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Holga HL-P.
One of those days where I'm kicking myself for having only brought along a toy lens. Just kind of aimed and prayed with this one, as the viewfinder was too dark to reliably see through.
Voigtländer Color-Ultron 1,8/50
3 1,0-EV-bracketed pics
Photomatix Preset "Artesella day 03"
sharpening 2
contrast 0
Actually, they're made by a company named 'Ultra' and I guess they were trendy about, oh, 15+ years ago!
Oh, how I wish I had put the antenna down and didn't have the front passenger seat leaning forward! Ah well, I still own and drive the car, so when Spring debuts and it is green here once again, I can take another shot! :-)
Those Darlins
KEXP Live Performance
Seattle, WA
October 16, 2009
Photo by Jim Bennett
photobakery@gmail.com
...about milk. It is just good and good for you.
Straight from the camera. I barely spilled any milk(but did manage to get some in my hair) and we all know that it ain't worth crying over. 580 bounced off the ceiling and used a cable release for the shutter.
I was on my break at work, and when i look up these guys were cleaning the window and balconies of the building, 22 floors above, the swing from side to side in ropes with is absolutely, incredible, i took this with my phone so the quality is not good, but i wish i have had my cam with me, the sky reflected in those glass balconies beautiful, could not capture it with this...
A Soviet T38 tank fires upon the Germans at the World War 2 Days re-enactment at Midway Village in Rockford.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event is free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker. Beverages will be served. RAIN OR SHINE.
Audio from WNYC: In Queens, “Marine Mischief” and Comic Relief
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Alaska Airlines Honoring Those Who Serve Livery 737-890 (N570AS) on final approach to LAX Runway 25L. (08/10/23)
those lazy hazy days of summer - nearly 30 degrees Celcius - weather forcasters happy - photters not!
Brick Lane Truman Breweries London Global Street Artwork Football belongs to those that play it. New Football
Those nice people at Bath Life have featured the exhibition on the cover of the latest issue. Hot off the press. Proud moment. Thank you.
Living Bath - In conjunction with Bath in Time, an exhibition featuring the characters of Bath.
At Bath Central Library from Monday 29th November until Saturday 18th December, during library opening hours.
Those are rain drops streaking across the frame, and the sparkles in the water are also rain drops. I love a sunny rainstorm!
"The Scallop", by Maggi Hambling is a sculpture dedicated to Benjamin Britten on the beach at Aldeburgh. The edge of the shell is pierced with the words "I hear those voices that will not be drowned", from 'Peter Grimes', Brittens opera which premiered in 1945 and launched him to international acclaim.
Born in Lowestoft, Suffolk, Britten lived for thirty years in Aldeburgh, where this fantastic, tactile sculpture now resides on the stoney beach.
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Photograph taken at 08:03am on April 20th 2012 off Thorpe Road on the pebbled shoreline of Aldeburgh, on the North Sea in the county of Suffolk, England.
Nikon D7000 20mm 1/160s f/9.0 iso200
Sigma 10-20mm f/4-5.6 EX DC HSM. UV filter. Nikon GP-1 GPS
LATITUDE: N 52d 9m 38.22s
LONGITUDE: E 1d 36m 20.58s
ALTITUDE: 5.0m
holiday weekend coming here.... an universal delight for workers.....except for those who have to work. Bless them...
Those are photo’s that were made with a Sony moviecamera.
Sylvain, renowned roman writer and most desirable bachelor, is more than tired to be treated by females as a fuckbull. Julienne, his Publisher, prefer a horizontal communication. Carla, the caretaker want him to want her daughter. Jeanine, the neighbour from his friend Freddy, want nothing els than get married with him. Anita, runs away from the mafia and want to go to Brazil. Sylvain get merried (fictional) after all with Anita. Linda, his unpretentious girlfriend, is therefore shot in her vane and ………. Must everybody be concerned about it????? And, Witch roll plays Linda and Coco (The parrot)?????
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Dit zijn foto’s die met een Sony cameratoestel zijn gemaakt.
Sylvain, beroemd romanschrijver en gegeerd vrijgezel, is het beu door de vrouwen als “DEKSTIER” behandeld te worden. Julienne, zijn uitgeefster, geeft er de voorkeur aan “horizontaal” te onderhandelen. Carla, de conciërge, wil haar dochter aan hem kwijt.
Jeanine, de vrouw van zijn vriend Freddy, zou liever met hem getrouwd zijn.
Anita, ontvlucht het maffiamilieu en wijkt uit naar Brazilië. Sylvain besluit te trouwen …(fictief) met Anita. Linda, zijn ongecompliceerd vriendinnetje, is hierdoor in haar wiek geschoten en ………… Zal iedereen dit alles zomaar aanvaarden????? En, Welke rol spelen Linda en Coco (de papegaai) ?????
"Vielleicht mache ich ein Cover von All Along the Watchtower." sagt Shashaa. "Der Song ist echt der Hammer. Und je öfter ich ihn anhöre – und er lief ja hier die letzte Zeit in Endlosschleife – desto mehr packt mich der Text. The Joker and the thief – genau das ist es!
In dem Song geht es um zwei Typen, die sind genau wie mein Vater und dieser Ali. Ich mein, die haben harte Zeiten durchgemacht, wer hat das nicht? Sie hatten Träume, Buufis, und sie haben es in ihr Land der Träume, in die USA geschafft.
Dieser Ali musste sogar nicht mal etwas dafür tun! Der wurde ausgelost im Dadaab Camp, man kann also sagen, der hat sein Visum im Lotto gewonnen. Aber die USA sind eben nicht Jannah, das Paradies, nein, da muss man auch arbeiten für sein Geld.
Im Song reden die mit den Leuten, ja, das Leben ist hart, das wissen wir. Aber nicht für uns, damit sind wir fertig. Und dann werden sie zu apokalyptischen Reitern, weil sie was besseres sein wollen als die anderen Leute.
Ich mein, ich bin ja auch anders als die anderen Leute, es ist nun wirklich nicht jeder ein Superstar. Aber ich kann was, ich kann singen. Ich gebe den Menschen was.
Aber solche Typen, die können gar nix. Ja, mei, dann muss man halt im Lager arbeiten oder Uber-Fahrer werden oder Pizza Service. Whatever.
Dieser Ali hatte in Dadaab eine Frau und zwei kleine Kinder, die er versprach nachzuholen. Nee, was macht der? Er wird Gangster. Kommt sich vor wie Al Capone, aber ist nix wie eine miese kleine Ratte, ein kleiner Drogendealer, ein Krimineller. Frau und Kinder hat er sitzen lassen, total vergessen.
Und meinem Vater hat er das Gehirn gewaschen. Es reicht ja nicht, dass er ihn süchtig gemacht hat. Die belügen sich selbst!
Unsere Familie war ja schon da, als dieser Ali aufkreuzte. Mein Vater würde auch niemals meine Mutter verlassen, sie kocht und wäscht für ihn, das ist zu bequem.
So sind auch der Joker und der Dieb in dem Song, stellvertretend für all diese Scheiß-Männer, die ihr Leben nicht auf die Reihe kriegen. Du fragst dich, wie man so pervers sein kann, in den Krieg zu ziehen und Leute abzuschlachten? Was in deren Köpfen vorgeht? Und warum die immer mehr werden? Es sind genau solche! Egal ob IDF, Blackwater oder Escobar.
Der Text ist ja von Bob Dylan. Das ist ein alter Mann, den hab ich mal bei den Grammys gesehen. Die sagten, er hat auch den Nobelpreis bekommen. Also, dem seine Lyrics sind auch absolut genial. Aber ich hab mir seine Original-Version von All Along the Watchtower angehört. Bob Dylan singt nicht gut. Seine Stimme ist markant, aber nicht melodisch.
Was den Song zu diesem Highlight macht, zu einem der besten Songs ever, ist die Gitarre von Jimi Hendrix.
Haa, und da wird's schwierig mit Cover. Eigentlich sollte ich den Gitarrenpart singen, mit dem Text, nee, geht ja nicht… ich hab auch geguckt, es gibt erstaunlich wenig Cover davon. Eins ist nicht schlecht, eine Deephouse-Version, da ist aber Hendrix' Gitarre reingesampelt.
Mal sehen, was Steve dazu sagt, wenn er sich mal wieder einkriegt."
Edited in Prisma app & Grok
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
Those confounded arches are everywhere! McDonalds right next to Madame Tussauds on Times Square, New York. (New York, USA, Oct. 2006)
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