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The detailed rendering of this tranquil scene is characteristic of Hart's early work, when he was most deeply influenced by the Hudson River school of landscape painting.
Born in Scotland, Hart began his career as a coach decorator. In 1850, he traveled to Germany's major art centers--Munich and Düsseldorf--where he completed his training as an artist. From 1857 until his death, Hart was based in New York City.
H: 21 1/8 x W: 35 1/4 in. (53.7 x 89.5 cm)
H with frame: 34 1/4 x W: 48 1/4 x D: 5 in. (87 x 122.6 x 12.7 cm)
medium: oil on canvas
by bequest to Walters Art Museum, 1931.
This model of a lion is on an irregular base and has been partially restored in plaster. There are stains and black paint on the head and base, and the body has been cleaned.
Egyptian
L: 7 5/8 × H: 4 3/16 × Max W: 2 13/16 in. (19.4 × 10.7 × 7.2 cm)
medium: limestone
culture: Egyptian
Walters Art Museum, 1931, by bequest.
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In This the first thing i notice is the black gun on the orange background, its very bold and eye catching. Then i noticed the eye next to the gun, forming a face. the title of the film is dirty harry so that suggest in may be a grutty film with gun use. I then notices on the corners and certain places theres what appears to look like scuff marks making me think it may be an old film.
temporal: Biedermeier-Realismus
79 x 62 cm
mat: Öl auf Leinwand
class: Malerei
type: Gemälde
provenance: 1906 Ankauf Advokat Russ, Wien, für Kaiserliche Gemäldegalerie. – 1921 Übernahme aus dem Kunsthistorischen Museum, Wien
Österreichische Galerie Belvedere
The last of Odilon Redon’s 11 lithographic portfolios, this series relates to the Book of Revelation from the Christian Bible. The subject had been explored throughout art history, allowing the artist to align himself with past masters, such as Albrecht Dürer. Although Redon often vaguely referenced texts, these prints directly illustrate 12 individual passages, including one about a woman clothed with the sun and another focused on a great star falling from heaven. By the time he created this portfolio, Redon’s reputation was well established. The project was published by art dealer Ambroise Vollard, who began to sell and promote Redon’s work about a year earlier, building a market for his prints in Paris and abroad.
France, late 19th Century
lithograph
Image: 15.8 x 19 cm (6 1/4 x 7 1/2 in.)
Did you know...
This is one of the last works where Redon experimented with lithograph and all-black medium. In contrast, bright, dazzling colors characterize his late works.
Gift of Ralph King
Rows of running hares (alternately upside down) and trees (lying on their sides) suggest that this textile was to be viewed from different directions, perhaps as a covering for a floor or cushion.
The twill weave, a relatively new technique at the time, has produced a heavy, durable fabric, well suited to withstand the substantial wear such a covering would experience.
12 1/2 x 17 1/2 in. (31.7 x 44.4 cm)
medium: wool
Walters Art Museum, 1931, by bequest.
H: 9 3/4 x W: 7 3/16 in. (24.7 x 18.3 cm)
medium: iron gall ink with red and blue colored inks heightened with white on brown, moderately thick, slightly textured wove paper
Walters Art Museum, 1931, by bequest.
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