolamo was intermittently active until 1474 in Siena, where he decorated choir books for the cathedral in collaboration with other North Italian illuminators. Antiphonaries like this one were usually made in several volumes for use by a clerical congregation. They were applied to the singing of the Daily Office, the cycle of daily devotions throughout the year. The chant introduced by this initial reads: Angelus Domini descendit de celo... (An angel of the Lord descended...). It is the First Matins Response for Easter.
Italy, Siena
ink, tempera, and gold on parchment
Codex: 55.9 x 43.2 x 10.2 cm (22 x 17 x 4 in.)
Gift of the Right Reverend William A. Leonard