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Description: Copy of newspaper clippings relating activities of UCLA Ski Team in the mid-1930s.
Photographer: N/A
Donor: Glen Dawson
Original: Paper holdings of Angeles Chapter Archives
Credit: Glen Dawson Collection, Sierra Club-Angeles Chapter Archives
Photo ID (file name): Dawson G 1405
NO KNOWN COPYRIGHT RESTRICTIONS:
By asserting "no known copyright restrictions," the SIERRA CLUB ANGELES CHAPTER HISTORY COMMITTEE is sharing the benefit of our research without providing an expressed or implied warranty to others who would like to use or reproduce the photograph. This means that we are unaware of any current copyright restrictions on the works so designated, either because the term of copyright may have expired without being renewed, because no evidence has been found that copyright restrictions apply, because the original creator has granted us permission to post the image on the Internet, or because we own the copyright but are not exercising that control. The HISTORY COMMITTEE cannot guarantee that private or commercial use of the images shared herein will not violate the rights of unidentified copyright holders and we cannot be responsible for any liability resulting from the use of these images.
If you make use of a photo from this source, you are reminded to conduct an independent analysis of applicable law before proceeding with a particular new use.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 23 March 1905.
The slide shows an image of the surface of the moon showing details of Appenine Mountains and Yerkes crater.
Inscription Details: Handwritten in black ink on white tape at top of plate, 'Moon-Apennines-Enlarged- Yerkes'. Handwritten in black ink on left side of plate, 'Per Ward tinted [illegible] March '09' Handwritten in black ink on right side of plate 'F 102 A 105 F' (crossed out in pencil). Handwritten in black ink on top, bottom, left and right ridges of plate, 'APENNINES-GRAND-'WARD''.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235708|PH-1984-1-LS78-2-34|102|105
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033504
All these pictures relate to my blog for Gardeners World Magazine
while you are at it, try my other blog
A visit to the London Transport Museum. We had to book in advance an Annual Pass, and select at time before going.
The London Transport Museum (LTM) is a transport museum based in Covent Garden, London. The museum predominantly hosts exhibits relating to the heritage of London's transport, as well as conserving and explaining the history of it. The majority of the museum's exhibits originated in the collections of London Transport, but, since the creation of Transport for London (TfL) in 2000, the remit of the museum has expanded to cover all aspects of transport in the city and in some instances beyond.
The museum operates from two sites within London. The main site in Covent Garden uses the name of its parent institution, and is open to the public every day, excluding over Christmas, having reopened in 2007 after a two-year refurbishment. The other site, located in Acton, is the London Transport Museum Depot and is principally a storage site of historic artefacts that is open to the public on scheduled visitor days throughout the year.
The museum also runs a programme of guided tours, Hidden London, which takes visitors to part of the London Underground that are typically closed to the public, including disused stations and wartime shelters.
The museum was briefly renamed London's Transport Museum to reflect its coverage of topics beyond London Transport, but it reverted to its previous name in 2007 to coincide with the reopening of the Covent Garden site.
In July 2024, the Museum unveiled new branding in an attempt to reflect its coverage of all of London's transport system, not exclusively buses and trains. The new logo - still of roundel design - incorporates all the colours of TfL's transport modes.
The museum's main facility is located in a Victorian iron and glass building that had formed part of the Covent Garden vegetable, fruit and flower market. It was designed as a dedicated flower market by William Rogers in 1871 and is located between Russell Street, Tavistock Street, Wellington Street and the east side of the former market square. The market moved out in 1971, and the building was reopened as the London Transport Museum on 28 March 1980. The collection had been located at Syon Park since 1973 and before that had formed part of the British Transport Museum at Clapham.
On 4 September 2005 the museum closed for a £22 million refurbishment designed by Bryan Avery of Avery Associates Architects to enable the expansion of the display collection to encompass the larger remit of TfL which administers all forms of public transport. Enhanced educational facilities were also required. The museum reopened on 22 November 2007.
The entrance to the museum is from the Covent Garden Piazza. The museum is within walking distance from both Covent Garden Underground station and Charing Cross railway station.
Grade II listed building
Details
This list entry was subjected to a Minor Enhancement on 19 March 2025 to amend details in the description and reformat the text to current standards
TQ 3080 NW and NE 72/13 ;73/14
CITY OF WESTMINSTER WELLINGTON STREET, WC2 London Transport Museum
(Formerly listed as The Flower Market)
15.1.73
G.V. II
Former market hall. 1871-72 by William Rogers of Cubitts with 1884-86 extensions to Tavistock Street and new west front. Red and white brick with stone and terracotta dressings, glass roofs. Italianate detailing. Tall single storey front to Wellington Street. three bays wide. Arcade of three large arches framing double doors in outer bays and window in centre. Each arch has glazed radiating fanlight and key block, the central window key block with letter "B" for Bedford beneath coronet. Modillion cornice and balustraded parapet. Interior structure of cast iron with glazed clerestories supporting slated roofs and skylights, planned in form of two lofty naves between three aisles. Short east nave returns to form transept crossing the west nave. The Italianate red brick, stone dressed. Tavistock Street front boldly expresses the main structure: the nave and aisle divisions are masked by pilasters between which are spaced semicircular arched openings, a pair of windows to each nave, a window to the west aisle and double doors with fanlights to the middle and east aisles. Above each nave bay is a pedimented attic with large lunette window. Similar feature ends the west transept on west front which is of the same design.
