I met Neusa in a quick photo session after lunch. I wanted to try the micro focus adjustment that I had done on my 50mm lens already two days ago, but had not had time yet to do.

 

I went to University of Brasília, UnB, taking pictures of flowers in closeup, searching for better bokehs with sharp focus, when a woman calls me asking permission to ask me some questions. I said, okay, and she began to tell me a case that happened a couple of days ago when a city news program used in an article a photo of a purple Ipe tree in front of the Cathedral of Brasilia.

 

Immediately I remembered a photo like that I had shot last week (Catedral )

. I really believe that the photo used by the journalist, shot by a professional photographer from the city, is very similar to that mine.

 

Returning to Neusa, she told all the case about the stolen picture and then began to tell about her fight against the IRS, which, she said, was charging undue tax and she was going to go with some union lawsuit.

 

I talked a lot and was leaving when I decided to ask her if she would let me take her picture. She asked why and I explained about the project 100 Strangers. She was very suspicious, asked if I had something to prove it and I said no, that it was a project on the Internet, on Flickr. She asked if I was in the federal police force or something. I laughed and said no. Believing in it or not, she began to pose for the photos.

 

By asking her email to send the pictures later, she opened her purse and began searching for a notebook where she had annotated her email address. Also, she showed me her birth certificate, attesting that she was born in St. Ignatius Farm, in the municipality of Arraia, state of Tocantins.

 

We ended the meeting with several "good-bye" and "Take care" demonstrating that, even though it was a quick meeting, the two were satisfied with the conversation and experience. Even living so different realities.

 

This picture is #08 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page

 

More pics of Neusa:

 

----

 

Conheci a Neusa numa saída rápida para fotos, após o almoço. Estava querendo testar o micro ajuste de foco que eu tinha feito na minha lente 50mm já há dois dias, mas não tinha tido tempo, ainda.

 

Fui à UnB tirar fotos de flores em closeup, à busca de bokehs melhores, quando uma mulher me chama, pedindo licença para fazer algumas perguntas. Eu disse, ok, e ela começou a me contar um caso que aconteceu há uns dois dias atrás, quando um telejornal da cidade usou numa reportagem uma foto de um ipê roxo em frente à Catedral de Brasília.

 

Imediatamente lembrei-me de uma foto igual, que eu tinha feito na semana passada (Catedral)

. Acredito mesmo que a foto usada pelo jornalista, e que era de um fotógrafo profissional daqui da cidade, seja bem parecida com essa minha.

 

Voltando à Neusa, ela contou todo o caso da foto roubada e depois começou a contar sua luta contra a Receita Federal, que, segundo ela, estava cobrando impostos indevidos e ela estava indo justamente ao sindicato entrar com alguma ação judicial.

 

Conversou muito e já estava indo embora, quando eu resolvi perguntar se ela deixava eu tirar uma foto dela. Aí expliquei sobre o projeto 100 Strangers. Ela ficou super desconfiada, perguntou se eu tinha algo para provar e eu disse que não, que era um projeto na internet, no Flickr. Ela perguntou se eu era policial federal ou coisa parecida, ao que eu ri e respondi que não. Acreditando ou não, começou a posar para as fotos.

 

Ao pedir seu email para enviar-lhe as fotos depois, ela abriu a bolsa e começou a procurar por uma agenda onde tinha o email anotado. Também me mostrou sua certidão de nascimento, que atestava que ela tinha nascido na Fazenda Santo Inácio, no município de Arraia, estado de Tocantins.

 

Terminamos o encontro com vários "até logo" e "Te cuida", demonstrando que, apesar de ter sido um encontro rápido, os dois saíram satisfeitos com a conversa e experiência. Mesmo vivendo realidades tão diferentes.

  

DSC_6343

  

Question Mark. Aus der Serie „Satzzeichen“ 2014

Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht

Skulptur, Objekt, Video, Installation, Fotografie

Markus Wintersberger 2014

D. J. Munro's drawing for Charles Perrault's Bluebeard, altered by me. (original)

 

My goal was to accentuate two things:

1. The foreboding, and the danger in which this poor, obstinate ninny would find herself, and;

2. The triangle created by his eyes, her eyes, the forbidden key in question, and his threatening finger.

 

fdsflickrtoys:

 

'Temptation.' On Black, large

'Temptation.' On White, large

 

my resetting of this storybook page, this picture included: flickr.com/photos/hauntedpalace/180953567

A companion shot to 'Bright Eyes'. This one is more or less the same, shot a little brighter and edited to have a less gritty feel, but the expression still makes it a pretty non-traditional galm shot.

 

I tend to lean to exposing things to the left of the histogram (underexposed). Just a tendency I have, most people tend to go to the right and blow things out. For these sorts of studio shots with a lot of pale skin and a white background (specifically a glossy shower) getting the exposure balanced is interesting to say the least, but I really do love the look of a nice, bright glam shot like this.

 

Shot with my D300 and 50 f/1.4, two SB-600 flashes triggered via CLS. Both with diffusers, one camera right and close, pointed down at the model and the second camera left and high, over my shoulder pointed a little higher.

 

Editing was done in Lightroom and Photoshop. Basics in Lightroom and then the B&W added as a layer and then removed from the areas I wanted to have colour.

 

www.IFPblog.com

 

www.PrecariousPhotography.com

my condo property, Thornhill, On

An interesting cloud formation at sunset on the Hood Canal.

The reason why this is here still puzzles me

  

Actually it's from the refresh of the Washougal, Washington Safeway grocery store. The floor paneling was off and a random "?" was painted on the floor bear the produce department. Probably shouldn't of told you that. Kind of ruins the whole mystery of it, yeah ... Well... You don't like it, make something up.

 

Featured use:

www.lifelaughsandlemmings.com/friday-question-what-you-wo...

 

James Mattise, questions from the audience

 

James River Filmmakers Forum held on Saturday, February 23 at 8 p.m. at the Visual Arts Center of Richmond, 1812 W. Main Street. Admission is free. Donations encouraged.

 

The lineup:

 

• Robert Massa (visiting filmmaker from NC) – The Box (4 minutes)

• Paul Hugins (visiting filmmaker from Alexandria) – Applications (8 minutes)

• James Mattise – As Best I Can Remember (12 minutes)

• Nils Westergard / Daniel Ardura – William (15 minutes)

• John Cappello – Cain (15 minutes)

• Christine Stoddard / David Fuchs – The Persistence of Poe (22 minutes)

  

jamesriverfilm.org/event/james-river-filmmakers-forum-2/

info@jamesriverfilm.org

at Kilby Rd., Hamilton Co., OH. 6.14.15

British journalists ask questions during the press conference in Kabul with the PM and President Karzai. 10 June 2010, Crown copyright.

 

www.number10.gov.uk/news/latest-news/2010/06/pm-pledges-e...

The horse (Equus caballus) is a domesticated, one-toed, hoofed mammal. It belongs to the taxonomic family Equidae and is one of two extant subspecies of Equus ferus. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, close to Eohippus, into the large, single-toed animal of today. Humans began domesticating horses around 4000 BCE, and their domestication is believed to have been widespread by 3000 BCE. Horses in the subspecies caballus are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, which are horses that never have been domesticated. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior.

 

Horses are adapted to run, allowing them to quickly escape predators, and possess an excellent sense of balance and a strong fight-or-flight response. Related to this need to flee from predators in the wild is an unusual trait: horses are able to sleep both standing up and lying down, with younger horses tending to sleep significantly more than adults. Female horses, called mares, carry their young for approximately 11 months and a young horse, called a foal, can stand and run shortly following birth. Most domesticated horses begin training under a saddle or in a harness between the ages of two and four. They reach full adult development by age five, and have an average lifespan of between 25 and 30 years.

 

Horse breeds are loosely divided into three categories based on general temperament: spirited "hot bloods" with speed and endurance; "cold bloods", such as draft horses and some ponies, suitable for slow, heavy work; and "warmbloods", developed from crosses between hot bloods and cold bloods, often focusing on creating breeds for specific riding purposes, particularly in Europe. There are more than 300 breeds of horse in the world today, developed for many different uses.

 

Horses and humans interact in a wide variety of sport competitions and non-competitive recreational pursuits as well as in working activities such as police work, agriculture, entertainment, and therapy. Horses were historically used in warfare, from which a wide variety of riding and driving techniques developed, using many different styles of equipment and methods of control. Many products are derived from horses, including meat, milk, hide, hair, bone, and pharmaceuticals extracted from the urine of pregnant mares. Humans provide domesticated horses with food, water, and shelter, as well as attention from specialists such as veterinarians and farriers.

 

Lifespan and life stages

Depending on breed, management and environment, the modern domestic horse has a life expectancy of 25 to 30 years. Uncommonly, a few animals live into their 40s and, occasionally, beyond. The oldest verifiable record was "Old Billy", a 19th-century horse that lived to the age of 62. In modern times, Sugar Puff, who had been listed in Guinness World Records as the world's oldest living pony, died in 2007 at age 56.

 

Regardless of a horse or pony's actual birth date, for most competition purposes a year is added to its age each January 1 of each year in the Northern Hemisphere and each August 1 in the Southern Hemisphere. The exception is in endurance riding, where the minimum age to compete is based on the animal's actual calendar age.

 

The following terminology is used to describe horses of various ages:

 

Foal

A horse of either sex less than one year old. A nursing foal is sometimes called a suckling, and a foal that has been weaned is called a weanling. Most domesticated foals are weaned at five to seven months of age, although foals can be weaned at four months with no adverse physical effects.

Yearling

A horse of either sex that is between one and two years old.

Colt

A male horse under the age of four. A common terminology error is to call any young horse a "colt", when the term actually only refers to young male horses.

Filly

A female horse under the age of four.

Mare

A female horse four years old and older.

Stallion

A non-castrated male horse four years old and older.The term "horse" is sometimes used colloquially to refer specifically to a stallion.

Gelding

A castrated male horse of any age.

In horse racing, these definitions may differ: For example, in the British Isles, Thoroughbred horse racing defines colts and fillies as less than five years old. However, Australian Thoroughbred racing defines colts and fillies as less than four years old.

 

Size and measurement

The height of horses is measured at the highest point of the withers, where the neck meets the back. This point is used because it is a stable point of the anatomy, unlike the head or neck, which move up and down in relation to the body of the horse.

 

Size varies greatly among horse breeds, as with this full-sized horse and small pony.

In English-speaking countries, the height of horses is often stated in units of hands and inches: one hand is equal to 4 inches (101.6 mm). The height is expressed as the number of full hands, followed by a point, then the number of additional inches, and ending with the abbreviation "h" or "hh" (for "hands high"). Thus, a horse described as "15.2 h" is 15 hands plus 2 inches, for a total of 62 inches (157.5 cm) in height.

 

The size of horses varies by breed, but also is influenced by nutrition. Light-riding horses usually range in height from 14 to 16 hands (56 to 64 inches, 142 to 163 cm) and can weigh from 380 to 550 kilograms (840 to 1,210 lb). Larger-riding horses usually start at about 15.2 hands (62 inches, 157 cm) and often are as tall as 17 hands (68 inches, 173 cm), weighing from 500 to 600 kilograms (1,100 to 1,320 lb). Heavy or draft horses are usually at least 16 hands (64 inches, 163 cm) high and can be as tall as 18 hands (72 inches, 183 cm) high. They can weigh from about 700 to 1,000 kilograms (1,540 to 2,200 lb).

 

The largest horse in recorded history was probably a Shire horse named Mammoth, who was born in 1848. He stood 21.2 1⁄4 hands (86.25 inches, 219 cm) high and his peak weight was estimated at 1,524 kilograms (3,360 lb). The record holder for the smallest horse ever is Thumbelina, a fully mature miniature horse affected by dwarfism. She was 43 centimetres; 4.1 hands (17 in) tall and weighed 26 kg (57 lb).

 

Ponies

Main article: Pony

Ponies are taxonomically the same animals as horses. The distinction between a horse and pony is commonly drawn on the basis of height, especially for competition purposes. However, height alone is not dispositive; the difference between horses and ponies may also include aspects of phenotype, including conformation and temperament.

 

The traditional standard for height of a horse or a pony at maturity is 14.2 hands (58 inches, 147 cm). An animal 14.2 hands (58 inches, 147 cm) or over is usually considered to be a horse and one less than 14.2 hands (58 inches, 147 cm) a pony, but there are many exceptions to the traditional standard. In Australia, ponies are considered to be those under 14 hands (56 inches, 142 cm). For competition in the Western division of the United States Equestrian Federation, the cutoff is 14.1 hands (57 inches, 145 cm). The International Federation for Equestrian Sports, the world governing body for horse sport, uses metric measurements and defines a pony as being any horse measuring less than 148 centimetres (58.27 in) at the withers without shoes, which is just over 14.2 hands (58 inches, 147 cm), and 149 centimetres (58.66 in; 14.2+1⁄2 hands), with shoes.

 

Height is not the sole criterion for distinguishing horses from ponies. Breed registries for horses that typically produce individuals both under and over 14.2 hands (58 inches, 147 cm) consider all animals of that breed to be horses regardless of their height. Conversely, some pony breeds may have features in common with horses, and individual animals may occasionally mature at over 14.2 hands (58 inches, 147 cm), but are still considered to be ponies.

 

Ponies often exhibit thicker manes, tails, and overall coat. They also have proportionally shorter legs, wider barrels, heavier bone, shorter and thicker necks, and short heads with broad foreheads. They may have calmer temperaments than horses and also a high level of intelligence that may or may not be used to cooperate with human handlers. Small size, by itself, is not an exclusive determinant. For example, the Shetland pony which averages 10 hands (40 inches, 102 cm), is considered a pony. Conversely, breeds such as the Falabella and other miniature horses, which can be no taller than 76 centimetres; 7.2 hands (30 in), are classified by their registries as very small horses, not ponies.

 

Genetics

Horses have 64 chromosomes. The horse genome was sequenced in 2007. It contains 2.7 billion DNA base pairs, which is larger than the dog genome, but smaller than the human genome or the bovine genome.

 

Colors and markings

Horses exhibit a diverse array of coat colors and distinctive markings, described by a specialized vocabulary. Often, a horse is classified first by its coat color, before breed or sex. Horses of the same color may be distinguished from one another by white markings, which, along with various spotting patterns, are inherited separately from coat color.

 

Many genes that create horse coat colors and patterns have been identified. Current genetic tests can identify at least 13 different alleles influencing coat color, and research continues to discover new genes linked to specific traits. The basic coat colors of chestnut and black are determined by the gene controlled by the Melanocortin 1 receptor, also known as the "extension gene" or "red factor", as its recessive form is "red" (chestnut) and its dominant form is black. Additional genes control suppression of black color to point coloration that results in a bay, spotting patterns such as pinto or leopard, dilution genes such as palomino or dun, as well as greying, and all the other factors that create the many possible coat colors found in horses.

 

Horses that have a white coat color are often mislabeled; a horse that looks "white" is usually a middle-aged or older gray. Grays are born a darker shade, get lighter as they age, but usually keep black skin underneath their white hair coat (with the exception of pink skin under white markings). The only horses properly called white are born with a predominantly white hair coat and pink skin, a fairly rare occurrence. Different and unrelated genetic factors can produce white coat colors in horses, including several different alleles of dominant white and the sabino-1 gene. However, there are no "albino" horses, defined as having both pink skin and red eyes.

 

Reproduction and development

Gestation lasts approximately 340 days, with an average range 320–370 days, and usually results in one foal; twins are rare. Horses are a precocial species, and foals are capable of standing and running within a short time following birth. Foals are usually born in the spring. The estrous cycle of a mare occurs roughly every 19–22 days and occurs from early spring into autumn. Most mares enter an anestrus period during the winter and thus do not cycle in this period. Foals are generally weaned from their mothers between four and six months of age.

 

Horses, particularly colts, are sometimes physically capable of reproduction at about 18 months, but domesticated horses are rarely allowed to breed before the age of three, especially females. Horses four years old are considered mature, although the skeleton normally continues to develop until the age of six; maturation also depends on the horse's size, breed, sex, and quality of care. Larger horses have larger bones; therefore, not only do the bones take longer to form bone tissue, but the epiphyseal plates are larger and take longer to convert from cartilage to bone. These plates convert after the other parts of the bones, and are crucial to development.

 

Depending on maturity, breed, and work expected, horses are usually put under saddle and trained to be ridden between the ages of two and four. Although Thoroughbred race horses are put on the track as young as the age of two in some countries, horses specifically bred for sports such as dressage are generally not put under saddle until they are three or four years old, because their bones and muscles are not solidly developed. For endurance riding competition, horses are not deemed mature enough to compete until they are a full 60 calendar months (five years) old.

 

Anatomy

The horse skeleton averages 205 bones. A significant difference between the horse skeleton and that of a human is the lack of a collarbone—the horse's forelimbs are attached to the spinal column by a powerful set of muscles, tendons, and ligaments that attach the shoulder blade to the torso. The horse's four legs and hooves are also unique structures. Their leg bones are proportioned differently from those of a human. For example, the body part that is called a horse's "knee" is actually made up of the carpal bones that correspond to the human wrist. Similarly, the hock contains bones equivalent to those in the human ankle and heel. The lower leg bones of a horse correspond to the bones of the human hand or foot, and the fetlock (incorrectly called the "ankle") is actually the proximal sesamoid bones between the cannon bones (a single equivalent to the human metacarpal or metatarsal bones) and the proximal phalanges, located where one finds the "knuckles" of a human. A horse also has no muscles in its legs below the knees and hocks, only skin, hair, bone, tendons, ligaments, cartilage, and the assorted specialized tissues that make up the hoof.

 

Hooves

Main articles: Horse hoof, Horseshoe, and Farrier

The critical importance of the feet and legs is summed up by the traditional adage, "no foot, no horse". The horse hoof begins with the distal phalanges, the equivalent of the human fingertip or tip of the toe, surrounded by cartilage and other specialized, blood-rich soft tissues such as the laminae. The exterior hoof wall and horn of the sole is made of keratin, the same material as a human fingernail. The result is that a horse, weighing on average 500 kilograms (1,100 lb), travels on the same bones as would a human on tiptoe. For the protection of the hoof under certain conditions, some horses have horseshoes placed on their feet by a professional farrier. The hoof continually grows, and in most domesticated horses needs to be trimmed (and horseshoes reset, if used) every five to eight weeks, though the hooves of horses in the wild wear down and regrow at a rate suitable for their terrain.

 

Teeth

Main article: Horse teeth

Horses are adapted to grazing. In an adult horse, there are 12 incisors at the front of the mouth, adapted to biting off the grass or other vegetation. There are 24 teeth adapted for chewing, the premolars and molars, at the back of the mouth. Stallions and geldings have four additional teeth just behind the incisors, a type of canine teeth called "tushes". Some horses, both male and female, will also develop one to four very small vestigial teeth in front of the molars, known as "wolf" teeth, which are generally removed because they can interfere with the bit. There is an empty interdental space between the incisors and the molars where the bit rests directly on the gums, or "bars" of the horse's mouth when the horse is bridled.

 

An estimate of a horse's age can be made from looking at its teeth. The teeth continue to erupt throughout life and are worn down by grazing. Therefore, the incisors show changes as the horse ages; they develop a distinct wear pattern, changes in tooth shape, and changes in the angle at which the chewing surfaces meet. This allows a very rough estimate of a horse's age, although diet and veterinary care can also affect the rate of tooth wear.

 

Digestion

Main articles: Equine digestive system and Equine nutrition

Horses are herbivores with a digestive system adapted to a forage diet of grasses and other plant material, consumed steadily throughout the day. Therefore, compared to humans, they have a relatively small stomach but very long intestines to facilitate a steady flow of nutrients. A 450-kilogram (990 lb) horse will eat 7 to 11 kilograms (15 to 24 lb) of food per day and, under normal use, drink 38 to 45 litres (8.4 to 9.9 imp gal; 10 to 12 US gal) of water. Horses are not ruminants, they have only one stomach, like humans, but unlike humans, they can digest cellulose, a major component of grass. Horses are hindgut fermenters. Cellulose fermentation by symbiotic bacteria occurs in the cecum, or "water gut", which food goes through before reaching the large intestine. Horses cannot vomit, so digestion problems can quickly cause colic, a leading cause of death. Horses do not have a gallbladder; however, they seem to tolerate high amounts of fat in their diet despite lack of a gallbladder.

 

Senses

The horses' senses are based on their status as prey animals, where they must be aware of their surroundings at all times. They have the largest eyes of any land mammal, and are lateral-eyed, meaning that their eyes are positioned on the sides of their heads. This means that horses have a range of vision of more than 350°, with approximately 65° of this being binocular vision and the remaining 285° monocular vision. Horses have excellent day and night vision, but they have two-color, or dichromatic vision; their color vision is somewhat like red-green color blindness in humans, where certain colors, especially red and related colors, appear as a shade of green.

 

Their sense of smell, while much better than that of humans, is not quite as good as that of a dog. It is believed to play a key role in the social interactions of horses as well as detecting other key scents in the environment. Horses have two olfactory centers. The first system is in the nostrils and nasal cavity, which analyze a wide range of odors. The second, located under the nasal cavity, are the vomeronasal organs, also called Jacobson's organs. These have a separate nerve pathway to the brain and appear to primarily analyze pheromones.

 

A horse's hearing is good, and the pinna of each ear can rotate up to 180°, giving the potential for 360° hearing without having to move the head. Noise impacts the behavior of horses and certain kinds of noise may contribute to stress: a 2013 study in the UK indicated that stabled horses were calmest in a quiet setting, or if listening to country or classical music, but displayed signs of nervousness when listening to jazz or rock music. This study also recommended keeping music under a volume of 21 decibels. An Australian study found that stabled racehorses listening to talk radio had a higher rate of gastric ulcers than horses listening to music, and racehorses stabled where a radio was played had a higher overall rate of ulceration than horses stabled where there was no radio playing.

 

Horses have a great sense of balance, due partly to their ability to feel their footing and partly to highly developed proprioception—the unconscious sense of where the body and limbs are at all times. A horse's sense of touch is well-developed. The most sensitive areas are around the eyes, ears, and nose. Horses are able to sense contact as subtle as an insect landing anywhere on the body.

 

Horses have an advanced sense of taste, which allows them to sort through fodder and choose what they would most like to eat, and their prehensile lips can easily sort even small grains. Horses generally will not eat poisonous plants, however, there are exceptions; horses will occasionally eat toxic amounts of poisonous plants even when there is adequate healthy food.

 

Movement

All horses move naturally with four basic gaits:

the four-beat walk, which averages 6.4 kilometres per hour (4.0 mph);

the two-beat trot or jog at 13 to 19 kilometres per hour (8.1 to 11.8 mph) (faster for harness racing horses);

the canter or lope, a three-beat gait that is 19 to 24 kilometres per hour (12 to 15 mph);

the gallop, which averages 40 to 48 kilometres per hour (25 to 30 mph), but the world record for a horse galloping over a short, sprint distance is 70.76 kilometres per hour (43.97 mph).

Besides these basic gaits, some horses perform a two-beat pace, instead of the trot. There also are several four-beat 'ambling' gaits that are approximately the speed of a trot or pace, though smoother to ride. These include the lateral rack, running walk, and tölt as well as the diagonal fox trot. Ambling gaits are often genetic in some breeds, known collectively as gaited horses. These horses replace the trot with one of the ambling gaits.

 

Behavior

Horses are prey animals with a strong fight-or-flight response. Their first reaction to a threat is to startle and usually flee, although they will stand their ground and defend themselves when flight is impossible or if their young are threatened. They also tend to be curious; when startled, they will often hesitate an instant to ascertain the cause of their fright, and may not always flee from something that they perceive as non-threatening. Most light horse riding breeds were developed for speed, agility, alertness and endurance; natural qualities that extend from their wild ancestors. However, through selective breeding, some breeds of horses are quite docile, particularly certain draft horses.

  

Horses fighting as part of herd dominance behaviour

Horses are herd animals, with a clear hierarchy of rank, led by a dominant individual, usually a mare. They are also social creatures that are able to form companionship attachments to their own species and to other animals, including humans. They communicate in various ways, including vocalizations such as nickering or whinnying, mutual grooming, and body language. Many horses will become difficult to manage if they are isolated, but with training, horses can learn to accept a human as a companion, and thus be comfortable away from other horses. However, when confined with insufficient companionship, exercise, or stimulation, individuals may develop stable vices, an assortment of bad habits, mostly stereotypies of psychological origin, that include wood chewing, wall kicking, "weaving" (rocking back and forth), and other problems.

 

Intelligence and learning

Studies have indicated that horses perform a number of cognitive tasks on a daily basis, meeting mental challenges that include food procurement and identification of individuals within a social system. They also have good spatial discrimination abilities. They are naturally curious and apt to investigate things they have not seen before. Studies have assessed equine intelligence in areas such as problem solving, speed of learning, and memory. Horses excel at simple learning, but also are able to use more advanced cognitive abilities that involve categorization and concept learning. They can learn using habituation, desensitization, classical conditioning, and operant conditioning, and positive and negative reinforcement. One study has indicated that horses can differentiate between "more or less" if the quantity involved is less than four.

 

Domesticated horses may face greater mental challenges than wild horses, because they live in artificial environments that prevent instinctive behavior whilst also learning tasks that are not natural. Horses are animals of habit that respond well to regimentation, and respond best when the same routines and techniques are used consistently. One trainer believes that "intelligent" horses are reflections of intelligent trainers who effectively use response conditioning techniques and positive reinforcement to train in the style that best fits with an individual animal's natural inclinations.

 

Temperament

Horses are mammals, and as such are warm-blooded, or endothermic creatures, as opposed to cold-blooded, or poikilothermic animals. However, these words have developed a separate meaning in the context of equine terminology, used to describe temperament, not body temperature. For example, the "hot-bloods", such as many race horses, exhibit more sensitivity and energy, while the "cold-bloods", such as most draft breeds, are quieter and calmer. Sometimes "hot-bloods" are classified as "light horses" or "riding horses", with the "cold-bloods" classified as "draft horses" or "work horses".

 

a sepia-toned engraving from an old book, showing 11 horses of different breeds and sizes in nine different illustrations

Illustration of assorted breeds; slim, light hotbloods, medium-sized warmbloods and draft and pony-type coldblood breeds

"Hot blooded" breeds include "oriental horses" such as the Akhal-Teke, Arabian horse, Barb, and now-extinct Turkoman horse, as well as the Thoroughbred, a breed developed in England from the older oriental breeds. Hot bloods tend to be spirited, bold, and learn quickly. They are bred for agility and speed. They tend to be physically refined—thin-skinned, slim, and long-legged. The original oriental breeds were brought to Europe from the Middle East and North Africa when European breeders wished to infuse these traits into racing and light cavalry horses.

 

Muscular, heavy draft horses are known as "cold bloods", as they are bred not only for strength, but also to have the calm, patient temperament needed to pull a plow or a heavy carriage full of people. They are sometimes nicknamed "gentle giants". Well-known draft breeds include the Belgian and the Clydesdale. Some, like the Percheron, are lighter and livelier, developed to pull carriages or to plow large fields in drier climates. Others, such as the Shire, are slower and more powerful, bred to plow fields with heavy, clay-based soils. The cold-blooded group also includes some pony breeds.

 

"Warmblood" breeds, such as the Trakehner or Hanoverian, developed when European carriage and war horses were crossed with Arabians or Thoroughbreds, producing a riding horse with more refinement than a draft horse, but greater size and milder temperament than a lighter breed. Certain pony breeds with warmblood characteristics have been developed for smaller riders. Warmbloods are considered a "light horse" or "riding horse".

 

Today, the term "Warmblood" refers to a specific subset of sport horse breeds that are used for competition in dressage and show jumping. Strictly speaking, the term "warm blood" refers to any cross between cold-blooded and hot-blooded breeds. Examples include breeds such as the Irish Draught or the Cleveland Bay. The term was once used to refer to breeds of light riding horse other than Thoroughbreds or Arabians, such as the Morgan horse.

 

Sleep patterns

When horses lie down to sleep, others in the herd remain standing, awake, or in a light doze, keeping watch.

Horses are able to sleep both standing up and lying down. In an adaptation from life in the wild, horses are able to enter light sleep by using a "stay apparatus" in their legs, allowing them to doze without collapsing. Horses sleep better when in groups because some animals will sleep while others stand guard to watch for predators. A horse kept alone will not sleep well because its instincts are to keep a constant eye out for danger.

 

Unlike humans, horses do not sleep in a solid, unbroken period of time, but take many short periods of rest. Horses spend four to fifteen hours a day in standing rest, and from a few minutes to several hours lying down. Total sleep time in a 24-hour period may range from several minutes to a couple of hours, mostly in short intervals of about 15 minutes each. The average sleep time of a domestic horse is said to be 2.9 hours per day.

 

Horses must lie down to reach REM sleep. They only have to lie down for an hour or two every few days to meet their minimum REM sleep requirements. However, if a horse is never allowed to lie down, after several days it will become sleep-deprived, and in rare cases may suddenly collapse as it involuntarily slips into REM sleep while still standing. This condition differs from narcolepsy, although horses may also suffer from that disorder.

 

Taxonomy and evolution

The horse adapted to survive in areas of wide-open terrain with sparse vegetation, surviving in an ecosystem where other large grazing animals, especially ruminants, could not. Horses and other equids are odd-toed ungulates of the order Perissodactyla, a group of mammals dominant during the Tertiary period. In the past, this order contained 14 families, but only three—Equidae (the horse and related species), Tapiridae (the tapir), and Rhinocerotidae (the rhinoceroses)—have survived to the present day.

 

The earliest known member of the family Equidae was the Hyracotherium, which lived between 45 and 55 million years ago, during the Eocene period. It had 4 toes on each front foot, and 3 toes on each back foot. The extra toe on the front feet soon disappeared with the Mesohippus, which lived 32 to 37 million years ago. Over time, the extra side toes shrank in size until they vanished. All that remains of them in modern horses is a set of small vestigial bones on the leg below the knee, known informally as splint bones. Their legs also lengthened as their toes disappeared until they were a hooved animal capable of running at great speed. By about 5 million years ago, the modern Equus had evolved. Equid teeth also evolved from browsing on soft, tropical plants to adapt to browsing of drier plant material, then to grazing of tougher plains grasses. Thus proto-horses changed from leaf-eating forest-dwellers to grass-eating inhabitants of semi-arid regions worldwide, including the steppes of Eurasia and the Great Plains of North America.

 

By about 15,000 years ago, Equus ferus was a widespread holarctic species. Horse bones from this time period, the late Pleistocene, are found in Europe, Eurasia, Beringia, and North America. Yet between 10,000 and 7,600 years ago, the horse became extinct in North America. The reasons for this extinction are not fully known, but one theory notes that extinction in North America paralleled human arrival. Another theory points to climate change, noting that approximately 12,500 years ago, the grasses characteristic of a steppe ecosystem gave way to shrub tundra, which was covered with unpalatable plants.

