Rustic Australia
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Relating to things that influence your mind in a way you do not notice. Not recognized or understood by the conscious mind, but still having influence on it
As the darkness gets darker, the light shines brighter Ish 60:1-3
2 Corinthians 10:5
Casting down arguments and every high thing that exalts itself against the knowledge of God, bringing every thought into captivity to the obedience of Christ,
Most assuredly, I say to you, unless a grain of wheat falls into the ground and dies, it remains alone; but if it dies, it produces much grain. 25 He who loves his life will lose it, and he who hates his life in this world will keep it for eternal life. John 12:24,25
Keep thy heart with all diligence;
for out of it are the issues of life. Proverbs 4;23
Put on the whole armor of God Ephesians 6:10-18
Psalm 34
James 4:6
But He gives more grace. Therefore He says:
“God resists the proud,
But gives grace to the humble.”
Still pulling through a slow order, WAPO is seen approaching the Penney Road overpass on a beautiful fall morning behind CSX C40-8 9280. I'm sure GSP can relate, but this spot has become horribly overgrown in recent years, the only slight consolation being the nice burst of fall colors that it brings.
They will relate your photograph to their memories. That interplay is where a picture becomes alive and grows into something :-)
Jason Fulford
prunus, mexican plum, j c raulston arboretum, ncsu, raleigh, north carolina
Details Here: danaori.blogspot.com/2019/10/cant-relate.html
Instagram: www.instagram.com/p/B34VJUvpjcv/
I wanted to work with this donut in the snow one more time, but from a different angle. This has the forest across Trout Lake in the background with the reflections touching the frosted area instead of the snow.
As well, the rock and log within the donut are much more prominent making them more crucial to the success of the photo. And finally, although it is a winter shot, there is warmth to be found in the colors of the forest such as the subtle reds.
After the Ascent, recharging at Mount Sinai. A Resting Place for Wandering Souls
A striking moment of rest against a backdrop of ancient history, in a rugged, sun-drenched landscape.
Three people and a dog are seen relaxing on a large, flat rock surface. Backpacks suggest they are travelers or hikers.
The low-angle shot places the resting figures in the immediate foreground. This creates a personal, relatable "human element" that contrasts with the massive, centuries-old stone walls of the monastery.
The figures and the dog resting in the foreground add a contemporary narrative to the historic site, suggesting the physical exertion involved in visiting or hiking the nearby trails like the Saint Catherine Trail.
The impressive, high stone walls of the monastery are visible, constructed from local stone that blends with the natural environment. Some green shrubbery lines the base of theSteep, barren mountains dominate the background, rising sharply against a clear blue sky.
The composition uses the large rock in the foreground to lead the viewer's eye towards the monastery and the mountains.
The placement of the subjects (people and dog) in the lower right provides a sense of scale and human presence within the vast landscape.
The strong diagonal line created by the monastery wall adds depth and structure to the image.
The image is dominated by warm, earthy tones—the reddish-brown stone of the monastery and the surrounding mountains—which are complemented by the vibrant, clear blue of the desert sky.
The scene is brightly lit by a high sun, creating strong contrasts and deep shadows.
The bright sunlight suggests a warm, clear day, typical of the Sinai Peninsula.
The overall mood is one of quiet contemplation and natural beauty, highlighting the isolation and historical significance of the location.
The monastery is a formidable fortress-like structure situated in a stark landscape characterized by parched red mountains and rocky outcrops under a clear blue sky.
It is a major destination for both tourists and pilgrims, many of whom combine a visit with a hike up Mount Sinai to witness the sunrise.
"What in the world are you screaming about!"
Having raised two kids, I can relate
Heading out for a couple days. Monica and I celebrate our birthdays together (she's the 10th and I'm the 12th) most every year.
