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Morocco, Azemmur, 18th-19th century

embroidery: silk on linen tabby ground

Overall: 11.4 x 24.1 cm (4 1/2 x 9 1/2 in.)

Gift of J. H. Wade

clevelandart.org/art/1918.41.e

The elaborate craftsmanship of this sculpture exemplifies the high standard to which Indian, Nepalese, and Tibetan artists aspired when creating a devotional image. Maitreya, a bodhisattva, is the Buddha of the future who dwells in a Buddhist heaven. Here, wearing a strikingly intricate headdress, Maitreya rests on a multi-layered lotus pedestal, gazing outward through eyes inlaid with silver. Copper and silver inlay enhance the jewelry that adorns his body and the textile pattern that covers his garment.

The sculpture was made for the monk Sadhurakshita, whose name is inscribed on the base.

H: 7 5/16 × W: 5 9/16 × D: 3 1/4 in. (18.5 × 14.1 × 8.2 cm)

Statue H: 4 13/16 × W: 3 1/4 × D: 2 1/8 in. (12.2 × 8.3 × 5.4 cm)

Base H: 3 1/8 × W: 5 9/16 × D: 3 1/4 in. (8 × 14.1 × 8.2 cm)

medium: copper alloy with silver and copper inlay

given to Walters Art Museum, 2009.

art.thewalters.org/detail/843

Very little is known about Francesco Bertos, a highly original artist who created a considerable number of complicated pyramidal groups in a very distinctive, ingenious style that mirrors the lightness and airiness of contemporary rococo painting in France. Each of the pieces has a primary view or "front" while offering interconnected details that unfold as one moves around the piece.

These four groups (Walters 54.657, 54.658, 54.659, and 54.660) are symbolic representations (allegories) of the four parts of which the world was then thought to consist. The concept of "continents" would come later and the North and South America would be considered separately . All have their names engraved. In the allegory of America, the fierce and primitive nature of the New World is represented by the semi-nude female Native American warrior wearing feathers, who has shot an opponent with an arrow. She supports a man who stands on an alligator that looks strangely like a lizard. The gruesome detail of the little boy lifting a decapitated head on a spear refers to European assumptions about the practice of cannibalism in America.

H: 27 3/16 × W: 14 15/16 × D: 17 11/16 in. (69 × 38 × 44.9 cm)

medium: bronze

Walters Art Museum, 1931, by bequest.

art.thewalters.org/detail/2145

2

Egypt, Byzantine period

tabby weave, inwoven tapestry ornament; wool and linen

Overall: 39.4 x 30.5 cm (15 1/2 x 12 in.)

Gift of the John Huntington Art and Polytechnic Trust

clevelandart.org/art/1914.564

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