 

Wild species surviving into modern times

Three tan-colored horses with upright manes. Two horses nip and paw at each other, while the third moves towards the camera. They stand in an open, rocky grassland, with forests in the distance.

 

Main article: Wild horse

A truly wild horse is a species or subspecies with no ancestors that were ever successfully domesticated. Therefore, most "wild" horses today are actually feral horses, animals that escaped or were turned loose from domestic herds and the descendants of those animals. Only two wild subspecies, the tarpan and the Przewalski's horse, survived into recorded history and only the latter survives today.

 

The Przewalski's horse (Equus ferus przewalskii), named after the Russian explorer Nikolai Przhevalsky, is a rare Asian animal. It is also known as the Mongolian wild horse; Mongolian people know it as the taki, and the Kyrgyz people call it a kirtag. The subspecies was presumed extinct in the wild between 1969 and 1992, while a small breeding population survived in zoos around the world. In 1992, it was reestablished in the wild by the conservation efforts of numerous zoos. Today, a small wild breeding population exists in Mongolia. There are additional animals still maintained at zoos throughout the world.

 

The question of whether the Przewalski's horse was ever domesticated was challenged in 2018 when DNA studies of horses found at Botai culture sites revealed captured animals with DNA markers of an ancestor to the Przewalski's horse. The study concluded that the Botai animals appear to have been an independent domestication attempt and apparently unsuccessful, as these genetic markers do not appear in modern domesticated horses. However, the question of whether all Przewalski's horses descend from this population is also unresolved, as only one of seven modern Przewalski's horses in the study shared this ancestry.

 

The tarpan or European wild horse (Equus ferus ferus) was found in Europe and much of Asia. It survived into the historical era, but became extinct in 1909, when the last captive died in a Russian zoo. Thus, the genetic line was lost. Attempts have been made to recreate the tarpan, which resulted in horses with outward physical similarities, but nonetheless descended from domesticated ancestors and not true wild horses.

 

Periodically, populations of horses in isolated areas are speculated to be relict populations of wild horses, but generally have been proven to be feral or domestic. For example, the Riwoche horse of Tibet was proposed as such, but testing did not reveal genetic differences from domesticated horses. Similarly, the Sorraia of Portugal was proposed as a direct descendant of the Tarpan on the basis of shared characteristics, but genetic studies have shown that the Sorraia is more closely related to other horse breeds, and that the outward similarity is an unreliable measure of relatedness.

 

Other modern equids

Main article: Equus (genus)

Besides the horse, there are six other species of genus Equus in the Equidae family. These are the ass or donkey, Equus asinus; the mountain zebra, Equus zebra; plains zebra, Equus quagga; Grévy's Zebra, Equus grevyi; the kiang, Equus kiang; and the onager, Equus hemionus.

 

Horses can crossbreed with other members of their genus. The most common hybrid is the mule, a cross between a "jack" (male donkey) and a mare. A related hybrid, a hinny, is a cross between a stallion and a "jenny" (female donkey). Other hybrids include the zorse, a cross between a zebra and a horse. With rare exceptions, most hybrids are sterile and cannot reproduce.

 

Main articles: History of horse domestication theories and Domestication of the horse

Domestication of the horse most likely took place in central Asia prior to 3500 BCE. Two major sources of information are used to determine where and when the horse was first domesticated and how the domesticated horse spread around the world. The first source is based on palaeological and archaeological discoveries; the second source is a comparison of DNA obtained from modern horses to that from bones and teeth of ancient horse remains.

 

The earliest archaeological evidence for the domestication of the horse comes from sites in Ukraine and Kazakhstan, dating to approximately 4000–3500 BCE. By 3000 BCE, the horse was completely domesticated and by 2000 BCE there was a sharp increase in the number of horse bones found in human settlements in northwestern Europe, indicating the spread of domesticated horses throughout the continent. The most recent, but most irrefutable evidence of domestication comes from sites where horse remains were interred with chariots in graves of the Sintashta and Petrovka cultures c. 2100 BCE.

 

A 2021 genetic study suggested that most modern domestic horses descend from the lower Volga-Don region. Ancient horse genomes indicate that these populations influenced almost all local populations as they expanded rapidly throughout Eurasia, beginning about 4,200 years ago. It also shows that certain adaptations were strongly selected due to riding, and that equestrian material culture, including Sintashta spoke-wheeled chariots spread with the horse itself.

 

Domestication is also studied by using the genetic material of present-day horses and comparing it with the genetic material present in the bones and teeth of horse remains found in archaeological and palaeological excavations. The variation in the genetic material shows that very few wild stallions contributed to the domestic horse, while many mares were part of early domesticated herds. This is reflected in the difference in genetic variation between the DNA that is passed on along the paternal, or sire line (Y-chromosome) versus that passed on along the maternal, or dam line (mitochondrial DNA). There are very low levels of Y-chromosome variability, but a great deal of genetic variation in mitochondrial DNA. There is also regional variation in mitochondrial DNA due to the inclusion of wild mares in domestic herds. Another characteristic of domestication is an increase in coat color variation. In horses, this increased dramatically between 5000 and 3000 BCE.

 

Before the availability of DNA techniques to resolve the questions related to the domestication of the horse, various hypotheses were proposed. One classification was based on body types and conformation, suggesting the presence of four basic prototypes that had adapted to their environment prior to domestication. Another hypothesis held that the four prototypes originated from a single wild species and that all different body types were entirely a result of selective breeding after domestication. However, the lack of a detectable substructure in the horse has resulted in a rejection of both hypotheses.

 

Main article: Feral horse

Feral horses are born and live in the wild, but are descended from domesticated animals. Many populations of feral horses exist throughout the world. Studies of feral herds have provided useful insights into the behavior of prehistoric horses, as well as greater understanding of the instincts and behaviors that drive horses that live in domesticated conditions.

 

There are also semi-feral horses in many parts of the world, such as Dartmoor and the New Forest in the UK, where the animals are all privately owned but live for significant amounts of time in "wild" conditions on undeveloped, often public, lands. Owners of such animals often pay a fee for grazing rights.

 

Main articles: Horse breed, List of horse breeds, and Horse breeding

The concept of purebred bloodstock and a controlled, written breed registry has come to be particularly significant and important in modern times. Sometimes purebred horses are incorrectly or inaccurately called "thoroughbreds". Thoroughbred is a specific breed of horse, while a "purebred" is a horse (or any other animal) with a defined pedigree recognized by a breed registry. Horse breeds are groups of horses with distinctive characteristics that are transmitted consistently to their offspring, such as conformation, color, performance ability, or disposition. These inherited traits result from a combination of natural crosses and artificial selection methods. Horses have been selectively bred since their domestication. An early example of people who practiced selective horse breeding were the Bedouin, who had a reputation for careful practices, keeping extensive pedigrees of their Arabian horses and placing great value upon pure bloodlines. These pedigrees were originally transmitted via an oral tradition. In the 14th century, Carthusian monks of southern Spain kept meticulous pedigrees of bloodstock lineages still found today in the Andalusian horse.

 

Breeds developed due to a need for "form to function", the necessity to develop certain characteristics in order to perform a particular type of work. Thus, a powerful but refined breed such as the Andalusian developed as riding horses with an aptitude for dressage. Heavy draft horses were developed out of a need to perform demanding farm work and pull heavy wagons. Other horse breeds had been developed specifically for light agricultural work, carriage and road work, various sport disciplines, or simply as pets. Some breeds developed through centuries of crossing other breeds, while others descended from a single foundation sire, or other limited or restricted foundation bloodstock. One of the earliest formal registries was General Stud Book for Thoroughbreds, which began in 1791 and traced back to the foundation bloodstock for the breed. There are more than 300 horse breeds in the world today.

 

Interaction with humans

Worldwide, horses play a role within human cultures and have done so for millennia. Horses are used for leisure activities, sports, and working purposes. The Food and Agriculture Organization (FAO) estimates that in 2008, there were almost 59,000,000 horses in the world, with around 33,500,000 in the Americas, 13,800,000 in Asia and 6,300,000 in Europe and smaller portions in Africa and Oceania. There are estimated to be 9,500,000 horses in the United States alone. The American Horse Council estimates that horse-related activities have a direct impact on the economy of the United States of over $39 billion, and when indirect spending is considered, the impact is over $102 billion. In a 2004 "poll" conducted by Animal Planet, more than 50,000 viewers from 73 countries voted for the horse as the world's 4th favorite animal.

 

Communication between human and horse is paramount in any equestrian activity; to aid this process horses are usually ridden with a saddle on their backs to assist the rider with balance and positioning, and a bridle or related headgear to assist the rider in maintaining control. Sometimes horses are ridden without a saddle, and occasionally, horses are trained to perform without a bridle or other headgear. Many horses are also driven, which requires a harness, bridle, and some type of vehicle.

 

Main articles: Equestrianism, Horse racing, Horse training, and Horse tack

Historically, equestrians honed their skills through games and races. Equestrian sports provided entertainment for crowds and honed the excellent horsemanship that was needed in battle. Many sports, such as dressage, eventing, and show jumping, have origins in military training, which were focused on control and balance of both horse and rider. Other sports, such as rodeo, developed from practical skills such as those needed on working ranches and stations. Sport hunting from horseback evolved from earlier practical hunting techniques. Horse racing of all types evolved from impromptu competitions between riders or drivers. All forms of competition, requiring demanding and specialized skills from both horse and rider, resulted in the systematic development of specialized breeds and equipment for each sport. The popularity of equestrian sports through the centuries has resulted in the preservation of skills that would otherwise have disappeared after horses stopped being used in combat.

 

Horses are trained to be ridden or driven in a variety of sporting competitions. Examples include show jumping, dressage, three-day eventing, competitive driving, endurance riding, gymkhana, rodeos, and fox hunting. Horse shows, which have their origins in medieval European fairs, are held around the world. They host a huge range of classes, covering all of the mounted and harness disciplines, as well as "In-hand" classes where the horses are led, rather than ridden, to be evaluated on their conformation. The method of judging varies with the discipline, but winning usually depends on style and ability of both horse and rider. Sports such as polo do not judge the horse itself, but rather use the horse as a partner for human competitors as a necessary part of the game. Although the horse requires specialized training to participate, the details of its performance are not judged, only the result of the rider's actions—be it getting a ball through a goal or some other task. Examples of these sports of partnership between human and horse include jousting, in which the main goal is for one rider to unseat the other, and buzkashi, a team game played throughout Central Asia, the aim being to capture a goat carcass while on horseback.

 

Horse racing is an equestrian sport and major international industry, watched in almost every nation of the world. There are three types: "flat" racing; steeplechasing, i.e. racing over jumps; and harness racing, where horses trot or pace while pulling a driver in a small, light cart known as a sulky. A major part of horse racing's economic importance lies in the gambling associated with it.

 

Work

There are certain jobs that horses do very well, and no technology has yet developed to fully replace them. For example, mounted police horses are still effective for certain types of patrol duties and crowd control. Cattle ranches still require riders on horseback to round up cattle that are scattered across remote, rugged terrain. Search and rescue organizations in some countries depend upon mounted teams to locate people, particularly hikers and children, and to provide disaster relief assistance. Horses can also be used in areas where it is necessary to avoid vehicular disruption to delicate soil, such as nature reserves. They may also be the only form of transport allowed in wilderness areas. Horses are quieter than motorized vehicles. Law enforcement officers such as park rangers or game wardens may use horses for patrols, and horses or mules may also be used for clearing trails or other work in areas of rough terrain where vehicles are less effective.

 

Although machinery has replaced horses in many parts of the world, an estimated 100 million horses, donkeys and mules are still used for agriculture and transportation in less developed areas. This number includes around 27 million working animals in Africa alone. Some land management practices such as cultivating and logging can be efficiently performed with horses. In agriculture, less fossil fuel is used and increased environmental conservation occurs over time with the use of draft animals such as horses. Logging with horses can result in reduced damage to soil structure and less damage to trees due to more selective logging.

 

Main article: Horses in warfare

Horses have been used in warfare for most of recorded history. The first archaeological evidence of horses used in warfare dates to between 4000 and 3000 BCE, and the use of horses in warfare was widespread by the end of the Bronze Age. Although mechanization has largely replaced the horse as a weapon of war, horses are still seen today in limited military uses, mostly for ceremonial purposes, or for reconnaissance and transport activities in areas of rough terrain where motorized vehicles are ineffective. Horses have been used in the 21st century by the Janjaweed militias in the War in Darfur.

 

Entertainment and culture

Modern horses are often used to reenact many of their historical work purposes. Horses are used, complete with equipment that is authentic or a meticulously recreated replica, in various live action historical reenactments of specific periods of history, especially recreations of famous battles. Horses are also used to preserve cultural traditions and for ceremonial purposes. Countries such as the United Kingdom still use horse-drawn carriages to convey royalty and other VIPs to and from certain culturally significant events. Public exhibitions are another example, such as the Budweiser Clydesdales, seen in parades and other public settings, a team of draft horses that pull a beer wagon similar to that used before the invention of the modern motorized truck.

 

Horses are frequently used in television, films and literature. They are sometimes featured as a major character in films about particular animals, but also used as visual elements that assure the accuracy of historical stories. Both live horses and iconic images of horses are used in advertising to promote a variety of products. The horse frequently appears in coats of arms in heraldry, in a variety of poses and equipment. The mythologies of many cultures, including Greco-Roman, Hindu, Islamic, and Germanic, include references to both normal horses and those with wings or additional limbs, and multiple myths also call upon the horse to draw the chariots of the Moon and Sun. The horse also appears in the 12-year cycle of animals in the Chinese zodiac related to the Chinese calendar.

 

Horses serve as the inspiration for many modern automobile names and logos, including the Ford Pinto, Ford Bronco, Ford Mustang, Hyundai Equus, Hyundai Pony, Mitsubishi Starion, Subaru Brumby, Mitsubishi Colt/Dodge Colt, Pinzgauer, Steyr-Puch Haflinger, Pegaso, Porsche, Rolls-Royce Camargue, Ferrari, Carlsson, Kamaz, Corre La Licorne, Iran Khodro, Eicher, and Baojun. Indian TVS Motor Company also uses a horse on their motorcycles & scooters.

 

Therapeutic use

People of all ages with physical and mental disabilities obtain beneficial results from an association with horses. Therapeutic riding is used to mentally and physically stimulate disabled persons and help them improve their lives through improved balance and coordination, increased self-confidence, and a greater feeling of freedom and independence. The benefits of equestrian activity for people with disabilities has also been recognized with the addition of equestrian events to the Paralympic Games and recognition of para-equestrian events by the International Federation for Equestrian Sports (FEI). Hippotherapy and therapeutic horseback riding are names for different physical, occupational, and speech therapy treatment strategies that use equine movement. In hippotherapy, a therapist uses the horse's movement to improve their patient's cognitive, coordination, balance, and fine motor skills, whereas therapeutic horseback riding uses specific riding skills.

 

Horses also provide psychological benefits to people whether they actually ride or not. "Equine-assisted" or "equine-facilitated" therapy is a form of experiential psychotherapy that uses horses as companion animals to assist people with mental illness, including anxiety disorders, psychotic disorders, mood disorders, behavioral difficulties, and those who are going through major life changes. There are also experimental programs using horses in prison settings. Exposure to horses appears to improve the behavior of inmates and help reduce recidivism when they leave.

 

Products

Horses are raw material for many products made by humans throughout history, including byproducts from the slaughter of horses as well as materials collected from living horses.

 

Products collected from living horses include mare's milk, used by people with large horse herds, such as the Mongols, who let it ferment to produce kumis. Horse blood was once used as food by the Mongols and other nomadic tribes, who found it a convenient source of nutrition when traveling. Drinking their own horses' blood allowed the Mongols to ride for extended periods of time without stopping to eat. The drug Premarin is a mixture of estrogens extracted from the urine of pregnant mares (pregnant mares' urine), and was previously a widely used drug for hormone replacement therapy. The tail hair of horses can be used for making bows for string instruments such as the violin, viola, cello, and double bass.

 

Horse meat has been used as food for humans and carnivorous animals throughout the ages. Approximately 5 million horses are slaughtered each year for meat worldwide. It is eaten in many parts of the world, though consumption is taboo in some cultures, and a subject of political controversy in others. Horsehide leather has been used for boots, gloves, jackets, baseballs, and baseball gloves. Horse hooves can also be used to produce animal glue. Horse bones can be used to make implements. Specifically, in Italian cuisine, the horse tibia is sharpened into a probe called a spinto, which is used to test the readiness of a (pig) ham as it cures. In Asia, the saba is a horsehide vessel used in the production of kumis.

 

Main article: Horse care

Checking teeth and other physical examinations are an important part of horse care.

Horses are grazing animals, and their major source of nutrients is good-quality forage from hay or pasture. They can consume approximately 2% to 2.5% of their body weight in dry feed each day. Therefore, a 450-kilogram (990 lb) adult horse could eat up to 11 kilograms (24 lb) of food. Sometimes, concentrated feed such as grain is fed in addition to pasture or hay, especially when the animal is very active. When grain is fed, equine nutritionists recommend that 50% or more of the animal's diet by weight should still be forage.

 

Horses require a plentiful supply of clean water, a minimum of 38 to 45 litres (10 to 12 US gal) per day. Although horses are adapted to live outside, they require shelter from the wind and precipitation, which can range from a simple shed or shelter to an elaborate stable.

 

Horses require routine hoof care from a farrier, as well as vaccinations to protect against various diseases, and dental examinations from a veterinarian or a specialized equine dentist. If horses are kept inside in a barn, they require regular daily exercise for their physical health and mental well-being. When turned outside, they require well-maintained, sturdy fences to be safely contained. Regular grooming is also helpful to help the horse maintain good health of the hair coat and underlying skin.

 

Climate change

As of 2019, there are around 17 million horses in the world. Healthy body temperature for adult horses is in the range between 37.5 and 38.5 °C (99.5 and 101.3 °F), which they can maintain while ambient temperatures are between 5 and 25 °C (41 and 77 °F). However, strenuous exercise increases core body temperature by 1 °C (1.8 °F)/minute, as 80% of the energy used by equine muscles is released as heat. Along with bovines and primates, equines are the only animal group which use sweating as their primary method of thermoregulation: in fact, it can account for up to 70% of their heat loss, and horses sweat three times more than humans while undergoing comparably strenuous physical activity. Unlike humans, this sweat is created not by eccrine glands but by apocrine glands. In hot conditions, horses during three hours of moderate-intersity exercise can loss 30 to 35 L of water and 100g of sodium, 198 g of choloride and 45 g of potassium. In another difference from humans, their sweat is hypertonic, and contains a protein called latherin, which enables it to spread across their body easier, and to foam, rather than to drip off. These adaptations are partly to compensate for their lower body surface-to-mass ratio, which makes it more difficult for horses to passively radiate heat. Yet, prolonged exposure to very hot and/or humid conditions will lead to consequences such as anhidrosis, heat stroke, or brain damage, potentially culminating in death if not addressed with measures like cold water applications. Additionally, around 10% of incidents associated with horse transport have been attributed to heat stress. These issues are expected to worsen in the future.

 

African horse sickness (AHS) is a viral illness with a mortality close to 90% in horses, and 50% in mules. A midge, Culicoides imicola, is the primary vector of AHS, and its spread is expected to benefit from climate change. The spillover of Hendra virus from its flying fox hosts to horses is also likely to increase, as future warming would expand the hosts' geographic range. It has been estimated that under the "moderate" and high climate change scenarios, RCP4.5 and RCP8.5, the number of threatened horses would increase by 110,000 and 165,000, respectively, or by 175 and 260%

Three hundred Pontypridd students to put politicians on the spot

03 November 2011

 

Four National Assembly Members will be put on the spot on Friday 4 November when around 300 sixth-form students take part in a “Question Time” event at Hawthorn High School in Pontypridd.

Mick Antoniw AM, Andrew RT Davies AM, Eluned Parrot AM and Leanne Wood AM will be questioned by the students – who are from three Pontypridd secondary schools - on topics including recycling, health, the economy, education and the environment.

The event will be chaired by Dilwyn Young-Jones, South Wales Education Outreach Officer for the National Assembly.

 

www.assemblywales.org/newhome/new-news-fourth-assembly.ht...

 

Gwleidyddion i gael eu holi gan 300 o fyfyrwyr o Bontypridd

3 Tachwedd 2011

 

Ddydd Gwener 4 Tachwedd, bydd 300 o fyfyrwyr chweched dosbarth yn holi pedwar Aelod Cynulliad mewn digwyddiad yn Ysgol Uwchradd Hawthorn ym Mhontypridd.

Bydd y myfyrwyr, sy’n dod o dair ysgol uwchradd ym Mhontypridd, yn holi Mick Antoniw AC, Andrew RT Davies AC, Eluned Parrot AC a Leanne Wood AC ar bynciau a fydd yn cynnwys ailgylchu, iechyd, yr economi, addysg a’r amgylchedd.

Caiff y digwyddiad ei gadeirio gan Dilwyn Young-Jones, swyddog allgymorth addysg y Cynulliad Cenedlaethol yn ne Cymru.

 

www.assemblywales.org/cy/newhome/new-news-fourth-assembly...

A few pictures from the Reebok x Ciroc event I was chosen to shoot at. Thanks again to Reebok for giving me this opportunity!

 

rjhfoto.com

Over 1,500 people attended the Worcester, MA TeaParty protest on April 15, 2009

World Bank Group President Jim Yong Kim takes questions and answers while talking to employees at Facebook in New York City on September 24, 2015. Photo © Dominic Chavez/World Bank

 

Photo ID: JYK_Final_011

  

You can see from the paths that cover the hillside, that this is yak country. Nepalese stone walls fascinate me. (I am allowed to be fascinated by stone walls, because I have built a few in my time!) The walls I have built have been to keep sheep in/out, and have to be solid, with face stone on either side and fill/rubble in between. These walls are only one stone thick/wide. If a yak scratched his bum on one it would fall over. I guess they don’t! Scratch their bums I mean. They (the Nepalese, not the yaks) also don’t seem to go in for gates in their gateways, which rather begs the question - What’s the point of the whole exercise?

His 10th anniversary gift may have been the new haircut from me, but Ezra also asked for a very special gift - it just took a little time to set it up :)

 

Part of the Question of the Moment bulletin board set, “Would You Rather Dance with Your Parents or Spill Your Entire Lunch on Yourself in Front of the Whole School?”

Big Questions for Artificial General Intelligence

 

2. Can abstract knowledge representation serve as an adequate foundation for the adaptive creation of context-specific knowledge representations?

(and if so, what kind?)

 

From the opening session: Review of AI and AGI Past Present and Future by Ben Goertzel of Novamente at the The First Conference on Artificial General Intelligence (AGI-08) Ben Goertzel was one of the conference organizers and is a driving force in the AGI community.

  

Artificial General Intelligence (AGI) research focuses on the original and ultimate goal of AI -- to create intelligence as a whole, by exploring all available paths, including theoretical and experimental computer science, cognitive science, neuroscience, and innovative interdisciplinary methodologies. AGI is also called Strong AI in the AI community.

 

Another good reference is Artificial General Intelligence : A Gentle Introduction by Pei Wang

  

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www.twitter.com/Memoire2cite #recherche #archives #Banlieue #socialhousing #logement #Collectif #Copropriété #Habitation #Habitat #HLM #Quartier #Béton #immeuble #Cité #Moderne #Europe #World #Mémoire2Cité #Mémoire2Ville @ Les 30 Glorieuses . com l' #Urbanisme d'Antan, et ses belles cartes postales @ mais aussi les clichés d'Archilaid, comme les "prix citron" de la France moche.. ou encore la laideur architecturale en Françe et Ailleurs. Dans le triste sillage des cités de banlieue construites ds les années 50, 60, 70... @ l'apres guerre.. dans l'urbanisation massive des territoires via l'industrialisation du logement @ le Logement Collectif* 50,60,70's dans tous ses états..Histoire & Mémoire de l'Habitat / Rétro-Villes / HLM / Banlieue / Renouvellement Urbain / Urbanisme @ De grandes barres d’immeubles, appelées les grands ensembles, sont le symbole de nos banlieues. Entrée Libre revient sur le phénomène de destruction de ces bâtiments banlieue89 ANRU1 ANRU2 bientot ANRU3 @ le Renouvellement urbain, la rénovation urbaine, des "Ensembles Tout Béton" qui reflètent aujourd’hui la misere www.youtube.com/watch?v=mCqHBP5SBiM L'urbanisation à marche forcée des années 60 est devenue synonyme de bétonnage et d'enlaidissement. Dans L'Express du 23 août 1971 @ "La loi du 7 juillet dernier relative à la liberté de la création, à l'architecture et au patrimoine a ainsi créé un label spécifique permettant de veiller sur cet héritage architectural récent, que le Comité du patrimoine mondial de l'Unesco vient lui aussi de mettre en lumière", ajoute la ministre de la Culture.

Pas un village, dans la plus reculée des provinces, qui ne soit atteint. C'est comme une lèpre qui, peu à peu, prolifère sur l'épiderme du paysage urbain français. Un des plus beaux du monde, disait-on. Agressive médiocrité des bâtiments publics, des écoles, des postes, des administrations, monotonie concentrationnaire des grands ensembles, prétention et passéisme débile des maisons individuelles : le bilan architectural des dix dernières années est, en France, catastrophique. Jamais on n'a autant construit. Jamais si mal, si pauvre, si triste. A de rares exceptions. Cela devient si flagrant à la lumière de l'été, que même l'O.r.t.f. s'en est ému. Après Vivre aujourd'hui, l'émission de Jacques Frémontier (dimanche, consacrée à "la rue"), La France défigurée, de Michel Péricart et Louis Bériot, a donné l'alerte : par milliers, des témoignages ont afflué. Les Français prennent conscience du mal et s'interrogent : "Comment, pourquoi, en est-on arrivé là ?" Spéculation Que "cet avachissement, cet avilissement de la qualité architecturale", comme le définit M. Michel Denieul, directeur de l'Architecture au ministère des Affaires culturelles, ne soit pas l'exclusivité de la France, personne ne le conteste. Le monde entier connaît un malaise architectural. Après avoir, des siècles durant, bâti pour le seigneur, le prince, le mécène, l'architecture ne sait pas encore bâtir pour la masse, le peuple, "l'innombrable", comme le dit l'architecte Emile Aillaud. En Grande-Bretagne, en Allemagne, en Italie, aux Etats-Unis, aussi, elle tâtonne. Ce n'est pas une consolation. Ni une raison suffisante pour admettre comme une fatalité la piètre architecture française. Ni pour excuser ceux qui l'ont laissée pousser comme les mauvaises graines, à tous les vents. Le premier des responsables, avant les architectes dépassés (voir page suivante l'opinion de Pierre Schneider) et les promoteurs avides, c'est l'Etat. Qui, par le jeu des servitudes, des permis de construire, etc., contrôle et, le plus souvent, paralyse la totalité de ce qui se bâtit en France. Qui est lui-même le premier client des architectes, le premier maître d'ouvrage des nouveaux édifices (hôpitaux, écoles, logements sociaux). Qui, à ce titre, aurait pu, et ne l'a pas fait, promouvoir une politique de l'habitation qui soit une politique d'embellissement. "Construire beaucoup, c'est une occasion d'embellir", dit Bertrand de Jouvenel.Au lieu de cela, que voit-on, en dépit de la réaction amorcée depuis quelques années par le ministère des Affaires culturelles ? La médiocrité primée, la création handicapée, la spéculation triomphante. Les grands ensembles sont une erreur, mais nous ne savons pas pourquoi. Colin Davidson, professeur à l'Ecole d'architecture de l'université de Montréal.Dans un vieux pays comme la France, pour lutter contre la laideur, il y a deux méthodes : une stratégie de choc qui favorise la qualité architecturale ; une stratégie défensive qui prévient la détérioration du patrimoine ancien. La première n'a jamais été définie. Comment s'étonner des résultats ? On ne s'est même jamais soucié d'en jeter les bases en pratiquant une politique d'urbanisme conséquente. "Une ville comme Paris, dit M. Denieul, se caractérise par une propension à accorder les permis de construire, quand ils sont demandés, au coup par coup. Et cela, faute de documents d'urbanisme suffisamment précis, souples et contraignants en même temps."Appréciation Contre ce système du n'importe quoi, n'importe où, n'importe comment, M. André Malraux avait voulu réagir. Il avait demandé à l'architecte urbaniste Gaston Leclaire d'étudier l'aménagement du quartier de la rotonde de La Villette, et spécialement des abords du bassin, appelé à devenir le pôle d'attraction d'un site urbain peu connu et insolite. L'étude a été menée à terme, mais ses conclusions sont restées lettre morte. De telles études, faites systématiquement, auraient pu freiner bien des désastres, non seulement à Paris, mais sur la Côte d'Azur, autre victime notoire d'une urbanisation désordonnée. Et servir de tremplin à une architecture raisonnée, sinon réussie, alors que celle dont nous souffrons n'est ni l'un ni l'autre. C'est aussi M. André Malraux qui, par la loi du 4 août 1962, dite des secteurs sauvegardés, tenta de consolider la stratégie défensive. De fait, à l'intérieur des quartiers préservés, au voisinage des monuments historiques on ne peut construire ni détruire n'importe quoi. Un immeuble tout en verre où se reflète la cathédrale d'Amiens ? Soit : le mélange des siècles n'est pas prohibé, au contraire, c'est la vie même des villes. A condition que les deux architectures soient, comme c'est le cas, bien intégrées l'une à l'autre. La R.a.t.p., en revanche, n'a pas reçu le droit de construire sur les quais de la Seine, déjà si meurtris, une tour de bureaux qui viendrait s'inscrire entre celles de Notre-Dame. Il y aurait donc sauvegarde sans le drame des dérogations laissées à l'appréciation des administrations. A cause d'une de ces dérogations, va s'élever, rue de l'Université, l'immeuble de bureaux réservé aux membres de l'Assemblée nationale. On le verra, de la place de la Concorde, se profiler derrière les deux étages de l'hôtel de Lassay, résidence du président de l'Assemblée. Dérogation aussi pour la barre massive des immeubles de Maine-Montparnasse et la tour de 200 m qui les couronnera : quand la maquette fut présentée devant la Commission des sites, un ministre et cinq préfets étaient présents pour l'appuyer de leur autorité politique. Il n'y eut pour ainsi dire pas de discussion. Quant à la tour de la Halle aux vins, autre pont aux ânes architectural, c'est l'enfant bâtard d'un grand projet : une flèche hélicoïdale, construite par l'architecte Edouard Albert, et couverte de mosaïque par Georges Braque. Hélas ! Albert et Braque sont morts, et les Parisiens n'ont sous les yeux que la tour sans génie d'Henri Coulomb. Bénédiction A Strasbourg, c'est le maire lui-même, M. Pierre Pflimlin, qui s'est obstiné à permettre la construction, à deux pas de la cathédrale, d'un complexe immobilier de 60 m de haut et de plus de 60 millions de Francs. La Commission départementale des sites, les Monuments historiques, la direction départementale de l'Equipement ont émis un avis défavorable. Les P.t.t. aussi, car cette tour fera écran aux liaisons hertziennes entre Strasbourg et Paris. Rien n'y a fait. M. Pflimlin a gagné. Les P.t.t. devront déplacer le relais de leurs ondes hertziennes, situé à Saverne, et la flèche rose de la cathédrale, point de ralliement de toute l'Alsace, se verra fâcheusement disputer le ciel. La Côte d'Azur regorge, hélas ! d'exemples tout aussi significatifs. Le dernier en date n'est pas le moins accablant. A Mandelieu-La Napoule, sur un terre-plein de 10 ha gagné sur la mer, vient d'être construit un "complexe" d'une quinzaine d'immeubles, hauts de sept étages, et d'une médiocrité affligeante, qui dépare un des plus beaux panoramas de la Côte, entre le massif de l'Esterel et les îles de Lérins. Avant de voir le jour, ce projet a reçu toutes les bénédictions officielles. Quinze organismes différents ont été consultés par le Conseil municipal, et, parmi eux, la Commission des sites. Pas un souffle de protestation ne s'est élevé. L'affaire est remontée à Paris. Finalement, le ministre de l'Equipement lui-même a signé le permis de construire et la concession d'endigage du port. Aujourd'hui, l'Association pour la défense des sites de Cannes et des environs distribue la photo du chantier à des milliers d'exemplaires. "Ce que nous voulons empêcher désormais." Et Mme Louise Moreau, élue maire de La Napoule aux dernières élections, est formelle : "Si, alors, j'avais été maire, je n'aurais jamais permis cela."

Répétition D'une part, l'Etat protège peu ou mal, d'autre part, loin de promouvoir la recherche et la qualité, il impose les normes d'une architecture concentrationnaire. Ainsi par le système des Cos (Coefficients d'occupation des sols), dans Paris et dans les grandes villes, où la pression de la rentabilité est énorme, on construit au maximum, même si c'est dépourvu de toute plausibilité, même si, du point de vue architectural. c'est une hérésie. "Il faudrait, dit M. Denieul, créer des zones de discontinuité : des Cos de 3 à un endroit, et, à d'autres, des Cos de 0 à 5, ce qui donnerait au faciès urbain un modelé, un relief. Au lieu de cela, le mot d'ordre est de 'bourrer' partout. Et le XVIe arrondissement de Paris, entre autres victimes, devient un immense chantier où se multiplient les surélévations intempestives." A quoi M. Jean Chapon, directeur du cabinet de M. Albin Chalandon, rétorque : "Il faut bâtir au maximum, sinon, où logera-t-on les milliers de gens qui affluent dans les villes ?" On touche, ici, au coeur du problème. Parce que les besoins étaient immenses et impérieux, on a construit beaucoup. Très vite. Sans se préoccuper du plaisir de vivre des futurs habitants. Comme si un environnement harmonieux était un luxe, cet environnement que les arbres et les champs fournissaient naturellement aux gens d'autrefois. Comme si l'on ne savait pas que la laideur monotone sécrète l'ennui, la morosité, le désespoir. Était-il impossible, au même prix, de construire bien ? Les réussites d'Emile Aillaud, par exemple, à Grigny-la-Grande-Borne, ou de Michel Andrault et de Pierre Parat à Sainte-Geneviève-des-Bois prouvent le contraire. Même avec les crédits limités des H.l.m., même en respectant les normes étouffantes de l'urbanisme réglementaire, on peut créer des habitations à l'échelle de l'homme, du paysage, des architectures favorables à la détente et au bien-être. Ce n'est pas une question de crédits, ni de servitudes ni de préfabrication. C'est une question d'audace, d'invention. Malheureusement, les inventeurs, en cette époque de conformisme, sont rares, et on les encourage peu. Sauf dans les cas où l'obstination d'un créateur a réussi à vaincre les résistances pour modeler un univers vraiment neuf, on s'est contenté d'additionner, de juxtaposer les machines à vivre, les cités dortoirs, de confondre industrialisation et répétition, fonctionnalisme et monotonie. Multiplication "Quand je me promène autour de Paris, disait, peu de temps avant sa mort, le grand architecte américain Richard Neutra, j'ai l'impression que ceux qui bâtissent n'ont jamais été à l'école maternelle. Ils ne savent pas où le soleil se lève, ni où il se couche. Ils ont oublié que l'homme a besoin de chlorophylle comme les arbres et d'espace comme les oiseaux. Ils ne savent faire que des prisons." Le ministère de l'Equipement, pour sa part, est fier d'avoir mis au point un catalogue de grands ensembles --boîtes géantes et tours de tous calibres -- qui permet aux maires et aux offices d'H.l.m. de choisir sur photos et sur plans des immeubles types, spécialement étudiés par des architectes (certains sont renommés) qui en garantissent la qualité de la fabrication et le prix. Au ministère de l'Education nationale qui, à lui seul, dépense 3 milliards par an pour construire 4 millions de m2 (un C.e.s. par jour), on prône la préfabrication (sauf dans les établissements de l'enseignement supérieur). Chaque année, parmi les propositions des trente-cinq entreprises agréées, qui se sont engagées à ne pas dépasser le prix plafond de 520 Francs le m2, on choisit trois ou quatre types nouveaux de C.e.s. On les expérimente en petite série l'année suivante. Puis, on se lance dans la fabrication industrielle. En soi, le système pourrait être bon. S'il n'aboutissait pas à la multiplication de bâtiments déprimants. Même à Cajarc (Lot), cher à M. Georges Pompidou, le C.e.s. offense la vue. L'Education nationale, à qui incombe, entre autres tâches, le soin de former l'oeil et le goût des enfants, ne s'en émeut pas. "Elle n'accepte, dit un haut fonctionnaire, aucun conseil, et se drape dans sa dignité de gros consommateur d'architecture." Subvention Le ministère de l'Agriculture n'agit pas avec plus de discernement. Il n'impose pas de modèles. Mais les prix plafonds des bâtiments agricoles ont été calculés si bas (en partant de la tôle ondulée et du parpaing non enduit) que l'agriculteur qui souhaiterait construire convenablement ne peut le faire, sans risquer de perdre le bénéfice de la subvention. Ainsi, la campagne française s'est couverte peu à peu de bergeries et d'étables qu'on dirait échappées de bidonvilles. Aucun site n'est épargné. Ni la Bretagne ni la Lozère. Si le classement de Colombey-les-Deux-Eglises n'était pas intervenu à temps, un hangar de tôle ondulée serait venu boucher la perspective historique qui s'étend devant la Boisserie... Une grande part de ces diverses calamités est due à l'incompétence des maîtres d'ouvrage - fonctionnaires et élus - desquels dépend la commande publique. "Le sens de l'architecture est aussi rare chez eux que le bon sens", disait quelqu'un qui les pratique. Et Raymonde Moulin, dans sa récente étude sur l'Etat et les architectes, l'a noté : "L'intérêt pour la qualité architecturale appartient sinon à l'ordre du rêve, du moins de ce qui peut être considéré comme un hasard heureux." Les promoteurs privés ne sont pas plus royalistes que le roi. Pas plus que l'Etat, ils ne se soucient d'apporter aux Français le plaisir que procure un heureux agencement de l'espace. Pour la plupart, ils se contentent d'appâter avec du clinquant - baies vitrées, travertin dans le hall, céramique dans la salle de bains - et offrent des immeubles de (faux) prestige, mal insonorisés, mal compris, étriqués, qui n'ont que de lointains rapports avec l'architecture, même s'ils portent des signatures connues.

Impulsion Peut-on enrayer l'épidémie de laideur ? Alertés par les avertissements de la Commission du VIe Plan, les Pouvoirs publics semblent vouloir secouer leur torpeur. Pas question de définir une politique. "On ne peut imposer une architecture officielle, comme en U.R.S.S., se défend M. Chapon. Nous sommes en pays de liberté." Mais on éprouve la nécessité d'agir. Premier essai de stratégie dynamique : le plan-construction, lancé, en mai, conjointement par MM. Chalandon, Jacques Duhamel et François-Xavier Ortoli. Son objectif avoué : rechercher un habitat qui réponde mieux au besoin de l'homme d'aujourd'hui. En fait, il s'agit de trouver des remèdes à l'échec des grands ensembles.

 

Au ministère des Affaires culturelles, dans la même foulée réformatrice on prépare deux projets de loi : l'un sur la profession d'architecte, l'autre sur les conditions de la commande publique. Toujours sous l'impulsion de M. Duhamel, la Fondation de France finance un concours d'architecture agricole qui sera lancé à l'automne en Franche-Comté, en Bourgogne et en Bretagne. Enfin, une étude a été menée pour voir de quelle façon on pourrait, dès l'école maternelle, sensibiliser les enfants aux problèmes de volumes et d'espaces. Il reste à convaincre l'Education nationale d'inscrire cet enseignement nouveau à ses programmes.A la direction de l'Architecture, malgré les faibles moyens financiers dont il dispose, M. Denieul souhaite influer plus directement sur la qualité de la construction, en développant les services de la création architecturale. Dans les trente prochaines années, la France va construire autant de logements qu'il en existe actuellement. Il est temps de se souvenir que le degré de civilisation d'un peuple se juge à la qualité des édifices qu'il laisse à la postérité. "La France n'est ni belle ni laide", Vasarely "La France n'est ni belle ni laide. C'est le point de vue où nous nous plaçons qui décide. Celui qui se promène à New York ne voit qu'une ville chaotique et sale. Mais si, le soir, on arrive de l'aéroport, on découvre les gratte-ciel illuminés qui émergent au-dessus du fog. C'est un spectacle inoubliable. La Courneuve ou Sarcelles, vues d'avion, présentent des aspects intéressants.""Remédier à la laideur est une tâche extrêmement complexe qui se place sur d'innombrables plans, sociologiques, psychologiques, esthétiques. Le gouvernement actuel est favorable à l'esthétique, mais peut-on imposer la beauté comme on a imposé la vaccination obligatoire ? Actuellement on construit partout des habitations du genre clapier. Ce phénomène est universel. Sarcelles et Saint-Denis ressemblent à Sydney ou à Tokyo." Le droit à la beauté, par Pierre Schneider Le mot "esthétique" a mauvaise presse. Mais l'esthétique, dans la bouche des architectes, c'est ce que font les autres... En réalité, jamais l'architecture n'a été plus préoccupée de beauté. Elle peut prendre les formes les plus diverses. Ici, elle est dans l'intense présence d'un édifice ; là, dans un agencement heureux de l'espace obtenu par des moyens insignifiants. Tantôt harmonieuse, tantôt agressive. L'élégance du chemin le plus court, mais aussi l'extravagance du chemin des écoliers : Ludwig Mies Van der Rohe ne nie pas Antonio Gaudi. L'essentiel est de ne pas se soumettre passivement aux idées reçues, d'exprimer son temps - fût-ce en s'efforçant de le réorienter. "Lorsqu'une oeuvre est à son maximum d'intensité, de proportions, de qualité d'exécution, de perfection, il se produit un phénomène d'espace indicible, les lieux se mettent à rayonner, physiquement. C'est du domaine de l'ineffable." Cette définition du beau est due au père du fonctionnalisme : Edouard Le Corbusier. L'absence de volonté créatrice se traduit par des formes inertes. Et l'inertie démoralise. Le jour n'est pas loin où le plus fanatique des technocrates sera contraint d'inclure le droit à la beauté dans ses frais généraux. A quelques exceptions près, l'histoire de l'architecture moderne - celle du dernier quart de siècle, surtout - ne s'est pas écrite en France. Pourquoi ? La raison la plus évidente est qu'elle n'a pas voulu ou su produire des architectes. La faute en incombe, en premier lieu, à l'Ecole des beaux-arts. La formation, ou plutôt la déformation qu'elle dispensait à ses élèves, était, depuis cent cinquante ans, résolument passéiste : on se référait à Versailles ou au Parthénon, oubliant que leur pouvoir de fascination venait de ce qu'ils avaient été, en leur temps, des bâtiments modernes. Le premier travail des élèves utilisant l'acier, le verre, fut présenté à l'Ecole en 1950.Vers 1956, un groupe d'élèves qui proposaient à Nicolas Untersteller, directeur de l'Ecole, d'organiser une exposition Mies Van der Rohe, s'entendirent répondre : "Je ne connais pas cette demoiselle." Un promoteur définit assez brutalement le produit de cet enseignement figé : "Les architectes ? Ils se croient des artistes. Ils ignorent la vie." Effectivement, l'Ecole n'a pas su assimiler la révolution industrielle. Vers 1840, un divorce s'opère entre architecte et ingénieur. Le premier n'a que mépris pour le second. Lorsque, au début du siècle, Fulgence Bienvenüe, ingénieur en chef du métropolitain, veut enseigner aux élèves de l'Ecole la technique du béton armé, ceux-ci le chahutent au cri de : "Tu nous prends pour des entrepreneurs ?" Bibliothèque nationale, Halles de Baltard, viaduc de Garabit - les chefs-d'oeuvre de la construction industrielle du XIXe siècle sont si peu considérés comme de l'architecture, que le premier d'entre eux à avoir été classé monument historique fut la tour Eiffel. Depuis quelques générations, les architectes apprenaient les techniques modernes, mais comme un mal nécessaire. "Un tuyau, ça se cache", dit l'un d'eux. Ils acceptaient de construire une usine ou une H.l.m. - il faut bien vivre - mais leur rêve restait de bâtir pour un prince. Aucune place n'était faite, dans l'enseignement, à l'économie, à la sociologie - en un mot à la donnée humaine qui est à la fois le grand problème de l'époque et sa chance de renouvellement : les nombres. Que pèsent ces rêveurs anachroniques en face de gens qui ont le sens des réalités - ceux-là mêmes qui les font travailler : les promoteurs ? Rien. Dans les pays anglo-saxons, l'architecte est respecté ; chez nous, c'est le pauvre type qui oublie un escalier. Un promoteur explique : "Comment je choisis un architecte ? C'est simple : je prends celui qui fait ce que je veux." Et ce qu'il veut, c'est ce qui se vend, c'est-à-dire le "standing". Il n'y a pas de grand architecte sans grand client, note l'architecte Michel Bezançon. Or, à l'encontre des Etats-Unis ou de l'Italie, en France, l'architecture ne se vend pas comme image de marque." M. Claude Alphandéry, P.d.g. de la Banque de la construction et des travaux publics, confirme : "Les gens d'affaires français ne considèrent pas encore l'architecture comme le bon signe extérieur de la réussite." Créer, dans ces conditions, tient du miracle. L'architecture abdique ou se condamne à périr de faim. Dans le secteur public, l'accueil à l'architecture vivante n'est pas meilleur que dans le privé. L'architecte, pour faire aboutir un projet, doit avoir l'obstination des personnages de Kafka. Un disciple connu de Le Corbusier se voit refuser une commande parce que, selon les mots du financier désolé, "il n'a personne dans sa manche". Savoir se débrouiller est plus important que savoir créer. "Le secteur public est démembré en parties qui doivent négocier entre elles", explique M. Alphandéry. D'excellentes réalisations, toutes dues à la volonté d'individus, soulignent d'autant plus cruellement la formidable indifférence des hommes politiques (qu'ils soient de droite ou de gauche) et des technocrates à "la dimension poétique". Les ministres se préoccupent de pouvoir proclamer à la fin de l'année qu'on a construit tant de logis, mais II ne vient à l'idée de personne de supposer que ces logis devraient, en toute justice, tomber sous le coup de la loi qui interdit de déposer des ordures sur la voie publique. Pourtant, il est des raisons d'espérer. La principale est l'apparition d'une génération d'architectes pour qui l'industrie n'est plus l'ennemi - pas plus que la panacée - mais un instrument. Un instrument qui, bien utilisé, peut libérer l'architecture de ses servitudes. Ici et là, surgissent des bâtiments, des ensembles dont la réussite démontre qu'aujourd'hui les contraintes techniques et budgétaires ne sont plus que l'alibi facile des médiocres. L'imagination est humainement nécessaire. Elle est techniquement possible. A nous de savoir l'exiger. www.lexpress.fr/culture/1971-architecture-et-urbanisme-la... Métamorphoses des villes : d'hier à aujourd'hui L'oeuvre de Le Corbusier classée au patrimoine mondial de l'Unesco Marseille, d'hier à aujourd'hui Lille d'hier à aujourd'hui... www.lexpress.fr/culture/en-images-l-oeuvre-de-le-corbusie... Dix-sept réalisations de l'architecte franco-suisse, dont dix situées en France, sont désormais inscrites au patrimoine mondial de l'organisation. Une proposition adoptée par consensus et sans changement par le comité en charge du classement. La troisième aura été la bonne. Après deux tentatives infructueuses, l'oeuvre architecturale de Le Corbusier a été inscrite au Patrimoine mondial, a annoncé dimanche l'Unesco. La décision a été prise lors de la 40e session du Comité du patrimoine mondial de l'Unesco à Istanbul. Cette réunion a été suspendue samedi en raison de la tentative de putsch militaire, avant de reprendre dimanche matin. Le classement porte sur dix-sept réalisations de l'architecte franco-suisse dans sept pays. Dix d'entre elles sont situées en France. Parmi elles figure la Maison de la Culture de Firminy A ces réalisations s'ajoutent les Maisons La Roche et Jeanneret à Paris, la Villa Savoye et loge du jardinier à Poissy, l'Immeuble locatif à la Porte Molitor à Boulogne-Billancourt, la Manufacture à Saint-Dié-des-Vosges, le couvent Sainte-Marie-de-la-Tourette à Eveux. Le Corbusier : hommage au virtuose de la modernité www.cotemaison.fr/chaine-d/deco-design/le-corbusier-un-ar... frontières françaises, d'autres créations de Le Corbusier ont également été classées. L'immeuble Clarté à Genève, la petite villa au bord du lac Léman à Corseaux (Suisse), la maison Guiette à Anvers (Belgique), les maisons de la Weissenhof-Siedlung à Stuttgart (Allemagne), la Maison du Docteur Curutchet à La Plata (Argentine), le musée national des beaux-Arts de l'Occident à Taito-Ku à Tokyo (Japon) et le complexe du capitole à Chandighar (Inde)."Cette bonne nouvelle survient après plus de dix ans de travail, de concertation et deux échecs", s'est félicité dans un communiqué Benoît Cornu, premier adjoint à Ronchamp (Haute-Saône), qui préside depuis 2016 l'Association des Sites Le Corbusier créée en 2010. Le Corbusier: hommage au virtuose de la modernité Interrogé par Le Monde, le même interlocuteur considère que Icomos, le Conseil international des monuments et des sites, avait par le passé jugé la série proposé "trop pléthorique et éclectique, et surtout, déploré l'absence du site de Chandigarh en Inde, qui révélait la dimension urbanistique de l'oeuvre". En intégrant ce site qui comprend un quartier, sa maison de la culture, son stade, sa piscine et son église -le plus grand conçu par l'architecte- les promoteurs du dossier de candidature ont tiré parti des expériences passées. La ministre de la Culture et de la Communication, Audrey Azoulay, s'est réjouie de la décision de l'Unesco, en relevant qu'elle soulignait "l'importance de la préservation et de la valorisation du patrimoine récent, de moins de cent ans". l'architecture moderne au rang d'art majeur. L'occasion de revisiter son oeuvre architecturale avec notamment la Cité radieuse à Marseille, sans oublier son parcours de peintre et de designer. L'Express Styles est aussi parti à la rencontre d'artistes comme India Mahdavi ou Ora-ïto qui s'en sont inspirés... Découverte ! L'architecte de tous les possibles est aussi celui de tous les paradoxes. Mort en eaux troubles - on a retrouvé son corps noyé sur la plage de Roquebrune-Cap-Martin le 27 août 1965 -, Le Corbusier est, aussi, l'homme solaire qui a accouché de la Cité radieuse et un "visionnaire persuadé de pouvoir apporter la joie de vivre", affirme Sylvie Andreu, directrice de collection du livre Cher Corbu... (1). Cinq décennies après sa disparition, son aura continue de briller et son héritage est intact, de la villa Savoye, à Poissy (Yvelines), à l'unité d'habitation de Firminy (Loire), en passant par la chapelle de Ronchamp en Franche- Comté ou la ville nouvelle de Chandigarh en Inde. Et pourtant, l'homme n'a pas que des admirateurs... La Cité radieuse à Marseille.La Cité radieuse à Marseille.SDP La ville nouvelle de Chandigarh, en Inde, construite en 1947.La ville nouvelle de Chandigarh, en Inde, construite en 1947.Narinder Nanu/AFP

Critiquant ses excès et sa mégalomanie, ses détracteurs lui reprochent également, encore aujourd'hui, son approche fonctionnaliste trop radicale et d'être à l'origine de l'urbanisme des banlieues. Autant dire que le mystère autour de Charles-Edouard Jeanneret- Gris, dit Le Corbusier - né en Suisse en 1887 -, reste entier. Qui était vraiment cet autodidacte insatiable et obstiné dont l'oeuvre attend toujours son classement à l'Unesco, au titre de sa "contribution exceptionnelle au mouvement moderne"? Un virtuose de l'architecture bien qu'il n'ait pas le diplôme (il a quitté l'école à 13 ans) ? Un grand designer ? Un peintre compulsif ("Le dessin est fait avant que je ne l'aie pensé") ? Un sculpteur majeur ?

De toute évidence, un artiste surdoué et protéiforme "qui a profon dément marqué le XXe siècle et bouleversé notre façon d'habiter, explique Sylvie Andreu. Il sera guidé toute sa vie par l'esprit nouveau de son époque et n'au ra de cesse de combattre les conservatismes". A partir du 29 avril 2015, l'exposition du Centre Pompidou propose une relecture de ses créations - plus de 300 dessins, tableaux, sculptures, photos, meubles, dont certaines pièces réalisées dès 1923 avec Pierre Jeanneret... - qui seront présentées via le prisme de la mesure du corps humain. La villa Savoye (1928-1931), à PoissyLa villa Savoye (1928-1931), à PoissyArcaid/Corbis

Empreinte du modulor dans le béton, visible a Rezé (Loire-Atlantique)Empreinte du modulor dans le béton, visible a Rezé (Loire-Atlantique)SDP "L'homme a toujours été au centre de ses préoccupations, explique Jacques Sbriglio, architecte urbaniste et commissaire de l'exposition organisée à Marseille, en 2013, Le Corbusier et la question du brutalisme. Il a inventé un langage et fait basculer l'architecture dans le XXe siècle. Chacune de ses réalisations inter - rogeait le rapport de l'homme aux usages quotidiens. Quand il dessinait les plans d'une ville, il indiquait l'échelle, mais aussi le temps de déplacement d'un point à un autre." Et Olivier Cinqualbre, commissaire de l'exposition du Centre Pompidou, d'ajouter : "La cellule d'habitation pensée par Le Corbusier est petite mais pratique, à taille humaine. Pour épouser les mouvements du corps, le mobilier devient réglable (dès 1929), modulable ou encastrable." La chapelle Notre-Dame-du-Haut (1950-1955), à RonchampLa chapelle Notre-Dame-du-Haut (1950-1955), à RonchampCalle Montes/Photononstop

Avant-gardiste, ce bâtisseur souhaite libérer l'individu des contraintes, du mal-logement, de l'inconfort. Car, ne l'oublions pas, au lendemain de la guerre, chaque mètre carré compte! Pour modifier la perception des volumes, il use en plus de couleurs franches. Là aussi, il connaît sa palette... Depuis qu'il s'est installé à Paris en 1917, il peint tous les jours et manie le nuancier avec finesse. Voilà qui explique sans doute qu'il ait autant d'influence auprès des créateurs tous azimuts : designers et stylistes de mode! La preuve, ci-contre, en cinq témoignages... . Le Corbusier. Mesures de l'homme, du 29 avril au 3 août 2015, Centre Pompidou, Paris (IVe), www.centre pompidou.fr

Chandigarh, 50 ans après Le Corbusier, du 11 novembre 2015 au 14 mars 2016 à la Cité de l'architecture et du patrimoine, Paris (XVIe). www.citechaillot.fr

 

"Cher Corbu" Recueil de témoignages de 12 architectes contemporains sur le grand homme, dans lequel chacun lui écrit une lettre."Cher Corbu" Recueil de témoignages de 12 architectes contemporains sur le grand homme, dans lequel chacun lui écrit une lettre.SDP

 

(1) Cher Corbu..., un ouvrage collectif qui recueille le témoignage de 12 architectes contemporains sur le grand homme : de Paul Chemetov à Odile Decq en passant par Elisabeth de Portzamparc ou Claude Parent, qui lui ont chacun écrit une lettre. Bernard Chauveau éd., 48 p., 22,50 ?

Ils se sont inspirés du Corbusier...India Mahdavi, amoureuse d'innovation

India Mahdavi, architecte d'intérieur et designer. Vient de terminer le restaurant I Love Paris pour Guy Martin.India Mahdavi, architecte d'intérieur et designer. Vient de terminer le restaurant I Love Paris pour Guy Martin.SDP

L'Express Styles : Que représente pour vous le Corbusier ?

India Mahdavi : C'est un révolutionnaire et un provocateur, qui a fait renaître l'architecture moderne en mettant l'homme au centre de la vie et de la ville. Il a eu l'intelligence de s'interroger sur les modes de vie des gens bien avant tout le monde. Son rapport aux proportions m'a imprégnée. Sur mes chantiers, j'utilise aussi le Modulor. Ses références sont devenues les miennes. Il a cassé les normes bourgeoises de l'habitat. L'Express Styles : En quoi a-t-il inspiré vos créations ? India Mahdavi : J'aime beaucoup sa façon d'appliquer la couleur en aplats pour redessiner les volumes, rythmer les espaces, marquer les perspectives. C'était un formidable coloriste. L'ouvrage Le Corbusier. Polychromies architecturalesest d'ailleurs une de mes bibles. Il référence toutes les nuances et permet, grâce à une réglette, de les associer harmonieusement. C'est un outil dont je me sers sur tous mes chantiers.

L'Express Styles : Quelle est pour vous la pièce ou le bâtiment culte ? India Mahdavi : Le tabouret à poignées, en chêne, qu'il a conçu pour son cabanon, d'après une caisse à whiskys. On peut évidemment s'asseoir dessus, mais on peut surtout l'empiler pour séparer une pièce, le transformer en chevet ou en table basse. Il n'y a pas de meuble qui résume mieux son oeuvre. Le Corbusier : hommage au virtuose de la modernitéSDP Ora-ïto et sa fascination pour la minutie

Ora-ïto, architecte designer. Propriétaire du toit terrasse de la Cité radieuse à Marseille.Ora-ïto, architecte designer. Propriétaire du toit terrasse de la Cité radieuse à Marseille.SDP L'Express Styles : Que représente pour vous Le Corbusier ? Ora-ïto : Il est l'inventeur de la modernité. Pour chacune de ses réalisations, il a établi un vrai scénario de vie. La Cité radieuse en est le plus bel exemple. Tout y est pensé au millimètre près et à bonne hauteur grâce au Modulor-une grille de mesures qu'il a inventée et représentée par la silhouette d'un homme debout, le bras levé. C'était aussi un obsessionnel. D'ailleurs, quand il érige cette unité d'habitation, on le surnomme le "Fada". Mais il reste un grand monsieur qui m'a beaucoup influencé.

L'Express Styles : En quoi a-t-il inspiré vos créations ?

Ora-ïto : Je ne suis pas habité par Corbu, mais imprégné de ses concepts. Sa rigueur, sa façon d'organiser les espaces en lien avec les modes de vie et sa simplicité restent des valeurs essentielles. C'est le Steve Job de l'architecture !

L'Express Styles : Quelle est pour vous la pièce ou le bâtiment culte ? Ora-ïto : La villa Savoye à Poissy. Art déco, cette première maison de week-end est spectaculaire : une "boîte en l'air" montée sur pilotis, qui a tout pour elle. Elle est lumineuse, élégante et intemporelle.

Le Corbusier : hommage au virtuose de la modernitéSDP

Pierre Charpin, sensibilité des couleurs Pierre Charpin, designer. Prépare une exposition pour la galerie Kréo à Londres.Pierre Charpin, designer. Prépare une exposition pour la galerie Kréo à Londres.SDPL'Express Styles : Que représente pour vous Le Corbusier ?Pierre Charpin : Ce n'est pas un maître à penser, mais un grand architecte et aussi un étonnant plasticien doué d'une sensibilité aux formes hors pair. La chapelle de Ronchamp - tout en courbes et en harmonie avec le paysage - en est un des plus beaux exemples, le contraire d'un bâtiment standardisé. L'Express Styles : En quoi a-t-il inspiré vos créations ? Pierre Charpin : Je ne sais pas s'il m'a influencé, mais son travail sur les couleurs m'a beaucoup intéressé. Il utilise une gamme de coloris plus subtile et sophistiquée que celle des primaires. Comme lui, je n'aime pas les fausses couleurs et les demi-teintes, ni les objets trop lisses. J'apprécie sa façon d'appréhender le béton, notamment à la Cité radieuse. Il en a fait une surface vivante et pas si brutale que ça ! Pour y avoir séjourné, je suis frappé par la sophistication et la simplicité de ce grand vaisseau. Corbu fait partie, avec Sottsass, des gens qui comptent pour moi. C'est à la fois un théoricien et un être très sensible. L'Express Styles : Quelle est pour vous la pièce ou le bâtiment culte ? Pierre Charpin : Son cabanon de Roquebrune-Cap-Martin, de 3,66 mètres sur 3,66, est un modèle d'intelligence : il a optimisé chaque centimètre carré. Cette réalisation démontre à quel point il était libre. Eux aussi l'apprécient... Jérome Dreyfuss, créateur de sacs"Mes grands-parents étant les voisins de Jean Prouvé, à Nancy ; j'ai été sensible, très jeune, à l'architecture et à Corbu, qui a toujours eu une longueur d'avance. A chaque problème il trouvait une solution. Il avait cette capacité d'inventer des concepts et des principes de construction. Il était à la fois rationnel et créatif. Quand j'ai aménagé mon cabanon à Fontainebleau, j'ai optimisé chaque mètre carré. Chaque objet a sa fonction et sa raison d'être." www.jerome-dreyfuss.com Frédérique Dessemond, créatrice de la marque de bijoux Ginette NY "Je vis aujourd'hui à New York mais j'ai grandi - juqu'à 28 ans - à la Cité radieuse, dont je garde un souvenir ému. On vivait en autarcie, entre copains, c'était mieux que le Club Med ! Les appartements étaient très lumineux, remarquablement bien étudiés. J'ai conçu ma future boutique [66, rue des Saints-Pères, Paris VIe] à partir du Modulor. Et mes bijoux sont simples, faciles à vivre et sans ostentation, comme l'étaient ses réalisations." www.ginette-ny.com - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

Official Trailer - the Pruitt-Igoe Myth: an Urban History

www.youtube.com/watch?v=g7RwwkNzF68 - la dérive des continents youtu.be/kEeo8muZYJU Et la disparition des Mammouths - RILLIEUX LA PAPE & Dynacité - Le 23 février 2017, à 11h30, les tours Lyautey étaient foudroyées. www.youtube.com/watch?v=W---rnYoiQc …

Ginger CEBTP Démolition, filiale déconstruction du Groupe Ginger, a réalisé la maîtrise d'oeuvre de l'opération et produit les études d'exécution. L'emblématique ZUP Pruitt Igoe. vaste quartier HLM (33 barres de 11 étages) de Saint-Louis (Missouri) USA. démoli en 1972 www.youtube.com/watch?v=nq_SpRBXRmE … "Life is complicated, i killed people, smuggled people, sold people, but perhaps in here.. things will be different." ~ Niko Bellic - cité Balzac, à Vitry-sur-Seine (23 juin 2010).13H & Boom, quelques secondes plus tard, la barre «GHJ», 14 étages et 168 lgts, s’effondrait comme un château de cartes sous les applaudissements et les sifflets, bientôt enveloppés dans un nuage de poussière. www.youtube.com/watch?v=d9nBMHS7mzY … - "La Chapelle" Réhabilitation thermique de 667 logements à Andrézieux-Bou... youtu.be/0tswIPdoVCE - 11 octobre 1984 www.youtube.com/watch?v=Xk-Je1eQ5po …

DESTRUCTION par explosifs de 10 tours du QUARTIER DES MINGUETTES, à LYON. les tours des Minguettes ; VG des tours explosant et s'affaissant sur le côté dans un nuage de fumée blanche ; à 13H15, nous assistons à l'explosion de 4 autres tours - St-Etienne Métropole & Montchovet - la célèbre Muraille de Chine ( 540 lgts 270m de long 15 allees) qui était à l'époque en 1964 la plus grande barre HLM jamais construit en Europe. Après des phases de rénovation, cet immeuble a été dynamité en mai 2000 www.youtube.com/watch?v=YB3z_Z6DTdc … - PRESQU'ILE DE GENNEVILLIERS...AUJOURD'HUI...DEMAIN... (LA video içi parcours.cinearchives.org/Les-films-PRESQU-ILE-DE-GENNEVI... … ) Ce film de la municipalité de Gennevilliers explique la démarche et les objectifs de l’exposition communale consacrée à la presqu’île, exposition qui se tint en déc 1972 et janvier 1973 - le mythe de Pruitt-Igoe en video içi nextcity.org/daily/entry/watch-the-trailer-for-the-pruitt... … - 1964, quand les loisirs n’avaient (deja) pas le droit de cité poke @Memoire2cite youtu.be/Oj64jFKIcAE - Devenir de la ZUP de La Paillade youtu.be/1qxAhsqsV8M v - Regard sur les barres Zum' youtu.be/Eow6sODGct8 v - MONTCHOVET EN CONSTRUCTION Saint Etienne, ses travaux - Vidéo Ina.fr www.ina.fr/video/LXF99004401 … via - La construction de la Grande Borne à Grigny en 1969 Archive INA www.youtube.com/watch?time_continue=12&v=t843Ny2p7Ww (discours excellent en seconde partie) -David Liaudet : l'image absolue, c'est la carte postale" phothistory.wordpress.com/2016/04/27/david-liaudet-limage... … l'architecture sanatoriale Histoire des sanatoriums en France (1915-1945). Une architecture en quête de rendement thérapeutique..

passy-culture.com/wp-content/uploads/2009/10/Les-15-Glori... … … & hal.archives-ouvertes.fr/tel-01935993/document … explosion des tours Gauguin Destruction par implosion des Tours Gauguin (quartier de La Bastide) de Limoges le dimanche 28 novembre 2010 à 11 heures. Limoges 28/11/2010 youtu.be/cd0ln4Nqqbs … 42 Roanne - c'etait le 11 novembre 2013 - Souvenirs des HLM quartier du Parc... Après presque 45 minutes de retard, les trois dernières tours Chanteclair sont tombées. Le tir prévu etait à 11h14 La vidéo içi www.leprogres.fr/loire/2013/11/01/roanne-les-3-dernieres-... … … www.leprogres.fr/loire/2013/11/01/roanne-une-vingtaine-de... …Besançon (25) - la Nouvelle cité d'HLM La Planoise en 1960 avec la video des premiers habitants de Planoise en juin 1968 www.youtube.com/watch?v=LVKAkJSsCGk … … … archive INA … BEGIN Japanology - les utopies de l'extreme et Kenzo Tange l'architecte japonnais - la video içi www.youtube.com/watch?v=ZlAOtYFE4GM … 71 les Prés Saint-Jean a Chalon-sur-Saône - L'Implosion des 3 tours HLM de 15 etages le 5 décembre 2009 par FERRARI DEMOLITION içi www.youtube.com/watch?v=oDsqOjQJS8E … … … & là www.youtube.com/watch?v=ARQYQLORBBE … 21 DIJON Cité des Grésilles - c'etait l'implosion de la residençe HLM Paul Bur le 19 02 2010 www.youtube.com/watch?v=fAEuaq5mivM … … & la www.youtube.com/watch?v=mTUm-mky-sw … 59 - la technique dite du basculement - Destruction de l'immeuble Rhone a Lille avec pleins de ralentit içi video-streaming.orange.fr/actu-politique/destruction-de-l... … 21 Chenôve (le GRAND DIJON) - Implosion de la barre François RUDE le 3 nov 2010 (top video !!) www.youtube.com/watch?v=ClmeXzo3r5A … …Quand l histoire çe repete et çe repetera autant de fois que nesçessaire quand on voie la quantitée de barres 60 70's...dans le collimateur de l'ANRU2.. 77 MEAUX 3 grandes tours..& puis s'en vont.. Démolition Pierre Collinet Batiment Genêt, Hortensia et Iris - Reportage Journal le 26 juin 2011 youtu.be/fpPcaC2wRIc 71 CHALON SUR SAONE C'etait les Prés Saint Jean le 05 décembre 2009 , pour une implosion hlm hors du commun !!! Caméra mise à même le sol , à une vingtaine de mètres de la première tour .... www.youtube.com/watch?v=kVlC9rYU-gs … 78 les MUREAUX le 3 octobre 2010 ,Les dernières minutes de la Tour Molière aux Mureaux (Yvelines) et sa démolition par semi-foudroyage, filmés du quartier de la Vigne Blanche. www.youtube.com/watch?v=u2FDMxrLHcw …71 MACON LES GRANDES PERRIERES C'etait un 30 juin 2013, avec l'implosion de la barre HLM des Perrières par GINGER www.youtube.com/watch?v=EzYwTcCGUGA … … une video exceptionnelle ! c'etait Le Norfolk Court un ensemble résidentiel, le Norfolk Court, construit dans les années 1970, a été démoli à Glasgow en Ecosse le 9 mai 2016 . Il rate la démolition d'un immeuble au tout dernier moment LES PASSAGERS DU BUS EN PROFITE A SA PLAçE lol www.20minutes.fr/tv/t-as-vu/237077-il-rate-la-demolition-... … 69 LYON Quand La Duchère disait adieu à sa barre 230 le jeudi 2 juillet 2015 www.youtube.com/watch?v=BSwidwLw0NA … www.youtube.com/watch?v=BdLjUAK1oUk … www.youtube.com/watch?v=-DZ5RSLpYrM …Avenir Deconstruction : Foudroyage de 3 barres HLM - VAULX-EN-VELIN (69) www.youtube.com/watch?v=-E02NUMqDno Démolition du quartier Bachelard à Vaulx-en-Velin www.youtube.com/watch?v=DSAEBIYYpXY Démolition des tours du Pré de l'Herpe (Vaulx-en-Velin)

www.youtube.com/watch?v=fG5sD1G-QgU REPORTAGE - En sept secondes, un ensemble de 407 appartements à Vaulx-en-Velin a été détruit à l'explosif dans le cadre du renouvellement urbain... www.youtube.com/watch?v=Js6w9bnUuRM www.youtube.com/watch?v=MCj5D1NhxhI - St-QUENTIN LA ZUP (scic)- NOUMEA - NOUVELLE CALEDONIE historique de la cité Saint-Quentin içi www.agence-concept.com/savoir-faire/sic/

 

www.youtube.com/watch?v=_Gt6STiH_pM …[VIDEOS] Trois tours de la cité des Indes de Sartrouville ont été démolies dans le cadre du plan de rénovation urbaine du quartier Mille quatre cent soixante-deux détonateurs, 312 kilos le 06/06/2010 à 11 heures. la belle video içi www.youtube.com/watch?v=fY1B07GWyDE VIGNEUX-SUR-SEINE, VOTRE HISTOIRE, VOS SOUVENIRS. içi www.youtube.com/watch?v=8o_Ke26mB48 … , Film des Tours et du quartier de la Croix Blanche, de 1966 à 1968. Les Tours en train de finir de se construire, ainsi que le centre commerciale. Destruction de la Tour 21, pour construire de nouveaux HLM... l'UNION SOCIALE POUR L HABITAT fete ses 90 ans "TOUT savoir tout voir, tout connaitre, sur le LOGEMENT SOCIAL des HLM aux HBM avec le Musée HLM" en ligne sur le WEB içi musee-hlm.fr/ www.banquedesterritoires.fr/lunion-sociale-pour-lhabitat-... … içi www.banquedesterritoires.fr/lunion-sociale-pour-lhabitat-... … De grandes barres d’immeubles, appelées les grands ensembles, sont le symbole de nos banlieues. Entrée Libre revient sur le phénomène de destruction de ces bâtiments qui reflètent aujourd’hui la misere www.youtube.com/watch?v=mCqHBP5SBiM twitter.com/Memoire2cite/status/1121877386491043840/photo... Avril 1993, 6 ans après l'implosion de la tour DEBUSSY des 4000, 30% seulement des travaux de rénovation ont été réalisés et le chômage frappe toujours 1/3 des hbts. C'est un échec. A Mantes la Jolie, 6 mois après la destruction des 4 tours du Val Fourré, www.youtube.com/watch?v=ta4kj05KJOM … Banlieue 89, Bacalan à Bordeaux 1986 - Un exemple de rénovation urbaine et réhabilitation de l'habitat dans un des quartiers de Bordeaux La Cité Claveau à BACALAN. A l'initiative du mouvementla video içi www.youtube.com/watch?v=IN0JtGBaA1o … L'assoçiation de ROLLAND CASTRO @ Le Plan Banlieue 89 - mode d'emploi - Archive INA - La video içi. TRANSFORMER LES PAYSAGES URBAINS AVEC UNE APPROCHE CULTURELLE www.youtube.com/watch?v=Aw-_f-bT2TQ … SNCF les EDITIONS DU CABRI PRESENTE PARIS LA BANLIEUE 1960-1980 -La video Içi. www.youtube.com/watch?v=lDEQOsdGjsg … Içi la DATAR en 1000 clichés missionphotodatar.cget.gouv.fr/accueil - Notre Paris, 1961, Réalisation : André Fontaine, Henri Gruel Les archives filmées de la cinémathèque du ministère de 1945 à nos jours içi www.dailymotion.com/video/xgis6v?playlist=x34ije

31 TOULOUSE - le Mirail 1962 réalisation : Mario Marret construction de la ville nouvelle Toulouse le Mirail, commentée par l'architecte urbaniste Georges Candilis le film www.dailymotion.com/video/xn4t4q?playlist=x34ije Il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain.Les films du MRU - Le temps de l'urbanisme, 1962, Réalisation : Philippe Brunet www.dailymotion.com/video/xgj2zz?playlist=x34ije … … … … -Les grands ensembles en images Les ministères en charge du logement et leur production audiovisuelle (1944-1966) MASSY - Les films du MRU - La Cité des hommes, 1966, Réalisation : Fréderic Rossif, Albert Knobler www.dailymotion.com/video/xgiqzr?playlist=x34i - Les films du MRU @ les AUTOROUTES - Les liaisons moins dangereuses 1972 la construction des autoroutes en France - Le réseau autoroutier 1960 Histoire de France Transports et Communications - www.dailymotion.com/video/xxi0ae?playlist=x34ije … - A quoi servaient les films produits par le MRU ministère de la Reconstruction et de l'Urbanisme ? la réponse de Danielle Voldman historienne spécialiste de la reconstruction www.dailymotion.com/video/x148qu4?playlist=x34ije … -les films du MRU - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : la préfabrication en usine, le coffrage glissant... www.dailymotion.com/video/xyjudq?playlist=x34ije … - TOUT SUR LA CONSTRUCTION DE NOTRE DAME LA CATHEDRALE DE PARIS Içi www.notredamedeparis.fr/la-cathedrale/histoire/historique... -MRU Les films - Le Bonheur est dans le béton - 2015 Documentaire réalisé par Lorenz Findeisen produit par Les Films du Tambour de Soie içi www.dailymotion.com/video/x413amo?playlist=x34ije …

