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Under the Flowers (Sous les Fleurs), published 1897. Imprimerie Champenois, : L'Estampe moderne, Edmond François Aman-Jean (French, 1858–1936). Color lithograph; image: 35.1 x 27 cm (13 13/16 x 10 5/8 in.); sheet: 39.8 x 30.6 cm (15 11/16 x 12 1/16 in.). The Cleveland Museum of Art, Bequest of Elizabeth Carroll Shearer 2016.90
More at clevelandart.org/art/2016.90
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This large marble head, possibly from an over-life-sized sculpture of Hercules, was excavated near the Florence baptistery and adapted and partly recarved to fit a medieval sculpture. Differences in the drill marks on the beard and the hair (those in the hair are finer and deeper than those in the beard) indicate that the head was probably modified in the Middle Ages. Many of the sculpted figures that once adorned the facade of the Duomo in Florence were completed with adaptations of ancient heads. The nose and left ear of this head are modern.
Medieval European
H: 18 3/16 × D: 16 5/16 in. (46.23 × 41.4 cm)
medium: marble
style: Romanesque
culture: Medieval European
Walters Art Museum, June 9, 1949, by purchase.
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Khnum holds a whip in his right hand. The inscription says that this votive figure was dedicated by King Psametik.
As in large scale Egyptian granite standing or striding figures, there is no space between the legs, and the arms are kept close to the body. The headdress has broken off.
Egyptian
6 3/4 in. (17.2 cm)
medium: black granite
culture: Egyptian
dynasty: 26th Dynasty
Walters Art Museum, 1931, by bequest.
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This relief was excavated in northern Syria at the site of Tell Halaf, the capital of a small independent city-state known as Guzana to the Assyrians, who conquered it in the late 9th century BCE. More than two hundred such stone reliefs (so-called orthostates) decorated the façade of a temple-palace built in the 10th century BCE by a local ruler named Kapara, son of Khadiânu. He reused the blocks from one or more pre-existing structures and carved an inscription in cuneiform on each one that states, "Palace of Kapara, son of Khadiânu." The blocks were placed so that limestone ones painted red alternated with others of black basalt. While the human images have been depicted in the less sophisticated, local style, many of the animal reliefs may have been modeled on finely carved ivories imported from northern Syria and Phoenicia that were found at the site.
This relief decorated the lower course of the exterior wall of the temple palace of King Kapara. Two heroes pin down a bearded foe, while grabbing at his pronged headdress. The context may be related to the Gilgamesh epic, and display Gilgamesh and Enkidu in their fight with Humbaba.
Aramean
H: 24 5/8 × W: 16 9/16 × D: 6 5/16 in. (62.6 × 42 × 16 cm)
medium: basalt
culture: Aramean
Walters Art Museum, 1944, by purchase.