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Egypt, Late period (715–332 BCE)
turquoise faience
Diameter: 7.5 cm (2 15/16 in.); Diameter of mouth: 3.5 cm (1 3/8 in.); Overall: 12.4 cm (4 7/8 in.)
Gift of the John Huntington Art and Polytechnic Trust
Double portraits of a husband and wife from middle-class families, not just the aristocracy, were more popular in the Dutch Republic than elsewhere in Europe, in part because of the higher status of women. Such portraits, commissioned for the home, honored family members by preserving their likenesses and reflecting their social positions through attire-here, elegant but conservative costumes of silk and lace complemented by pearls from the East Indies. Their body language suggests their respective roles. The man's hand on his hip with elbow out expresses his assertive, protective role towards his wife.
Hendrik was the son of the famous artist Abraham Bloemaert. The father did no portraits, thinking it no challenge to copy what was in front of him, but Hendrik was known for his portraits as well as for religious and peasant subjects.
66 15/16 x 30 13/16 in. (170 x 78.2 cm)
medium: oil on panel
Walters Art Museum, 1973, by gift [from the Dr. Francis D. Murnaghan Fund].
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This earring was made to hang on sculptures of deities worshipped in Nepalese temples. Nepalese craftsmen excelled at the detailed encrustation of jewels to depict complex figural imagery. They shaped gold wires into a framework, then inserted polished stones into the spaces, held in place with an adhesive. Four-armed Vishnu is made of sapphires; his mount the man-eagle appears to be made of carnelian and spinel with wings of turquoise.
Nepal, Kathmandu Valley
Gold set with precious and semiprecious stones
Overall: 2.5 cm (1 in.)
Did you know...
Jeptha Homer Wade II and his wife bought this and other jewelry and textiles on a trip to India.
Gift of Mr. and Mrs. J. H. Wade
In the 1800s, native peoples began to use European fabrics to fashion fine formal garments; they favored sturdy cloth, such as velvet and wool broadcloth, which provided support for heavy decorative beadwork that was added by hand. Often the fabric was a dark color, providing dramatic contrast for the multicolored beads. Rather than encrusting the entire garment, beadwork was confined to cuffs, “epaulettes,” bib-like plackets and yokes, rectangular panels sewn to leggings, shirts, and dresses, and the like.
Northeast Woodlands, Great Lakes Region, Anishinaabe (Ojibwe) or Nehiyawak (Cree) People?
Velvet, satin, glass beads
Overall: 12.1 x 29.8 cm (4 3/4 x 11 3/4 in.)
Anonymous gift in memory of Sarah Ann Morrison
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This sculpture is carved in the round and painted. It depicts a nude male with black hair and black and white painted eyes. His arms are joined at the shoulders; both hands are closed at his sides. His feet are made separately, in one with the base. There is black paint on top of the base, and red on the edges. The base does not belong to this piece.
Egyptian
H with base: 8 13/16 in. (22.4 cm)
medium: wood with black, white, and red paint
culture: Egyptian
Walters Art Museum, 1931, by bequest.
John La Farge
American, New York 1835–1910 Providence, Rhode Island
14 1/2 x 10 7/16 in. (36.8 x 26.5 cm)
medium: Gouache and watercolor on white wove paper
Metropolitan Museum of Art, New York, NY 50.113.3 1950
Gift of Priscilla A. B. Henderson, in memory of her grandfather, Russell Sturgis, a founder of The Metropolitan Museum of Art, 1950
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Go to Page 412 in the Internet Archive
Title: The dance of death
Creator: Holbein, Hans, 1497-1543
Creator: Dobson, Austin, 1840-1921 (Introduction by)
Creator: Lützelburger, Hans, 1495?-1526
Creator: Vauzelles, Jean de
Creator: Corrozet, Gilles, 1510-1568
Creator: Royal College of Physicians of London
Publisher: London : George Bell & Sons
Sponsor: Jisc and Wellcome Library
Contributor: Royal College of Physicians, London
Date: 1892
Language: eng
Description: With Biblical texts and French quatrains
With facsimile reproduction of title-page of original edition: Les simulachres & historiees faces de la mort, avtant elegammēt pourtraictes, que artificiellement imaginées. [Les simulachres & historiees faces de la mort, autant elegammet pourtraictes, que artificiellement imaginées.] A. Lyon, Soubz l'escu de Coloigne. M.D.XXXVIII
Copies of 41 woodcuts supposed to have been executed from Holbein's designs by Hans Lützelburger and first published Lyons, 1538. Appended are 8 supplementary cuts added to later editions. Accompanying each cut is a related passage of Scripture in Latin,with a quatrain giving its equivalent rendering in French. The French text has been ascribed to Jean de Vauzelles or to Gilles Corrozet. Cf. Harvard Univ. Library, Dept. of Graphic Arts. Catalogue of books and manuscripts, pt. 1, v. 1, 1964
"This edition consists of 500 ordinary copies ... and 100 numbered copies on Japanese vellum "
Minns 277
This material has been provided by Royal College of Physicians, London. The original may be consulted at Royal College of Physicians, London
Royal College of Physicians, London
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
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This dwarf-like, protective deity was very popular in ancient Egypt. Bes is represented with the nude body of a dwarf, grotesque facial features, and the ears and mane of a lion. He wears a tall feather-crown and usually rests his hands on his hips. Known from as early as the Middle Kingdom (ca. 2000 BCE), Bes was venerated as a protector of the home, family, and childbirth, and for that reason figures prominently in domestic magic and amulets. His close connection to all aspects of fertility and sexuality is demonstrated by the presence of his image in the "Birth-houses"-shrines associated with temples of the Late Period and Ptolemaic period. He also had a special relation to the goddess Hathor and performed in her retinue as a musician and dancer.
This amulet of Bes is a variant of the standard type, representing the god with a protruding tongue and with uraei (cobra serpents), crowned by sun-disks which flank his feathered crown. A rectangular base and a loop behind the head complete the pendant.
Egyptian
H: 1 1/2 x W: 1 3/8 x D: 1/16 in. (3.75 x 3.46 x 0.15 cm)
medium: Egyptian faience with dark blue glaze
culture: Egyptian
dynasty: 22nd-25th Dynasty
Walters Art Museum, 1931, by bequest.