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August 22, 2013 at 05:11AM

August 22, 2013 at 01:58AM

August 22, 2013 at 01:04AM

The model for this vase, still preserved at the Sèvres manufactory, is labeled "vase à cartels, modèle de Hébert." (This name might refer to Thomas-Joachim Hébert, a marchand-mercier, or to a secrétaire du roi, also named Hébert.) The harbor scene is by Jean-Louis Morin. The "bleu lapis" ground color has been gilded in a "caillouté," or pebbled pattern.

 

H: 14 in. (35.5 cm)

medium: soft paste porcelain

 

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/6202

In the Russian Orthodox religious tradition, eggs are offered as Easter gifts to symbolize rebirth, renewal, and the resurrection of Christ. This jeweled Russian egg is engraved with XB symbolizing the phrase, “Christ is risen,” and would have been given to a lady in a wealthy household, perhaps someone of high rank within the imperial court, given the richness of materials.

Russia, St. Petersburg

 

gold, enamel, sapphire, gold easel and stand, paper, faceted green glass

 

The India Early Minshall Collection

clevelandart.org/art/1966.435

32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm)

 

medium: Mahogany with ash, yellow poplar

 

Metropolitan Museum of Art, New York, NY 65.188.10 1965

Gift of the family of Mr. and Mrs. Andrew Varick Stout, in their memory, 1965

www.metmuseum.org/art/collection/search/1912

This tapestry (originally even larger) was woven on a single loom for the great hall of a nobleman's estate. It provided insulation against winter cold and decoration for an otherwise austere environment.

Here the young Greek prince Meleager prepares to hunt the Calydonian Boar, a story told by the Roman poet, Ovid. Meleager gathers heroes of ancient Greece - including Jason, Theseus, Nestor, and Peleus - to chase the savage wild boar sent by the goddess Diana to ravage the lands of his father the king of Calydon. In front of the left column is the brave and beautiful Atalanta, later beloved of Meleager. She will kill the boar with a lance (held by an attendant).

Hunting wild boar was a privilege reserved to the nobility and was validated and glorified in the eyes of contemporaries by representations of heroic hunts from the mythic past such as this one.

Medieval / Early Renaissance European

 

H: 192 15/16 x W:164 3/16 in. (490 x 417 cm)

medium: wool

style: Gothic

culture: Medieval / Early Renaissance European

 

Walters Art Museum, 1931, by bequest.

 

art.thewalters.org/detail/610

Michael Allison

1773–1855

40 3/4 x 43 5/8 x 21 1/2 in. (103.5 x 110.8 x 54.6 cm)

 

medium: Mahogany, satinwood, ebony, white pine, tulip poplar

 

Metropolitan Museum of Art, New York, NY 32.55.3 1932

The Sylmaris Collection, Gift of George Coe Graves, 1931

www.metmuseum.org/art/collection/search/2018

1 x 2 3/8 x 1 7/8 in. (2.5 x 6 x 4.8 cm); 1 oz. 5 dwt. (39.1 g)

 

medium: Silver, shell

 

Metropolitan Museum of Art, New York, NY 33.120.146 1933

Bequest of Alphonso T. Clearwater, 1933

www.metmuseum.org/art/collection/search/7562

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