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Breakthrough Research with Dogs
When a dog is in pain, it affects the whole family.
Watch this video to learn about the latest research on anti-aging for dogs.
Health conscious consumers today are confused and frustrated. Their email and Facebook pages are filled with outlandish hype and often outright lies. At the same time, they’re aware that spectacular advances are being made in preventive and regenerative health care.
In 2048, 11 million Americans (including Stephen) will celebrate their 100th birthday.
But we all will be somewhere in 30 years.
The question is whether you will arrive at 2048 with a strong fit body and a sharp, creative mind.
The Healthy Skeptics & My2048.com combines the academic and research experience of an internationally celebrated biochemist with the clinical insights of a double board certified physician specializing in anti-aging.
No Hype. No Webaloney
Stephen and Natalie are known as The Healthy Skeptics, and their educational site, TheHealthySkeptics.com, is devoted to showing consumers what to EXPLORE and what to IGNORE. Their Nutrition Detective course, taught at a UCLA extension course for nurses, has helped thousands of health seekers to separate the fads from the facts, and make truly informed choices.
There are only 24 hours in a day. If you waste your time following fads and fallacies, you are going to miss the true breakthroughs. Of course, you're also going to waste money. That's unfortunate, but not critical because you can always make more money. The real issue is time. You can't make more time. Thus My2048.com is devoted to giving you everything you need to know, and everything you need to do in order to achieve and maintain peak health in body and mind."
Stephen Cherniske and Dr. Natalie Kather are your Nutritional biochemist & M.D. Your personal biomedical team! Research, Experience and humor. Explore or Ignore!"
Stephen Cherniske, M.S.
A biochemist and former university instructor in Clinical Nutrition. He served on the faculty of the American College of Sports Medicine, advised members of the US Olympic team, and directed the nation’s first federally licensed clinical laboratory specializing in nutrition and immunology. A best-selling author with more than a million copies in print, Stephen has a remarkable gift for communicating breakthrough science that inspires, entertains and motivates.
Natalie Kather, M.D.
She received her medical degree from The University of Utah School of Medicine. She is board-certified in Family Medicine, as well as Anti-aging, with specialties in women’s health, hormone balancing and human performance. Natalie is recognized as a pioneer in the emerging science of metabolic medicine, and frequently serves as Principal Investigator for clinical trials in that arena. Her clinic, Advanced Family Wellness, is located in Olympia Washington, where she lives with her husband, Stephen Cherniske.
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50 Questions: About Me
1: What are you wearing? A blue T-shirt that says "Recycle, rescue a cat".
2: Something about you that nobody ever knew? Sorry, but if nobody on this planet knows it about me, then there's a good reason for that.
3: Biggest phobias? Clowns
4: How tall are you? 5' 7"
5: Ever been in love? Yes, many times
6: Any tattoos that you want? I talked about getting a Domo tattoo and my family shot down the idea
7: Any piercings that you want? Never found them attractive.
8: Makeouts or cuddling? Both!
9: Shoe size? 7-1/2
10: Favorite bands? Way too many, but currently am obsessed with Vampire Weekend, Muse, and Keane.
11: Something you miss? My dog Topsy that we had to put to sleep.
12: Favorite song? The theme song for my life, "Somewhere Only We Know" by Keane. I know it's silly, but I get goose bumps and a giant lump in my throat whenever I watch the video www.youtube.com/watch?v=Oextk-If8HQ
13: How old are you? 36 on Guy Fawkes Day
14: Zodiac sign? Scorpio (we are mysterious, headstrong, and nothing but trouble)
15: Hair Color? Brown
16: Favorite Quote? "Imagination is more important than knowledge" - Albert Einstein
17: Favorite singer? Too many and I'm insanely ecclectic. I love Prince, David Bowie, Neil Diamond......
18: Favorite color? It changes, but right now, turquoise with black
19: Loud music or soft? There are times when each is important
20: Where do you go when you're sad? Under the covers. My bed is my fortress.
21: How long does it take you to shower? 10 mins
22: How long does it take you to get ready in the morning? Around 20 minutes.
23: Ever been in a physical fight? Yes, way too young.
24: Turn on? I can not resist men with accents.
25: Turn off? Men shorter than me.
26: The reason I joined Flickr? For pure nonsense and shenanigans.
27: Fears? Anything happenening to one of my animals.
28: Last thing that made you cry? Watching the movie Wall-E (I have a giant soft spot for robots).
29: Last time you cried? Last month
30: Meaning behind your url: Goes with my Etsy store where I sell dolls.
31: Last book you read? Dewey: The Small-Town Library Cat Who Touched the World
32: Last song you listened to? "Boom" by Anjulie. If you like the show True Blood, Google "Eric Sookie Boom" for a sexy video to this song.
33: Last show you watched? TV Show - Grimm
34: Last person you talked to? Do cats count as people?
35:The relationship between the person who last text you? A girl named Marissa who just adopted 2 kittens from me.
36: Favorite food? Mochi ice cream, Trader Joe's frozen mac & cheese, chocolate souffles from The Cellar (restaurant).
37: Place you want to visit? France, New Zealand, Australia, Japan, or anywhere with cute animals that will let me squeeze them.
38: Last place you were? =( Here. I never go anywhere.
39: Do you have a crush? Too many. The world is filled with amazing people.
40: Last time you kissed someone? Half an hour ago when hubby left for the airport.
41: Last time you were insulted and what was it? Today when my cat Itty Bitty turned his nose up at Trader Joe's chicken that I was trying to feed him.
42: What color underwear are you wearing? Hot pink
43: What color shirt are you wearing? Turquoise blue
44: Are you tired? Nope, just had great nap this afternoon.
45: Wearing any bracelets? No
46: Last sport you played? My brain hurts trying to come up with an answer.
47: Last song you sang? "What Are You Doing New Year's Eve". It got stuck in my head after watching this clip www.youtube.com/watch?v=R2rRxsge35s&feature=endscreen...
48: Last prank call you remember doing? Oh gosh.....we did that all the time in junior high and high school.
49: Last time you hung out with anyone? Every day....with my best friend - my husband.
50: Do you consider your approachable? I'm probably the most approachable person on the planet....I changed schools so many times in high school and had to start over so many times that I learned it was easier to make friends with the freaks, geeks, and wierdos and became quite fond of them. I was never part of the snobby, popular crowd.
IT'S IMPORTANT TO READ THE RULES FOR THIS CHALLENGE. THANK YOU.
Hello gurls! Here's your first challenge ; Winter Couture, TWODELS magazine.
I'm going to tell you the rules, which are really important to understand. I don't want to get any useless questions! ;)
1. The main goal of this theme is actually to represent the Winter collection 2011-2012 of my TWODELS magazine.
2. And now you're thinking ; but it's not snowing in my country! NO PROB! You are allowed to take your picture inside your house, with the background that you want. Though, the bg has to be really 'winter-ish', I mean it needs to stay in the winter concept. For example, you can put your dolls in front of a wood wall, you can design a cool background with a gift wrap, or anything you want that suits with winter couture!
3. Your twiinz need to stand out. I want them to be gorgeous. Just like Top Models.
->>> THIS RULE IS VERY IMPORTANT TO KNOW <---- 4. This week's prize is the cover of the TWODELS magazine for the winter collection. On your picture, I DON'T WANT YOU TO ADD THE 'TWODELS' WORD. IF YOU GET FIRST PLACE, ONLY IF YOU GET FIRST PLACE, I'M GOING TO MAKE THE COVER WITH YOUR PIC, SO I'M GOING TO ADD THE 'TWODELS' WORD. So yeah, there must be an empty place at the top of your picture.
5. In my contest, each week, the Twiinz that get first place are not going to have to face eliminations the week after. I decided to make something different from other contests. :)
6. Make it fierce, model-ish, AND TWIINZ POWER! xxx Good luck guys.
Done or not/ x :
- Avalon and Alia (Josh's Tribe) / www.flickr.com/photos/lovethoselivs/6740031895/
Iris and Tamara (bratzfan626) / www.flickr.com/photos/53588269@N02/6726091975/in/photostream
- Rose and Lana (Carol Parvati™) / www.flickr.com/photos/carolparvatilara/6738711315/
- Victoria and Allison (bunnyboo83) / www.flickr.com/photos/54889605@N04/6740123441/
- Mary and Ashley (Rainbowdoll489) / www.flickr.com/photos/rainbowdoll489/6740101111/in/photos...
- Rachel and Bree (JESSIR) / www.flickr.com/photos/56428216@N08/6721121733/in/photostream
- Rylan and Reesey (xTahliabellx) / www.flickr.com/photos/69836727@N04/6734632385/
- Hope and Esperanza (Blake's Dolls) / www.flickr.com/photos/blakelovesdolls/6738739019/
- Spencer and Riley (Drekitude™) / www.flickr.com/photos/drekitude/6709412721/in/photostream
- Lee and Cherry (Platinum Feathers) / DROPPED OUT
- Gwen and Stacey (M. Jonathan) / www.flickr.com/photos/mikeysmhcollection/6727660861
- Jason and Kayleigh (Me <3 Jordan (From the Ready Set)) / www.flickr.com/photos/bratzluver1d/6704321379/in/photostream
- Sindel and Patricia jordan./gagabratz / www.flickr.com/photos/56256134@N02/6702335289/in/photostream
- Jackilyn and Jonah (yo mama smells so bad even a rat wouldnt love her..) / www.flickr.com/photos/purzypurlovesyou/6708389673/
DEADLINE : January 22th, 2012.
All my photographic images are copyright. All rights reserved ©.
Do not use, copy or edit any of my images without my permission. Feel free to contact me for any question.
Follow me on Face Book : www.facebook.com/a.carabillo
Contact me if you have any questions about this image.
This photo is part of a set. You’re welcome to visit the complete series.
*****
Known to be inhabited at least since the 6th century BC by Phoneticians, Greeks and Carthaginians, the area of the S. Jorge castle is referred clearly in historical terms since the conquest by the Romans, being believed that by the time some kind of defensive structure already existed.
With the fall of the Roman Empire under the hands of the “barbarians”, and in the 6th century of these to the Arab conquerors, this castle was always a stage of battles, especially during the Christian re-conquest of the territory, being frequently taken by Christians and later on by the Arabs.
Still, in 1147 by the hand of D. Afonso Henriques (the first Portuguese king) and with the help of crusaders that were going to the holy-land, the castle was definitively conquered after a siege of 3 months. The story tells that the knight Martim Moniz, taking notice that one of the doors of the castle has been opened rushed into it placing his body among them and sacrificing himself. He prevented it to be closed though and allowed for the conquest of the fortress.
After this event, the castle resisted successfully to several Arab conquest attempts from 1179 to 1183.
Becoming Lisbon, in 1255, the capital of the reign, the castle was converted into royal palace which lead for it to be attacked several times by the Spanish in the attempts to conquer Portugal during the 13th and 14th century.
But with the damage made along centuries by earthquakes, especially in 1755, and the change of the royal palace to the Tagus River shores the S. Jorge castle entered in long decline being used as prison and military head-quarters. It was recovered during the 1940’s and 1990’s and it’s one of the most important places to visit in Lisbon, as it has some of the most magnificent views over the river and especially the medieval quarters of the town.
Another one of the beautiful hand made details on Indian Larry's "chain of mystery" bike, it reads "Just One More Question". Taken at the Rumblers Hot Rod show in Brooklyn, NY.
D700, 85mm f/1.4D @ f/2.8, iso 200.
Become a fan: www.facebook.com/jschusteritschphoto
They Live, We Sleep
Artist Statement
“We are living in an artificially induced state of consciousness that resembles sleep. The poor and the underclass are growing. Racial justice and human rights are nonexistent.
They influence our decisions without us knowing it. They numb our senses without us feeling it. They control our lives without us realizing it.
They have created a repressive society and we are their unwitting accomplices ...their intention to rule rests with the annihilation of consciousness.
We have been lulled into a trance.
They have made us indifferent, to ourselves, to others; we are focused only on our own gain. They are safe as long as they are not discovered ...that is their primary method of survival.
Keep us asleep, keep us selfish, keep us sedated...they are dismantling the sleeping middle class.
More and more people are becoming poor. We are their cattle. We are being bred for slavery.”
– They Live
This photographic body of work is inspired by John Carpenter’s 1988 film, “They Live.” The movie was also credited by Shepard Fairey “as a major source of inspiration for his own subversive brand of street art.” They Live was the basis for his use of the word ‘OBEY’ that became his main campaign and a popular clothing brand consequently.
The protagonist of the movie, an unemployed drifter named "Nada," accidentally comes across a box of sunglasses. After putting a pair on, he realizes that they are quite special. He sees the world in black and white and discovers that it's not what it seems. The series of images I have created are like those unique sunglasses that Nada stumbled upon, aim to show the world to the viewer for what it truly is. I hope they will help people to take into consideration what they sacrifice by blindly following self-serving governments and corporations’ agendas.
Through this photographic project my intent is to encourage people to be more aware of the habitual ways of living that we have been thoughtlessly following for most of human history. It seems as though the human race would have learned by now to not put their trust in the hands of the misguiding ruling class. Unfortunately most of the humanity is still in the state of mindless consumerism and simply does not realize that their decisions, their entire lives are being manipulated.
Carré short story. Add beauty to your life.
Provence. The Poirot family’s house has a beautiful vineyard, on a slight slope, laden with grapes. A long, straight road leads towards their house. We leave the car in the yard, where a mongrel of unidentifiable parentage comes to meet us. The lady of the house welcomes us at the door. “It’s really hot today, I’m so sorry.” My wife replies, almost laughing, “You don’t really mean that. Your home is even lovelier at this time of year.” Madame Poirot smiles and replies, “And you haven’t seen the big innovation yet, come in!” She leads us into her world, announcing a change. We walk in, with huge
question marks over our heads, just like in a cartoon. “You should keep your cardigans on, it’s quite cool in here.” Madame is talking, but not to us. She is talking to keep us entertained en route, just like museum guides between masterpieces; her only concern is not to waste time and to show us her new treasure. “Dadadadà!! A new kitchen!. Madame Poirot explains that handsome is as handsome does, and starts laying the table, while the dog puts its paws on the work-top and whines for food. I say I didn’t think a kitchen could be so beautiful. And I really mean it.
mémoire2cité - www.dailymotion.com/video/xk6xui Quatre murs et un toit 1953 - Le Corbusier, l'architecte du bonheur 1957 conceptions architecturales le modulor, l'architecture de la ville radieuse, Chandigarh, Marseille, Nantes www.dailymotion.com/video/xw8prl Un documentaire consacré aux conceptions architecturales et urbanistiques de Le Corbusier.
Exposées par l'architecte lui-même et étayées par des plans, dessins et images de ses réalisations en France et à l'étranger, ces théories témoignent d'une réflexion approfondie et originale sur la ville et sa nécessaire adaptation à la vie moderne, notamment Paris dont l'aménagement révolutionnaire rêvé par Le Corbusier est ici exposé. Un classique du documentaire.
Les premiers projets de Le Corbusier resteront à l'état de maquette : le plan de modernisation de la ville d'Alger. Certains seront réalisés par d'autres architectes : ministère de l'éducation à Rio de Janeiro, Palais de l'ONU à New York. Dès l'après-guerre en moins de 10 ans, Le Corbusier réalise de grandes unités d'habitation à Marseille, Nantes une chapelle à Ronchamps, une usine à Saint-Dié, une ville Chandigarh en Inde. Par des schémas, l'architecte présente sa théorie de la "ville radieuse", le modulor clef mathématique de son œuvre ainsi que son projet de réorganisation de la campagne, des cités industrielles et urbaine en un regroupement autour d'un système coopératif. Le film expose les conceptions architecturales de Le Corbusier, dans la ligne des précurseurs de l'architecture moderne comme Claude-Nicolas Ledoux. Paris et le désert français 1957 réalisation : Roger Leenhardt et Sydney Jezequel, résoudre le déséquilibre démographique ville campagne www.dailymotion.com/video/x177lrp Film réalisé par Roger Leenhardt et Sydney Jezequel en 1957, d'après le livre de Jean-François Gravier. Document d'information général proposant les solutions de l'époque pour éviter la désertification des campagnes et la folie concentrationnaire des villes. Dès 1957, la désertification des campagnes prend des proportions tragiques. L'exemple est donné pour le village de Gourdon dans le Quercy.
Quelles évolutions proposer pour éviter l'exode rural et le développement anarchique, qui s'amorce, des villes champignons, construites en plein champ sans urbanisme et sans âme ? Le commentaire propose les solutions de l'époque : modernisation de l'agriculture, adaptation de l'artisanat, implantations d'industries dans les provinces. Gazoducs dans le sud-ouest, barrage en Haute-Savoie, polder en Bretagne semblaient à l'époque pouvoir résoudre le déséquilibre ville campagne. Visages de la France 1957 Production - réalisation Atlantic-Film Marcel de Hubsch www.dailymotion.com/video/x19g59p Le film commence avec des vues de villages et d'architecture traditionnelle du Pays Basque, des Landes, de la Touraine, de la Normandie, de la Bretagne, d'Alsace. La voix off s'interroge : faut il transformer la France en un musée de ses vieilles demeures ? et poursuit : pourquoi des maisons de 10 à 15 mètres de hauteur à Honfleur n'ont elles que 3 à 5 mètres de large ? Le commentaire se pose la question du nombre de maisons individuelles dans les villes qui entrainent l'étalement urbain. Lorsque les villes ont bâtit des immeubles, le commentaire se demande que cachent ces façades ? Des coures étroites que le soleil ne visite jamais, un enchevêtrement inouï de constructions hétéroclites. L'époque de grande prospérité de la troisième république n'a rien su construire de grand poursuit la voix off. Ce document nous propose ensuite une animation de maquette pour l'aménagement d'une friche. Dans un premier temps à la façon d'avant avec la maison individuelle. La voix off s'exclame : ce n'est pas autrement que d'affreuses banlieues naquirent que tant de villes furent à jamais enlaidies, essayons autre chose. L'animation se met à empiler les maisons individuelles et propose des bâtiments collectifs dans des jardins. Le commentaire poursuit : maintenant c'est l'heure de l'urbaniste à lui de répartir les constructions dans la cité. Plusieurs organisation de logements collectifs sont proposées en maquettes. La voix off pointe les défauts d'un urbanisme des grands ensemble trop ennuyeux. Puis une solution émerge de l'animation : pour que la cité vive il faut mettre au place d'honneur école, dispensaire, bibliothèque, salle de réunion, puis viennent les deux pièces maîtresse deux grands immeubles puis les rues se glissent dans la composition et enfin les pelouse et les jardins apparaissent et voila conclue le commentaire. Le film montre ensuite de réalisation de grands ensemble et on entre dans un immeuble au sein d'une famille : air et lumière sont au rendes-vous. On voit des enfants faire du patin à roulette dans le parc de l'immeuble la voix off annonce : finit l'individualisme renfrogné de l'échoppe d'antan : la cité tout entière est un jardin, les jeux d'enfants se mêlent aux fleurs. Le film se termine sur des vues de réalisation de grands ensemble sur toute la France (vue entre autre de la cité radieuse de Le Corbusier à Marseille). Production Films Caravelle MRU (ministère de la reconstruction et de l'urbanisme) Scenario et réalisation : Pierre JaLLAUD <a href="http://www.dailymotion.com/group/fonds-ancienwww.dailymotion.com/group/fonds-ancien</a
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Thèmes principaux : aménagement urbain et spatial, architecture et bâtiment Mots clés : planification, préfabrication en usine, HLM Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye. La construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute LILLE DUNKERQUE www.dailymotion.com/group/fonds-ancien
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées. Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction. Titre : Sur les routes de France les ponts renaissenT Année de réalisation : 1945 Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports
Support original : 16 mm noir et blanc Durée : 14 min
Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transports
Lieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris.
Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije -Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ».
Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl)
www.dailymotion.com/video/xuz3o8?playlist=x34ije ,
Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952.
Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.
Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.
Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ / - www.union-habitat.org/ / - www.institutfrancais.com/sites/default/files/dp_expositio... archives-histoire.centraliens.net/pdfs/revues/rev625.pdf tel.archives-ouvertes.fr/tel-00554230/document
Question marks hang over the legitimacy of Angola’s general election as Africa’s second-longest serving leader Jose Eduardo dos Santo has won a five-year term in office following his party’s landslide victory.
Question Mark. Aus der Serie „Satzzeichen“ 2014
Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht
Skulptur, Objekt, Video, Installation, Fotografie
Markus Wintersberger 2014
After the catastrophic fire at Santika's New Year party, many questions still remain open:
Justice Minister Pirapan Salirathavibhaga said while inspecting the charred building of Santika Club in Ekamai Soi 9, a popular nightlife zone, where the fire erupted at around 0.30am that he would order the Justice permanent secretary Kittipong Kittiyarak on Monday to set up a special committee to probe the Santika blaze for the sake of fairness to relatives of fire victims and the owner.
Among the victims were foreigners including a Singaporean identified as Teo Sze Siong who was pronounced dead and 25-year-old Japanese Keiichi Wada who suffered over 60% burns.
Information obtained during the inspection will also be used to determine whether the club's owner had violated the city's building code, Mr. Pirapan said, adding that he was puzzled why the burned nightclub had only one exit and was equipped with iron-grilled windows, making it difficult for persons inside the building to escape in case of fire.
The large number of casualties was blamed on there being only one apparent exit, making it difficult for New Year revelers who had just finished the countdown to the New Year to escape when the blaze broke out above them. Many of them died because of the stampede.
Mr. Pirapan said he had spoken with Chantra Purnariksha, secretary-general of Office of the Insurance Commission, who was inspecting the disaster site that concerned officials in future certify that building owners have insured buildings in accordance with the law while fire protection equipment must be installed inside in order to prevent a similar incident from occurring in future.
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Australian entertainment industry worker Peter Kent, who lives near the club, told The Age that clubs along the flashy Ekamai Road were known for poor safety standards, with many lacking fire escapes.
"It was an accident waiting to happen," said Mr Kent, who is holidaying in Melbourne. "Being inside one of these clubs is like a sardine can. If there was a fire you wouldn't get out because you are shoulder to shoulder."
He said local police turned a blind eye to poorly built and regularly overcrowded clubs.
"People who have money are able to sidestep regulations in Bangkok," he said.
The Bangkok Metropolitan Administration said there did not seem to be legal questions regarding the construction of Santika club.
According to local media, Bangkok clubbers yesterday led heated discussions on Thai websites about the narrow entrances and exits of Santika and other similar clubs.
More articles from around the web about the Santika New year fire:
Londoner tells how he was pulled unconscious from Thai nightclub inferno
Fireworks blamed for deadly Bangkok Club Blaze
BMA sets up assistance centre to help nightclub fire victims
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Light painting with a blue sparkler.
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The Korean Demilitarized Zone (Korean: 한반도 비무장지대) is a strip of land running across the Korean Peninsula that serves as a buffer zone between North and South Korea. The DMZ cuts the Korean Peninsula roughly in half, crossing the 38th parallel on an angle, with the west end of the DMZ lying south of the parallel and the east end lying north of it. It is 155 miles (248 km) long and approximately 2.5 miles (4 km) wide, and is the most heavily militarized border in the world.
For over fifty years the areas surrounding the DMZ have been restricted to the general public. As a result, they have become a wildlife preserve containing incredible bio-diversity. The DMZ and its surrounding areas are now referred to as the Peace and Life Zone (PLZ), and a special tour course has been designed taking travelers to destinations of historical interest and outstanding natural beauty.
"Question Mark" is a new sculpture created by Rosario Marquardt and Roberto Behar and funded through a gift from the Madison Public Library Foundation. Photo by library staff.
This bicycle is waiting for a turn on the 2015 ElDorado National E-Z Rider II BRT-CNG headed for Downtown Sonoma. As the rider is on board the bus asking the driver some questions, this big sits waiting for a boarding moment before the bus leaves them all behind in Petaluma, CA.
©FranksRails Photography, LLC.
......c'è ki ha preferito i "Gioki Acquatici"........... niente male come scelta!!!!!!!!!!!!!!
Scateniamoci anke noiiiiiiiiiiiiiiiiiiiiiiii Take On Me
Dedicata ai vekki e nuovi amici ;-))))))))))))
SOOC
March 7th, 2015
K-5 Malala Feeder school by NCHD - National Commission fro Human Development.
Location: Mir Bandai Ali Khan at Tando Ghulam Ali Badin District, Sindh, Pakistan
By: Pervaiz Lodhie
Founder LEDtronics
Founding Director PHDF - Pakistan Human Development Fund
Faciltated by: Shaantech Pakistan Team
Back Ground
National Commission for Human Development (NCHD) was established in July, 2001 as a federal statutory body. It is a fast-track initiative to improve social sector outcomes at the grass-roots. The goal of the Commission is to fill the implementation gaps and improve public sector delivery mechanisms to achieve the Millenium Development Goals (MDGs) through:
Universal Primary Education (UPE)
Adult Literacy / Gender Empowerment Program
Reducing Population Growth Rate
Improving Infant & Maternal Mortality
Capacity Building at Grassroots
NCHD has been officially declared as lead agency for the spread of literacy programs in the country by the President of the Islamic Republic of Pakistan. The 2006 UNESCO International Reading Association Literacy Prize has been awarded to NCHD for its National Literacy Program.
Visit of Mr. Pervaiz Lodhi – Member PHDF
Mr. Pervaiz lodhie a distinguished member of PHDF visited Malala Feeder School on 7th March 2015 alongwith his team and the Worthy Director operations Sindh Humaira Hashimi Sahiba. The team arrived at Malala feeder school at about 12.00noon. A warm welcome was given to the distinguished guests. The students from Malala wrapped in school uniform give a salute the honourable guests and offered flowers to the guests. Thrown rose petals in a queue to the head Masters room.
Where Mr. Moti lal – Head Master briefed the honourable guests about the back ground and the efforts taken for establishment of such a wonderful building through donations. He elaborated that besides donors the I-care, PHDF, Mir Ghulam Ali Talpur and the chairman usher and zakat the children are continuously supporting the school by making donations from their pocket money, which were a unique contribution and the idea for construction of malala feeder school. They started the school with the number of 25 children only but now after hectic efforts and continuous work hard the number has raised to 455. At the movement 5 Feeder teachers are placed while 3 other teachers are voluntarily putting their time and efforts.
Then the guests visited each class room one by one, where two children from each class presented rose flowers to the guests. The guest asked many questions about the education, the attitude of the teachers and their satisfaction from the school and learning land marks. Checked and found whole the school very neat and clean.
A gathering of parents of children was also arranged in the school, after visiting class rooms the honourable guests moved toward the stage where function started with the recitation of holy Quran. A student of class three Ghulam Rasool recited from Holy Quran.
Naat Maqbool (PBHM) was presented by three female students namely Huma Naz, Mehmoona, Nayab and Iqra
Mr. Pervaiz lodhi – member PHDF said in his address that PHDF put a unique idea of public and private partnership and have proved that by collective efforts Pakistan can meet the desired goals and objectives especially in the field of education. He called a meeting with stake holder and the private sector yesterday and will be meet with the honourable minister and PHDF members in Pakistan to contribute on their part in the uplift of NCHD and the objective of Education and literacy in Pakistan. He thinks that it is only NCHD which has office in every district of the Pakistan and grass root approach. He will try a funding and the support of Pakistanis in America and bring some good news as well. He is himself contacting various philanthropists and groups in this regard also. Insha Allah we will bring a positive change in Pakistan and continue our mission. He appreciated the innovative idea for construction of Malala school building. He also suggested that he will show the movie to the father of Malala who is visiting America in coming month.
At end of this session honourable guest distributed Shaantech Solar Charged LED Lights to top 3 students from each class (1,2,3,4,5)
Fadi Selwan, Executive Vice President, VINCI Concessions responds to a question during the panel session "Towards Better Use of Existing Infrastructure" at the 2014 Annual Summit of the International Transport Forum “Transport for a Changing World”, in Leipzig, Germany, on 22 May 2014.
The question is which of this Coronavirus mutation actually does anything to change the severity of the infectiousness of the disease.
According to the research team analyzed UK data on coronavirus patients in Sheffield. Although they found that people with that particular coronavirus mutation study of the virus found a large amount of the virus in their samples.
Scientists have written that stress is an “immediate concern”. But no one has yet established what this will mean for the virus spreading in the population and how effective this vaccine can be....Read more: www.theworldguideline.com/coronavirus-mutation/
Leica M-A Summilux 1.4/35 Classic
My first film with my 2026 brand-new Leica M-A and the Summilux 1.4/35mm lens (see below details about the camera and the lens) was quite an emotion. I am trained to test many sorts of old camera’s of my collection, but doing so with brand-new camera is exceptional. It is an exception because in 2026 there are just a few possibilities of buying new film camera’s. My last one was the Pentax 17 in April 2025. Leica is the very last camera manufacturer still constructing and distributing « professional » grade film camera’s : their Leica M6 (produced again since 2022), the Leica MP (since 2003) and this Leica M-A (since 2014).
The Leica M-A is a Leica M of the same grade as my Leica M3 year 1956, so I had no question about the camera manipulation. The lens was however new to me and I had never used a Summilux 1:1.4 f=35mm with such wide apertu. Most of my unknowns were then about the lens.
I exposed the Kodak Tri-X film included in the delivery kit of my Leica M-A over two consecutive days: February 11 (views 1-20) and Feb. 12 (views 21-35), 2026 in Lyon, France. On the first day the weather was suitable for an outdoor session. I choose to goes to the cemetery of my district (Lyon Croix Rousse) because the funeral arts are full of details and textures that are interesting to test the lens with small-medium) apertures (f/4.5 to f/16). Due to a more degraded weather he day after with rain, I went to the Basilica of Notre-Dame de Fourvière t expose the rest in subdued light and larger aperture (full aperture f/1.4 to f/3.5).
The Summilux lens was equipped with a protective Leica UVa II filter E46 13034 and the Leica specific screw-on (E46) shade hood 12486. The camera was hold and secured using the vintage Leica ever-ready leather bag prepared for the M-A with the leather neck strap of the bag.
Expositions were determined for 400 ISO using my trusted Minolta Autometer III (1985) equipped either with a 10° finder for selective metering privileging the shadow area’s. Focus was obtained using the built-in optical range finder of the Leica M-A exceptionaly bright and clear even in subdued light.
Documentary smartphone picture
February 11-12, 2026
69004 Lyon
France
After completion to view Nr. 35 the film was processed using Adox Adonal developer at 1+50 dilution, 20°C, for 14min.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom 15 (15.1.1, January 2026) and edited to the final jpeg pictures without intermediate file. They are presented either as print files with frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
On February 3, 2026, I took my partly delivered order of January, 2026, at the Leica Boutique, Place Bellecour, Lyon, France. I did this order between two short stays at
Hospital Edouard Herriot to have surgeries. It helped me a lot during these medical sessions to take an external source of distraction, not focused on the surgery moment upsetting necessities.
My project was initially based on the still existing film Leica M camera’s production maintained active today in Wetzlar, Germany. Leica Camera AG offers today for sale 3 film camera’s available in different finishes. These are the Leica M6, Leica M-P and Leica M-A on the margin of a very diverse range of digital Leica camera’s. The M-P and M-A are produced since 2014 and are likely the closest camera’s to the original first Leica M3 in (1954-1966). It is possible that Leica maintained their M film camera’sjust to sustain their iconic heritage in the history of the company.
The Leica M survived a time in the 1970-1980’s due to a modified production (Leica M4-2 then M6) by the Leitz Canada branch that closed in 1990. The Leica M6 was then again produced in Germany followed by the Leica M7. The further versions of Leica M8 to M11 today are digital camera’s.
I own in my camera collection since April 2024, a venerable standing Leica M3 year 1956 that is now, in 2026, 70-year old and in perfect optical and mechanical condition with a single and well matched Summicron 2/5cm. The camera is equipped as shown in the first commercial brochure of the Leica M3 in 1954 (standard lens, bag, shade hood). In general, when practicing photography, it is sometime safe to have a « backup » camera of the same type to be still operant in case of one camera failure. I was then amused to backup my Leica M3 by one of these brand-new produced Leica M.
The Leica M-A is the closest to my M3. It is purely mechanical camera, without any electrical on electronic circuitries. Intentionally, the Leica M-A has resurected some of the Leica M3 and Leica M2 (1958-1967) features as the metal advance lever, frame counter, engraving, rewind button, and of course their exact shape and dimensions. The front top cover is designed like the M2 with flat optical windows.
The complex range-finder combined to a framed viewer, including an automatic parallax compensation existed in different versions. The viewer of the Leica M3 was however never been mounted on other Leica M than the M3’s . The 0.91 magnification and its design made for focales 5, 9 and 13.5cm was modified on the Leica M-2 to enlarge the direct use of the viewer to the wide angle 35mm lenses to prise of a smaller magnification. The Leica M-A has o 0.72 magnification capable to display the 28mm frames. As a consequence the Leica M-A is more oriented to a common use of 28 and 35mm lenses.
I choose finally to order a M-A in the chrome silver finish with engraving resembling to the M3/M2 camera’s with a base lens Summilux 1.4/35mm « Classic » that mimics the original lens of 60’s, It was a formidable gift !. Ordering was however not so simple. At first, I was told that the Leica M-A production would be discontinued in Wetzlar … Arguing that the camera is still offered for sale of the on-line French website, I finally got an available box in stock in Wetzlar that was shipped straight to Lyon in 4-5 days. The lens was more slow to get, and I am still waiting.
I could however enjoy the pleasure of comparing in hands my 1956 Leica M3 and my 2026 Leica-M-A. The 70-year old Summicron 2/5cm (branded at this time « Ernst Leitz Wetzlar » fits smoothly and exactly to the M-A and the 50mm frame is automatically selected. The range-finder operates accurately. There is something fantastic to see the two camera side to side separated by 70 years. Installed in the vintage ever-ready leather bag I prepared for the Leica M-A, it is quite hard to detect at a first look that the M-A is a new camera.
The viewer is may be more contrasted due to an extensive AR-coating of of elements and the shutter has not the strange little noises that occurs on the M3 for the slow speeds, but essentially the two camera’s are indeed and undoudtly Leica’s M ! The grandfather and the grandson are so ressemblant.
About the lens :
After the delivery of my Leica M-A camera body the week before, I had the second part of my order on February 10, 2026, at the Leica Boutique, Place Bellecour, Lyon, France. I did this order in early January 2026, between two short stays at Hospital Edouard Herriot to have surgeries. It helped me a lot during these medical sessions to take an external source of distraction, not focused on the surgery moment upsetting necessities.
My brand-new 2026 Leica M-A (produced since 2014 by Leica Camera AG, Wetzlar, Germany) has the mixed technical features of the original Leica M3 (1954-1966) and Leica M2 (1958-1967). In particular the viewfinder system of the today M-A is inherited of the Leica M2 with a 0.72 magnification that allows the direct view field of a 35mm focal length. On the M3 , with its specific 0.91 magnification viewer, the use of 35mm lenses requires an external optical viewfinder or external optical correction of the built-in viewfinder. As a consequence the M3 appears optimal for the focal of 5, 9 and 13.5cm while the M2 appears more wide-angle lens oriented. The viewfinder of he M-A allows additionally also the framing of 28mm lens.
My idea was then to equip my M-A of a brand-new companion Leica 35mm lens of the current Leica production. The choice felt on the re-edition of an iconic 35mm Leica lens of the 60’s : a Summilux 1.4/35mm that first introduced to the market in 1961 as the first f/1.4 aperture 35mm lens.. This lens was as a modified double Gauss formula keeping the lens compact and not too heavy. The lens was soon highly reputed, especially in the photojournalism domain.
The « Steel Rim » describes a stainless steel ring mounted on the lens front to hold the shade hood. When looking at the optical scheme the modern version of the lens is not exactly the same but Leica keeper the major characteristic with a special softness at wide aperture 1.4 to 2.8 that miked the success of the lens at the time.
Receiving of a brand-new Leica lens is a not so common moment. The lens was packaged in Wetzlar on January 16, 2026 and delivered to the Leica boutique, Place Bellecour, Lyon, France on February, 10, 2026 where I took the precious package. We opened the boxes in the shop and had a good discussion staring at the jewel. When picking-up the lens I did not had my M-A body with me but we tried the mount on another second-hand M-A.
The lens is delivered by default with two shade hoods and rear/front ens caps. The replica of the original lens hood fits, clip-on , to the famous « »stieel rim » but is not curiously usable with filters. The second modern one was designed to be used with the E46 screwed filters. The seller offered for free a Leica UVa II, E46 filter (sliver decor) and a Leica clip-on lens cap E46 to be used with a filter because the default one is a bit too large with a filter on place on the lens. The package includes also a protective Leica black lens pouch, proof certificate and booklet.
Depeche Mode - Where's the Revolution
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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