View allAll Photos Tagged URL

Go to Page 99 in the Internet Archive

Title: The Croonian lectures on some points connected with sleep, sleeplessness, and hypnotics

Creator: Bradbury, J. B. (John Buckley), 1841-1930

Creator: Royal College of Physicians of London

Publisher: London : Publisher not identified

Sponsor: Jisc and Wellcome Library

Contributor: Royal College of Physicians, London

Date: 1899

Language: eng

Description: "Delivered before the Royal College of Physicians of London"

Rep. from Lancet, 24 June, 1-15 July, 1899

Includes bibliographic references

This material has been provided by Royal College of Physicians, London. The original may be consulted at Royal College of Physicians, London

Royal College of Physicians, London

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

Read/Download from the Internet Archive

 

See all images from this book

See all MHL images published in the same year

Morning, c. 1864. Charles-Émile Jacque (French, 1813–1894). Etching, drypoint, and engraving on chine collé; The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer 2016.200

 

More at clevelandart.org/art/2016.200

Both everyday objects and ornaments such as this belt ornament were standard for Goryeo-period (918-1392) burial goods. Furnishing tombs with an elaborate assemblage of objects was believed to honor and comfort the newly dead. Generally, Goryeo tombs were left untouched until the late 19th century. During the colonial period (1910–45), however, Japanese archaeologists aggressively excavated the tombs located in Kaeseong, the former capital of the Goryeo period. Highly possibly came from one of those excavated tomb sites, this bronze ornament evokes a memory about the colonized Korea (1910-1945).

Korea, Goryeo dynasty (918–1392)

 

bronze gilt

Overall: 3.9 cm (1 9/16 in.)

 

Did you know...

The Japanese antique dealer Yamanaka & Company, which opened its branches in New York (1895) and Boston (1899), sold small Korean archaeological materials such as this bronze ornament to American collectors in the early 20th century.

 

Gift of the John Huntington Art and Polytechnic Trust

clevelandart.org/art/1917.1050

Aquaman (Arthur Curry) now accepts responsibility as king of Atlantis.

Monitor Buy and Replacement Acer, LG,

[url=http://www.sexylovedolls.com]full silicone love dolls[/url]

[url=http://www.sexylovedolls.com]Infant love dolls[/url]

[url=http://www.brandbootshoes.com]Nike Air Jordan shoes[/url]

December 09, 2013 at 07:18PM

August 23, 2013 at 01:01PM

August 22, 2013 at 01:58AM

The model for this vase, still preserved at the Sèvres manufactory, is labeled "vase à cartels, modèle de Hébert." (This name might refer to Thomas-Joachim Hébert, a marchand-mercier, or to a secrétaire du roi, also named Hébert.) The harbor scene is by Jean-Louis Morin. The "bleu lapis" ground color has been gilded in a "caillouté," or pebbled pattern.

 

H: 14 in. (35.5 cm)

medium: soft paste porcelain

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/6202

temporal: Neue Sachlichkeit

64 x 51,5 cm

mat: Öl auf Leinwand

class: Malerei

type: Gemälde

provenance: 2002 Schenkung Gerda Bulgarini d'Elci, St. Veit

 

Österreichische Galerie Belvedere

sammlung.belvedere.at/objects/10561/stillleben-unter-dem-...

In the Russian Orthodox religious tradition, eggs are offered as Easter gifts to symbolize rebirth, renewal, and the resurrection of Christ. This jeweled Russian egg is engraved with XB symbolizing the phrase, “Christ is risen,” and would have been given to a lady in a wealthy household, perhaps someone of high rank within the imperial court, given the richness of materials.

Russia, St. Petersburg

 

gold, enamel, sapphire, gold easel and stand, paper, faceted green glass

 

The India Early Minshall Collection

clevelandart.org/art/1966.435

Philippe Halsman

This tapestry (originally even larger) was woven on a single loom for the great hall of a nobleman's estate. It provided insulation against winter cold and decoration for an otherwise austere environment.

Here the young Greek prince Meleager prepares to hunt the Calydonian Boar, a story told by the Roman poet, Ovid. Meleager gathers heroes of ancient Greece - including Jason, Theseus, Nestor, and Peleus - to chase the savage wild boar sent by the goddess Diana to ravage the lands of his father the king of Calydon. In front of the left column is the brave and beautiful Atalanta, later beloved of Meleager. She will kill the boar with a lance (held by an attendant).

Hunting wild boar was a privilege reserved to the nobility and was validated and glorified in the eyes of contemporaries by representations of heroic hunts from the mythic past such as this one.

Medieval / Early Renaissance European

 

H: 192 15/16 x W:164 3/16 in. (490 x 417 cm)

medium: wool

style: Gothic

culture: Medieval / Early Renaissance European

 

Walters Art Museum, 1931, by bequest.

 

art.thewalters.org/detail/610

Each of the four gospels in this book opens on a page with brilliantly illuminated borders depicting the author of the text as well as birds-principally peacocks, symbols of the immortality of the soul-and fountains, representing the fountain of life and the salvation of the soul. This volume consists of 428 leaves with texts in Greek. Its level of sophistication suggests that it was probably written and decorated in a monastery in Constantinople.

Byzantium, Constantinople

 

ink, tempera, and gold on vellum; leather binding

Sheet: 28 x 23 cm (11 x 9 1/16 in.)

 

Did you know...

Gospel Books were carried in procession through Byzantine churches.

 

Purchase from the J. H. Wade Fund

clevelandart.org/art/1942.152.100.b

A priest and two attendants perform ceremonies for the deceased. Originally, there probably existed (to the left) certain offerings. It is an exact copy of a scene in the Temple of Deir el Bahari made some seven centuries earlier where the figures are reversed.

Egypt, Late period (715–332 BCE), Dynasties 25–26

 

limestone

Overall: 36.2 x 48.2 cm (14 1/4 x 19 in.)

 

Gift of the Hanna Fund

clevelandart.org/art/1951.286

1 2 ••• 66 67 69 71 72 ••• 79 80