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Image from 'Papers relating to the Island of Nantucket, with documents relating to the original settlement of that island, Martha's Vineyard, and other islands adjacent, known as Dukes County, while under the Colony of New York. Compiled from official records, etc. F.P', 001742300
Author: HOUGH, Franklin Benjamin.
Page: 106
Year: 1856
Place: Albany
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
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Selim and Zuleika, 1857
Eugène Delacroix, French
Like many of his contemporaries, Delacroix took inspiration from the best-selling Romantic poetry of Lord Byron. This painting is the last and most developed of the four canvases that the artist devoted to “The Bride of Abydos,” first published in 1813 and available in French translation by 1821.
Set in the Dardanelles of Turkey, Byron’s poem relates the tragic fate of Zuleika, the daughter of the Pasha Giaffir, and her lover, the pirate Selim. In order to avoid a loveless marriage arranged by her father, Zuleika escapes at night from the harem tower in which she has been held. In the scene shown in Delacroix’s painting the lovers await rescue in a grotto by the sea, pursued by Giaffir and his men, armed and bearing torches. When Selim fires his pistol to summon the aid of his comrades, who are waiting offshore, the shot signals their position to Giaffir. Sensing the approach of her pursuers, Zuleika tries to restrain Selim. In the tragic climax of the tale, Selim is shot dead by Giaffir, and his body washed out to sea. Zuleika dies of grief.
Kimbell Art Museum, Fort Worth, Texas - April 14, 2026
The Kimbell Art Museum, owned and operated by the Kimbell Art Foundation, is internationally renowned for both its collections and for its architecture. The Kimbell's collections range in period from antiquity to the 20th century and include European masterpieces by artists such as Fra Angelico, Michelangelo, Caravaggio, Poussin, Velázquez, Monet, Picasso and Matisse; important collections of Egyptian and classical antiquities; and the art of Asia, Africa and the ancient Americas.
The museum's 1972 building, designed by the American architect Louis I. Kahn, is widely regarded as one of the outstanding architectural achievements of the modern era. A second building, design
The Kimbell collection consists of approximately 375 works that not only epitomize their periods and movements but also touch individual high points of aesthetic beauty and historical importance.
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kimbellart.org/holy-sepulcher?gad_source=1&gad_campai...
The architect behind the expansion of the Kimbell Art Museum in Fort Worth is so famous that his name has been affixed to the project like a brand: the addition, which will be unveiled on Wednesday, is called the Renzo Piano Pavilion.
Over nearly 50 years, Mr. Piano has designed notable buildings like the Pompidou Center in Paris and the Modern Wing of the Art Institute of Chicago, and his association with Texas institutions of fine art dates back more than a quarter-century to his 1987 Menil Collection in Houston. Eight years later, he designed the Cy Twombly Gallery in the same city and in 2003 his Nasher Sculpture Center opened in Dallas. (Some 1,400 miles away, he designed the headquarters building of The New York Times.)
But the $135 million Piano Pavilion is, perhaps, Mr. Piano’s most subtly ambitious Texas work to date — in part because the structure was commissioned to serve one of the most revered museum buildings in the country, designed by the American architect Louis I. Kahn. The Piano Pavilion will be the main location for visiting exhibitions and the museum’s Asian art collection. It also contains a 298-seat auditorium.
Mr. Piano’s pavilion design aims to complement Kahn’s monumental modernist aesthetic, his fondness for concrete and his emphasis on light. “I understood that we needed to create a dialogue between the two buildings,” Mr. Piano wrote in an email.
What Mr. Piano’s pavilion adds to the conversation is a stress on contemporary sustainability practices.
“The Kahn building is famous for its natural light,” Mr. Piano said. “But that was a natural lighting system designed in the late ’60s and ’70s. Technologies have advanced considerably since then. We needed to capitalize on the new technologies and make a design that is more flexible and responsive to the issues of today, like sustainability.”
“Designing for energy savings is not an ‘add on,’ ” Mr. Piano said in an October Kimbell Art Museum publicity release, “but, rather, the proper way to build.”
He set three-quarters of the 101,130-square-foot building below ground. Though the decision was driven by Mr. Piano’s desire not to overpower Mr. Kahn’s masterpiece, “having a huge amount of the museum program underground increases its energy efficiency as we only send daylight into the areas where the public actually goes,” said Andy Klemmer, president of Paratus Group, the pavilion’s project director.
The pavilion’s roof has fritted glass and fabric scrims, over which lies a network of aluminum mechanical louvers, or slats, that open and close to control and diffuse the amount of light let into the museum. The evenly distributed natural light cuts down on how much electricity the Kimbell might otherwise use to illuminate the gallery spaces.
Moreover the tops of those aluminum louvers are covered with photovoltaic cells, or solar panels, that harvest sunlight to generate electricity for the museum.
“The solar cells produce the energy to illuminate the building at night,” Mark Carroll, the pavilion’s lead architect and partner with the Renzo Piano Building Workshop, wrote in an email.
On the ground, Mr. Piano and his team have installed 36 geothermal wells, each one 460 feet deep, to harness the more stable temperature of the ground water to heat and cool the building.
The galleries’ white oak plank floors (with quarter-inch gaps between the floor boards) are made to be breathable, allowing low-velocity air to circulate throughout the pavilion. The air-displacement system uses less energy, and air is sent only where there are people.
