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My friend Michael Naimark is exploring new ideas for virtual reality experiences, in collaboration with Google and other researchers. To discuss this work, we got together with two other colleagues, Steve Gano and Jim McKee -- with whom we worked at the Apple Multimedia Lab in the eighties, pushing the envelope on related questions.
We started with a tour of the historic Sentinel Building in North Beach, home of American Zoetrope -- where Francis Coppola worked on many cinematic masterpieces like The Godfather and Apocalypse Now. We checked out the underground screening room and sound mixing room where some of that work took place, then headed upstairs to Michael and Jim’s studios, for a wonderful conversation about the new VR frontier.
Michael and his colleagues are researching how people are represented in virtual reality. Their first experiment at Google’s “Big Chairs” Park led to some helpful guidelines on how to film people for VR, by using different camera angles and distances.
They’re also investigating ‘hyper-images’ that resemble a group of people, but that are shot at different times and composited together to create both ‘credible’ and ‘incredible’ pictures. To enable more experiments like these, Michael is developing ‘IMU VR’, a new type of camera that could make it easier for communities to tell their stories in VR. More on this later.
It was great to reconnect with my colleagues and brainstorm these ideas together. It felt like the good old days, and the creative juices were flowing all over again ...
Learn more about Michael Naimark’s work:
View more photos about Virtual Reality:
This started as a picture of the layer(s) of ice on a dried up hollow in a field.
As the ice was forming the the water lever was very slowly dropping so left multiple contour lines of the water level.
I then just tweaked the colour more than a bit to create a pleasing abstract.
#22 Abstract for 52 in 2005 challenge
My friend Michael Naimark is exploring new ideas for virtual reality experiences, in collaboration with Google and other researchers. To discuss this work, we got together with two other colleagues, Steve Gano and Jim McKee -- with whom we worked at the Apple Multimedia Lab in the eighties, pushing the envelope on related questions.
We started with a tour of the historic Sentinel Building in North Beach, home of American Zoetrope -- where Francis Coppola worked on many cinematic masterpieces like The Godfather and Apocalypse Now. We checked out the underground screening room and sound mixing room where some of that work took place, then headed upstairs to Michael and Jim’s studios, for a wonderful conversation about the new VR frontier.
Michael and his colleagues are researching how people are represented in virtual reality. Their first experiment at Google’s “Big Chairs” Park led to some helpful guidelines on how to film people for VR, by using different camera angles and distances.
They’re also investigating ‘hyper-images’ that resemble a group of people, but that are shot at different times and composited together to create both ‘credible’ and ‘incredible’ pictures. To enable more experiments like these, Michael is developing ‘IMU VR’, a new type of camera that could make it easier for communities to tell their stories in VR. More on this later.
It was great to reconnect with my colleagues and brainstorm these ideas together. It felt like the good old days, and the creative juices were flowing all over again ...
Learn more about Michael Naimark’s work:
View more photos about Virtual Reality:
I know I should be in bed as its 10:45 pm. I just was never happy with the original version of this....So with that being said, I have sign in my studio that says "Reality is only for those who lack imagination".The original was taken on a bridge over Highway 40 in O'Fallon, Missouri. (Missouri's state motto should be, "Your Federal Flood Relief Tax Dollars at Work"). Since this was a long exposure to start with and its close to the Missouri River, I decided to "flood" the area and add some "twinkle, twinkle little stars" in the sky. So armed with Photoshop, Muahaha, I can be real dangerous, with dangerous being the key word...I'm by no means anywhere close to being a Photoshop Guru, as are some of my contacts here on Flickr, but I try to emulate them to the best of my abilities, but feel free to tear this apart! After working years in TV News I've learned to take creative criticism both good and bad....So bring it!
Want to see the original? Click here to see it.
Photograph © 2008 White Shadow Photography. All Rights Reserved. This photograph should not be used on websites, blogs or anywhere for that matter without my explicit written permission. Please don't steal my photos, it isn't nice!
This is the photograph for "Reality". Week two of my One word; Two views project.
Carly's is a lot better than mine. Go take a look.
I was lucky in a sense that when I gained my PSV license the Standard Atlanteans and Fleetlines I'd grown up with were still in service in large numbers, albeit that the early ones had long gone.