Have a good couple days. Catch up when I get back
The Swiss Way relates the history of Switzerland surrounded by a scenic landscape. The trail was constructed as a joint project of the cantons on the occasion of the 700th anniversary celebrations of the Confederation (1291-1991). It begins on the Rütli Meadow, where the Confederation was founded, and ends in Brunnen in the Swiss Expatriates Square (Platz der Auslandschweizer).
While in Frenchman's Cove on Saturday, I had the opportunity to meet Mr. Pennell (foreground) and Mr. Hackett as they prepared their lobster pots for the upcoming lobster season in Nfld, which starts in late April. They expressed concern over the rising price of fuel (I can relate), the expected low market prices for lobster, and the pack ice conditions in the gulf....regardless, nothing could dampen their spirits about a successful lobster season as they were overjoyed with the wonderful spring conditions in Western Newfoundland on this day. Two colourful characters with delightful outlooks on life..a lot can be learned from these two gentlemen.
A completely new view, for a long time on my wishlist, and this day I finally got there. Clouds and sun were playing games, but I was able to make some nice sunny shots with the town of Sankt-Goarshausen in the background. This spot can easily be reached on foot. Just beware when parking the car during tourist season: the parkings at the Loreley site will be very busy.
Burg Katz in the background was built in 1393 and is now privately owned. It's name relates to burg Maus, in Wellmich, that can be seen on this picture www.flickr.com/photos/65238008@N03/7297555396/in/album-72....
BYB 139 287, Sankt Goarshausen 26.4.2016
This piece of national architecture of 19th Century relates to south of Polavshchyna and that as of nowadays has disappeared. It was built in 70th of 19th Century.
The house from Revasivka village has never been reconstructed since it had been built. Its window frames were re-made in the mid-50th of 20th Century. The walls are decorated with clay of different color; inside there is a carved cupboard, painted trunk and national pictures in interior.
The house from Revazivka village was discovered in 1976 by an architect Lukianchuk V.D. and restored in the Museum in 1977-1978.
Few words about Revazivka village, as it were never mentioned in modern sources. In the middle of 19th Century, this village was called Novakivka and belonged to Ploshchanska volost of Poltava povit in Poltava hubernia.
It was a village of a proprietor, with 179 souls in 18 yards. Officially, Revazivka is called sloboda. There were 219 inhabitants in 44 homesteads.
Nowadays, the village of Revazivka has joined to Grekopavlivka village. It now relates to Stovbynska village council in Novosanzharskyi district of Poltavska Region.
The house is of two rooms (a home, a mudroom), of combined structure. A two-room house could be met only in poor villages belonging to proprietors. A three-room house was more traditional for Poltava area.
The house is built on piles. Above the windows, piles are covered with shingles. A longitudinal ceiling beam and upper parts of piles have tips on sidewall adjacent to the stove, so forming reasonable overlap of the roof. A lumber lay on tips to support auxiliary beams of the roof. Ceiling comprises ceiling beam and slyzhni. The slyzhni are surfaced by caber, and then covered with clay.
The four-slope roof of the house is low, supported by rafters and covered with cane sheaves, as there were a lot of cane in the waterlog river valley near Revazivka.
Combines, log and framework structure of a national dwelling on south Poltavshchyna was typical of this region, poor in building wood.
Especially interesting was filling of this house’s framework walls: there were twiggen with mullein. This grass grew high near Revazivka, and had strong stems. The local say: “Even shipworms never eat mullein”.
This is a house of two rooms (a home and a mudroom) with framework and log walls. Under the windows, walls are framework: horizontal hlytsi are nailed to vertical piles, with osier between them. Above the windows, planks of three parts are fixed to piles. A longitudinal ceiling beam is fixed thereto and two transverse ones (one in the home, another – in the mudroom). The longitudinal beam and tops of planks have overlaps on sidewall, adjacent to the stove, so forming reasonable overlap of the roof. Inside and outside, the house is clayed and whitewashed, except for back wall, only clayed. The house stays now on concrete basement.
Area – 53.92 square meters (5.15 x 10.47).
Хата з с. Ревазівка, Новосанжарського р-ну, Полтавської обл.
Пам′ятка традиційного народного будівництва XIX століття в південній Полтавщині, яких на даний момент в регіоні не існує. Побудована в 70 – ті роки ХІХ століття.
Хата з с. Ревазівка від її існування не перебудовувалася. У середині 50-х років ХХ століття перероблені віконні рами. Підводка стін кольоровими глинами, різьблений мисник, мальована скриня, народний живопис в інтер’єрі.
Хата с. Ревазівка виявлена в 1976 році архітектором Лук′янчуком В.Д. і реставрована в Музеї у 1977 – 1978 роках.
Коротко про село Ревазівку, оскільки в сучасних джерелах воно не згадується. Поселення Ревазівка в середині XIX століття називалося Новаківка і належало до Площанської волості Полтавського повіту Полтавської губернії.
Було воно поміщицьким селом і проживало там 179 душ у 18 дворах. Старожили розповідають, що Ревазівкою володів пан Ревазов. У 1926 році Ревазівка офіційно зветься слободою, з числом мешканців – 219, які проживали у 44 господарствах.
Зараз село Ревазівка з’єднане з селом Грекопавлівкою і належить до Стовбинської сільради Новосанжарського району Полтавської обл..
Хата дводільна /хата, сіни/, комбінованої конструкції. Дводільні хати траплялися тут тільки в бідних поміщицьких селах. Традиційно на Полтавщині було тридільне житло.
Хата збудована на сохах. На сохи, вище вікон покладено ощіп. Подовжній сволок та верхні вівнця ощіпу мають з покутнього причілку випуски, утворюючи значний винос даху. На випуски укладено брус, на який спираються наріжники даху. Основу хатньої стелі утворюють сволок і слижні. По слижнях укладено щільно жердини, а зверху шар м’ятої глини.
Чотирисхилий дах хати невисокий, на кроквах. Покриття з очерету, техніка – «парки». Очерету біля Ревазівки росло багато на заболоченій річковій долині.
Комбінована зрубно – каркасна конструкція народного житла південної Полтавщини була характерною для цього регіону, бідного на будівельний ліс.
Особливо цікавим було заповнення каркасу стін даної хати с. Ревазівка: стіни були заплетені коров’яком. Коров′як поблизу Ревазівки ріс високий, з міцним стеблом. «Коров′яка і шашель не бере».
Дводільне житло (хата, сіни). Стіни каркасно – зрубні. До вікон стіни каркасні: до вертикальних сох прибито горизонтальні глиці, між якими всторч заплетена лоза. На сохи, вище вікон, покладео ощіп з трьох вінців. В ощіп врубано подовжній сволок та два поперечні (один у хаті і один у сінях). Подовжній сволок та верхні вінця ощіпу мають випуски з покутнього причілку, утворюючи значний винос даху. Хата ззовні і всередині обмащена і побілена крім задньої, порудованої стіни. Хата встановлена на бетонний фундамент.
Площа - 53,92 м2 (5.15 х 10.47).
that relate to my experiences :-)
Alan Siegel
HMM! Climate Change Matters! Resist the Ignorant Orange Clown and his Cabinet of Stooges and Buffoons!!
prunus persica, flowering peach, 'Bonfire', j c raulston arboretum, ncsu, raleigh, north carolina
Entropy is a physical property of one system that relates to its degree of disorder. It is a concept I came across when at university, and I confess I had much trouble grasping it. The second principle of thermodynamics -- which Einstein considered to be the first law of all sciences -- states, in very simple terms, that unless you do something (some work is produced) systems will always get more and more disorganised.
I now see it everywhere....
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Leica M10-M, Summilux 1.4/50 Asph., Affinity Photo, EI 250 ISO, 1/180s, F/5.6
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
Blueberry Totally Relatable Set (top;shorts and flip flops with waifu option) TSS maps.secondlife.com/secondlife/Lenox%20and%20Blueberry/25...