Finally, there is the 19,200-square-foot green sod roof covering the museum’s western pavilion. It insulates the building from both the sun and the cold. “And unlike from a traditional roof, you will avoid lots of wasteful rainwater runoff into a nearby gutter,” said Kathryn Holliday, director of the David Dillon Center for Texas Architecture at the University of Texas at Arlington.
Of course the roof also scores aesthetic points.
“The roof is done in such a beautiful, sculptural way,” said Carlos Jiménez, a professor of architecture at Rice University. “It is more like an impeccable green tapestry.”
Because of Mr. Piano’s many green choices Mr. Klemmer says that the Piano Pavilion will need only half the energy per square foot required to run the nearby Kimbell.
“Piano firmly set out the environmental goal of this new building to make it as carbon-neutral as possible, and to wring every bit of energy efficiency out of it, while still providing natural light and a great place to view art,” Mr. Klemmer said. “What we’ve finally created is the most energy-efficient art museum Piano has ever designed — by a long shot.”
As impressive as that is, the Kimbell Art Museum director, Eric M. Lee, is most proud of the fact that none of Mr. Piano’s environmental features intrude on the sheer beauty of his latest Texas museum.
“I’m thrilled at how Renzo built into the Kimbell his concern for building green, as, in 2013, I don’t think you can construct a museum without building it green,” Mr. Lee said. “But even better is that none of these green aspects have compromised the new building’s stunning visual appeal. In fact, so many of our works of art, especially from our African, pre-Columbian and Asian collections, positively sing in the new Piano building.” And Mr. Kahn’s original Kimbell Museum building, just 65 yards to the east, positively sings outside and across from it.
www.nytimes.com/2013/11/24/us/the-kimbells-stylish-sustai...
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Image from 'Historical Collections ... relating to the history and antiquities of every town in Massachusetts, with geographical descriptions. [With illustrations.]', 000194796
Author: BARBER, John Warner.
Page: 520
Year: 1839
Place: Worcester [Mass.]
Publisher: Dorr, Howland & Co.
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
O post Relator na CCJ do Senado defende decretos sobre armas de Bolsonaro apareceu primeiro em Beleza Na Web.
via Beleza Na Web bit.ly/2wuo5Wi
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Photos from Zendesk's Relate conference at the Aria Hotel and Casino in Las Vegas, Nevada from March 25 to 27, 2025.
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Publications relating to the Constitution of Singapore on display at the Supreme Court of Singapore from 19 to 23 November 2015 in an exhibition entitled "Magna Carta and Us" in conjunction with a visit of a 1217 version of Magna Carta from Hereford Cathedral. For details and more photographs, see commons.wikimedia.org/wiki/Category:Books_in_the_Supreme_....
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Image from '[Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]]', 000194808
Author: BARBER, John Warner and HOWE (Henry)
Page: 400
Year: 1852
Place: Newark, N.J
Publisher: J. H. Bradley
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Image from '[Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]]', 000194808
Author: BARBER, John Warner and HOWE (Henry)
Page: 354
Year: 1852
Place: Newark, N.J
Publisher: J. H. Bradley
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
I often struggle to relate to homeowners. They speak of things like buying and selling, remodeling and renovation, moving up or scaling down. They share a language I've never spoken, a foreign tongue among me. Having somewhere of your own is a rare occurrence in my generation. I rarely tell folks that I'm living with my parents, because that's a default and not an achievement. Being stuck at the starting gate didn't matter in my twenties, but pushing forty seems somewhat less encouraging. It's no secret that art is a fool's career, tempting success like gambling at the slots, always giving a good yank on chance. But I've been lucky not lacking motivation. I've worked seven days a week for eighteen years, no holidays, even when I'm technically on vacation. That's just working away. Time off is for folks who pay their way, and I've always fallen short of that. Yet every day is crowded out with life and the love of telling tales! Still, I sometimes spiral hoping for an equal return on effort. Am I growing old belonging to random places in nature, but never my own roof and walls? As a kid, I was taught like most that hard work pays off. They never said how long or how hard. All we're promised is that giving everything is the only way worth living — and satisfaction comes from some secret space inside your heart.
October 16, 2025
Upper Clements, Nova Scotia
Year 18, Day 6549 of my daily journal.
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Image Name: Historic photographs relating to the Township of Auchindrain
Photographer: Joanne Howdle
Copyright: Auchindrain Museum
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Go to Page with image in the Internet Archive
Title: Practical guide to sanitary legislation containing a synposis of the acts relating to public health and local government : including the public health acts - local government acts 1888-1894 - highways, locomotives, tramways, railways, water, gas, electric lighting and telegraph acts - byelaws as to new streets and buildings, etc., etc. ; specially arranged for the use of officers and members of local authorities, architects, students, etc
Creator: Morley, John G. (John George)
Publisher: London : Knight
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1895
Language: eng
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Image Name: Historic photographs relating to the Township of Auchindrain
Photographer: Joanne Howdle
Copyright: Auchindrain Museum
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I've been so busy not giving a fuck. #InspirationalQuotes #GirlQuotes #Quotes #TeenageLife #LifeQuotes #BeautifulQuotes #RelationshipQuotes #SuccessQuotes #DontGiveUp #PositiveQuotes #TeenQuotes #WomenQuotes #Follow4follow #Adult #Love #Forever #LDR #LongDistanceRelationship #S4S #Relateable #Allgirls #Repost #beyonce #nickiminaj #nofuckingchill #nofucksgiven - _relate.quotess