As an Atherton driver we didn't have a single deck allocation [apart from summer Sundays when two would be borrowed from other depots to work the tendered 516 service] so one would have to work overtime for another depot to play with the Leopards, Nationals and Lynxes. I loved the Leopards as a kid and if Bolton were short of drivers on lates I'd be over there like a shot, 554's and 21's being my prefered work as they were single deck requirement due to the low bridge at Barton aqueduct.
Naturally you think the good days will last forever so when the Leopards started to be withdrawn one needed a reality check and as much Leopard mileage was tried for as possible. It was a sobering sight seeing three of Greater Manchester Buses finest single decks on the scrap row at Crook Street depot, a sobering sight indeed!
My friend Michael Naimark is exploring new ideas for virtual reality experiences, in collaboration with Google and other researchers. To discuss this work, we got together with two other colleagues, Steve Gano and Jim McKee -- with whom we worked at the Apple Multimedia Lab in the eighties, pushing the envelope on related questions.
We started with a tour of the historic Sentinel Building in North Beach, home of American Zoetrope -- where Francis Coppola worked on many cinematic masterpieces like The Godfather and Apocalypse Now. We checked out the underground screening room and sound mixing room where some of that work took place, then headed upstairs to Michael and Jim’s studios, for a wonderful conversation about the new VR frontier.
Michael and his colleagues are researching how people are represented in virtual reality. Their first experiment at Google’s “Big Chairs” Park led to some helpful guidelines on how to film people for VR, by using different camera angles and distances.
They’re also investigating ‘hyper-images’ that resemble a group of people, but that are shot at different times and composited together to create both ‘credible’ and ‘incredible’ pictures. To enable more experiments like these, Michael is developing ‘IMU VR’, a new type of camera that could make it easier for communities to tell their stories in VR. More on this later.
It was great to reconnect with my colleagues and brainstorm these ideas together. It felt like the good old days, and the creative juices were flowing all over again ...
Learn more about Michael Naimark’s work:
View more photos about Virtual Reality:
"Whereas you are philosophically seeking the world in itself, I am simply focusing my efforts on a maximurm of appearences in close correlations with unknown realities."
(Claude Monet - French painter, 1840-1926)
This image belongs to the series of pictures which is a tribute to the Water Lilies (or Nympheas) by French Impressionist Claude Monet.
Like Waterlilies, some of Monet's most important explorations in color and composition were made in the gardens of his home at Giverny, some 30 miles west of Paris.
He had installed an ornamental water garden that proved to be the focal point for dozens of his explorations of color and light.
Monet began painting his waterlily scenes as a nonintentional series of color and light studies.
His repetitive studies of various features of the French countryside around him - poplar trees, haystacks, snowbound villages, and even the façade of the Rouen Cathedral - show an artist whose keen eye and searching intellect were not content to rest after capturing the effects of light, shade, and color only once.
Join the photographer at www.facebook.com/laurent.goldstein.photography
© All photographs are copyrighted and all rights reserved.
Please do not use any photographs without permission (even for private use).
The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.
My friend Michael Naimark is exploring new ideas for virtual reality experiences, in collaboration with Google and other researchers. To discuss this work, we got together with two other colleagues, Steve Gano and Jim McKee -- with whom we worked at the Apple Multimedia Lab in the eighties, pushing the envelope on related questions.
We started with a tour of the historic Sentinel Building in North Beach, home of American Zoetrope -- where Francis Coppola worked on many cinematic masterpieces like The Godfather and Apocalypse Now. We checked out the underground screening room and sound mixing room where some of that work took place, then headed upstairs to Michael and Jim’s studios, for a wonderful conversation about the new VR frontier.
Michael and his colleagues are researching how people are represented in virtual reality. Their first experiment at Google’s “Big Chairs” Park led to some helpful guidelines on how to film people for VR, by using different camera angles and distances.
They’re also investigating ‘hyper-images’ that resemble a group of people, but that are shot at different times and composited together to create both ‘credible’ and ‘incredible’ pictures. To enable more experiments like these, Michael is developing ‘IMU VR’, a new type of camera that could make it easier for communities to tell their stories in VR. More on this later.
It was great to reconnect with my colleagues and brainstorm these ideas together. It felt like the good old days, and the creative juices were flowing all over again ...