Survey of London; Vol. XXXVI. Covent Garden Market; Robert Thorne.
There are five wall-mounted Windsor lanterns to the Tavistock Court elevation of the building, the central one of which is a gas lantern. On the Tavistock Street elevation there are five electric Rochester lanterns suspended from the canopy, plus a gas-powered Railway lantern at the east end. This gas lantern is similar in design to the Rochester lanterns but is smaller in diameter and a rare survivor of its type.
Listing NGR: TQ3046780913
Plaque - opened by HRH The Princess Anne in March 1980.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide shows an image of the surface of the moon, with details of fractures and craters.
Inscription Details: Handwritten in black ink at the top of the plate, 'S W N about 17 miles in diameter One of most remarkable rill-systems'. Printed on black ink, stuck on plate in upper left corner 'ASTRONOMY'. Handwritten in black ink at bottom of plate, 'Rills likeness to an inverted river-system fractures of "faults"'. Handwritten in blue ink in the lower left corner of the plate, 'G 17'. Handwritten in black ink in the lower right corner of the plate, ' F109' (crossed out in pencil).
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235962|PH-1984-1-LS78-3-33|17
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033253
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide depicts the surface of the moon with details of lunar mare Nubium.
Inscription Details: Handwritten in blue ink on white tape, 'Mare Nubium Moon' [illegible]'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235714|PH-1984-1-LS78-2-40
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033498
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All these pictures relate to my blog for Gardeners World Magazine
while you are at it, try my other blog
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 02
Page: 478
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide is an orange/yellow tinted plate depicting an image of a dark mass on the surface of sun.
Inscription Details: Handwritten in black ink in top left and right corners of plate, '7'. Handwritten in blue in at top of plate, 'Giant 'Sunspot'. Handwritten in blue ink in lower left corner of plate, 'G 45'. Handwritten in blue ink at bottom of plate, '[illegible] CLW Aug'22'. Printed in black ink on the lower right edge of plate, '69406'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235954|PH-1984-1-LS78-3-25|45
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033261
"relating to the motion of material bodies and the forces and energy associated therewith"
A creative outing with my photo club - Inland Empire Photo Club - where we played with light and motion and long exposures to create kinetic art. It was a wonderful, creative evening.
HB430 (Relating to Taxation) exempts charitable deductions from the itemized state income tax deduction caps.
This relates to my Yell.com blog.
It is here:
www.yell.com/gardens/blog/author/jamesalexandersinclair/
I have another one here:
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide shows handwritten text on yellow tinted plate.
Inscription Details: Handwritten text on yellow tinted plate. RECTO: Written on plate, 'We shall see later how the sun affects our Earth and the Seasons.' Handwritten in blue ink on the bottom left corner of the plate, 'G49 a'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235951|PH-1984-1-LS78-3-22|49a
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033264
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide shows handwritten text on the plate, mentioning the inversion of the Earth's poles throughout history and its influence on various cultures.
Inscription Details: RECTO: Handwritten in blue ink on left side of plate, 'G 54'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235950|PH-1984-1-LS78-3-21|54
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033265
Blog relating to this story .... peterjemmett.blogspot.com/2018/08/the-year-that-was-part-...
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 02
Page: 308
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Christian lore relates that the rose became thorny only when man had been driven from the Garden of Eden. In Paradise Lost, the poet Milton tells of "flowers of all hue, and without thorn the rose." Legend also tells us that after betraying Christ, Judas hanged himself on a thorn tree, which then burst into bloom with roses, as a sign that Christ died for the sinner as well as for the saint.
Relator da PEC do subsídio dos policiais, deputado Pedro Lupion (DEM). Foto: Nani Gois/Alep (crédito obrigatório)
Image from '[Connecticut Historical Collections, containing a general collection of interesting facts ... relating to the history and antiquities of every town in Connecticut, with geographical descriptions ... Second edition. [With plates.]]', 000194795
Author: BARBER, John Warner.
Page: 307
Year: 1856
Place: New Haven
Publisher: Durrie & Peck
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
This relates to my Yell.com blog.
It is here:
www.yell.com/gardens/blog/author/jamesalexandersinclair/
I have another one here: