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It has become very common for people in my generation to joke about heavier thoughts and feelings on the internet. I do it too. When giving the action more thought, I feel like it allows me to detach myself from the feelings. Then I realized sometimes I use the internet, in general, to distract from myself and so I wanted to capture that concept somehow. This idea of complete detachment through the use of the internet.
I have always looked at photography as an art form more than a way of documenting reality. In fact, I have often said that I take pictures because I can't paint. Because of this, I always experiment with things, playing with colors, filters, and so on. On the day this was shot, I set up my camera to shoot in posterizing mode and set a heavy blue tint in the white balance. I found this gave everything an almost cartoon-like appearance which was perfect for shooting shapes, such as buildings, and wall art like in this capture. Like all of the images during this time of my photography, I didn't utilize any photo editing software. I set up my camera with these effects and shot in that mode for the day. It is a kind of forced perspective I guess.
This image was taken in JPG using only the settings in my camera, there was no post-processing or editing.
Reality is determined by our perspective. Change your perspective; change your reality.
Model: Unknown
Manipulation:
Selective Greyscale
Location: Epcot, Disney World
ShotOn:
NikonFM10
ISO200 (colour)
© Copyright Urban Realities. OUTR Office of Urban Transformations Research 2011. All rights reserved.
Photographs: Gus Kollar
The unheralded natural beauty of Lake Bled, Slovenia on a clear yet chilly European winter's day. Arguably the Balkan state's biggest attraction, the country still remains somewhat of a hidden gem to tourists and backpackers alike.
Returning to the stage is Reality Dreaming. Performing live at The Bald Stag Hotel on Wednesday the 20th of September, 2017.
Find Reality Dreaming on FaceBook: facebook.com/realitydreaming
Our festive collection Aagaaz is visually inspired from the silhouetted beauty of bare trees against a winter sky. The skeletal splendor of the winter landscape made of twisted bare branches and a maze of twigs is endlessly fascinating.
Most people may identify the bare trees with something lost but in reality they are a reminder of the natures life cycle.
It’s a reminder that the earth rotates on a daily cycle. It is a reminder that the only constant is change and t change is the sign of life. The sun sets to rise again and the annual cycle of spring, summer, fall and winter continues. Every end has a beginning and every beginning has an end.
The spirit of our festive collection lies in this beautiful dichotomy inherent in the idea of endings and beginnings, that every ending is a point of Aagaaz, a fresh beginning.
Aagaaz, a collection of relaxed, effortlessly elegant festive apparel, was conceptualised to support a women’s weaving cluster in Phulia, West Bengal. The handwoven textile created by these weavers is a blend of linen yarn in warp and zari yarn in west to imitate the raw textures of the branches of a bare tree. The modern minimalistic language of the fluid silhouettes puts the tender beauty, grace and raw elegance of this lightweight textile at the forefront of the collection.
Our in-house artisans have used this subtly shimmering canvas to illustrate dense forest sceneries of the bare winter trees, using a multitude of traditional surface embellishment techniques with antique neem zari and tilla dori. The motif of bare trees endeavours to capture the renewed spirit of endings heralding fresh beginnings and the serene comfort found in nature’s continuity.
Diwali is a festival of that heralds light and hope and new beginnings and depicts an end of darkness. Aagaaz is an ode to the spirit of this traditional festival and the nature’s cycles of life and rejuvenation.
© Copyright Urban Realities. OUTR Office of Urban Transformations Research 2011. All rights reserved.
Photographs: Gus Kollar
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Manipulating Reality - How Images Redefine the World
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