Still in my garden.
Scam or mistake - you decide! This relates to copyright accusation (libellous) on my original photo 'G'Day' of this same flower on my photostream where someone is trying to claim it as theirs.
This photograph here is also of the same flower, taken as the EXIF data shows - exactly 2 and a half minutes after the first, but from a slightly different angle.
Did the person alleging copyright breach take this one also? If they think someone with a 90% sight loss is an easy touch - that would be a mistake.
I have also added on my photostream a photo of the same flower *G'Day 2* taken just now after the accusation with the same yellow dogwood and rose leaves. In this one the dahlia is looking tired.
You can see the original accusation and my responses on my original photo here.
www.flickr.com/photos/magoo7/52200396930/in/dateposted-pu...
It is a ridiculous claim and can havee no foundation.
It relates to 18th Century. As of the time of transfer to the museum, the house was the oldest in the village and belonged to Oros family. The house has two premises: house and mudroom. It is one of the most ancient types of house planning in Zakarpattia. Walls of the house are constructed with wide oak cut blocks. Its high four-sloping roof is covered with straw.
This house is the oldest Zakarpattia house in our museum. It displays specific features of national building in valley of Tereblia-river and the middle reaches of Tysa River. The house’s area is 35.4 square meters.
Look at the exterior of the hut:
Характерною ознакою житла лемків (етнографічної групи українського народу), як і бойків, були білий та синій кольори.
Хата із с. Теребля, Тячівського району Закарпатської області
Датується XVIII ст. На час перенесення до музею хата була найстарішою в селі і належала родині Оросів. Хата дводільна: хата, сіни – є одним із давніх варіантів планування житла на Закарпатті. Стіни хати складені з широких дубових колених брусів. Високий чотирисхилий дах вкритий соломою.
Це найстаріша хата Закарпаття в експозиції нашого музею. Вона розкриває особливості народного будівництва у долині ріки Теребля та середньої течії р. Тиси. Площа хати — 35, 4 кв.м.
Washington is a city in Beaufort County, North Carolina, United States, located on the northern bank of the Pamlico River. The population was 9,744 at the 2010 census. It is the county seat of Beaufort County. It is commonly known as "Original Washington" or "Little Washington" to distinguish it from Washington D.C. The closest major city is Greenville, approximately 20 miles (32 km) to the west.
Established in 1776 on land donated by Col. James Bonner, Washington is the first city named after George Washington, the first president of the United States.
Washington has a range of historical buildings and landmarks, with some dating back to colonial times and others of Victorian and Arts and Crafts design. A self-guided Historic Walking Tour allows visitors to explore the neighborhoods. A Farmer's and Artisan's Market is held regularly on the town's green areas on the waterfront.
The North Carolina Estuarium, located on the Pamlico River, includes more than 200 scientific and historic exhibits relating to the ecology of North Carolina's estuaries, the Tar-Pamlico River and Pamlico Sound. The Estuarium also includes a 3/4 mile boardwalk along the Pamlico River.
The Turnage Theatre, a restored historic vaudeville and movie theater, reopened in the downtown area in 2014 and hosts plays and other types of live entertainment. Between 1993 and 2017 a downtown music and art festival called "Music in the Streets" was held every third Friday during summer to attract people to downtown shops and restaurants. A cannonball from the Union attack on Washington during the American Civil War is displayed in an attorney's office on Water Street, and many nearby towns also contain Civil War artifacts and museums. Civil War re-enacters meet in the outskirts of Washington every year. (Wikipedia)
Der Komponist Georg Friedrich Händel wurde hier im Jahr 1685 geboren. Das Haus ist heute ein Museum
und beherbergt eine Sammlung über den
Komponisten und die Musikgeschichte von Halle.
Handel House and Museum
The composer George Frideric Handel was born here in 1685;
it is now a museum, and houses a collection relating to the composer and to the musical history of Halle.
Musik/Music
”الأشياء الحميمة نكتبها ولا نقولها , فالكتابة إعترافٌ صامت”
:D
Sorry, comments that doesn't relate to the photo & copy paste will be deleted.
For a Better Flickr ،، =)
CODE: KAAP_MG_1837
Indian Customer please,
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Shot @ Subway in Palakkarai , Trichy , Tamil Nadu , India.
Shot in natural light.
I tried to relate the bicycle in the mural / wall art on the left to the bicycle on the right.
Also a boy in the mural looking at the stairs , to the stairs which is on the right.
A photographer is always the second person in the picture. :)
l'abbaye est un ensemble monumental exceptionnel pour son architecture et son histoire relatée depuis ses origines par deux chroniques du XIIIe siècle et du XVIIe siècle. C’est dans la première moitié du XIIe siècle que le chapelain Lambert, aussi appelé « le bienheureux » (l’histoire veut que dans sa jeunesse, il se soit livré à la chasse et tué un dragon qui ravageait le pays) décide de réunir quelques prêtres pour se consacrer à la vie régulière et fonde la première abbaye de style roman. La congrégation ne cesse de s’enrichir et à la fin du XIIe siècle, l’abbé Junius engage la construction d’une seconde abbaye. Les vestiges primitifs ne sont plus visibles aujourd’hui, détruits pour terminer l’implantation de la nouvelle église et des bâtiments conventuels. Deux campagnes de construction se distinguent : la première témoigne de l’héritage roman au niveau des supports, des décors et de sculptures dans le transept, la chapelle et le chœur. La seconde est l’expression du gothique de l’ouest dit « Plantagenêt ». Suite à la guerre de Cent Ans, au XVe siècle, les deux travées occidentales de la nef et la façade furent reconstruites dans le style gothique flamboyant (XVe – XVIe). Vendus comme bien national après la Révolution, les vestiges de l’abbaye sont exploités comme carrière jusqu’à leur classement au titre des Monuments historiques en 1904.
As a freelancer I can relate to this image, the struggle to make living using antiquated equipment, the long hours and stressful delays.
I made the image in taxi on the way back from a meeting with a potential client on the banks of the Cairo Nile, we were stuck in the mother of all traffic jams, the driver was tired and stressed, I was, for once content as I had eaten fish and concluded what I thought was a successful meeting. Now I look back, the real success was this image, which is one of my favourites.
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Check out my website for more of my work;
Not that it makes a difference to us country folk, everyday is a work day, just thought some of you could relate to the title.
Trying to relate this quote (Prime Minister Boris Johnson on 7/7/22) to the prediction that up to 10 million UK citizens will be pushed into poverty over the coming winter. The position is a quite uncomfortable one. Fuji X-Pro1.
Click on the photo to enjoy it large size.
Kinetic Photograph made with one single long exposure shot, printed straight out of camera.
If you’d like to read more details about how the shot is made see below. And for more of my kinetic photographs here’s my set, "Drawing with Light"
www.flickr.com/photos/motorpsiclist/albums/72157652166665058
Copyright © by John Russell – All Rights Reserved
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
...... I can relate.... : ]
I had to 'relocate' a part of this tiny spider's web, when he spun it over the opening to access the bird feeder. (He was about 3-4mm)
I carefully took the one side and attached it to the same shrub.
He seemed fine with it, but moved the location the next day.
Smart one... :)
Crablike Spiny Orb Weaver for
Web Wednesday.
HWW! :)
(Gasteracantha elipsoides)
A view of the Oscar actor Robert De Niro won in 1975 at the 47th Academy Awards for his portrayal of the young Vito Corleone in The Godfather, Part II. Director Francis Ford Coppola's crime epic received eleven nominations, winning six, including one for De Niro as Best Supporting Actor.
In 2006, Robert De Niro donated his archive of 150 items that document the actor's career from when he first started sending out his headshot and resume in 1965, up until he won an Oscar for best actor in 1981 for his role in “Raging Bull.” The Oscar's De Niro won for both films are on display. Earlier this year the University announced a new endowment will be created called the De Niro Curator of Film.
The Harry Ransom Center at the University of Texas is an internationally renowned humanities research library and museum featuring exhibits relating to exhibits related to literature, photography, film, art, and the performing arts.
Spacial definition : of, relating to, or involved in the perception of relationships (as of objects) in space and the presence of air within a defined area.
The Hôtel des Invalides (English: "house of invalids"), commonly called Les Invalides (French pronunciation: [lezɛ̃valid]), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the
, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon.
I assume a lot of people who see this photo will relate to the circumstances in which it was taken - getting intel about a very interesting train, hopping on an overnight train journey in a normal coach for over 600km, going to the desired spot and finding out the train had already passed it. By sheer coincidence we managed to change course and chase it to a different spot.
Here a loaded sand train from Kotlarnia can be seen upon leaving the post EW (near the Rybnik power plant) while heading towards the station in Leszczyny. Machines on duty that day were 21D-008 (ex-TEM2-093) and 21D-006 (ex-TEM2-277). In Leszczyny, the train enters the public PKP railway network, and it will continue from there onwards to Katowice Murcki. The sand from the Kotlarnia mine will be used for construction works on the railway line, which suffered a slump due to the ongoing coal mining in the region. Such places, where terrain is visibly shifted or slumped are commonplace in Silesia and the railway needs to account for that by regularly maintaining embankments on the railroads. Such sand transports, leading out of Kotlarnia only happen less than 10 times a year and I have been lucky enough to have photographed a lot of them in 2024. Those pictures, along with their stories, you can see in our TEM2 album.
This post is a good occasion to talk about more developements in the Kotlarnia sand mine. The production there is still being scaled down and an end is innevitable. The quarry does no more night shifts (the pictured train has been loaded the day before and waited for the crew on the morning of 18.07.2025). Additionally, KPK has started selling a large chunk of its rolling stock (either for scrap or further reusing), and it seems like their main souce of income nowadays is lending TEM2 locomotives to various private carriers, who seek heavy diesel locomotives, which are now in high demand.
Photo by Piotrek/Toprus
...::: NIve - Till you say i go :::...
Till you say i go
Say whatever’s on your mind
I’ll never let your heart just sink
Drown in colors that aren’t blue
And say, whatever makes you cry
I’ll never let your tears make a river
I’ll just linger by your side
When the night just feels too long
When the night just feels so cold
I will stay, wait a million years
I will stay, till you say I go
Dance under these shining stars
I’ll sing you a song, a lullaby
Gently whisper in your ears
And come let me guide you home
Wandering love just hold my hand
I will walk with you till the end
When the night just feels too long
I’ll stay till you say I go
For 120 pictures in 2020 #90 "Rambling", this represents more a desire to ramble. I have been perusing the map for locations we can safely visit without staying overnight. There are some interesting places within this area that relate to the Texas Revolution as well as some of the Spanish Colonial sites, so we are thinking about visiting some of them when the weather cools off a bit in a month or two. In many cases we will be able to meander among some of the small backroads to get there.
484s last day with Abellio and still managed to make it relate to the H28, wow. 8053 is pictured on the stand at Lewisham Station awaiting its next trip back to Camberwell Green
don't relate to you
I don't relate to you, no
'Cause I'd never treat me this shitty
You made me hate this city
And I don't talk shit about you on the internet
Never told anyone anything bad
'Cause that shit's embarrassing, you were my everything
And all that you did was make me fucking sad
So don't waste the time I don't have
And don't try to make me feel bad
I could talk about every time that you showed up on time
But I'd have an empty line 'cause you never did
Never paid any mind to my mother or friends
So I shut 'em all out for you 'cause I was a kid