Breton
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This is installment number 2 of the Billy Joel collection. It's amazing how Billy captured every day scenarios that anyone can relate to.
This song is dedicated to everyone that is being told what is best for them or that they are doing something wrong.
It's important to have strong convictions and stay true to yourself. While it's great to receive advice from others, ultimately it's up to you to make your own decisions in order to achieve true happiness. Failure to do so can lead to feelings of regret, which can be a burden to bear on your own. It's crucial to follow your dreams and pursue your passions in life, as this is the surest way to live a fulfilling and satisfying life.
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Lyrics
Got a call from an old friend we used to be real close
Said he couldn't go on the American way
Closed the shop, sold a house, bought a ticket to the west coast
Now he gives them a stand-up routine in L.A.
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(I never said)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
They will tell you you can't sleep alone in a strange place
Then they'll tell you you can't sleep with somebody else
Oh, but sooner or later you sleep in your own space
Either way it's okay, you wake up with yourself
I don't need you to worry for me 'cause I'm alright
I don't want you to tell me it's time to come home
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
I never said you had to offer me a second chance
(I never said you had to)
I never said I was a victim of circumstance
(Gf circumstance)
I still belong (still belong)
Don't get me wrong (don't get me wrong)
You can speak your mind but not on my time
I don't care what you say anymore this is my life
Go ahead with your own life leave me alone
The second part, or, left panel of the diptych relating the ancient Greek myth of Persephone and her descent into Hades for half of the year, which results, according to the story, in the occurrence of Fall and Winter on the surface of the world.
Here Persephone, unseen in the image but directly connected when the two images are seen side by side, is greeted as she descends into Hades.
I had been wanting, at the time these images were taken to take the "pano-sabotage" technique into the realm of faces. These mannequins gave me the raw material to do that.
Click on Image to Enlarge !
© Richard S Warner ( Visionheart ) - 2015. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
Wikipedia: The raccoon (Procyon lotor), sometimes called the common raccoon to distinguish it from other species, is a mammal native to North America. It is the largest of the procyonid family, having a body length of 40 to 70 cm (16 to 28 in), and a body weight of 5 to 26 kg (11 to 57 lb). Its grayish coat mostly consists of dense underfur, which insulates it against cold weather. Three of the raccoon's most distinctive features are its extremely dexterous front paws, its facial mask, and its ringed tail, which are themes in the mythologies of the indigenous peoples of the Americas relating to the animal. The raccoon is noted for its intelligence, as studies show that it is able to remember the solution to tasks for at least three years. It is usually nocturnal and omnivorous, eating about 40% invertebrates, 33% plants, and 27% vertebrates.
Conservation status: Least Concern
Ambience and ambiance are different spellings of the same word, referring to the special atmosphere or mood of a particular environment. While some dictionaries list ambiance as the standard spelling, ambience is far more common in all main 21st-century varieties of English. It’s worth noting, though, that ambiance tends to take precedence in contexts relating to art and design, but this is by no means a rule, and exceptions abound.
Master Fox perched on a tree ! Or the impostor syndrome
LE CORBEAU ET LE RENARD
Maître Corbeau, sur un arbre perché,
Tenait en son bec un fromage.
Maître Renard, par l'odeur alléché,
Lui tint à peu près ce langage :
Et bonjour, Monsieur du Corbeau,
Que vous êtes joli ! que vous me semblez beau !
Sans mentir, si votre ramage
Se rapporte à votre plumage,
Vous êtes le Phénix des hôtes de ces bois.
À ces mots le Corbeau ne se sent pas de joie,
Et pour montrer sa belle voix,
Il ouvre un large bec, laisse tomber sa proie.
Le Renard s'en saisit, et dit : Mon bon Monsieur,
Apprenez que tout flatteur
Vit aux dépens de celui qui l'écoute.
Cette leçon vaut bien un fromage sans doute.
Le Corbeau honteux et confus
Jura, mais un peu tard, qu'on ne l'y prendrait plus
Jean de la Fontaine
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THE FOX AND THE CROW
Master Crow, perched on a tree,
Holding in its beak a cheese.
Master Fox, enticed by the smell,
He spoke to him more or less in this language:
And hello, Mr. Raven,
How pretty you are! you seem to me beautiful !
Without lying, if your prattling
Relates to your plumage,
You are the Phoenix of the hosts of these woods.