Learn more about Michael Naimark’s work:
View more photos about Virtual Reality:
Photographer Khalid Almasoud © All rights reserved
Fantasy in reality ! an angle from the capital of Kuwait city, but from my special imagination!
خيال في واقع ! منظر لزاوية من العاصمة الكويت ، ولكن بنظرة خيالية خاصة .
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Exif data اعدادات الصورة
الكاميرا Camera Canon EOS 50D
سرعة الشتر - الغالق - Exposure 6
فتحة العدسة Aperture f/7.1
المدى Focal Length 10 mm - Canon EF-S 10-22mm f/3.5-4.5 USM
حساسية الضوء ISO Speed 125
برنامج التعرض Exposure Program Shutter speed priority AE
وضع التعرض Exposure Mode Manual
انحياز التعريض Exposure Bias 0 EV
اليوم والوقت Date and Time : 2011:01:17 18:23:26 +03:00
ملاحظة Note: Corel PaintShop Pro X5 Ultimate
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My Gallery site in : 500px.com/KAlmasoud
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If you want to purchasing any of my pictures, please contact me : almasoud70@gmail.com
لطلب شراء أي صورة من معرضي , يرجى التواصل على الايميل
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One of the amazing things about the goop side of a peel-apart film is that it can go positive, negative, or even combine both in a single image. On this one, the sky went negative, and the city went positive, for no apparent reason. I find the intrinsic impredictability of the medium, and the resulting images, to be fascinating.
Originally taken with a Holga using Fuji 3000B.
Microsoft in January 2015 announced their Hololens Virtual Reality and Augmented Reality glasses. These glasses will allow people to break out of the usual way of interacting with technology. Instead of being confined to sitting in front of your computer the hololens seems to be able to let you...
3d-car-shows.com/virtual-reality-and-augmented-reality-in...
My friend Michael Naimark is exploring new ideas for virtual reality experiences, in collaboration with Google and other researchers. To discuss this work, we got together with two other colleagues, Steve Gano and Jim McKee -- with whom we worked at the Apple Multimedia Lab in the eighties, pushing the envelope on related questions.
We started with a tour of the historic Sentinel Building in North Beach, home of American Zoetrope -- where Francis Coppola worked on many cinematic masterpieces like The Godfather and Apocalypse Now. We checked out the underground screening room and sound mixing room where some of that work took place, then headed upstairs to Michael and Jim’s studios, for a wonderful conversation about the new VR frontier.
Michael and his colleagues are researching how people are represented in virtual reality. Their first experiment at Google’s “Big Chairs” Park led to some helpful guidelines on how to film people for VR, by using different camera angles and distances.
They’re also investigating ‘hyper-images’ that resemble a group of people, but that are shot at different times and composited together to create both ‘credible’ and ‘incredible’ pictures. To enable more experiments like these, Michael is developing ‘IMU VR’, a new type of camera that could make it easier for communities to tell their stories in VR. More on this later.
It was great to reconnect with my colleagues and brainstorm these ideas together. It felt like the good old days, and the creative juices were flowing all over again ...
Learn more about Michael Naimark’s work:
View more photos about Virtual Reality:
Walking along high trails, I stumble upon the remains of a dead tree, in the distance the morning lights up the peak while it spreads its wings. A new beginning juxtaposed with the remains of something which had once stood tall, and in my imagination these realities collide.
Again a focal length blend was required to portray the objective reality even though it was my subjective reality that conceived it.
View is of the 32nd highest peak in the world, the 7710m Kumbhakarna aka Jannu aka Phoktanglungma, as viewed from Phoktey Dara on the Singalila trek in Sikkim, India.
“Reality Teevee” - Mixed media and found objects on wood. The box itself is about 6½” square (about 16cm) , but with the feet and the antenna, it’s about 13” high and 4” deep. (that’s 33cm x 10cm).
moloneyart.com/Blog/Entries/2012/6/20_%22reality_teevee%2...
My friend Michael Naimark is exploring new ideas for virtual reality experiences, in collaboration with Google and other researchers. To discuss this work, we got together with two other colleagues, Steve Gano and Jim McKee -- with whom we worked at the Apple Multimedia Lab in the eighties, pushing the envelope on related questions.