archipostcard.blogspot.com/search?updated-max=2009-02-13T... -Créteil.un couple à la niaiserie béate exalte les multiples bonheurs de la vie dans les new G.E. www.youtube.com/watch?v=FT1_abIteFE … La Ville bidon était un téléfilm d'1 heure intitulé La Décharge.Mais la censure de ces temps de présidence Pompidou en a interdit la diffusion télévisuelle - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - Hansjörg Schneider BAUNETZWOCHE 87 über Papiermoderne www.baunetz.de/meldungen/Meldungen_BAUNETZWOCHE_87_ueber_... … - ARCHITECTURE le blog de Claude LOTHIER içi leblogdeclaudelothier.blogspot.com/2006/ - - Le balnéaire en cartes postales autour de la collection de David Liaudet, et ses excellents commentaires.. www.dailymotion.com/video/x57d3b8 -Restaurants Jacques BOREL, Autoroute A 6, 1972 Canton d'AUXERRE youtu.be/LRNhNzgkUcY munchies.vice.com/fr/article/43a4kp/jacques-borel-lhomme-... … Celui qu'on appellera le « Napoléon du prêt-à-manger » se détourne d'ailleurs peu à peu des Wimpy, s'engueule avec la maison mère et fait péricliter la franchise ...que dire de RICARDO BOFFIL Les meilleures balades que j’ai fait autour de Paris je les ai faites dans l’application Plans. Je ne minore pas le rôle de Google Maps, révolution cartographique sans précédent et sans égale, qui aura réalisé nos fantasmes d’Aleph borgesien — l’idée d’un point d’où le monde serait visible en totalité — parachevé Mercator et permis d’explorer des parties du globe inconnues de Cook, Bougainville et Amundsen. Je n’oublie pas non plus cet exercice de cartographie au collège, qui nous avait démontré que nous étions à 3 cartes IGN de la capitale, et que le tissu urbain était de plus en plus serré à mesure que nous avancions vers le nord. Mais Plan possédait une fonctionnalité inédite, le Flyover, technologie à l’origine destinée aux pilotes de chasse, et qui fournissait des rendus 3D spectaculaire des bâtiments survolés — ainsi que des arbres et des déclivités du sol On quittait enfin les champs asphyxiants de la photographie aérienne pour des vues à l’oblique des villes visitées : après un siècle d’écrasement — la photographie aérienne est étroitement contemporaine du bombardement aérien — les villes reprenaient enfin de la vigueur et remontaient vers le ciel. J’avais d’ailleurs effectué moi-même une manœuvre de redressement similaire le jour où j’étais parti, à pied depuis Paris, visiter à Nanterre une exposition sur la photographie aérienne. J’étais à la quête des premières vues de Paris qu’avait prises Nadar depuis un ballon captif. À défaut de ces images, définitivement manquantes, j’avais parcouru, après la Grande Arche, les derniers kilomètres de la Voie Royale, cette prodigieuse perspective historique partie du Louvre — rare exemple de frise chronologique implémentée dans une structure urbanistique.J’avais en réalité un peu dévié de la ligne droite pour aller voir les tours Nuages d’Emile Aillaud, le Facteur Cheval du modernisme, dont je connaissais déjà les autres chefs d’œuvres d'architecture naïve, les nouilles chinoises de Grigny et le spaghetti de Pantin.C’était précisément l’usage que j’avais fait de l’application Plans : j’étais parti à la recherche de tous les groupements de tour qu’elle m’avait permis d’identifier, sur mon iPad. Je les faisais tourner avec deux doigts, comme un éclaireur qui marcherait autour d’un donjon, avant de les immortaliser, sous leur plus bel angle, par une capture d’écran.Un éclaireur autour d’un donjon : c’était exactement cela, qui m’avait fasciné. Les guerres territoriales entre Les Tarterêts de Corbeil et les Pyramides d’Evry avaient marqué mon enfance. La notion de cité, telle qu’elle avait été définie, à partir des années 80, dans le second âge des grands ensembles, l’âge du déclin, avait conservé un cachet médiéval. Ici, vivaient guetteurs et trafiquants, condottieres à la tête d’une écurie de go-fast et entretenant des chenils remplis de mâtins rares et dangereux. Ici, l’État central ne remplissait plus ses tâches régaliennes, ici la modernité laïque était entrée en crise. Mais ce que j’avais découvert, en collectionnant ces captures d’écran, c’était à quel point l’urbanisme de la banlieue parisienne était, strictement, d’obédience médiévale. On était passé, d’un seul mouvement et sans même s’en rendre compte de Château-Gaillard à la Cité 4000, du Donjon de Vincennes aux tours de Sarcelles, du château de Gisors aux choux fleurs de Créteil.J’ai même retrouvé la colonne détruite du désert de Retz dans le babylonien château d’eau de Noisiel.Des hauteurs de Rosny à celle de Chanteloup, du plateau de Clichy à la dalle d’Argenteuil, on avait bizarrement livré des pastiches inconscients de la grande architecture militaire médiévales : les environs de Paris s’étaient retrouvés à nouveau fortifiés, la vieille tour de Montlhéry n’était plus solitaire, et même les immeubles de briques rouges qui avaient succédé à l’enceinte de Thiers évoquaient des murailles.Et ce que j’avais initialement pris pour des anomalies, des accidents malheureux du post-modernisme, les grand ensembles voûtés et cannelés de Ricardo Boffil, étaient peut-être ce qui exprimait le mieux tout cela — ou du moins qui clôturaient avec le génie le plus clair cet âge des grands ensembles.Car c’était cela, ces Carcassonnes, ces Acropoles, ces Atlandides qui surnageaient avec le plus de conviction au milieu des captures d’écrans de ruines médiévales qui s’accumulaient sur mon bureau.Si décriées, dès leur construction, pour leur kitch intolérable ces mégastructures me sont soudain apparues comme absolument nécessaires.Si les Villes Nouvelles n’ont jamais existé, et persisteront dans la mémoire des hommes, elles le doivent à ces rêveries bizarres et grandioses, à ces hybridations impossibles entre les cités idéales de Ledoux et les utopies corbuséennes.L’Aqueduc de Saint-Quentin-en-Yvelines, les Espaces d’Abraxas à Marne-la-Vallée, les Colonnes de Saint-Christophe à Cergy-Pontoise sont les plus belles ruines du Grand Paris. www.franceculture.fr/emissions/la-conclusion/ricardo-bofill immerssion dans le monde du logement social, l'univers des logements sociaux, des H.B.M au H.L.M - Retour sur l'histoire du logement collectif d'apres guerre - En Françe, sur l’ensemble du territoire avant, 4 millions d’immeubles étaient vétustes, dont 500.000 à démolir; au total 10% des logements étaient considérés comme insalubres et 40% réputés d’une qualité médiocre, et surpeuplés. C’est pour ces raisons que, à partir de 1954, le Ministre à la Reconstruction et au Logement évalue le besoin en logements à 2.000.660, devenant ainsi une priorité nationale. Quelques années plus tard à l’appel de l’Abbé Pierre, le journaliste Gilbert Mathieu, en avril 1957 publiait dans le quotidien Le Monde une série d’articles sur la situation dramatique du logement : Logement, notre honte et dénonçant le nombre réduit de logements et leur impitoyable état. Robert Doisneau, Banlieue après-guerre, 1943-1949 /Le mandat se veut triple : reconstruire le parc immobilier détruit durant les bombardements essentiellement du printemps/été 1944, faire face à l’essor démographique et enfin résorber l’habitat insalubre notamment les bidonvilles et les cités de transit. Une ambition qui paraît, dès le début, très élevée, associée à l’industrialisation progressive de la nation entre autre celle du secteur de la construction (voir le vidéo de l’INA du 17 juillet 1957 intitulée La crise du logement, un problème national. Cela dit, l’effort pour l’État français était d’une ampleur jamais vue ailleurs. La double nécessité de construire davantage et vite, est en partie la cause de la forme architecturale excentrique qui constituera les Grands Ensembles dans les banlieues françaises. Cinq caractéristiques permettent de mieux comprendre ce terme : la rupture avec le tissu urbain ancien, un minimum de mille logements, une forme collective (tours, barres) de quatre jusqu’à vingt niveaux, la conception d’appartements aménagés et équipés et enfin une gestion destinée pour la plupart à des bailleurs de logement social.Pour la banlieue parisienne leur localisation s’est opérée majoritairement dans la périphérie, tandis que dans les autres cas, plus de la moitié a été construite dans le centre ville, le plus souvent à la limite des anciens faubourgs. Architecture d’Aujourd’hui n° 46, 1953 p. 58-55 C’est le triomphe de l’urbanisme fonctionnel et rationaliste cher à Le Corbusier. Entre 1958 et 1973, cent quatre-vingt-quinze Zones à Urbaniser en Priorité (ZUP)

Asking a question at Personal Democracy Forum.

Another question is the frame registration. Some say the 120 leader is longer and others say it is shorter than the 220 leader. Since I did not have any 220 film, I cannot say. Let see if we can figure this out... I roll my own 120 film. I have some spare film and some spare backing paper laying around. What I did was run the same roll of 120 film through both the 120 and 220 back. I removed the dark slide and marked the location of each frame. In the photo, the left or blue marking is from the 120 film back. The right or red markings are from the 220 back. I lined up the start marking of the 120 film with the red start marker on both the 120 and 220 back inserts.

 

As you can see, the registration of the 120 and 220 back inserts are fairly close. I would attribute the difference to the positioning of the start mark and the tension of the film. I would say it is quite acceptable and twelve exposures will fit tidily on both the 120 and 220 film back.

 

Myth Busted- 120 Film will register correctly in a 220 film back.

 

- This is part of the set 120 Film in Bronica SQ 220 back. -

And would it have been worth it, after all,

After the cups, the marmalade, the tea,

Among the porcelain, among some talk of you and me,

Would it have been worth while,

To have bitten off the matter with a smile,

To have squeezed the universe into a ball

To roll it toward some overwhelming question,

To say: “I am Lazarus, come from the dead,

Come back to tell you all, I shall tell you all”—

If one, settling a pillow by her head,

Should say: “That is not what I meant at all;

That is not it, at all.”

 

[from "The Love Song of J. Alfred Prufrock" by TS Eliot]

 

what is your one overwhelming question?

i think its TOM

Too easy a quiz question!

 

Yes, it's McKenzie a/k/a McKutey.

 

Injury update: Her cone is off, her stitches will be out in a few more days. Yes, there will be a scar, but I'm hoping for the best. Honorable or not, I don't understand why she couldn't have cut herself on her butt instead of her face!

 

The Persian Zoroastrian tradition is a close cousin to that of the Yezidis’ and it is probable that they have a common origin in the East. Links between the Yezidis and Persians are manifold. They share many rites, including daily Sun worship, and the premier savior-deity of both traditions (Mithra and Tawsi Melek) is a solar god possessing the cock as a sacred animal and Sunday as his sacred day of the week. There is no question Tawsi Melek and his Hindu counterpart, Murugan, are counterparts of the Persian Mithra, whose name denotes “middle” and “harmony,” thus denoting the balance and union of the universal polarity that brought both Murugan and the Peacock Angel into manifestation. Mithra’s common name in Persia was Mihr, a title currently assumed by Tawsi Melek’s premier representative on Earth, the Mir or Yezidi Prince, and an additional link between Mithra and Murugan can be gleened from the name of Mithra’s most sacred annual celebration, the Mihragan ( which takes place exactly same time as most important gathering of Yazidis, during which, as in Mithra rituals, focal point is slaying of a bull )

 

Thus, the connection between Tawsi Melek and Mithra is undeniable, however the Peacock Angel’s most salient Persian counterpart is the primal bird of paradise, the Simurgh, who possesses a dog or dragon head and a huge peacock tail. The Simurgh lives on Mount Elbourz, the

primal sacred mountain at the center of the Earth that serves as an axis mundi uniting Heaven and Earth. Elbourz is, by the way, also said to be the worldly home of Mithra, so perhaps the Simurgh is one of his alternate forms.

The Simurgh was the patron of the lineage of Persian Kings, many of which lived in glorious castles in the Elbourz Mountains in northern Iran. This link was never more evident than during the early Sasanian Dynasty, when the Persian kings adopted the Simurgh as their royal symbol.

According to some Persian legends the Simurgh is, like Tawsi Melek, the Planetary Logos or collective consciousness of all creatures on Earth (see: The Peacock Angel and Theosophy). This truth is illustrated in an old Persian legend known as The Conference of the Birds, during which a flock of birds paid a visit to the Simurgh at his home on Mt. Elbourz. After having a private meeting with the Simurgh each of the birds spoke amongst themselves about their experience. Each shared that gazing at the Simurgh was like looking into a mirror. Each bird saw himself reflected back to him because the Simurgh is the union of them all.

Also reflecting the Peacock Angel, the Simurgh serves the function of the “Green Man,” albeit indirectly. The association can be deduced through the name Simurgh, which is a contraction Saena meregh, meaning the “Saena bird.” In Persian legend it was said that as the Saena bird the Simurgh lived upon the Saena Tree, the world tree, which flourished upon an island in the middle of a cosmic sea known as Lake Vourukasha. Occasionally the Saena bird would flap its wings and spread seeds all over the Earth. These seeds would sprout to become the green vegetation that covered the planet.

 

from [ www.yeziditruth.org/the_peacock_angel ]

 

© Birawar Najm

www.facebook.com/birawar.najm

Birawar2000@gmail.com

Molly’s black belt test begins with a written test, which she’s been studying for for years. Questions include things like who created the Kyokushin style of karate, where, and in what year.

Has is substance ? Or has it to be pulled down ?

Just kidding :D - Don't take it serious! - - - This one was lying around in my archives for toooo long. And I always wanted to post it here.

 

sooc...

 

Copyright © 2011 Stephan Klassen / Styopan. All rights reserved.

Question Mark Butterfly on a flower at the Bio Park

Question from audience. — at Bowling Green State University

Intorno al chiosco abbandonato dell'album precedente, solo degrado ed abbandono. Ironicamente, le ventole industriali continuano a girare ad ogni soffio di vento in un deserto urbano spaventoso. Il titolo dell'album e delle foto è un omaggio ad Ivano Fossati (Ventilazione).

The Weathering Works website complete with more info, pictures and weathering service pricing can be found here... www.theweatheringworks.co.uk

 

The Weathering Works are a custom model railway weathering service. Home to weathered model railway items in all gauges we aim to offer exhibition standard weathering at affordable prices. From steam and diesel locos to wagons and vehicles you can find it all here.

 

The aim of weathering is to give the models a sense of realism that they simply dont have straight out of the box and remove their plastic often toy like appearance. In reality even within a few days of service locos and wagons become dirtied so why not replicate this in model form. From track dirt to exhaust fumes it can all be replicated by TheWeatheringWorks.

 

As well as selling weathered stock direct both on my site and via eBay I also offer a weathering service by which you send me whatever you would like weathering and i send it back to you weathered to your desires.

 

Prices for the weathering service can be found on the Weathering service page of my website. This service varies from a dusting of dirt to reflect stock not long in service to a thoroughly uncared for and dirty piece which has chipped faded paintwork etc. A multitude of colours, techniques and mediums are used to enhance the appearance of your stock.

 

If you have any questions by all means get in touch and i hope you have enjoyed the picture. Thankyou.

“What does love look like?” is the question I’ve been pondering

“What does love look like?”

“What does love look like?” is the question I’ve been asking of You

 

I once believed that love was romance, just a chance

I even thought that love was for the lucky and the beautiful

I once believed that love was a momentary bliss

But love is more than this

All You ever wanted was my attention

All You ever wanted was love from me

All You ever wanted was my affections, to sit here at Your feet

 

Then I sat down, a little frustrated and confused

If all of life comes down to love

Then love has to be more than sentiment

More than selfishness and selfish gain

 

And then I saw Him there, hanging on a tree, looking at me

I saw Him there, hanging on a tree, looking at me

He was looking at me, looking at Him, staring through me

I could not escape those beautiful eyes

And I began to weep and weep

 

He had arms wide open, a heart exposed

Arms wide open; He was bleeding, bleeding

 

Love’s definition, love’s definition was looking at me

Looking at Him, hanging on a tree

I began to weep and weep and weep and weep

 

This is how I know what love is, this is how I know what love is

 

And as I sat there weeping, crying

Those beautiful eyes, full of desire and love

 

He said to me, “You shall love Me, You shall love Me

You shall love Me, You shall love Me”

 

With arms wide open, a heart exposed

With arms wide open, bleeding, sometimes bleeding

 

If anybody’s looking for love in all the wrong places

If you’ve been searching for love, come to Me, come to Me

Take up your cross, deny yourself

Forget your father’s house and run, run with Me

You were made for abandonment, wholeheartedness

You were made for someone greater, someone bigger, so follow Me

And You’ll come alive when you learn to die

 

- Misty Edwards

Montreal (Qc) CANADA - July 14 2010 Pamela Anderson answer question from Montreal's media about her PETA ad

 

exclusive for www.wireimage.com

Question that I placed in the forum.

www.flickr.com/help/forum/en-us/72157625094289587/

For questions, purchase, and licensing inquiries, email me at weedidas@live.ca :)

T-Shirt Design for a VALUED CLIENT by TuShea Productions and thank you everyone for viewing!

For T-Shirt Design Questions: CALL 281.468.0826. ASK FOR Mr. Compton. Thank you and TuShea!

WTTC Global Summit

Miss Southern Africa UK Beauty Pageant Contest Grand Final Fashion Models in Evening Wear Interview Questions by Host DJ Tich Mataz ZTV Radio 3 at The Temple Nightclub Tottenham London 25th August 2000