At these words the Raven feels no joy,
And to show his beautiful voice,
He opens his beak wide, lets his prey fall.
The Fox seizes it, and says: My good sir,
Learn that every flatterer
Lives at the expense of the listener.
This lesson is well worth a cheese no doubt.
The Ashamed and Confused Raven
Swore, but a little late, that we wouldn't take it anymore
Jean de la Fontaine
They will relate your photograph to their memories. That interplay is where a picture becomes alive and grows into something :-)
Jason Fulford
prunus, mexican plum, j c raulston arboretum, ncsu, raleigh, north carolina
Top : @Blueberry - Can't relate
Cardigan : @Blueberry - Can't relate
Jeans - @Blueberry - Elias
Boots - @Blueberry - Elias
Handbag : @DDL - Listen Red
Hairs : @Truth - Delirium
Pose : @Foxcity - Fixated Pose
Backdrop : @MINIMAL - Bakery Backdrop
I wanted to work with this donut in the snow one more time, but from a different angle. This has the forest across Trout Lake in the background with the reflections touching the frosted area instead of the snow.
As well, the rock and log within the donut are much more prominent making them more crucial to the success of the photo. And finally, although it is a winter shot, there is warmth to be found in the colors of the forest such as the subtle reds.
Sinop
"Song To Say Goodbye"
You are one of God's mistakes,
You crying, tragic waste of skin,
I'm well aware of how it aches ,
And you still won't let me in.
Now I'm breaking down your door,
To try and save your swollen face ,
Though I don't like you anymore,
You lying, trying waste of space..
Before our innocence was lost,
You were always one of those ,
Blessed with lucky sevens ,
And the voice that made me cry .
My Oh My.
You were mother nature's son ,
Someone to whom I could relate ,
Your needle and your damage done,
Remains a sordid twist of fate.
Now I'm trying to wake you up ,
To pull you from the liquid sky ,
Coz if I don't we'll both end up ,
With just your song to say goodbye.
My Oh My.
A song to say goodbye,
A song to say goodbye ,
A song to say...
Before our innocence was lost,
You were always one of those,
Blessed with lucky sevens,
And the voice that made me cry.
It's a song to say goodbye.
PLACEBO
cos·mic
/ˈkäzmik/
adjective
relating to the universe or cosmos, especially as distinct from the earth.
Cosmic Women of SL group x [high v.] tee collaboration.
cosmic woman tee.
Maitreya | Hourglass | Physique | Standard| Isis | Freya
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This piece of national architecture of 19th Century relates to south of Polavshchyna and that as of nowadays has disappeared. It was built in 70th of 19th Century.
The house from Revasivka village has never been reconstructed since it had been built. Its window frames were re-made in the mid-50th of 20th Century. The walls are decorated with clay of different color; inside there is a carved cupboard, painted trunk and national pictures in interior.
The house from Revazivka village was discovered in 1976 by an architect Lukianchuk V.D. and restored in the Museum in 1977-1978.
Few words about Revazivka village, as it were never mentioned in modern sources. In the middle of 19th Century, this village was called Novakivka and belonged to Ploshchanska volost of Poltava povit in Poltava hubernia.
It was a village of a proprietor, with 179 souls in 18 yards. Officially, Revazivka is called sloboda. There were 219 inhabitants in 44 homesteads.
Nowadays, the village of Revazivka has joined to Grekopavlivka village. It now relates to Stovbynska village council in Novosanzharskyi district of Poltavska Region.
The house is of two rooms (a home, a mudroom), of combined structure. A two-room house could be met only in poor villages belonging to proprietors. A three-room house was more traditional for Poltava area.
The house is built on piles. Above the windows, piles are covered with shingles. A longitudinal ceiling beam and upper parts of piles have tips on sidewall adjacent to the stove, so forming reasonable overlap of the roof. A lumber lay on tips to support auxiliary beams of the roof. Ceiling comprises ceiling beam and slyzhni. The slyzhni are surfaced by caber, and then covered with clay.
The four-slope roof of the house is low, supported by rafters and covered with cane sheaves, as there were a lot of cane in the waterlog river valley near Revazivka.
Combines, log and framework structure of a national dwelling on south Poltavshchyna was typical of this region, poor in building wood.
Especially interesting was filling of this house’s framework walls: there were twiggen with mullein. This grass grew high near Revazivka, and had strong stems. The local say: “Even shipworms never eat mullein”.
This is a house of two rooms (a home and a mudroom) with framework and log walls. Under the windows, walls are framework: horizontal hlytsi are nailed to vertical piles, with osier between them. Above the windows, planks of three parts are fixed to piles. A longitudinal ceiling beam is fixed thereto and two transverse ones (one in the home, another – in the mudroom). The longitudinal beam and tops of planks have overlaps on sidewall, adjacent to the stove, so forming reasonable overlap of the roof. Inside and outside, the house is clayed and whitewashed, except for back wall, only clayed. The house stays now on concrete basement.
Area – 53.92 square meters (5.15 x 10.47).
Хата з с. Ревазівка, Новосанжарського р-ну, Полтавської обл.
Пам′ятка традиційного народного будівництва XIX століття в південній Полтавщині, яких на даний момент в регіоні не існує. Побудована в 70 – ті роки ХІХ століття.
Хата з с. Ревазівка від її існування не перебудовувалася. У середині 50-х років ХХ століття перероблені віконні рами. Підводка стін кольоровими глинами, різьблений мисник, мальована скриня, народний живопис в інтер’єрі.
Хата с. Ревазівка виявлена в 1976 році архітектором Лук′янчуком В.Д. і реставрована в Музеї у 1977 – 1978 роках.
Коротко про село Ревазівку, оскільки в сучасних джерелах воно не згадується. Поселення Ревазівка в середині XIX століття називалося Новаківка і належало до Площанської волості Полтавського повіту Полтавської губернії.
Було воно поміщицьким селом і проживало там 179 душ у 18 дворах. Старожили розповідають, що Ревазівкою володів пан Ревазов. У 1926 році Ревазівка офіційно зветься слободою, з числом мешканців – 219, які проживали у 44 господарствах.
Зараз село Ревазівка з’єднане з селом Грекопавлівкою і належить до Стовбинської сільради Новосанжарського району Полтавської обл..
Хата дводільна /хата, сіни/, комбінованої конструкції. Дводільні хати траплялися тут тільки в бідних поміщицьких селах. Традиційно на Полтавщині було тридільне житло.
Хата збудована на сохах. На сохи, вище вікон покладено ощіп. Подовжній сволок та верхні вівнця ощіпу мають з покутнього причілку випуски, утворюючи значний винос даху. На випуски укладено брус, на який спираються наріжники даху. Основу хатньої стелі утворюють сволок і слижні. По слижнях укладено щільно жердини, а зверху шар м’ятої глини.
Чотирисхилий дах хати невисокий, на кроквах. Покриття з очерету, техніка – «парки». Очерету біля Ревазівки росло багато на заболоченій річковій долині.
Комбінована зрубно – каркасна конструкція народного житла південної Полтавщини була характерною для цього регіону, бідного на будівельний ліс.
Особливо цікавим було заповнення каркасу стін даної хати с. Ревазівка: стіни були заплетені коров’яком. Коров′як поблизу Ревазівки ріс високий, з міцним стеблом. «Коров′яка і шашель не бере».
Дводільне житло (хата, сіни). Стіни каркасно – зрубні. До вікон стіни каркасні: до вертикальних сох прибито горизонтальні глиці, між якими всторч заплетена лоза. На сохи, вище вікон, покладео ощіп з трьох вінців. В ощіп врубано подовжній сволок та два поперечні (один у хаті і один у сінях). Подовжній сволок та верхні вінця ощіпу мають випуски з покутнього причілку, утворюючи значний винос даху. Хата ззовні і всередині обмащена і побілена крім задньої, порудованої стіни. Хата встановлена на бетонний фундамент.
Площа - 53,92 м2 (5.15 х 10.47).
The Swiss Way relates the history of Switzerland surrounded by a scenic landscape. The trail was constructed as a joint project of the cantons on the occasion of the 700th anniversary celebrations of the Confederation (1291-1991). It begins on the Rütli Meadow, where the Confederation was founded, and ends in Brunnen in the Swiss Expatriates Square (Platz der Auslandschweizer).
www.londonchicinsl.com/post/they-can-t-relate
Hair: TO0418 - Wings [Anthem event - May round]
Bodysuit/ Skirt: Ami - Four23 [Tres chic event - May round]
Heels: Winx heels (Yellow) - Doua [2Much event - May round]
Backdrop: Escape - Foxcity
that relate to my experiences :-)
Alan Siegel
HMM! Climate Change Matters! Resist the Ignorant Orange Clown and his Cabinet of Stooges and Buffoons!!
prunus persica, flowering peach, 'Bonfire', j c raulston arboretum, ncsu, raleigh, north carolina
Was dressing for a Halloween event and realized I really had a look, good or bad is relative, anyway, Kept adding things till I was pleased. Thought it was a good look for a picture. Hopefully the actual Halloween outfit goes as well. There's this great sim for pics like this... Nightbrook Hollow.
maps.secondlife.com/secondlife/Parallel%20Universe/166/19...
Worn:
Dress: Luas - Sena Dress
Boots: Blueberry - Can't Relate boots and stockings
Hair: Doux - Nashaly
Skull: Pagan - Skull Flower
Skin: Deetalez - Monica - Valley Velour tone
www.youtube.com/watch?v=fCcEjZQQNjo
Raven hair and ruby lips
Sparks fly from her fingertips
Echoed voices in the night
She's a restless spirit on an endless flight
Woo-hoo, witchy woman
See how high she flies
Woo-hoo, witchy woman
She got the moon in her eyes
She held me spellbound in the night
Dancing shadows and firelight
Crazy laughter in another room
And she drove herself to madness with a silver spoon
Woo-hoo, witchy woman
See how high she flies
Woo-hoo, witchy woman
She got the moon in her eyes
Well, I know you want a lover
Let me tell you, brother
She's been sleepin' in the Devil's bed
And there's some rumors going 'round
Someone's underground
She can rock you in the nighttime 'til your skin turns red
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
Blueberry Totally Relatable Set (top;shorts and flip flops with waifu option) TSS maps.secondlife.com/secondlife/Lenox%20and%20Blueberry/25...
(From my personal digital photo archive, 2013)
The hermitage of San Bartolomé (Saint Bartholomew) is a temple in the Spanish province of Soria. It is located inside the natural park of the Cañón del Río Lobos, province of Soria, Spain.
It was built in the first quarter of the 13th century, when the Romanesque style gave way to the Gothic, a transition that was reflected in that architectural work.
It was part of a monastery of which only the chapel remains.
It has a plan in the shape of a Latin cross, with three chapels. The two rose windows deserve to be highlighted, one on each gable end of the transept, oriented to the southeast and northwest, whose lattices evoke Muslim influences in the form of the interlacing that makes up a lobed five-pointed star. They have three archivolts of which only the external one is decorated.
Some authors relate its existence to the possibility that for a time it belonged to the Order of the Templars, although there is no documentation that can be verified.
It is possible that it is confused with the Hermitage of San Juan de Otero, of which only the foundations and little else remain.
Although the dedication of the hermitage to Saint Bartholomew, one of the twelve apostles of Jesus who, according to the tradition of the Armenian church, was crucified upside down, skinned alive and beheaded, could be related to the Knights Templar who worshiped various saints who died after being beheaded. Let's not forget the supposed Templar's cult of Baphomet. (Source: Wikipedia)
ERMITA DE SAN BARTOLOME, SORIA, ESPAÑA, 2013
(De mi archivo personal de fotos digitales, 2013)
La ermita de San Bartolomé es un templo de la provincia española de Soria. Se ubica en el interior del parque natural del Cañón del Río Lobos, privincia de Soria, España.
Fue construida en el primer cuarto del siglo XIII, cuando el estilo románico daba paso al gótico, transición que quedó plasmada en esa obra arquitectónica.
Formaba parte de un cenobio del que sólo se conserva la capilla.
Tiene planta en forma de cruz latina, con tres capillas. Merecen ser resaltados los dos rosetones, uno en cada hastial del transepto, orientados al sureste y al noroeste, cuyas celosías evocan influencias musulmanas en la forma del entrelazado que compone una estrella lobulada de cinco puntas. Poseen tres arquivoltas de las que sólo la externa está decorada.
Algunos autores relacionan su existencia con la posibilidad de que durante un tiempo perteneció a la Orden de los Templarios, aunque no existe documentación que se pueda contrastar.
Es posible que se confunda con la cercana Ermita de San Juan de Otero, de la que sólo se conservan los cimientos y poco más.
Si bien la advocación de la ermita a San Bartolomé, uno de los doces apóstoles de Jesús que, según la tradición de la iglesia armenia fue crucificado boca abajo, desollado vivo y decapitado, podría relacionarse con los caballeros templarios que rendían culto a varios santos que murieron decapitados. No olvidemos el supuesto culto templario al Baphomet. (Fuente: Wikipedia)
CODE: KAAP_MG_1837
Indian Customer please,
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PS:
Shot @ Subway in Palakkarai , Trichy , Tamil Nadu , India.
Shot in natural light.
I tried to relate the bicycle in the mural / wall art on the left to the bicycle on the right.
Also a boy in the mural looking at the stairs , to the stairs which is on the right.
A photographer is always the second person in the picture. :)
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NEW! - Trend Makeup - Toxic Relationship Lip FATPACK
*Comes In 10 Different Shades* 👄
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Rigged for : Lelutka Origins - Genus - Catwa - Lelutka Evolution
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Marketplace Link: marketplace.secondlife.com/stores/190517
Inworld Store: maps.secondlife.com/secondlife/Dreams%20of%20Light/160/10...
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Top:
Asteria "Love" [Maitreya-Belleza-HG-Legacy] Corset - Black
Asteria "Love" [Maitreya-Belleza-HG-Legacy] FurC - Black
Bottom:
Asteria "Love" [Maitreya-Belleza-HG-Legacy] Pants - Black
Hair:
Foxy - Storm Hair (Brown)
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
OK, this does not relate to the fractal patterns of the sand being located in Colorado, where marijuana is legal, but rather to their origin from mass wasting, a type of erosion due to gravitational slumping of sediment on steep slopes. Moisture seeping into the sand from recent storms influences the rate at which the layers slump down under the orchestration of gravity and wind, producing the unusual patterning. Erosion, the magician...
As a freelancer I can relate to this image, the struggle to make living using antiquated equipment, the long hours and stressful delays.
I made the image in taxi on the way back from a meeting with a potential client on the banks of the Cairo Nile, we were stuck in the mother of all traffic jams, the driver was tired and stressed, I was, for once content as I had eaten fish and concluded what I thought was a successful meeting. Now I look back, the real success was this image, which is one of my favourites.
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Check out my website for more of my work;
...... I can relate.... : ]
I had to 'relocate' a part of this tiny spider's web, when he spun it over the opening to access the bird feeder. (He was about 3-4mm)
I carefully took the one side and attached it to the same shrub.
He seemed fine with it, but moved the location the next day.
Smart one... :)
Crablike Spiny Orb Weaver for
Web Wednesday.
HWW! :)
(Gasteracantha elipsoides)
Trying to relate this quote (Prime Minister Boris Johnson on 7/7/22) to the prediction that up to 10 million UK citizens will be pushed into poverty over the coming winter. The position is a quite uncomfortable one. Fuji X-Pro1.
The term "Moot" relates to a meeting place, hence the current name of this Tudor building. Initially the building on Aldeburgh beach was used as a town hall. The building which is believed to date to 1550 would have been a status symbol for the ever more prosperous shipbuilding and trading centre.
I assume a lot of people who see this photo will relate to the circumstances in which it was taken - getting intel about a very interesting train, hopping on an overnight train journey in a normal coach for over 600km, going to the desired spot and finding out the train had already passed it. By sheer coincidence we managed to change course and chase it to a different spot.
Here a loaded sand train from Kotlarnia can be seen upon leaving the post EW (near the Rybnik power plant) while heading towards the station in Leszczyny. Machines on duty that day were 21D-008 (ex-TEM2-093) and 21D-006 (ex-TEM2-277). In Leszczyny, the train enters the public PKP railway network, and it will continue from there onwards to Katowice Murcki. The sand from the Kotlarnia mine will be used for construction works on the railway line, which suffered a slump due to the ongoing coal mining in the region. Such places, where terrain is visibly shifted or slumped are commonplace in Silesia and the railway needs to account for that by regularly maintaining embankments on the railroads. Such sand transports, leading out of Kotlarnia only happen less than 10 times a year and I have been lucky enough to have photographed a lot of them in 2024. Those pictures, along with their stories, you can see in our TEM2 album.
This post is a good occasion to talk about more developements in the Kotlarnia sand mine. The production there is still being scaled down and an end is innevitable. The quarry does no more night shifts (the pictured train has been loaded the day before and waited for the crew on the morning of 18.07.2025). Additionally, KPK has started selling a large chunk of its rolling stock (either for scrap or further reusing), and it seems like their main souce of income nowadays is lending TEM2 locomotives to various private carriers, who seek heavy diesel locomotives, which are now in high demand.
Photo by Piotrek/Toprus
...::: NIve - Till you say i go :::...
Till you say i go
Say whatever’s on your mind
I’ll never let your heart just sink
Drown in colors that aren’t blue
And say, whatever makes you cry
I’ll never let your tears make a river
I’ll just linger by your side
When the night just feels too long
When the night just feels so cold
I will stay, wait a million years
I will stay, till you say I go
Dance under these shining stars
I’ll sing you a song, a lullaby
Gently whisper in your ears
And come let me guide you home
Wandering love just hold my hand
I will walk with you till the end
When the night just feels too long
I’ll stay till you say I go
Relatable Post #205
"I don't think I could ever stab someone. I mean, let's be honest. I can barely get the straw through the Cool Fun Juice Pouch!"
Blog: aurora0skye.blogspot.com/2019/07/relatable-post.html
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These steps in the town of Vieste are quite striking. The graffiti relates to the local legend of the love between Pizzomuno and Cristalda. Max Gazze released a song about the legend in recent times.
"An historic staircase in Vieste has been covered with romantic phrases to remember the touching legend of Cristalda and Pizzomunno.
This staircase celebrates the love with the verses of the song by Max Gazzè, The legend of Cristalda and Pizzomunno, interpreted by the singer at the Sanremo Festival 2018.
As with all the news, even this choice has produced many controversies. Some have defined this staircase, "the stairway of discord" and not of love. Reason? Not all the Viestans agreed that these romantic phrases were made on this staircase.
For older Viestans this staircase is a real memory that should not be touched. Controversy aside, the song that made us rediscover the ancient legend of the Gargano has infused the town of Vieste with love."
sagittal - Relating to or denoting the suture on top of the skull which runs between the parietal bones in a front to back direction.
don't relate to you
I don't relate to you, no
'Cause I'd never treat me this shitty
You made me hate this city
And I don't talk shit about you on the internet
Never told anyone anything bad
'Cause that shit's embarrassing, you were my everything
And all that you did was make me fucking sad
So don't waste the time I don't have
And don't try to make me feel bad
I could talk about every time that you showed up on time
But I'd have an empty line 'cause you never did
Never paid any mind to my mother or friends
So I shut 'em all out for you 'cause I was a kid
"It don't get no better
My tongue writing you letters
Feeling you get wetter
We'll be making love until the morning after
And I can feel your tide slowly rising
As I'm sipping from your water fountain
We gon' flood the bed, take it to the ground
While I'm in your ocean baby, hold my head down.
I wanna drown in it, drown in it..Yeah, baby.
Drown in it, drown in it..Just take me under.
Drown in it, drown in it...Under your waters, girl.
Drown in it, drown in it. I won't ever come up, oh." - Chris Brown ♫
Some people believe that there is no such thing as “true love” they believe that love is nothing but an illusion designed by social expectations. These people believe that love ultimately turns into pain and despair. This idea in some ways is true. Love is not eternal it will come to an end one way or another, but the aspect that separates true love from illusion, is the way love ends. “True Love” is much too powerful to be destroyed by Human imperfection; it may only be destroyed by a force equal to the power of love. Diotima believed that “Love is wanting to posses the good forever” In other words love is the desire to be immortal and the only way that we are able to obtain immortality is through reproduction, and since the act of reproduction is a form of sexual love, then sexual love is in fact a vital part of “True love”. Sexual love is not eternal. This lust for pleasure will soon fade, but the part of love that is immortal, is a plutonic love. You can relate this theory to the birth of love that Diotima talks about. She says that love was born by a mortal mother and immortal father. The mother represents the sexual love, the lust for pleasure. The father represents the plutonic love that is immortal. Plutonic love is defined as a true friendship, the purest of all relationships. A true plutonic love will never die; it transcends time, space, and even death.
-Unknown
Created for EXPLORE Worthy, The Number Games 10 (Art from 2015)
If you're wondering why all these books relate to jewelry, it's because I was a jewelry designer/goldsmith for 20 years before I retired!
Astronomical spring relates to the position of the earth in relation to the sun, while meteorological spring relates to the warming temperatures from March through May. For meteorologists and climatologists, spring begins March 1.
♫
I can't relate to desperation
My 'give a fucks' are on vacation
♫ - Espresso - Sabrina Carpenter
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Top - Loki - Angie Heart Top - Available @ ACCESS (April)
Skirt - Loki - Valerie Bow Skirt
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Greymouth, NOVA ZELANDA 2023
History House Museum is a collection of photographic and archival records and historical objects relating to Grey District on the West Coast of New Zealand. The museum opened in the former Grey County Council Chambers in 1996, but the building was deemed unsafe in the event of an earthquake and forced to close in 2017. A new home for the collection is being sought
History House Museum was housed in the former Grey County Council Chambers at 27 Gresson Street, Greymouth. The Grey County Council was formed in 1877, and built the Grey County Council Chambers in 1924. In 1989 the building was vacated when the County Council amalgamated with the boroughs of Greymouth and Runanga and the Greymouth Harbour Board to form the Grey District Council.
The project to turn the empty building into a history museum was instigated by former deputy mayor Kevin Brown, Mayor of Grey Ron Hibbs, and Kevin Beams of Grey District Council. Kevin Brown recruited volunteers from the Lions, family, and local community to fit out the building and assemble a collection. The museum opened in 1996, with Brown as manager. When Brown was elected Mayor in 1998, volunteer Bob Naisbitt took over the running of the museum, along with assistant historian Margaret Mort. By 2013 Margaret Mort and Karen Prendergast were running the History House.
Volunteers Jack Flood and George Gardner apply a paint job to the Standard Austin-Western Grader outside History House Museum. The Grey County Council purchased the grader in 1920 for £225.
In February 2017 a seismic assessment of the Grey County Council Chambers found it was at only 10 per cent of the new building standard (NBS), well below the 34 per cent required for a public building; the standards had been revised following the 2010–2011 Christchurch earthquakes. The cost to strengthen the building would be $142,000, and it is in a flood zone. The museum was closed and the archives moved to the Grey District Library. Several options were pursued: eventually incorporating the museum into a "Discovery Centre", disbanding the collection, or moving to another space – the former Dick Smith premises at 130 Mackay Street at a cost of $50,000/year – in conjunction with an iSite visitor centre.
The location of the museum (at the other end of town from the railway station where most tourists arrived) and the lack of signage were blamed for the low visitor numbers: about 6–8 people a day.[3][8] The Greymouth iSite manager Phil Barnett claimed tourists were simply not interested in its collections.
In any event the Protected Objects Act and Public Records Act required the collection to be catalogued before moving, at a cost of over $100,000. One consultant suggested the bulk of the collection was not "of sufficient merit" to be archived. The archives at the museum also needed to be properly stored; the Council Chambers are unsuitable and in a flood zone. There is no regional archive on the West Coast, although Shantytown near Greymouth had offered to host one.
James Tunnicliffe cleaning the gold-mining Kershaw Pump outside History House Museum
After a stocktake of the collection, items relevant to other West Coast districts were sent to the Hokitika Museum and Coaltown Museum. The museum operated from a pop-up space in the former Dick Smith premises, operating Wednesday to Sunday afternoons from 20 December 2017. The space had to close in July 2018 but had 1200 visitors in the first month and 9000 visitors in total, compared to the 1200 visitors a year at its former home.
In September 2018, the Council budgeted $140,000 to strengthen the Gresson Street building, but resolved to move the museum to a new discovery centre combining a library and museum some time in the future. The cost to reopen History House was estimated at $455,000, and just to make the building safe would be $170,000: even strengthened the former Council building would still have problems with climate control, fire safety, and storage. The former manager Kevin Brown took back his extensive photograph collection in protest at the lack of progress in strengthening the building. In 2020 the building was emptied and the collection moved into two climate-controlled shipping containers at a cost of $90,000.
Wikipedia
The story relates that Bishop Aubert (Saint-Aubert) of the city of Avranches, founded a shrine in 708 at Mont-Tombe (former name of Mont Saint-Michel), after three apparitions of the archangel Saint Michael (Saint-Michel in French) . Consecrated in 709, the church has since never ceased to attract visitors and pilgrims from all over the world. The architecture of Mont Saint Michel and its bay make it the most frequented tourist site in Normandy and the second most frequented in France after Paris