We started with a tour of the historic Sentinel Building in North Beach, home of American Zoetrope -- where Francis Coppola worked on many cinematic masterpieces like The Godfather and Apocalypse Now. We checked out the underground screening room and sound mixing room where some of that work took place, then headed upstairs to Michael and Jim’s studios, for a wonderful conversation about the new VR frontier.
Michael and his colleagues are researching how people are represented in virtual reality. Their first experiment at Google’s “Big Chairs” Park led to some helpful guidelines on how to film people for VR, by using different camera angles and distances.
They’re also investigating ‘hyper-images’ that resemble a group of people, but that are shot at different times and composited together to create both ‘credible’ and ‘incredible’ pictures. To enable more experiments like these, Michael is developing ‘IMU VR’, a new type of camera that could make it easier for communities to tell their stories in VR. More on this later.
It was great to reconnect with my colleagues and brainstorm these ideas together. It felt like the good old days, and the creative juices were flowing all over again ...
Learn more about Michael Naimark’s work:
View more photos about Virtual Reality:
My friend Michael Naimark is exploring new ideas for virtual reality experiences, in collaboration with Google and other researchers. To discuss this work, we got together with two other colleagues, Steve Gano and Jim McKee -- with whom we worked at the Apple Multimedia Lab in the eighties, pushing the envelope on related questions.
We started with a tour of the historic Sentinel Building in North Beach, home of American Zoetrope -- where Francis Coppola worked on many cinematic masterpieces like The Godfather and Apocalypse Now. We checked out the underground screening room and sound mixing room where some of that work took place, then headed upstairs to Michael and Jim’s studios, for a wonderful conversation about the new VR frontier.
Michael and his colleagues are researching how people are represented in virtual reality. Their first experiment at Google’s “Big Chairs” Park led to some helpful guidelines on how to film people for VR, by using different camera angles and distances.
They’re also investigating ‘hyper-images’ that resemble a group of people, but that are shot at different times and composited together to create both ‘credible’ and ‘incredible’ pictures. To enable more experiments like these, Michael is developing ‘IMU VR’, a new type of camera that could make it easier for communities to tell their stories in VR. More on this later.
It was great to reconnect with my colleagues and brainstorm these ideas together. It felt like the good old days, and the creative juices were flowing all over again ...
Learn more about Michael Naimark’s work:
View more photos about Virtual Reality:
My friend Michael Naimark is exploring new ideas for virtual reality experiences, in collaboration with Google and other researchers. To discuss this work, we got together with two other colleagues, Steve Gano and Jim McKee -- with whom we worked at the Apple Multimedia Lab in the eighties, pushing the envelope on related questions.
We started with a tour of the historic Sentinel Building in North Beach, home of American Zoetrope -- where Francis Coppola worked on many cinematic masterpieces like The Godfather and Apocalypse Now. We checked out the underground screening room and sound mixing room where some of that work took place, then headed upstairs to Michael and Jim’s studios, for a wonderful conversation about the new VR frontier.
Michael and his colleagues are researching how people are represented in virtual reality. Their first experiment at Google’s “Big Chairs” Park led to some helpful guidelines on how to film people for VR, by using different camera angles and distances.
They’re also investigating ‘hyper-images’ that resemble a group of people, but that are shot at different times and composited together to create both ‘credible’ and ‘incredible’ pictures. To enable more experiments like these, Michael is developing ‘IMU VR’, a new type of camera that could make it easier for communities to tell their stories in VR. More on this later.
It was great to reconnect with my colleagues and brainstorm these ideas together. It felt like the good old days, and the creative juices were flowing all over again ...
Learn more about Michael Naimark’s work:
View more photos about Virtual Reality:
This is the first break I've had from Flickr in over three years. I had six days without any daily postings to Flickr due to poor internet connections in Cancun, Mexico. Now back to reality. From balmy temperatures in the 70's in Mexico to the low 30's here in Western Massachusetts. Brrr! Vacations over!
See light box view!
The one on the left is my sister, and the one on the right is my cousin. I was shooting a video when I saw her reflection, and I knew I had to take a picture of it. I can say I like the results.
If you are interested in Virtual Reality you will find the Teslasuit Project on Kickstarter very interesting. One of the biggest obstacles with Virtual Reality is that there is no resistance and feedback while you are playing a game or immersed in a Virtual Reality experience. The Teslasuit...
3d-car-shows.com/teslasuit-virtual-reality-body-suite-fee...